‘Just Another Start to the Denigration of Anzac Day’: Evolving Commemorations of Australian LGBTI Military Service

This article examines key historical moments in 1982, 1996, 2013 and 2015 when current or formerly serving gay military personnel have publicly asserted their membership in Australia’s Anzac legend and the lesbian, gay, bisexual, transgender and intersex (LGBTI) community. Through using the public spaces of Anzac Day and Sydney Gay and Lesbian Mardi Gras, LGBTI service organisations have strategically positioned gay service personnel as past, present or future members of Australia’s Defence and LGBTI communities. Their public demonstrations have challenged Australians’ constructs of gay men’s masculinity, the Anzac legend, digger mythology and the Australian Defence Force.     

Profiteering in Australia during the First World War

The effect of domestic profiteering on Australia’s war effort and economy is a field still under-represented in historical research. This paper discusses how Australian governments struggled to come to grips with profiteering and public perception of the problem during the First World War. It is also a plea for military historians and others to move beyond the Gallipoli and Anzac perspective that still dominates this field and to look at other issues that were important during the war but which remain under-studied.     

Welcome home: reconciliation,Vietnam veterans,and Anzac during the Hawke government

Recent studies regarding reconciliation have argued that restorative justice creates depoliticised consensus. This paper tests this argument by exploring the Hawke government’s role in the reconciliation of the Australian public with Vietnam veterans in 1987, and the opportunities that this resolution created to mark Anzac Day free of the complicating tensions that had characterised the day in the period since the Vietnam War. It argues that the restorative justice evident in the reincorporation of Vietnam veterans into national narratives of Anzac provided opportunities for political elites like Hawke to convincingly employ Anzac as an ideograph and inscribe the day with new meaning. This process had profound continuing effects for the marking of Anzac Day that demonstrate the politically limiting effects of restorative justice.     

His Two Mates Around Him Were Crying: Masculine Sentimentality in Late-Victorian Culture

Abstract

Commentators on late-Victorian culture often tell us that two interrelated developments took place. First, there was a shift away from Victorian sentimentality; second, there was a growing insistence on toughness and emotional reserve as desirable for white men. Commentators on late-Victorian Australia often suggest that these developments were unusually conspicuous there. This is what the historian of mourning Patricia Jalland tells us in a discussion of the paradigmatic representation of death in Victorian Australian culture. In the Australian colonies, she writes, the paradigmatic death was the tough white man’s in the solitary bush. Representations of such deaths were legion, most often infused with ‘ironic realism’ rather than sentiment. In this article I challenge this view. Focusing on the work of popular Australian writer, Henry Lawson, I show that depictions of white men dying in the bush were profoundly sentimental in that they promoted pathos for white men’s suffering and grief in conventional ways. Representations of dying bushmen were indeed part of a specifically white, masculine sentimentality emerging throughout Anglophone culture in the late-Victorian years, part of a process through which white men insisted on the primacy of their emotional experiences and needs. In Australia and other settler colonies, this new masculine sentimentality also supported settler colonialism because promoting tenderness for hardy white frontiersmen diverted sympathy from the Aboriginal peoples they dispossessed. This article accordingly rethinks the dynamic between masculinity and sentiment in late-Victorian culture, paying particular attention to its relationship to power.     

How is Australianness represented by prime ministers?: Prime ministerial and party rhetoric of race,class, and gender on Australia Day and Anzac Day, 1990–2017

ABSTRACT

Australia Day and Anzac Day, held on January 26 and April 25 annually, are key moments used by prime ministers to share, shape, and reproduce their understanding of what and whom is representative of a unique Australian identity and nationalism. This paper uses qualitative and quantitative methods with content analysis to evaluate and compare prime ministerial and party rhetoric in their Australia Day and Anzac Day speeches between 1990 and 2017 regarding class and economic relations, gender and sexuality, and race and national identity. We ask: How have prime ministers as reflexive actors used their speeches on Australia Day and Anzac Day to represent what it means to be Australian? The study reveals that despite prime ministers sometimes using intentionally inclusive discourses, they simultaneously reproduce a classless, hetero-masculine, and Anglocentric Australianness as a normative representation of national identity in Australian society.     

Mythologising the Dominion Fighting Man: Australian and Canadian Narratives of the First World War Soldier, 1914–39

A stereotypical image of the nation's First World War soldiers—and a conventional understanding of their war experience and its meaning—is not a concept unique to the British Empire's former Pacific Dominions, but is also promulgated in other parts of the Empire. During the First World War and interwar period, Canada also saw the emergence of a ‘Myth of the Soldier’ that paralleled the Anzac legend in many ways. This article focuses on some of the similarities and differences in Australia and Canada's mythologising of their First World War soldiers, proposing that this process reflects aspects of identity formation common to settler societies within the British world.     

‘Part of Our Own Story’1: Representations of Indigenous Australians and Papua New Guineans within Australia Remembers 1945–1995 — the Continuing Desire for a Homogeneous National Identity

Throughout 1995 the Australia Remembers 1945–1995 programme sought to commemorate and celebrate Australia's involvement in the Second World War in ways which included all Australians and reflected the continuing potency of the Anzac legend. Indigenous Australians and Papua New Guineans were included in what became, essentially, an exercise in imagining a national past. Their inclusion in the national memory fostered by Australia Remembers 1945–1995 revealed ways in which Indigenous Australians' presence within the nation remains contested. Within Australia Remembers‘ commemorations of Pacific Islanders, Papua New Guineans remained constructed as ‘the other’, in ways which remained in essence colonialist.     

Anzac for Sale: Consumer Culture,Regulation and the Shaping of a Legend, 1915–21

After the Gallipoli landing on 25 April 1915, the word Anzac began to appear with increasing frequency to brand a range of Australian consumer products, and many traders applied to change the name of their businesses to Anzac. On 25 May 1916, the federal government issued War Precautions Regulations prohibiting the unauthorised use of the word Anzac ‘in any trade, business, calling or profession’. This article explores applications to use the word Anzac for commercial purposes between 1915 and 1921 to argue that consumer culture became a battleground where individuals and groups competed to assert ownership over the word and the social currency it represented.     

The National Gallery of Victoria’s Colony and Difficult History

A recent exhibition staged by the National Gallery of Victoria Australia can be regarded as an expression of the international difficult histories boom. In large part, its representation in Colony of Australia’s black history is in keeping with the Manichean accounts that have come to dominate in the realm of popular culture and is a function of its decision to represent the past in forms that are primarily memorial and performative rather than historical and pedagogical. I argue that any serious attempt to come to grips with this nation’s difficult Aboriginal history requires its settler peoples to rethink rather than merely reject previous settler accounts of the past, and I contend that this task demands the practice of both scholarly history and local Aboriginal community history, which provide more complex accounts of the past.     

Composing Connections between Continents: Tracing the History of Australia’s Engagement with Antarctica through Music

This article explores the history of Australia’s engagement with Antarctica through music, from the earliest songs and an opera created by the first Australian explorers to Antarctica, to the popular Antarctic-related classical music of Australian composer Nigel Westlake and the soundscape-based compositions of Australia-based sound artists Philip Samartzis and Lawrence English. Drawing on the field of musicology, but also the scholarly turn to the senses as part of the broadening reach of cultural history, the article argues that Australia’s musical engagement with Antarctica constitutes a significant, though understudied, aspect of our aural heritage. Further, deeper and critical appreciation of this music as cultural and aural heritage enhances our ability to reflect on the full extent of Australia’s relationship with, and contribution to knowledge about, its ‘Great Frozen Neighbour’ and its identity as a ‘gateway’ to the Antarctic region.     

Relaxed Bodies and Comfortable Clothes: Reframing Masculinity in Post-War Australia

As Australia's Second World War servicemen began returning home, many anticipated the pleasure of stepping out of their uniforms for the last time. Yet scholarship on the role clothing played in repatriation and post-war rehabilitation in Australia remains scarce. Exploring the post-war swing towards sportswear, the article considers the growing idea of relaxed bodies and the language of comfort that underpinned it. It argues that being attentive to men's dress allows us to engage with a reframing of attractive, able, white, heterosexual bodies that combined two icons of Australian masculinity – the Anzac and the athlete – into a more relaxed vision of manliness.     

Timeline History and the Anzac Myth: Settler Narratives of Local History in a North Australian Town

This paper explores rural Australian settler historical narratives through an examination of the landscape of public history in the northwestern Queensland city of Mount Isa. In various sites of public history, including the city's 75th anniversary festivities, tourism sites, and popular historical literature, certain narrative themes are predominant. Themes of ‘discoverers’, ‘firsts’, and ‘pioneers’ coalesce into a ‘timeline’ approach to history, in which the past is ordered sequentially in a linear pattern of development and progress. Aboriginal people are incorporated into linear histories in various ways, notably through the concept of ‘the last of the tribe’, which separates an aboriginal past from a European, colonial present and presumes colonial authority to be effectively established. Aboriginal people, particularly the Kalkadoon, are also incorporated within a second narrative tradition, the Anzac legend, for their heroic, desperate and failed battle in 1884 against European invaders. Aboriginal leaders in Mount Isa use these settler narrative traditions to advance native title claims and to create a respected public space for Aboriginal people in the city. In short, settler historical narratives, while being conservative in language, are continually being reshaped and metaphorically extended to new contexts, and are mobilized for both conservative and critical political agendas..     

Two flags in the sand: anti-Communism in early Cold War Northern Ireland

ABSTRACT

This article reveals how the Cold War impinged upon not just national, but local political considerations and became woven into communal narratives. It contributes to the examination of religion in the conflict, adds to the historiography of Britain and the Cold War, and provides a context by which British Cold War experience and responses can be assessed. With Northern Ireland’s political similarities to Great Britain, its consistency with European norms and its overlaps with popular sentiment in the United States, Northern Ireland offers a gauge to better understand the nature of anti-Communism in the Cold War’s first decade and offers an unexplored perspective on the conflict.     

The pastoral role of Contemporary Christian Music: the spiritualization of everyday life in a suburban evangelical megachurch

Contemporary Christian Music (CCM), popular music featuring evangelical Christian lyrics, is one of the most widely consumed forms of commercial entertainment for America's 70–80 million white evangelical Christians. CCM is an excellent lens through which to examine the complex interactions of religious faith, community sentiment, and popular music practices in the contemporary US. I explain how CCM performs the ‘pastoral’ task of reinforcing Christian faith in an evangelical megachurch in the suburbs of Sacramento, California. I argue that a monthly concert series not only guides evangelical Christians in their ‘walk’, but also helps constitute the flock by building a sense of community. I suggest three spatial analytics to understand CCM's pastoral role: the place of the suburb, the sacred space of the church coffeehouse, and the body. At all three scales of analysis, the musical and religious practices of CCM at one suburban church spiritualize the everyday lives of the participants.     

Is Australia a middle power? A systemic impact approach

This article examines whether Australia is a middle power. It identifies the three most popular approaches to defining a middle power: by a country's position, behaviour and identity. The article tests each definition against Australia, highlighting the strengths and weaknesses of each. Highlighting an earlier systemic approach to defining states, an alternative ‘systemic impact’ definition for middle powers is proposed. This approach, it is argued, provides a more comprehensive manner for identifying whether a country like Australia is a middle power, along with the implications for international security.     

Rural Transformation and Cultural Industries: Popular Music on the New South Wales Far North Coast

This article explores the emergence of popular music as a niche cultural industry, connected to economic and social transformations on the New South Wales Far North Coast (also known as the ‘Northern Rivers’ region). The various images of the New South Wales Far North Coast as a ‘lifestyle’ region, ‘alternative’ locale and coastal retreat have attracted a diverse mix of ex–urban professionals, unemployed persons, youth subcultures, backpacker tourists and retirees. Yet, despite population growth, the region continues to suffer unemployment rates among the highest in Australia. Against this backdrop, diverse popular music ‘scenes’ have emerged, constituting an industry with linkages to cultural production in Sydney, Melbourne and overseas. While the region’s unique cultural mix has been suggested as a key site of comparative advantage, future employment is likely to remain transient, insecure, and governed by industry–wide labour relations. This case study illustrates some of the complexities underpinning contemporary urban–regional change in Australia, and provides cautious assessment of the capacity of the cultural industries to reinvigorate rural economies.     

“Australianizing” the Local Catholic Church: Polding to Gilroy

The Catholic Church in Australia until around the 1940s has commonly been described as “Irish” and “Roman”. Historians cite the high proportion of Irish clergy and bishops, the latter often educated in in Rome. While the above pattern is accepted, there is evidence of earlier “Australianization.” This article examines such evidence in the foundational Archdiocese of Sydney and focuses on two archbishops, John Bede Polding and Norman Thomas Gilroy. Polding (archbishop 1842–1877) contributed to Australianization by initiating the Australian hierarchy, establishing a local seminary, seeking leaders experienced in Australia, and founding the local Sisters of the Good Samaritan. Gilroy's episcopate (1940–1971) saw the consolidation of the Australianizing trend. Witness to the Anzac landings, the first native‐born archbishop of Sydney and cardinal, Gilroy led the archdiocese as the Australian episcopate and clergy became further Australianized. On his retirement, after being named “Australian of the Year,” the Catholic Church in Australia could best be termed “Australian” and “Roman.”     

Erotic Attachment,Identity Formation and the Body Politic: The Woman‐as‐nation in Canadian Graphic Satire, 1867–1914

Using depictions of ‘Miss Canada’ in editorial cartoons and political campaign posters published in English Canada between 1867 and 1914 as a case study, this article argues that the repetitive deployment of feminised and eroticised images of the nation summoned particular gender, sexual and political identities into being and entangled viewers’ psychic investments in masculine, heterosexual and nationalist subjectivities. It also considers how Miss Canada's normative representation as white conflated racial whiteness and Canadian‐ness, and how images hailed viewers into racial subjectivities that were leashed to national identity. Rather than querying how or why the woman‐as‐nation trope elicited nationalist sentiment in an already‐constituted subject, this analysis examines how imagery provoked viewers’ identification with subject positions that were co‐constituted with nationalism. Impassioned and even violent nationalism becomes more comprehensible when we consider that the woman‐as‐nation was capable of producing attachments to national identity that, for some, were inseparable from and tantamount to psychic investments in gender, sexual and racial identities. While Canadian scholars have recognised that Miss Canada was a significant popular culture icon during the long nineteenth century and acknowledged this icon's embeddedness in gender, sexual and national discourses, studies have tended to describe Miss Canada's role in consolidating hegemonic ideologies and power relations and underestimate visual culture's constitutive capacities. The extent of Miss Canada's hetero‐erotic coding has also largely escaped historians’ notice. Although a few scholars have explored visual culture's role in Canadian national identity formation during this era, this study makes a unique contribution by foregrounding the productive work of popular imagery in co‐constituting and entwining national and sexual subjectivities.     

Media portrayal of the cultural relationship between Australia and Japan

This article traces Japanese and Australian media portrayals of the cultural aspects to the bilateral relationship. The article examines popular discourse about Japan and Australia in the media of each country, demonstrating how this has reflected the evolution of the cultural relationship. In Australia, the press has swung from portraying Japan as a problematic source of income from the resources trade, through to the home of ‘cool’ technology and fashion. In Japan, discourse about Australia has ranged from images of a country populated with cute animals, to a regional partner sharing the same democratic ideals. The article draws from the personal experiences of the author who was a correspondent and journalist for Australian and Japanese news corporations during the 1980s and 1990s. The author covered the ‘koala wars’ and the frill-necked lizard boom prompted by the Mitsubishi Mirage television commercial, as well as monitoring the growth in Japanese tourism to Australia. The author also draws on data from tracking surveys conducted by the Embassy of Japanese in Australia.     

Convict ancestry: a neglected aspect of Australian identity

Abstract Claiming descent from convicts who were sent to Australia during the early period of British settlement is more than just about blood ties, it is also an aspect of national identity for many Australians. Analyses of nationally representative survey data show that younger, left‐leaning, working class Australians are most likely to identify as convict descendants, while older, high income, educated, city dwellers are least likely to identify. Our findings also suggest that the ‘hated stain’ of convict ancestry is senescent, and will diminish with intergenerational replacement. Yet claims to convict descent remain divided along status lines. Interest in convicts and claims of convict heritage may comprise an element of ‘popular taste’, but as a consequence of this popularity, ‘convict chic’ is rejected by educated elites. Embraced by ‘middle Australia’, but shunned by cosmopolitan elites, convict ancestry is a neglected aspect of Australian identity. Whether claims of convict ancestry are ‘real’ or ‘imaginary’, the power of foundation myths to provide shared memories is evident in the salience of convict connections in Australia.