Recent ceramic analysis: 2. Composition,production, and theory

This is the second of two articles reviewing the burgeoning literature on recent ceramic analysis. The first (Journal of Archaeological Research, Vol. 4, No. 2, 1996) (pp. 133–163) surveyed functional and stylistic analyses and pottery origins. This article reviews compositional investigations and studies of pottery production, both of which have flourished in a period of heightened examination of specific techniques, assumptions, and concepts, such as standardization. In addition, researchers are exploring new analytical methods as well as approaches to ceramic theory. The review closes with a series of observations and critiques of current directions.     

Imperial Expansion, Ethnic Change, and Ceramic Traditions in The Southern Chad Basin: A Terminal Nineteenth-Century Pottery Assemblage from Dikwa, Borno State, Nigeria

In the course of an archaeological project in the southern Chad Basin of Nigeria, excavations were conducted at several deeply stratified mound sites that date from the Late Neolithic to the Late Iron Age. As a way to complement the ceramic sequence obtained so far and to link it with today's pottery tradition, a small excavation was conducted at a site that dates to the turn of the nineteenth to the twentieth century A.D. A pottery assemblage was discovered that shows obvious links to today's tradition but notable breaks with those of the nineteenth century and earlier. This break in decoration style and technique is interpreted as an archaeologically visible expression of changing ethnic identity. This ethnic change and the associated spread of the ceramic tradition can be linked with the expansion of the sphere of power of the Kanem-Borno Empire into the area south of Lake Chad after the sixteenth century A.D.     

From Pottery to Politics: An Ethnoarchaeological Study of Political Factionalism, Ethnicity, and Domestic Pottery Style in the Ecuadorian Amazon

A long-standing assumption in archaeological theory is that pottery in the domestic context represents a form of passive style that does not enter into symbolic communication in the political domain. This paper presents ethnoarchaeological data to establish a link between women's active political behavior and pottery style in the domestic context in a small-scale, segmental society in the Ecuadorian Amazon. Analysis of individual variables of style shows that Achuar and Quichua women signify their political alliances in the painted decoration of their domestic pottery more strongly than they signify so-called passive processes of learning associated with early enculturation and ethnicity. Furthermore, analysis of women's judgments of pottery as Achuar or Quichua indicates that they decode cues to political alliances in the pottery of other women, including cues to political differences within and between groups. The theoretical implications of these findings are discussed in terms of the principles underlying women's stylistic behavior as part of the political processes involved in the construction and maintenance of social identity and social boundaries.     

Notes and News

Abstract

In 1925 a key piece of evidence, a fragment of Sheshonq I's victory stela, was discovered at Megiddo during the preparations for the excavations of the Oriental Institute of the University of Chicago. Unfortunately it was found on the surface, on one of the spoil heaps of the previous German excavations. The Chicago team tentatively assigned the fragment to the lowest level reached in the area, initially called Stratum IV, but said little more about it. In recent years, fresh information concerning both the location and the circumstances of the discovery has been published, which, in the author's view, makes it possible to locate the context in which the stela fragment was found, both horizontally and vertically. It is now clear that the lowest level reached in the area was Stratum V, and the author suggests below that the fragment was reused in Stratum VA, the stela having originally been set up in Stratum V B, dated to the 9th century BC by the current excavators.     

Neutron activation analysis of fine grey pottery from Conimbriga,Santa Olaia and Tavarede,Portugal

The concentrations of two major elements and thirteen trace elements in 73 selected sherds of fine grey ware from the Iron Age and Roman period, excavated at Conimbriga, Santa Olaia and Tavarede, Portugal, were determined by instrumental neutron activation analysis. These concentrations were used to calculate distance matrices which were then subjected to cluster analysis employing SAHN and k-means methods, as well as to principal components analysis, to group the sherds according to the overall similarity of their compositional characteristics. The results showed that equivalent groupings appeared regardless of the taxonomic method used. Two major clusters were recognized corresponding to two different sites, namely Conimbriga and Santa Olaia, suggesting that the ceramics from these sites were made locally. No significant differences in compositional patterns were observed between iron age and roman sherds from Conimbriga.     

江苏徐州花马庄隋唐墓地一号墓、四号墓发掘简报

1992年徐州文物部门对铜山花马庄隋唐墓地一号墓进行了发掘,出土了具有中原洛阳地区风格的较完整的唐三彩俑组合,为江苏地区首次发现,丰富了本地区隋唐考古内容。1996年发掘的四号墓,从墓葬形制和出土器物断定为北朝———隋时期。这两座墓葬的发掘对于花马庄墓地时代以及性质的研究有很大的意义。     

文人画与文人写意园

写意,是中国艺术重要的美学特征,中国园林艺术的独特性也正是在于它是写意的,文人写意园形成的主要因素则是文人画的影响。     

Learning patterns,potter interaction and ceramic style among the Luo of Kenya

One aspect of an ethno-archaeological study of the pottery system of the Luo people of Kenya is examined. It was discovered that ceramic micro-styles, distinctive combinations of decorative, formal and technological features characteristic of the different potter communities in a 3000 km² region of western Kenya, are the product of local traditions of manufacture perpetuated by women potters recruited from outside the communities as a result of a patrilocal post-marital residence system. An analysis of the interplay of a mother-in-law/daughter-in-law learning pattern, strong pressures for post-marital resocialization, and processes of potter interaction in the generation of ceramic styles is undertaken and some implications for archaeological attempts to use ceramic patterning to uncover prehistoric social organization are discussed.

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Résumé L'article examine un aspect d'une étude ethno-archéologique du système céramique du peuple Luo de Kenya. On a trouvé que des micro-styles céramiques, des combinaisons distinctives de traits décoratifs, formels et technologiques qui caractérisent les différentes communautés de potières dans une région de 3000 kilomètres carrés au Kenya occidental, sont le produit de traditions locales de fabrication. Ces traditions sont perpétuées par des potières recrutées hors des communautés à cause d'un système de résidence patrilocale après le mariage. L'auteur entreprend une analyse de l'interaction entre trois éléments dans la formation des styles céramiques: une tendance d'enseignement des méthodes de fabrication à belle-fille par belle-mère, des pressions intensives vers une resocialisation après le mariage, et des processus d'interaction entre potières. Elle discute quelques implications pour les archéologues qui essaient d'utiliser la structuration de la céramique afin de découvrir l'organisation sociale préhistorique.

     

Cluster analysis of mixed-level data: Pottery provenience as an example

Provenience or “sourcing” studies of archaeological objects most commonly employ quantitative measurements of amounts of chemical constituents in the artifacts and source materials. These are then used in statistical grouping procedures known as cluster analyses. Many additional attributes of artifacts and sources, yielding lower-level qualitative data, are also of potential importance in determinations of artifact origins. These attributes are usually neglected because of the longstanding difficulty in treating “mixed-level” data, that is, combining both qualitative observations and quantitative information in a single powerful statistical procedure. A series of cluster analyses were run on two data sets consisting of archaeological pottery, using mixed-level characterization data in the CLUSTAN program with Gower's coefficient of similarity. The clustering solutions are interpretable in terms of provenience and production strategies.     

Re-placing plainware: Production and distribution of domestic pottery,and the narration of the pre-colonial past in the Peruvian Andes

The location of domestic pottery production is central to archaeological narratives. Yet too often, unfounded assumptions are made about place of production, especially in relation to place(s) of distribution and use. Only rarely is this geography of production and distribution explored in detail and with perspective. Here, we investigate this problem in the context of the Peruvian Andes. We present the results of extensive ethnoarchaeological research on the manufacture of domestic vessels in over thirty villages with potters in Northern Peru. Drawing on the ethnographic concept of technical style, we identify three tendencies on the relationships between toolkits, manufacturing techniques, geographic units, and exchange. From these tendencies we develop two models of domestic pottery production and distribution: the local production model and the non-local production model, which are applied in analysis of archaeological materials. While this distinction is apparently simple, we demonstrate how the explicit or implicit use of each of these models has shaped some of the most important debates and issues in Andean archaeology. In sum, we explain how understandings of the manufacture, exchange, and use of plainware impacts narratives about the pre-colonial past.     

Discontinuing Traditions: Using Historically Informed Ethnoarchaeology in the Study of Evros Ceramics

Ethnoarchaeological studies of pottery primarily focus on the ethnographic present, often disregarding the role of history in the production of material culture. This paper integrates information from historical sources and ethnographic interviews to better understand stylistic ceramic change. Beginning in the 1920s, undecorated pots largely replaced decorated pottery in the region of Evros, Greece. I argue that historically informed ethnoarchaeology provides the key to documenting and understanding the concomitant changes in the social context of pottery production and consumption and the distribution of material culture.     

包山二号墓陶罐试析

本主要探讨了湖北荆门包山二号楚墓出土的12件陶罐在其墓主人时代存在的三种不同的原有名称及其各自不同的原有功用。原名“（石缶）”的陶罐是具有保鲜、保温、防碰撞、盛装成品或半成品食物、可供加热之用的稍大型贮存容器;原名“（土缶）”的陶罐是具有保鲜、保温、防碰撞、盛装即食食物、可供加热和携带之用的稍大型贮运容器;原名“”的陶罐是具有掩蔽、保鲜、保温、防碰撞、盛装成品食物之用的稍小型贮存容器。     

Methodological aspects of SANS and TOF neutron diffraction measurements on pottery: the case of Miseno and Cuma

Small angle neutron scattering and neutron phase analysis techniques have been for the first time jointly employed to extract microscopic parameters of ceramic samples prepared under controlled conditions, in an attempt to establish a protocol for deriving information on the firing process. Data have also been collected on two series of early medieval samples from the Italian regions of Cuma and Miseno. The variation of the microscopic features observed on these samples could mirror some technological evolution in the period spanning from the 6th to the 12th century AD.     

Pottery Styles during the Early Jomon Period: Geochemical Perspectives on the Moroiso and Ukishima Pottery Styles

Energy‐dispersive X‐ray fluorescence (EDXRF) was used to determine the minor and trace element chemistry of 92 Early Jomon pottery sherds. The sherds came from four contemporary sites in the Kanto region and belong to either the Moroiso or Ukishima style of pottery. Principal components analysis (PCA) and discriminant analysis indicate that there are four major groups in the data set, which correspond to site location. Furthermore, for sites having both Moroiso and Ukishima pottery, the statistical tests indicate that both styles of pottery were made from the same or geochemically similar raw materials. This suggests that both styles were probably made at the same site, and indicates that if the different pottery styles are reflecting ethnic identity, then intermarriage between ethnic groups is occurring. Alternatively, the pottery styles could be reflecting some sort of social interaction between groups.     

The effects of geographical distances on pottery assemblage similarities: a case study from Northern Iroquoia

A basic premise of archaeology is that the more frequently two human populations interacted with one another the more similar was their material culture. A corollary of this is that the closer two human populations are to one another geographically, the more frequently they will interact. This corollary has been expressed in the archaeological study of northern Iroquoia since the 1950s on the basis of historical ethnic territories. The expectation has been that after ca. A.D. 1000 to 1300 there was more interaction between village populations within these historical territories than between village populations located in different historical territories. Here I test this corollary with pottery decoration data from 114 northern Iroquoian village sites dating from c. A.D. 1350 to 1640. Results indicate that geographic distance has little effect on pottery assemblage similarity.     

Evidence for inter-island transport of heirlooms: luminescence dating and petrographic analysis of ceramic inhaling bowls from Carriacou,West Indies

Ceramic snuffing tubes and inhaling bowls used for ingesting hallucinogenic substances are known from several islands in the West Indies, but their chronological distribution is often vague. A partial inhaling bowl found at the site of Grand Bay on Carriacou in deposits dating between ca. A.D. 1000–1200, along with two other unprovenienced specimens from the local museum, were dated using luminescence (TL and OSL) to determine their antiquity. Surprisingly, the dates had a weighted average of 400 ± 189 B.C., making them several hundred years older than all ¹⁴C assays from the island; however, they do overlap in age with similar artifacts found on Puerto Rico and Vieques Island over 750 km away. Additional luminescence dating of two stylistically distinct Suazan ceramic sherds excavated from stratified deposits at Grand Bay fall within the expected ceramic and radiocarbon chronology. These data, coupled with petrographic analysis of the specimens, suggests that they were not made using local materials. Instead, they appear to have been transported to the island, possibly hundreds of years later, as heirlooms. This may be the first evidence for inter-island transport of drug paraphernalia in the Caribbean.     

The multivariate statistical analysis and XRD analysis of pottery at Xigongqiao site

A series of pottery samples excavated from the Xigongqiao site in Tengzhou city of Shandong province was determined using inductively coupled plasma atomic emission spectrometry. Together with excavation data and archaeological analysis, the potential for provenance and technology of unearthed ancient pottery was studied by using multivariate statistical analysis and X-ray powder diffraction pattern (XRD) analysis. In order to characterize and classify these earthenware samples, the major and minor/trace element concentrations were studied with both cluster analysis and principal component analysis. The results showed that there were three different groups in cluster analysis dendrogram in good correlation with their colors. This indicated that the potteries were made from clays of different composition. These results were in agreement with the results of principal component analysis. XRD analysis further assessed the validity of multivariate statistical analysis.     

Levinas's beginnings: ethics,politics, and origins

It is commonplace in philosophy, political theory, and theology to speak of the other and the problem of the identity of the West. No one has done as much to foreground the language of the other in recent years as Emmanuel Levinas, whose works have sparked a renewed interest in ethics across the humanities. Moreover, few have advanced as forceful a critique of European otherness, not only its exclusivity (whereby the other is marginalized) but also its hegemony (whereby the other is absorbed). I explore Levinas's critique of Western ethical thought in order to try to pinpoint what exactly he offers to post‐Hegelian reflection on the other, focusing on his insistence that equality must be grounded in the asymmetry of ethics. The question is: does this take one further than Europe, modernity, the West? If so, where is one thereby going? If not, what is novel or important in these claims?     

In the beginning: Marhashi and the origins of Magan's ceramic industry in the third millennium BC

Ceramics from the Jiroft plain in southeastern Iran are compared with material of Umm an-Nar-type dating to the mid- and late third millennium BC in the Oman Peninsula. Technological and stylistic comparisons suggest the strong possibility that potters from the Iranian side of the Straits of Hormuz may have been the instigators of Magan's earliest ceramic industry.