The Khat ban in the UK: What about the ‘scientific’ evidence? (Respond to this article at http://www.therai.org.uk/at/debate)

Since the 1920s certain psychoactive substances have been controlled by specially created international agencies. More recently, governments have committed themselves to using evidence in policy‐making. Yet, as the ban on khat in the UK and other countries shows, the assessment process is a perfunctory rather than a decisive component. The Home Secretary set aside scientific advice and bases the decision to ban on considerations outside the health risk ratio, including crime control and counter‐terrorism. However, experience shows that prohibiting substances when demand remains strong is inherently criminogenic. Indeed, the khat ban would appear to play into the hands of radical Islamist organizations. In this article, Axel Klein discusses how political calculations overrule evidence and how this is facilitated by international drug control agencies. Using the term ‘social system’ to explain the relentless extension of bureaucratic remit, he argues that control would now appear inevitable for any substance defined as a drug, regardless of evidence and consequence. As this has implications for other culture‐bound peculiar substances or ‘genussmittel’ he suggests ditching the term ‘drug’ altogether.     

From the Land of the Pure,in Search of the Lost Origin: An Interview with Bahram Beyzaie on Siyavush-Khani (Siyavush Recitation) and its Mythological and Literary Roots

The interview was conducted in 1997 after the publication of Beyzaie's extraordinary engagement with the legend of Siyavush in Siyavush-Khani (Siyavush Recitation). Beyzaie's experiments with Shahnameh legends are not adaptations in the strict sense of the term. This is primarily because their stories are often different from what appears in the Shahnameh, mix the narratives with other mythical sources and place them in contemporary templates with an inter-paradigmatic gaze that reflects on the meaning and the history of the present. The interview is significant in that, as it has been conducted by a leading playwright and scholar of Iranian performing arts, it enables the reader to have firsthand experience of working in Iran as a playwright and reveals some of the methods Beyzaie uses to handle his subjects.     

The History of Ressentiment in Iran and the Emerging Ressentiment-less Mindset

Two dichotomies, one that resents the West and another that admires it, seem to have long polarized both Iranian intellectuals and the public imagination. Darioush Ashouri discusses this issue in terms of “ressentiment,” a term he borrows from Nietzsche. This study puts Ashouri's scattered views within a Nietzschean framework to form a coherent theory, and places it against the background of a brief history of ressentiment in Iran. It then argues that signs of a ressentiment-less young generation, mostly university students, seem to be appearing, and a certain kind of social behavior on Facebook and a work by the Iranian musician Mohsen Namjoo are analyzed as evidence of this emerging mindset.     

The Murders in Maupassant's “En Voyage”

The term futurism was used in aesthetic circles during the first decade of the twentieth century throughout Europe. The broad use of the term has sometimes led to critical attempts to link the various "futurisms" together into a coherent whole. In my article, I compare and contrast Alomar's Catalan futurism with the Italian futurism associated with Filippo Tommaso Marinetti (1876-1944). Although the two futurisms share the name and, to some extent, similar philosophical backgrounds, their foundational documents or manifestos are more different than they are similar, and Alomar's futurism cannot and should not be critically subordinated to Marinetti's Italian one. My article addresses what is futurist in Alomar's thought as well as its unique regionalist underpinnings that find no analogue in other European futurisms.     

Defining the OE hearg: a preliminary archaeological and topographic examination of hearg place names and their hinterlands

The OE term hearg is interpreted variously as ‘pagan temple’, ‘hilltop sanctuary’ and even ‘idol’. It is a rare survival in the English place‐name record. When it can be identified, the place name is commonly considered to refer to a location of pre‐Christian religious activity, specifically a pagan Anglo‐Saxon temple. Taking inspiration from the extensive and methodologically well‐advanced studies in Scandinavia, which have successfully related place‐name evidence for cultic and religious sites with the archaeology and topography of these localities, this paper adopts and uses a similar methodology to investigate the archaeological and topographic character of a selection of hearg locations. The traditional interpretations of the place name are questioned and evidence is presented that these sites are characterized by long‐lived, localized cult practice spanning the late prehistoric to early historic periods, but with activity reaching a zenith in the late Iron Age to Romano‐British eras, rather than the fifth to seventh centuries AD.     

Avestan xratu-

The specific sense that the word xratu- possesses in the Gāthās has not received the attention it deserves. As this article will show, this specific sense points to the eschatological foundation of Zoroastrianism. Eschatological concerns did not first develop in the frame of an established “monotheistic” religion; rather, Zoroastrianism arose from those concerns. The xratu- has a strictly eschatological function in the Gāthās. The noun retains this semantic capacity not only in the Young Avestan but also in the Middle Persian Zoroastrian texts. Iranian languages share the noun with Vedic and (archaic) Greek, where it has the basic meaning of the mental capacity to achieve proposed goals, hence practical intelligence, resourcefulness, or efficacy. If this is in fact the general sense that xratu- has in Iranian, as will be briefly pointed out, the specifically eschatological meaning that it acquires in the Gāthās must indicate the type of religious discourse to which these compositions belong. The noun may, further, have developed its eschatological meaning before the time of the Gāthās and already become a technical term. In this case, it would be legitimate to ask whether there are traces in the Gāthās that point to the institutional background of the term. There do indeed seem to be such traces. The term seems to have been used in the technical sense of the mental power to attain the divine sphere in the daēva cult.     

Troubling Naturalism: Shirana Shahbazi's The Curve

This article performs a reading of Shirana Shahbazi's photo-based mural The Curve (2007), an artwork that interrogates the production of knowledge based on various ideas of truth in representation. The Curve meditates on knowledge production in relation to three sites: contemporary documentary photography, the history of northern European still-life painting, and the murals of religious leaders and martyrs that adorn Tehran. The effect of these multiple citations is the creation of an artwork that cannot be comfortably contextualized either in Western art history or in contemporary Iranian visual culture. The Curve thereby anticipates and attempts to block its own assimilation into art historical and critical discourses that reduce the work of Iranian artists to static reflections of a particular geographical and political reality. The artwork thus demands a consideration of the ways in which context, as a term in contemporary global art history, is ideologically constructed within a certain network of power relationships.     

The Dialogical Tradition of Iranian Modernity: Monazereh,Simultaneity, and the Making of Modern Iran

Iranian modernity has chiefly been examined in the context of a dialectical antagonism between “traditionalists” and “modernists”—main categories comprised of related sub-headings such as “Islamist” versus “secular,” “reactionary” versus “revolutionary,” and “regressive” versus “progressive.” Following this approach, Iranian adaptations of modernity have often been (de)historicized as a theater of national “awakening” resulting from the toils of secular intellectuals in overcoming the obstinate resistance of traditional reactionaries, a confrontation between two purportedly well-defined and mutually exclusive camps. Such reductionist dialectics has generally overwritten the dialogic narrative of Iranian modernity, a conflicted dialogue misrepresented as a conflicting dialectic. It has also silenced an important feature of Iranian modernity: the universally acknowledged premise of the simultaneity and commensurability of tradition with modernity. The monazereh (disputation or debate) is the account of the interaction between rival discourses that engaged in opposing, informing, and appropriating each other in the process of adapting modernity. Narrativizing the history of Iranian modernity as the conflict between mutually exclusive binaries overlooks its hyphenated, liminal¹1 The notion of liminality has been theorized in different capacities. The anthropologist Victor Turner first used the idea of liminality in his study of tribal and religious rituals during which an initiate experiences a liminal stage when he belongs neither to the old order nor yet accepted into his new designation. Victor Turner, The Ritual Process: Structure and Anti-structure (Chicago, IL: Aldine, 1969). Turner’s insight has been expanded to investigate the general question of status in society. See, for example, Caroline Walker Bynam, Fragmentation and Redemption (New York: Zone Books, 1992), 27–51. Bynam applies Turner’s notion of liminality to the lives of Medieval female saints, arguing that Turner’s liminal passage applies more readily to the male initiate but does not in most cases reflect the experience of female initiates in Medieval times. Jungian psychology has shifted the focus from liminality as a stage in social movement to a step in an individual’s progress in the process of individuation. Jeffrey Miller, The Transcendent Function (New York: State University of New York Press, 2004), 104. See also: Peter Homans, Jung in Context: Modernity and the Making of a Psychology (Chicago, IL: University of Chicago Press, 1979). Others have used liminality to describe cultural and political change, have prescribed its application to historical analysis, or have made reference to “permanent liminality” to describe the condition in which a society is frozen in the final stage of a ritual passage. Respectively, Agnes Horvath, Bjorn Thomassen, and Harald Wydra, “Introduction: Liminality and Cultures of Change.” International Political Anthropology (2009); Agnes Horvath, Modernism and Charisma (Basingstoke: Palgrave, Macmillan, 2013); and Szakolczai, Reflexive Historical Sociology (New York: Routledge, 2000), 23. Finally, the notion of liminality has been applied to the analysis of mimetic behaviour and to the emergence of tricksters as charismatic leaders, given the association of the figure of the trickster with imitation. Respectively, Agnes Horvarth, Modernism and Charisma (Basingstoke: Palgrave, Macmillan, 2013), 55; and Arpad Szakolczai, Reflexive Historical Sociology (New York: Routledge, 2000), 155. This latter sense seems to apply to the history of Iranian modernity, for the anxiety of imitation was indeed one of its central concerns, and influential figures such as Mirza Malkum Khan (1833–1908) were sometimes perceived (though this was not universally the case) as saviours or tricksters alternatively by different people. On this issue, Fereydun Adamiyat notes how different people had different views of Malkum. The “despotic prince Zill al-Sultan” considered him to be of equal status to Plato and Aristotle. Aqa Ibrahim Badayi’ Nigar thought he was devoid of “the fineries of knowledge and literature (latīfah-i dānish va adab). Minister of Sciences and chief minister Mukhbirul Saltanah Hidayat thought “whatever Malkum wrote has been said in other ways in [Sa’di’s] Gulistan and Bustan.” Fekr-e Azadi (Tehran: Sukhan, 1340/1961), 99. Mehdi Quli Khan Hedayat’s view of Malkum Khan was summed up in these words: “This Malkum knew some things in magic and trickstery and finally did some dishonorable things and gave the dar al-fonun a bad reputation,” Khaterat va Khatarat (Tehran: Zavvar, 1389/2010), 58. Having said that, my use of the notion of liminality, though informed by the theoretical perspectives cited above, diverges from them in one important aspect: liminality as perceived by contemporary theory seems to be based on a pre-/post- understanding of non-liminal statuses accompanied by a desire on the part of the subject to emerge from the liminal state. This approach does not explain liminality as a site for the synthesis of coexisting identities. The munāzirah is precisely the account of such a process. In the context of Iranian modernity, the discourse of tradition was not perceived as prior to the discourse of modernity, as we shall amply see. In fact, European civilizational progress was deemed to have resulted from the successful implementation of Islamic principles. Therefore, while the history of Iranian modernity can still be analyzed as a liminal stage where a weakened old order meets the promise of a new order, it must be understood in terms of the encounter of simultaneous and parallel discourses. It is in this sense that liminality is employed in this study.View all notes identity—a narrative of adaptation rather than wholesale adoption, of heterogeneity rather than homogeneity, of dialogues rather than dialectics. The monazereh is the account of modern Iranian histories.     

The Idea of a Good and Bad Gemeinschaft in William Bloke Modisane’s Autobiography,Blame Me on History

William Bloke Modisane, the African writer and journalist, attracted wide notice with his autobiography, Blame Me on History, which was banned in South Africa in 1963, the year in which it received its first publication. The sociologist's interest in Modisane's autobiography can be located in several basic themes (among these can be counted the problem of his cultural dilemma as a member of the African middle class), but for present purposes, we need to note only one aspect of the book which I think has been constantly ignored, namely the sociological tradition that informs the meaning of his concept of the community— Sophiatown. The name “Sophiatown” carries a profoundly important meaning in Modisane's autobiography. I will argue that in the sociological sense in which the Drum writer uses the name, he articulates the central notions of what the German sociologist Ferdinand Tönnies regards as a Gemeinschaft social order. There is a different, though related, point that needs to be made about Modisane's use of the term “community”: if we read his book carefully, we can see that it contains two different narratives about Sophiatown, a positive one which appears to have been slightly romanticised, and a negative one, which focuses on the community's darker side, showing it up to have been a Gemeinschaft in an unusual way. It is through this binary opposition that Modisane creates in his autobiography that he shows his ambiguity with regard to his Gemeinschaft community.     

‘In gente Britanniarum,sicut quaedam nostratum testatur historia …’: national identity and perceptions of the past in John of Salisbury's Policraticus

This article examines the construction of national identity in John of Salisbury's Policraticus (c.1159). This well-known treatise has not been included in recent discussions of identities in medieval Britain. The focal point of the analysis is the author's contradictory representations of Britones. John of Salisbury emphasised the distinction and hostility between the Britons/Welsh and the English; at the same time, he claimed that the ancient Britons (Brennius and his companions-in-arms from Geoffrey of Monmouth's De gestis Britonum) were ‘compatriots’ and ‘ancestors’ of the ‘contemporary’ inhabitants of the English kingdom. Comparison with other twelfth-century texts reveals specific features of the model of national identity traced in the Policraticus: the appropriation not only of the British past, but also of the British name and identity, and the imagining of a unified people of Britain. This culminated in the invention of the unique term gens Britanniarum, which nevertheless did not exclude the ‘English’ as an alternative or even interchangeable name. The article discusses political agendas behind John of Salisbury's use of the language of ‘Britishness’, most importantly, support for the pan-British ambitions of the archbishops of Canterbury. The example of the Policraticus, with its combination of both conventional and original elements, nuances our understanding of how and for what ideological purposes national identity might have been constructed in twelfth-century England.     

Imagining the Diaspora in the New Millennium Comedies of Iranian Cinema

This article examines the genre of comedy in Iranian cinema and explores the various influences on its development and growth. It demonstrates how the roots of recent comedies can be traced back to pre-Revolution commercial cinema (known as filmfarsi) as well as the traditional Iranian comic theatre of taqlid. In particular, it focuses on the depictions of the Iranian diaspora in these comedies. The Iranian diaspora has been imagined and represented frequently in modern Persian culture, often satirically and humorously. More recently, Iranian comedies have provided a new space to imagine, define, criticize and redeem the Iranian diaspora.     

Narration of Violence or Violence of Narration: Bahram Beyzaie's The Eighth Voyage of Sinbad and The One Thousand and First Night

Bahram Beyzaie is one of the most distinguished Iranian playwrights. Beginning his career in the early 1960s and still working, he is considered as a playwright who has always been looking for discovering and inventing non-classic and non-western narrative templates. To fulfill this purpose, he has made considerable use of classic Iranian literary sources, among which the One Thousand and One Nights and Ta'ziyeh texts are special cases. By analyzing Beyzaie's two plays, Hashtomin Safar-e Sandbad (The Eighth Voyage of Sinbad, 1964) and Shab-e Hezar-o Yekom (The One Thousand and First Night, 2003), which were produced within a forty-year period, this article attempts to highlight some of Beyzaie's methods of narration, particularly in relation to violence.     

Geologists and Folklorists: Cultural Evolution and “The Science of Folklore”

As has been made clear by recent inquiries in FLS News (Spittal 1996; Wylie 1966) and the republication of Kathleen Basford's 1978 book The Green Man (1996), there is a great deal of interest in the enigmatic “Green Man,” that foliate head which appears so frequently among medieval church carvings. The term itself came into general usage following Lady Raglan's 1939 article in Folklore, “The ‘Green Man’ in Church Architecture,” but examination of her original work reveals that her choice of the term “Green Man” was, on her own evidence, based more upon inspiration than fact. As a means of beginning an inquiry into the nature and meaning of the phenomenon, the present article is an investigation into the true name of the Green Man.     

Mother-Die: Plant Names and Folk Beliefs

The use of the name mother-die for cow parsley (Anthriscus sylvestris (L.) Hoffm.) and beliefs associated with this name are examined, as well as the beliefs found to be essentially those of the twentieth century most prevalent in northern England. Other plants which have been called mother-die, plus other names given to cow parsley, are also discussed, as are folk beliefs associated with these names.     

Iran's new strategic entity

This article focuses on the two political factions in Iran, the Jihadi (traditionalist combative) and the Ijithadi (creatively interpretive) and their competition and accommodation since the Revolution. The author argues that US-policy and developments in the region have favoured the Jihadis and enabled President Ahmadinejad to act more intransigently and assertively than would otherwise been the case. At a time of profound shift in the sectarian and strategic balance in the region, the challenge for the US and its allies is to widen the arena for Ijithadis within Iranian politics.     

Reformulation of Shahnameh Legends in Bahram Beyzaie's Plays

This essay explores Bahram Beyzaie's inter-paradigmatic reformulations of Iranian dramatic forms and Shahnameh legends in plays which highlight the voice of the periphery against the center and imbue these narratives with motifs that relate them to the present. The essay first reviews Beyzaie's work with the Shahnameh and then examines the Shahnameh cycle of Jamshid and Zahhak to provide the context for in-depth analyses of Azhdahak (1959), Karnameh-ye Bondar-e Bidakhsh (The Account of Bondar the Premier, 1996), and the first episode of Shab-e Hezar-o-Yekom (The One Thousand and First Night, 2003) in which Beyzaie reconstructs the cycle of Jamshid and Zahhak.     

Transnational Advocacy Networks and Affirmative Action for Dalits in India

In India, movements and parties representing the lowest ranking dalit caste groups have followed different strategies in their struggle against social, economic and cultural discrimination. In this article, a new dalit movement making use of a ‘transnational advocacy network strategy’ will be compared to a more ‘classical’dalit political party. The main policy target for the new movement is an extension of existing affirmative action policies, while the dalit BSP party focuses more on emancipatory issues. Based on an analysis of the impacts of the BSP and of the new movement at the grassroots level, it is argued that the achievements of the new movement are tempered by the fact that in order to make use of international discourses and political pressure, the movement has had to develop a strategy and policy proposals compatible with existing mainstream neoliberal discourses. This depoliticizes the policies, and hence makes them of less importance strategically. It is argued that this is likely to be a difficulty for transnational advocacy networks in general.     

Between Fantasy and Philosophy: Saʿdi,Translator of Voltaire’s Zadig

Zadig ou la Destinée opens on a preface supposedly written by Sadi (sic), who seems to suggest he is the translator of the story which is to follow. The article will investigate the role played by Voltaire’s reference to Sa?di in Zadig as an Oriental prop for the narrative’s exotic setting, but also, more importantly, as participating in its philosophical content. Travelers’ accounts had brought growing interest in Persia, and Sa?di would not have been unfamiliar to an educated public; the Orient more generally became an experimental space for Enlightenment thought. Playing on the notion of the translator as cultural bridge, the article examines the uses Voltaire makes of Sa?di in Zadig and whether these correlate to the eighteenth-century French reader’s perceptions of the Iranian poet.     

Factors Associated with Married Iranian Women's Contraceptive Use in Turku,Finland

Iranians are one of Finland's major immigrant groups. Like other asylum seekers in Finland, the Iranians brought with them their own cultural practices, attitudes and beliefs regarding marriage and family structure. The aim of this research was to study factors associated with married Iranian women's contraceptive use in Finland. A total of 120 married women with more than one child were interviewed in Turku, a costal city situated about 200km from Helsinki, the capital of Finland. The questionnaires gathered information about the respondents' socio-demographic status, knowledge and use of contraception, number of children, length of time in Finland, education level and other social characteristics. Our research shows that the social factors that are associated with the Iranian women's contraceptive use are mainly due to changes in their conditions of life and adaptation to the Finnish society.