美国新社会史述评

美国新社会史学是 2 0世纪 60年代出现于美国的新史学潮流 ,它改变了美国学术主流的路线 ,是在美国 60年代的社会动荡的背景下产生并发展起来的 ;美国 60年代思想潮流和思维方式的变化是美国新社会史学产生的思想渊源 ;新的历史观的确立标志着美国新社会史学的最终形成 ;新社会史在它的发展过程中遇到了许多无法解决的问题 ,出现了许多弊病 ,80年代美国史学界针对这一切提出了改进方案 ,重新确立了自己独到的史学理论。     

An ethnopalynological test of task-specific area analysis: Bay View Stable,Cataumet, Massachusetts

Palynologists seeking evidence of patterns in human plant use among the pollen spectra of archaeological site floors operate on the assumption that the pollen of economic plants is deposited at the locations of undertakings involving these plants in quantities significantly exceeding the amounts of the same pollen types in the background pollen component. This assumption has never been questioned in the literature, even though it has not been tested. Researchers are, however, uncertain about the extent to which floor deposits of economic pollen are affected by later human activities. Pollen profiles from three functionally distinct bays in the cellar of a New England livestock barn that was actively used for at least 40 years were analyzed to examine economic pollen deposition and dispersal. The data from this test indicate that the pollen of economic plants is deposited in distinctive quantities where the plants were used and that these pollen deposits are not significantly diffused by subsequent human activity. The data also suggest that pollen concentrations per unit of matrix will assist in defining active surfaces within archaeological floor zones.     

西方考古学文化概念的演变

文化概念在西方考古学一个多世纪的发展历史,经历了一个从无副有．再到被扬弃的变化过程。在当代西方考古学中,“文化”已经不再是一个很重要的词汇。“风格”（style）,“认同”（identity）。“族群”（ethnicity）等概念成为西方考古学者分析考古材料区域特征的主要术语。这些术语被用来探讨物质文化所反映的区域差异和社会界限。与欧美考古学相比,中国考古学界虽然有关于文化因素分析的探讨,对文化概念本身基本上没有太多的争论,并完全错过了西方考古学过去三十年来有关风格的大讨论。西方考古学界对文化概念的扬弃过程值得中国考古界深思。     

Contested heritage at the Cape Town waterfront

Abstract

Cape Town's Victoria and Alfred Waterfront is a prime example of the international trend of revitalising economically defunct harbour areas for tourism and retail usage. This paper examines the various contested images of heritage evoked at the site during the period of South Africa's political transformation in the early 1990s:‐ a nostalgic perception of a harmonious past (by middle‐class Capetonians) versus a place of privilege and exclusion (by predominantly black working‐class inhabitants); academic concerns to commemorate the social history of the area versus commercial sensitivity to current marketing image; and the multiplicity of images in a postmodern space of spectacle and pastiche.     

《松漠纪闻》史料价值举例

《松漠纪闻》记载了女真民族的起源和发展壮大 ,叙述了北方各民族丰富多彩的社会生活 ,其中有关金朝科举及职官制度方面的记述也有很高的史料价值。     

良渚文明兴衰的生态史观

环境考古学的发展为讨论良渚文化的衰亡开拓了新的思路。然而,环境论者在表述论点时,常常会片面地强调外界环境变化对文化发展影响,显得过于机械化和简单化。从地理学和考古学的基础研究入手,深入地阐述了环境考古学的理论基础,提出生态史观是研究良渚文明兴衰的有效方法。通过对良渚文化系统动态分析,认为良渚文明的兴衰是其系统中各因素相互作用的结果,而良渚文化的衰亡是因为人地关系紧张,造成了系统的紊乱。     

Disciplining the Past, Policing the Present: The Postcolonial Landscape of Ecuadorian Nostalgia

The present article assesses the complex reconfiguration that studying the past signifies when one becomes visibly aware of the enormous political and cultural implications that such an endeavor entails. To this end, I will use the Ecuadorian landscape as an entry point or particular case to understand these larger theoretical problematics within a more empirically grounded ethnographic framework. I will rely heavily on my own previous assessments of particular reconfigurations of the past in the Ecuadorian imaginary through the production of the archaeological site of Cochasquí (Benavides, Making Ecuadorian Histories: Four Centuries of Defining Power, 2004a); the Indian movement’s historical recovery of their pre-Hispanic past; the representation of a troubling pre-Hispanic homosexual harem of young coastal boys known as the enchaquirados; and the more recent representation of Guayaquil’s national identity over the last century. All of these studies have viewed the manner in which the differing communities of the Ecuadorian nation-state utilize the past in conscious and unconscious forms to legitimize their own political ambitions. More concretely even, these studies exemplify the manner in which archaeological discourse is used to identify itself as the most rightful heir to assessing and understanding the national past, and ultimately, defining what being Ecuadorian means or should be all about.     

大汶口文化考古五十年历史回顾

大汶口文化自1959年首次发现以来,已经走过了50年的发展过程。在漫长的历史长河中．无论在考古发掘还是综合研究均取得引人瞩目的成就。尤其是原始农业、家畜饲养业以及渔猎经济有了很大的发展。手工业中的制陶、玉、石器制作、象牙雕刻、纺织业、酿酒业等手工业均达到同时期文化的最高水平。特别大汶口文化晚期阶段,在全国史前文化中居领先地位。文字的发明、水井的使用、城市的兴起、人殉的使用等文明因素,均闪耀着古代文明的火花,意味着大汶口文化已经处在文明时代的前夜．即将步入文明社会的门槛。     

“中国社会科学院考古学论坛·2010年中国考古新发现”纪要

2011年1月11日,由中国社会科学院主办,中国社会科学院考古研究所、考古杂志社承办的第十届中国社会科学院考古学论坛.2010年中国考古新发现在中国社会科学院学术报告厅举行。会上,浙江省文物考古研究所、山西省考古研究所、湖南省     

10,000 years of human predation and size changes in the owl limpet (Lottia gigantea) on San Miguel Island,California

To investigate potential human impacts on California Channel Island shellfish stocks over the past 10,000 years, we measured 1718 owl limpet shells from 19 archaeological components on San Miguel Island. Inhabiting the middle intertidal zone of Pacific Coast rocky shores, owl limpets are slow-growing mollusks that can live for 30 years and reach lengths of over 100 mm. Recent ecological studies indicate that owl limpets are highly susceptible to heavy human predation, which results in reduced mean shell sizes among Lottia populations along the coasts of Alta and Baja California. On San Miguel Island, we identified a significant trans-Holocene reduction in mean owl limpet size, beginning more than 6500 years ago and accelerating at least 4400 years ago. Fluctuations in limpet size show no clear correlation with changes in sea surface temperature and marine productivity, suggesting that increased predation by growing human populations was primarily responsible for the reduction in Lottia size over time. Our results provide further evidence that prehistoric peoples significantly influenced nearshore fisheries long before the development of the commercial and industrialized fisheries of historic times.     

The Process is the Outcome

Ethics are the key to what WAC is all about. It is our stated responsibility as WAC members to help shed the dark disciplinary past and forge a future archaeology of solidarity with the aim of fostering equality (but not sameness) among people everywhere. The present Forum section of Archaeologies showcases the scope and depth of the discussions surrounding this core aspect of WAC, which took place at the first meeting of the Committee on Ethics (henceforth CoE) at Stanford Archaeology Center (California, USA) from April 19th to 21st 2007. It is an invitation to WAC members and others to partake in the process of drafting a “General Code of Ethics” for WAC, a process that ultimately is much more about inclusive discussions and decisions on a framework for ethical practice than about writing a text or proscribing how to behave. The second affiliation for Julie Hollowell will be in effect from 15 December 2007.     

The aeromobile tourist gaze: understanding tourism ‘from above’

ABSTRACT

While the impact of aeromobility on the growth of tourism and its destinations is well documented, the role of aeromobility in the process of experiencing and shaping place with specific regard to tourist destinations has received little attention from scholars. With the growth of commercial aviation and the increasingly mundane nature of the experience within mass tourism, I draw attention to the touristic experience of flying as the activity beyond its role in arriving at the destination. After a brief review of the genealogy of aeromobility and tourism, I reflect on examples of tourist aeromobility in Cape Town, South Africa in order to theorise the aeromobile tourist gaze. This paper analyses mobile testimonies from online travel reviews from airborne tourists performing helicopter ‘flips’ over Cape Town. Results highlight the need to focus on flying as tourism itself while they illustrate the role it plays in the aeromobile tourist gaze, a unique perspective and experience of the tourism destination as ‘tourism from above’ that emerges from the touristic dimensions of flight including the destination, the flying device and flight route. The findings underscore the role of flying-as-tourism. The aeromobile tourist gaze thus spectacularises the destination and disrupts the relationship between tourists and place.