A Daily Revision of the Past: Fascism,Anti-Fascism,and Memory in Contemporary Italy

Recent cultural and political debate in contemporary Italy, which has often been focused on Fascism and the Resistance, has seen an attempt to reconsider the importance of the constitutive moment of the Republic, namely the Liberazione from Nazism–Fascism, and to equate the memories of Fascism and anti-Fascism. The direct consequence of these confused revisionist approaches is either to rehabilitate many aspects of the Duce's regime, or on the contrary to assign this shady page of history to oblivion. The effect of this would be to marginalize anti-Fascism, and even to depict Fascism as relatively ‘harmless’ or ‘apolitical’. The danger is that this trend may construct an artificial and distorted history and thus a ‘manipulated’ public memory for Italian society. The purpose of this article is not to defend anti-Fascism but to restore the reality of ‘Fascism in action’, and to challenge distorted revisionist perceptions of the past.     

Charity and Political Protest in French Popular Music

This article explores the cultural assumptions expressed in the self-proclaimed ‘alternative’ and ‘protest’ sector of French popular music, and how these become problematic when leading a charity concert. Liberté de circulation (1999) is a small-scale concert set up for the benefit of the Groupe d'Information et de Soutien des Travailleurs Immigrés (GISTI) in support of illegal immigrants, and its participants (artists and organisers) have a confused relationship with contestation and media exposure. While they convincingly wrap their pro-migration discourse in notions of solidarity and universality, they often confine themselves in artistic and production terms to a certain marginality, which fails the objective of raising funds and public awareness for the charity targeted. Drawing on a comparison between Liberté de Circulation and Les Enfoirés, a high-profile, televised charity show supporting the destitute, the article observes the problematic articulation of charity to political commitment and, in so doing, contributes to debate about the formation of cultural identities around the concept of ‘resistance’ in contemporary France. This discussion follows the pluridisciplinary method of popular music studies and includes an analysis of song lyrics, orchestration, artists' declarations in interviews and the media reception of charity concerts.     

Paradoxes,Protests and the Mujeres de Negro of Northern Mexico

On November 25, 2002, thousands of people marched through the streets of Mexico City and demanded, in the name of social justice, an end to the violence against women in northern Mexico. ‘Ni Una Más’ (not one more) was their chant and is also the name of their social justice campaign. Their words referred to the hundreds of women and girls who have died violent and brutal deaths in northern Mexico and to the several hundred more who have disappeared over the last ten years. These Ni Una Más marchers, many working with human rights and feminist organizations in Mexico, are protesting against the political disregard and lack of accountability, at all levels of government, in relation to this surging violence against women. And the symbolic leaders of their movement are the Mujeres de Negro (women wearing black), who are based in Chihuahua City. In this article, I examine how the Mujeres de Negro demonstrate how feminist politics so often plays upon the negotiation of spatial paradoxes in order to open new arenas for women's political agency. For while the Mujeres de Negro of northern Mexico are galvanizing an international human rights movement that is challenging political elites, they are also reinforcing many of the traditional prohibitions against women's access to politics and the public sphere. And I explore how the Mujeres de Negro devise a spatial strategy for navigating this paradox in an increasingly dangerous political environment.     

The Media Prism and Reflections on Insécurité

This article considers media coverage of the theme of insécurité in the French presidential election of 2002, at which the National Front leader Jean-Marie Le Pen shocked the French nation by winning a place in the second round contest against the incumbent President Jacques Chirac. We examine the much-publicised accusation that the media contributed to Le Pen's success by excessive, distorting coverage of insécurité, the polemic surrounding this charge, and issues of media responsibility. While much writing on the topic has focused on thematic media analysis or on the interaction of politicians, the media and the electorate in setting the election agenda, this article discusses the findings of a number of quantitative media studies and focuses on the terms and nature of media discourse. Through a discussion of insécurité, the article highlights the misleading potential of simplistic labelling and vague emotive terminology, amplified in sensational coverage by competing media outlets.     

Art and Impowerment: Levinas,Nietzsche, and the Ethics of Literary Discourse

This article draws on the profound affinities between the thought of Levinas and Nietzsche to argue that aesthetics plays a major role in Levinas's ethical philosophy. As in the case of Nietzsche, who called himself “the first tragic philosopher,” aesthetics gives reference to the tragic, yet affirmative content of Levinas's ethics. For both, what Levinas calls the “alterity,” or otherness, of art and literature is located not in an ontological or conceptual “beyond”—in a “spiritual” dimension “which sets itself up as knowledge of the absolute”—but in the “interstices” of language, in the “between times” (entretemps) of its modes of temporality: which can only be accessed by way of “the tragic” in art. Alterity signifies not a privileged, interpersonal dimension freed from the problematics of modernity, but points to the complicity between the West's concept of rationality and its history of barbarism exemplified by the Holocaust. The artwork for Levinas is at once temporally diachronic and spatially diasporic, a region of impowerment that is precisely lacking in the expressive or imaginative empowerment normally attributed to the artwork, but which demonstrates a utopian, emancipatory potential in revealing the fissures and hidden pathways that run through the hegemonic structures and totalizing frameworks of modernity.     

Giordano Bruno's Infinitely Numerous Worlds and ‘Lunar’ Literature

This paper analyses Giordano Bruno's dialogue De l’infinito universo e mondi (The Infinite Universe and Worlds), written during his stay in England (1583–85), in the context of his philosophical works and, particularly, within the context of scientific and imaginative writings such as Cyrano de Bergerac's Other Worlds (published posthumously in 1662) and Francis Godwin's The Man in the Moone (1638). The article also discusses the contemporary speculations of Galileo and Kepler regarding the existence of a plurality of worlds and the presence of creatures on the moon and their rapport with humans. Besides the imaginative, fantastic and pseudoscientific elements, attention is also given to religious implications and attitudes, especially in the case of Godwin, who, like his countryman John Wilkins—author of The Discovery of the Worlde in the Moone (1638)–was a bishop and therefore wanted to avoid any controversy with the church.     

From Beyond the Grave and Across the Ocean: Washington Irving and the Problem of Being a Questioning American, 1809–20

This article is a reconsideration of Washington Irving’s early career between the productions of his first two major works: A History of New York (1809) and The Sketch Book (1819–20). His life and writings in that period are treated as a study in the individual problem of being a ‘questioning American,’ specifically a questioning American writer, in the new republic, and as a broader critique of the developing new nation. Specifically it places those writings in dialogue with the dominant Jeffersonian narrative of a glorious national future. It thus rediscovers Irving as a critical alternative witness to this important period in American history and the entwined attempt to critique his country and to come to terms with it as the central, underappreciated theme both in neglected writings (his contributions to the Analectic Magazine (1812–15)) and familiar tales (Rip van Winkle, The Legend of Sleepy Hollow).     

Johannes Althusius’ Politica : The Culmination of Calvin's Right of Resistance

Jean Calvin's writings on the resistance to a tyrannical ruler appear as an addendum to his Institutes of the Christian Religion, but despite their limited discussion, his followers based their own writings on his original discussion of resistance. The most celebrated of these Calvinist tracts on resistance was the Vindiciae Contra Tyrannos written as a result of the St. Bartholomew's Day Massacre. This article argues that, whilst the Vindiciae is an important example of Calvinist resistance, an even more significant, but forgotten, Calvinist resistance theory can be found in Johannes Althusius’ Politica Methodice Digesta, Atque Exemplis Sacris Et Profanis Illustrata. Furthermore, the similarities in the social, political and religious position of both Althusius and Calvin, as well as their geographical location in Emden and Geneva respectively, allows Althusius’ work to be seen as the natural culmination of Calvin's original work on the right of resistance.     

In Search of the Absolute: the Nouvelle Revue française,and Uses and Meanings of the Orient (1920–1930)

In the intellectual history of the interwar period, the Nouvelle Revue française (NRF) occupies centre-stage. Valéry's essay La crise de l'esprit (1919), published in the review following the Great War, announced a crisis of faith in Western values and traditions. As elsewhere, intellectuals in France looked to the East for new inspirations. This article traces the interest and attraction of the East for certain key NRF writers, including André Malraux, and the teacher and philosopher, Jean Grenier, whose essay Sur l'Inde was published in the review in 1930. The article is informed partly by the correspondence of Jean Paulhan, the editor of the NRF.     

Creating Cultural Identity: Opus anglicanum and its Place in the History of English Medieval Art

The term opus anglicanum, as a designator of English national identity associated with embroidery and textiles, is unknown in any document written in England during the Middle Ages, but is used in papal and other European archives. The term has been questioned by a number of scholars who have suggested it may be a generic name used to describe a particular technique of attaching gold thread to an embroidered textile (underside couching). It is suggested in this article that the phenomenon of opus anglicanum during its golden age c. 1200–1400 was part of a wider European cultural development at a time when an appreciation of cultural identity as a transnational phenomenon emerged. The article goes on to examine the relationship between English pictorial artists and the craftswomen and men who made these textiles. It concludes with a case study of the orphrey associated with the Daroca Cope in Madrid — now associated with a designer in the artistic circle of the artist of the Wilton Diptych. The respect for, and reuse of, these works of art (many of which have survived through the care taken to preserve them in cathedral treasuries and private collections up to the present day) is an element in their continued importance as a part of our shared European heritage.     

The Interplay of Spirit in Greek Island Dancing

Values of honourable courtship are expressed in dance and this paper is an ethnographic reconstruction of a Greek island dance called the sousta practised on the Dodecanesian island of Rhodes during the interwar period (1925–1940). Its performance was a dynamic interplay of gender roles that mediated romance and moved the performers toward the resolution of marriage. The aim of the paper is to elaborate on values ascribed to men and women during the occasion of dancing at a village wedding in southern Rhodes. The interplay of grace (hari) and honour (timi) will locate why and how men reveal through hari and why women are concealed through timi during the dance performance.     

Roman noir et drapeau noir: Didier Daeninckx and the libertarian legacy

Abstract

The crime novelist Didier Daeninckx originally established himself as an author of historical crime fiction. His 1984 Daeninckx, D. (1984) 2011a. Meurtres pour mémoire. Paris: Folio Policier. [Google Scholar] novel, Meurtres pour mémoire, in particular challenged occluded and intertwined memories of the Occupation and the Algerian War of Independence. Since then, and through his subsequent writings and political activities, Daeninckx has been recognised as giving voice to a range of marginalised communities and memories. Much academic study has therefore concentrated on the recovery of the past in Daeninckx’s fiction, approaching his work from the perspective of cultural history and memory studies, considering it a form of memory activism. This article offers a new perspective on Daeninckx’s political engagement. It will examine Daeninckx’s three contributions to Éditions Baleine’s collaboratively authored detective series Le Poulpe: Nazis dans le métro (1996), Éthique en toc (2000) and La Route du Rom (2003). It will argue that they are informed by a memory of France’s broad libertarian tradition which constitutes a hidden referent essential to understanding the formulation of the ethico-political counter-communities to which many of his characters (and his ideal, implied reader) belong. More particularly, it will argue that these communities form the basis of a new model of political engagement beyond party, state and class, suggesting not only the persistence but also the adaptability of libertarian thinking in Daeninckx’s work and the French roman noir.     

Introduction

Alberto Moravia was an ambiguous figure for the Fascists. His first novel, Gli Indifferenti, was an international success, and was praised by Bottai. His second novel, Le ambizioni sbagliate, ran into difficulties with Fascist censorship. His maternal uncle was a member of Mussolini's government. His paternal first cousins were Carlo and Nello Rosselli. This essay explores Moravia's relations with the regime in the light of archival evidence, contemporary ‘revisions’ of his reputation and recent controversy over his letters to Ciano and Mussolini.     

Secular Advice in Erasmus’s Sacred Writings

Research into Erasmus’s political ideas, notably his pacifism, should not be based on sources like Institutio Principis Christiani, Querela Pacis, or Dulce Bellum, which are rhetorical compositions and offer clichés rather than Erasmus’s personal opinions. At the very least, these sources should be checked against Erasmus’s theological writings, in which he presents specific and cogent arguments for his views and allows us to put them into their proper context.     

Social Relations and War Remembrance: Second World War Atrocities in Rural Tuscan Villages

This article addresses the issue of how long‐term memory of extreme conditions is socially transformed. It focuses on elements of the social structure and pre‐war habitus that might help understanding of the divided memory of massacres that were perpetrated by the Nazis in three rural Tuscan villages between 1943 and 1944. Within the “mnemonic communities”, discrepancies arise since some of the villagers paradoxically blame the partisans instead of the Nazis. An attempt is made to trace current representations of historical events in the framework of traditional social institutions and political life of these small villages in time of crisis. Battles over memory are seen as a twofold process—that is, as part of “internal”, intra‐village relations as well as a form of reaction toward the “external” world of which they feel victims. The article argues that long‐term memory of past political violence is strictly bound up with local power relations.     

Oswald Spengler,Technology, and Human Nature

Oswald Spengler (1880–1936) is a neglected figure in the history of European philosophical thought. This article examines the philosophical anthropology developed in his later work, particularly his Man and Technics: A Contribution to a Philosophy of Life (1931). My purpose is twofold: the first is to argue that Spengler's later thought is a response to criticisms of the “pessimism” of his earlier work, The Decline of the West (1919). Man and Technics overcomes this charge by providing a novel philosophical anthropology which identifies technology as the highest expression of human cognitive and creative capacities. The second is to suggest that in his later period Spengler presents an affirmatory account of modern technology as the final stage of human cultural evolution. I conclude that by providing a philosophical anthropology that reconciles technology with human nature, Man and Technics represents an important development of Spengler's theory of human culture.     

The Catholic and the Communist Women's Press in Post-War Italy—An Analysis of Cronache and Noi Donne

This article aims to provide a systematic, comparative analysis of two of the main women's mass publications in order to trace continuities and changes in the development of women's role in the public sphere in Italy. The analysis begins with an elaboration of the social and political context, which is crucial for the understanding of media texts in general. It shows how the existence of only limited political spaces in post-war Italian society due to the polarisation of Catholicism and communism delayed both an open political discourse on women's conditions and the gradual development of an autonomous and lay feminist movement. Noi Donne of Union Donne Italiene (UDI) was closely aligned with and financed by the Italian Communist Party (PCI) and lacked any substantial autonomy until the early 1970s, while Cronache of the Catholic women's organisation Centro Italiano Femminile (CIF) was a faithful instrument for the propagation of those Catholic concepts of femininity that were redefined and reinforced by the Vatican in the Catholic publication Civiltà Cattolica.     

Missionaries and Cannibals in Nineteenth‐century Fiji

This article examines the controversies concerning both customary cannibalism and missionary ethnography. Focusing on Fiji, it supports the conclusions of Marshall Sahlins about both issues, demonstrating that the attempts of William Arens, Gananath Obeyesekere and others to debunk “cannibal talk” are flawed in several ways. The eyewitness testimony of numerous missionaries and non‐missionaries in Fiji from the 1830s to the 1870s provides an extensive evidentiary basis for examining both controversies. Some of the testimony comes from indigenous witnesses, moreover, including Thakombau, who became known—or notorious—to Europeans as “the King of the Cannibals”. The article briefly recounts Thakombau's role in the processes of conversion and colonization. Two key texts that are closely analyzed as examples of missionary ethnography are Reverend Joseph Waterhouse's The King and People of Fiji and Reverend Thomas Williams's Fiji and the Fijians.     

Actualité

This article critically examines the first instances of homosexuality in French youth literature in the 1990s. It starts with a literature review of the fictional texts published specifically for a youth audience, around four key themes: same-sex love stories between teenagers; adult homosexuality and homoparentalité; HIV/AIDS; coming out and homophobia. This review is followed by an analysis of the factors accounting for the appearance and development of homosexuality (through LGBT characters, feelings and situations) in French youth literature in the last decade of the twentieth century. The final part of the article discusses the importance and political function of youth literature with regards to LGBT issues in the French context.     

The Colour Purple? Reconsidering the Greek Word halourgos (ἁλουργός) and its Relation to Ancient Textiles

The aim of the present article is to reconsider the interpretation of the Greek word halourgos (?λουργ??) and its relation to textiles and purple dye by reinvestigating its recordings in Greek epigraphy and the papyri, as well as comparative examples from Greek literary sources, in the period from the fourth century bc to the seventh century ad — thus combining the source material from ancient Greece and the Greek-speaking part of the Roman world. This will illustrate the wealth of information one can get from the exploration of one single word: not only on the significance and appearance of textiles and garments in the ancient world from Greece to Egypt, but also on the diversity of colours and the subtleties in their use and terminology.