The decolonial subject and the problem of non-Western authenticity

It is argued in this paper that some decolonising strategies in the study of global politics are precluded by the problem of non-Western authenticity. I question the idea of an identifiable non-Western geo-cultural context that could significantly reconstitute what already is a post-Western subject. I claim that in most cases the asymmetrical encounter between the colonised and the coloniser has fundamentally and extensively redefined human subjectivity in a way that largely negates decolonial emancipatory projects. This is the result of the all-encompassing penetration of Western coloniality (in its political, economic and cultural representations) into the spaces of pre-colonial or uncolonised forms of subjectivity. I draw from Frantz Fanon’s and Jacques Lacan’s theories to argue that attempts to recover non-Western forms of self-identification are useful albeit illusory psychological mechanisms to stabilise hybrid postcolonial subjectivities rather than an actual restoration of non-colonial and purified forms of existing in the world. I suggest that an effective anticolonial politics of resistance will necessarily entail the understanding of post-Western subjectivity in terms of psychological ‘hybridity’ rather than decolonial ‘authenticity’.     

Tropes of fear and the crisis of the west: Trumpism as a discourse of post-territorial coloniality*

We examine ‘Trumpism’ as a contemporary form of colonial domination, showing how this discourse represents both a crisis of coloniality and a stimulus for a movement of ‘decoloniality’. A critical discourse analysis is applied to seven speeches delivered by Donald Trump between his announcement of his presidential candidacy in June 2015 and his inauguration in January 2017. In assessing Trump's arguments, we focus mainly on those concerning national security, illegal immigration, and the threats posed by various foreign countries. Although these arguments sit within a long colonial tradition, they also indicate a crisis of modernity, as witnessed in the growing challenges to colonial masculinity, nationalism, and rationality. We conclude that Trumpism articulates a reaction to these challenges, and that Trump's rise to power is a symptom of the crisis of post-territorial coloniality in contemporary global society.     

Playing with digital gender identity and cultural value

In cyberspace, anything is possible. Playing with digital gender identity has particularly flourished in digital dating games. Women can become the ‘masters,’ while men are the ‘pets’ when fabricating and manipulating digital gender identity to develop alternative heterosexual relationships. This implies that the breaking down of social and cultural barriers in cyberspace is possible if the digital dating game is seen as playful or a potential liberation from the barriers of digital gender identity to challenge the existing masculine power base. The current study attempts to fill the gap in knowledge related to challenging heterosexuality as the masculine dominant norm in cyberspace by examining Taiwanese online heterosexual relationship developments between gender identity and cultural value while playing a ludic digital dating game. The study employs netnography and recruits 40 people total, including Taiwanese workers and full-time university students, for participation in this research. The results highlight that the digital dating game is in some ways liberating, enabling Taiwanese users to present themselves as they want to express emotions, establish online heterosexual relationships in a nontraditional way, and engage in alternative digital gender play. These ‘ludic gaps’ allow for a fleeting, but unsustainable escape from traditional Taiwanese gender cultural values and practices. It is suggested that culture is inescapable, regardless of whether we are in the real world or cyberspace.     

Beyond race: constructions of ‘Europeanness’ in late-colonial legal practice in the Dutch East Indies

This article proposes to introduce the study of European identity into colonial history and vice versa. It analyses the ways in which the legal classification of the population functioned in late-colonial Indonesia. A close inspection of this case reveals that the oft-cited fundamental colonial difference between ‘ruler’ and ‘ruled’ was in reality not nearly as clear-cut. The concept of ‘Europeanness’ – as opposed to ‘Whiteness’ – is highlighted as the category at the center of colonial hierarchy. This leads to a re-evaluation of the relative significance of various differentiating categories in the colonial context, most importantly race and class. The author concludes that by not taking ‘Europeanness’ seriously as an independent category, scholars of ‘cultural racism’ have tended to overemphasise ‘race’, with the consequence of oversimplifying the complex, multi-layered nature of the colonial social hierarchy.     

Human–animal relations and the celebration of place‐identity: A case study of the Scone Racing Carnival,New South Wales

Festivals and carnivals are social‐cultural assemblages of human and non‐human entities. This paper investigates interactions between humans and animals by focusing on the Scone Racing Carnival, a key event in the Scone and Upper Hunter Horse Festival. This paper contributes to existing studies of non‐metropolitan festivals and animal–human relations by questioning how and why non‐humans are enrolled in these cultural events, and the impact this has on place identity. The central argument is that the relationship between humans and thoroughbred horses, in particular, has played a significant role in the creation of a distinctive landscape, a regional identity for the Upper Hunter region of New South Wales, and a local identity for Scone. In turn, the carnival has assisted in maintaining an ‘eque‐cultural’ identity through the marketing and annual public celebration of human–horse relationships.     

Towards ‘Embedded Non-creative Work’? Administration,digitisation and the recorded music industry

Abstract

For contemporary cultural policy, ‘non-creative’ work continues to form a conceptual blindspot: a foil to define and value creativity against. This paper develops existing categories to augment the task-focused notion of ‘embedded creativity’ with a more situated view of work’s cultural and institutional embedding. It first interrogates this ‘embeddedness’, taking a ‘cultural economy’ approach to intermediation and administrative support. Drawing on observations from an in-depth qualitative study of employees in major record labels, the second part articulates the heightened importance of ‘admin’ to recorded music industries, after ‘digital disruption’. Routine bureaucratic labour presents an atypical example, revealing much about the hidden relational and identity work that goes into constructing ‘creative industries’ as such. The intention is not to show that ‘embedded non-creative workers’ are in fact ‘creative’ but, on the contrary, to articulate the distinct contributions and value of support work in this context, questioning a persistent reliance on creative/non-creative dualisms. Policy research would benefit from enriched understanding of culture's assembly in marketable objects, reorienting understandings of ‘cultural’ labour markets and careers, and reimagining the role of traditional cultural ‘administration’ in the contemporary ‘creative economy’.     

Evo's jumper: identity and the used clothes trade in ‘post-neoliberal’ and ‘pluri-cultural’ Bolivia

Since the election of Latin America's first indigenous president, Evo Morales, in 2005, Bolivia's ruling party, the ‘Movement Towards Socialism’, has nationalised resources and instituted a ‘post-neoliberal’ and ‘pluri-cultural’ constitution that emphasises the importance of recognising cultural, linguistic and economic plurality. This article explores gendered economic identities in this context via the case study of an informal trade that is explicitly excluded from this vision of development: the globally controversial used clothes trade (UCT). In Bolivia, political debate on the trade demonstrates gendered tensions inherent in the government's ‘post-neoliberal’ agenda of nationalisation, protection of cultural identity and the well-being of the poor in an increasingly liberalised and globalised market place. Working with women in the city of El Alto, this article examines how women's involvement in the UCT challenges understandings of identity and development in post-neoliberal Latin America and the dynamics involved in women's continued marginalisation from global economic and political processes.     

Some Stray Folklore Notes

This article uses ideas developed in the philosophy of science to examine two concepts of culture used in contemporary folkloristics. One of them appears mainly in the context of archival work, while the other occurs chiefly in discussions on themes such as identity politics and ethnic minorities. The main difference between the two concepts is that one is used when formulating ‘substantial theories’ related to ‘kinds’, whereas the other is a bone of contention in ongoing debates on the level of ‘grand theories’. Theoretical tools developed in earlier cultural research are taken into use in contemporary cultural movements, and this affects theoretical debates on the level of grand theories.     

‘Defining Moments’ and Refining Myths in the Making of Place Identity: the Newcastle Knights and the Australian Rugby League Grand Final

This paper deals with the role of the media in refashioning place identity and in repositioning places in the cultural system of space. Specifically, it examines as a case study the media coverage of the September 1997 success of the ‘Newcastle Knights’ in the Australian Rugby League Grand Final. This event produced an intriguing moment in the reimagination of the identity of Newcastle (New South Wales), an industrial city undergoing ‘deindustrialisation‘. The paper draws on Hall’s (1997) notion of ‘resemanticisation‘ in repositioning place identity to explore how key elements of Newcastle’s dominant identity myths were utilised by the media in the post‐match media coverage. Traditional industrial narratives of embattled place were merged with the vision of a bright economic future for a re‐identified Newcastle and recoverable elements of Newcastle’s problematic industrial place identity were recast, stripped of their troubling connotations, and deployed in furthering the project of reimagining a prosperous future for the city. The paper thus considers the role of the media and sport in locating and relocating places in the Australian cultural system of space.     

Recognition,coloniality and international development: a case study of the Nubians and the Kenya Slum Upgrading Project

In response to the provocation of this special issue, about the extent to which we might be ‘beyond recognition’ out of concern for its colonising tendencies, this paper enquires into norms of recognition in international development. The paper establishes development as a site in which governmentality operates (following Tania Murray Li), in which coloniality is at play, and which also forms a field of recognition. I provide an analysis of a land-based recognition claim by the minority ethnic Nubians in Kenya, and the non-recognition of this claim by the Kenya Slum Upgrading Project. The paper identifies three particular explanations for this non-recognition, all of which exhibit coloniality: the epistemic context, the programmatic nature of the development and hierarchies of personnel. Together, these phenomena precluded the project from engaging in the difficult but necessary discussion around the Nubians’ claim because it was too political. The paper concludes that though we have cause to be concerned about the effects of coloniality on recognition regimes partly constituted by international development, international development has its limits in the milieu in which it operates, and political subjects can and do turn away from it to engage other, albeit imbricated, fields of recognition.     

Risk and the Sacred: Environment,Media and Public Opinion in Bali

This exploration of controversies over environmental regulation in the Indonesian province of Bali traces the relationship between the media, environmental attitudes and Balinese identity, focusing on the religious dimension of that identity and the ways in which this has become bound up with conceptions of environmental imbalance and a popular critique of capitalist development on the island. The fusion of cultural and environmental metaphors of ‘erosion’ and ‘preservation’ in public discourse is striking in the Balinese case, since sites of great spiritual significance are also attractive to investors for their aesthetic appeal and heritage value (Verschuuren et al. 2010). From the earliest emergence of environmental conflict on the island, the emotive power of cultural identity became intimately connected with environmental politics. This article traces several of the pervasive and interconnected dichotomies ‐ sacred and profane, cultural value and economic interest, environmental preservation and use (exploitation), certainty and uncertainty (risk) ‐ that characterise debates surrounding environmental regulation and development on the island.     

Destruction,mitigation, and reconciliation of cultural heritage

Attacks on built cultural heritage often occur during times of armed conflict. Many such acts are not collateral damage, but rather are deliberate and ideologically driven assaults intended to eradicate the adversary’s identity and collective memory. They represent ‘urbicide’ and ‘identicide’. The victims typically attempt to mitigate the loss, frequently by reconstructing the lost historic place and thereby restoring tangible evidence of their identity. Reconstruction, however, is itself an ideological act and a destructive activity, since it erases memories of the violence and removes physical evidence. The United Nations Educational, Scientific and Cultural Organisation has commemorated several cultural heritage sites that have been destroyed and subsequently reconstructed, by inscribing them on the World Heritage List. Although this ensures the perpetuation of their memory, it may distort the original purpose of the list as a celebration of ‘outstanding universal value’. Beyond commemoration, a desired outcome is reconciliation. True reconciliation requires the release of anger and pain, so that memories of the violence may be retained without a desire for retribution. This article looks at a selection of acts intended at destroying cultural heritage, including some that did not occur during war, and examines means and motives for achieving mitigation and reconciliation.     

Circassian Encounters: The Self as Other and the Production of the Homeland in the North Caucasus

Diasporas are an increasingly important phenomenon in the ‘era of globalization’. Transnational networks structure and restructure economic exchanges, familial bonds, cultural identities and political mobilization. This article examines one such diaspora, which traces its origin to the North Caucasus, the Circassians. The break-up of the Soviet Union has enabled some people to journey back to their ‘homeland’ and even take up residence there once again. Through such journeys and the encounters that accompany them, notions of identity, history, culture and tradition are challenged. This has the dual effect of fragmenting ethnic identity while simultaneously transforming the ‘homeland’ from an abstract concept to an everyday reality. The ensuing interplay between nation and diaspora is translated by different individuals in different ways. Three narratives of journeys to the homeland are presented here, showing the complex motivations and consequences of such journeys. Ethnographies of globalization thus reveal that concepts of ‘ethnicity’, ‘nationalism’ and ‘ethnonationalism’ have to be rethought in the context of shifting borders, transnational encounters and the production of diasporas.     

Towards Eurasia: remapping Europe as ‘upstart peripheral to an ongoing operation’

In order to heed the call in world literature studies to work against disciplinary Eurocentrism by refiguring both what constitutes world literature and how this is read, in this article I propose world literature as an archive of world-making practices and as an impulse for the articulation of alternative methodological approaches. This takes world literature from the postcolonial South as, following Pheng Cheah, instantiating a modality of world literature in which the need for imagining worlds with alternative centres to those determined by coloniality is particularly acute. A response to this is facilitated and illustrated by a reading of Bengali poet Rabindranath Tagore’s Letters from Russia (1930), and South African writer/activist Alex La Guma’s A Soviet Journey (1978). By drawing forward connections between the postcolonial South and the former Soviet Union, this complicates traditional colonial arrangements of the colonial ‘centre’ as cradle of civilisation and culture, as well as postcolonial scholarship’s cumulative fetishisation of ‘Europe’, by allowing a reshuffling of the co-ordinates determining ‘centres’ and ‘peripheries’ and a more nuanced grasp of ‘Europe’ simultaneously. These imaginative journeys destabilise ‘Europe’ as closed category and call forth Eurasia as a more appropriate categorical–cartographical framework for thinking this space and the connections and (hi)story-telling it stages and fosters.     

Aims and contradictions of cultural diversity policies in the arts: a case study of the Rich Mix Centre in East London

In recent years, the concept of diversity has become prominent in cultural policy, echoing community arts philosophies of the 1960s and 1970s that questioned the notion of universal artistic value and argued for greater recognition of the relationship between cultural identity and inequality. Cultural diversity policies today implicitly challenge the liberal‐humanist discourse of ‘the best’, and emphasise what is ‘relevant’ to particular communities. Official policy rhetoric can often hide contradictions that are only apparent in practice. How does ‘diversity’ shape the way organisations engage with audiences and does this contradict the still present discourse of ‘universalism’, with its emphasis on value judgements? This paper explores this tension through the study of Rich Mix, a multi‐functional arts centre in London's multi‐ethnic East End. It argues that Rich Mix is caught between discourses of universalism and diversity, leading to confusion over the project's rationale and ambivalence amongst artists about how their art is judged.     

The fallen hero: masculinity,shame and farmer suicide in Australia

The drought-stricken Australian rural landscape, cultures of farming masculinity and an economy of value, moral worth and pride form a complex matrix of discourses that shape subjective dynamics that render suicide a possibility for distressed farmers. However, the centrality of a ‘mental health’ perspective and reified notions of ‘stoicism’ within this discursive field operate to exclude consideration of the ways in which cultural identity is linked to emotions. To illuminate and explore complex connections between subjectivity, moral worth and affect in relation to understanding farmer suicide, this article draws on theory and literature on agrarian discourses of masculine subjectivity and shame to analyze empirical data from interviews with farmers during times of environmental, social and economic crisis. The idealized notion of the farming man as ‘Aussie battler’ emerges from romantic agrarian mythology in which pride and self-worth are vested in traditional values of hard work, struggle and self-sacrifice. However, the structural context of agriculture, as it is shaped by the political economy of neoliberalism, threatens farm economic viability and is eroding the pride, self-worth and masculine identity of farmers. The article suggests that the notion of the ‘fallen hero’ captures a discursive shift of a masculinity ‘undone’, a regress from the powerful position of masculine subjectivity imbued with pride to one of shame that is of central importance to understanding how suicide emerges as a possibility for farmers.     

Private Cooking,Public Eating: Women street vendors in South Durban

The diverse cultural spaces of eThekwini (Durban), South Africa, reflect the accommodations and daily cultural negotiations made by the residents of a city whose demographies represent the complex inheritances of interactions between a long history of colonial segregation, nearly 50 years of formal apartheid policies, rapid modernisation, and global networks of migration, production and exchange. This article explores the heavily gendered spaces in which the street food which is characteristic of many areas of the city is produced. ‘Kitchens’, whether a paraffin stove on the street or in an ‘informal’ settlement shack, or dedicated space in a modern flat or house, locate and position borrowings, appropriations and imitations in ingredients, techniques and recipes, between diverse cultural traditions. The cultural performance of identity links the private and the public, the kitchen and the spaces of consumption. Food, and the making of food, are inscribed with ethnicity, with understandings of what is ‘real’, of authenticity and tradition.     

Diverse unity: creole contributions to interethnic integration in Guinea‐Bissau

The paper explores how creole categories of people who have constituted a small but influential minority in Guinea‐Bissau for centuries contributed to a countrywide, integrated national culture since the eve of independence in 1974. Since independence, several cultural representations previously exclusive to creole communities have been – driven by the nationalist independence movement and the early postcolonial state – transformed into representations of a new national culture, crossing ethnic and religious boundaries. The fact that creole identity and culture had been transethnic – i.e. creole identity brings together individuals of heterogeneous cultural, ethnic and geographic descent – during the colonial period, has fostered in postcolonial times the countrywide spread of previously exclusively creole cultural features. I argue that this ‘transethnicisation’ of creole cultural representations has unified Bissau‐Guineans across ethnic lines, causing a strong commitment with their nation ‘from below’.     

From culture for the people to culture for profit: the PRC’s journey toward a cultural industries approach

This paper seeks to explore the internal driving forces behind the emergence and prosperity of China’s cultural industries. The paper traces the Chinese Communist Party’s radical transformation from stressing the class stand and ideological nature of culture to concluding with the concept of ‘cultural industries’ so as to expand an orthodox Marxist/Leninist/Maoist notion of culture. The Chinese party-state legalizes ‘cultural industries’ by extending the market mechanism into the cultural arena, and acknowledges the triple statuses of culture as a public service provider, a market profit contributor, and an essential builder of the ‘socialist core value system.’ By doing so, the Chinese Party-state is able to take advantage of the economic power of the market while retaining the ideological control function of culture. As such, cultural industries become a mode of governance for the CCP to maintain cultural security and national identity, and a source of soft power to maneuver.     

Deterritorialising the nation? Internet and the politics of the Greek‐American diaspora

In this article, analysis focuses on the websites of Greek‐American diaspora organisations. The aim is to study these media outlets on two levels: (1) with regard to their communication function(s), in order to understand the spectrum of usages they offer to their visitors; and (2) with regard to the way they signify identity specificity at the crossroads of a parallel ethnic or national adherence. The low interactivity constitutes one of the general features of the media analysed. The persistence of the nation as the framework to apprehend collective belonging and the interaction with the ‘other’ is another recurrent and important element. The ‘identity specificity’ of the Greek diaspora community is not presented in articulation to the host society, but in terms of a continuous attachment to a ‘mother‐nation’, as a historic and cultural entity. The nationhood claimed and promoted in this manner is ethnic and cultural, and it espouses the form of an ecumenical and transcendent Hellenism.