Oswald Spengler,Technology, and Human Nature

Oswald Spengler (1880–1936) is a neglected figure in the history of European philosophical thought. This article examines the philosophical anthropology developed in his later work, particularly his Man and Technics: A Contribution to a Philosophy of Life (1931). My purpose is twofold: the first is to argue that Spengler's later thought is a response to criticisms of the “pessimism” of his earlier work, The Decline of the West (1919). Man and Technics overcomes this charge by providing a novel philosophical anthropology which identifies technology as the highest expression of human cognitive and creative capacities. The second is to suggest that in his later period Spengler presents an affirmatory account of modern technology as the final stage of human cultural evolution. I conclude that by providing a philosophical anthropology that reconciles technology with human nature, Man and Technics represents an important development of Spengler's theory of human culture.     

Giordano Bruno's Infinitely Numerous Worlds and ‘Lunar’ Literature

This paper analyses Giordano Bruno's dialogue De l’infinito universo e mondi (The Infinite Universe and Worlds), written during his stay in England (1583–85), in the context of his philosophical works and, particularly, within the context of scientific and imaginative writings such as Cyrano de Bergerac's Other Worlds (published posthumously in 1662) and Francis Godwin's The Man in the Moone (1638). The article also discusses the contemporary speculations of Galileo and Kepler regarding the existence of a plurality of worlds and the presence of creatures on the moon and their rapport with humans. Besides the imaginative, fantastic and pseudoscientific elements, attention is also given to religious implications and attitudes, especially in the case of Godwin, who, like his countryman John Wilkins—author of The Discovery of the Worlde in the Moone (1638)–was a bishop and therefore wanted to avoid any controversy with the church.     

Johannes Althusius’ Politica : The Culmination of Calvin's Right of Resistance

Jean Calvin's writings on the resistance to a tyrannical ruler appear as an addendum to his Institutes of the Christian Religion, but despite their limited discussion, his followers based their own writings on his original discussion of resistance. The most celebrated of these Calvinist tracts on resistance was the Vindiciae Contra Tyrannos written as a result of the St. Bartholomew's Day Massacre. This article argues that, whilst the Vindiciae is an important example of Calvinist resistance, an even more significant, but forgotten, Calvinist resistance theory can be found in Johannes Althusius’ Politica Methodice Digesta, Atque Exemplis Sacris Et Profanis Illustrata. Furthermore, the similarities in the social, political and religious position of both Althusius and Calvin, as well as their geographical location in Emden and Geneva respectively, allows Althusius’ work to be seen as the natural culmination of Calvin's original work on the right of resistance.     

From Beyond the Grave and Across the Ocean: Washington Irving and the Problem of Being a Questioning American, 1809–20

This article is a reconsideration of Washington Irving’s early career between the productions of his first two major works: A History of New York (1809) and The Sketch Book (1819–20). His life and writings in that period are treated as a study in the individual problem of being a ‘questioning American,’ specifically a questioning American writer, in the new republic, and as a broader critique of the developing new nation. Specifically it places those writings in dialogue with the dominant Jeffersonian narrative of a glorious national future. It thus rediscovers Irving as a critical alternative witness to this important period in American history and the entwined attempt to critique his country and to come to terms with it as the central, underappreciated theme both in neglected writings (his contributions to the Analectic Magazine (1812–15)) and familiar tales (Rip van Winkle, The Legend of Sleepy Hollow).     

Secular Advice in Erasmus’s Sacred Writings

Research into Erasmus’s political ideas, notably his pacifism, should not be based on sources like Institutio Principis Christiani, Querela Pacis, or Dulce Bellum, which are rhetorical compositions and offer clichés rather than Erasmus’s personal opinions. At the very least, these sources should be checked against Erasmus’s theological writings, in which he presents specific and cogent arguments for his views and allows us to put them into their proper context.     

In Search of the Absolute: the Nouvelle Revue française,and Uses and Meanings of the Orient (1920–1930)

In the intellectual history of the interwar period, the Nouvelle Revue française (NRF) occupies centre-stage. Valéry's essay La crise de l'esprit (1919), published in the review following the Great War, announced a crisis of faith in Western values and traditions. As elsewhere, intellectuals in France looked to the East for new inspirations. This article traces the interest and attraction of the East for certain key NRF writers, including André Malraux, and the teacher and philosopher, Jean Grenier, whose essay Sur l'Inde was published in the review in 1930. The article is informed partly by the correspondence of Jean Paulhan, the editor of the NRF.     

The Aims of Knowledge: Emile Durkheim's Critique of American Pragmatism

The lectures on American pragmatism given by the French sociologist Emile Durkheim in 1913 in Paris were first published in French in 1955 and finally translated into English and published in 1983 as Pragmatism and Sociology. For obvious reasons they have attracted considerable attention from philosophers and sociologists, especially the latter, in both continental Europe and the English speaking world. Durkheim's motives in giving the lectures have been scrutinized, his interpretations of the pragmatists widely discussed and his criticisms of William James, John Dewey, and F. S. C. Schiller have met with mixed receptions. However, after years of scholarly discourse on his motives, interpretations and criticisms, there is no common agreement on the significance and meaning of Pragmatism and Sociology. We briefly address the disagreement over Durkheim's motives in the introductory section before turning to our interpretation in the body of the article. There we focus on his criticisms of the pragmatists’ views on the aims and nature of knowledge, which is a classic confrontation between French rationalism à la Durkheim and American pragmatism of the James/Dewey variant.     

Identity and geopolitics in Hergé's Adventures of Tintin

This is a study of identity and geopolitics in Hergé's Adventures of Tintin, a series of adventure comics created from 1929 to 1976. The Tintin comics became increasingly popular throughout the mid-twentieth century, and their creator, Hergé, is still a subject of intrigue in the press and popular publications. Recent work in popular geopolitics has pioneered the use of comics as a new type of source material in critical geography. Hergé's approach to the comics format combines an iconic protagonist with detailed and textured environments that draw upon some of the geopolitical discourses of the twentieth century. Three forms of geopolitical meaning are identified within the Tintin comics: discourses of colonialism, European pre-eminence and anti-Americanism. These overlapping trends amount to different facets of one single discourse, which places European ideologies at the centre of its world-view. This is highlighted by focusing on three geographical spaces of the Tintin series, and by contextualising the life and selected works of Hergé.     

Unfinished Business from Potsdam: Britain,West Germany,and the Oder-Neisse Line, 1945–1962

Abstract

William Waldegrave Palmer, second earl of Selborne, took up his appointment as first lord of the admiralty in the marquess of Salisbury's third administration on 1 November 1900. This was Salisbury's recently acquired son-in-law's first experience of high office. Initially, as will be seen, Selborne regarded France and Russia as constituting the sole threat to British naval supremacy. Indeed, for reasons entirely to do with ‘economy’s, he was prepared to envisage the making of an alliance with Germany. He maintained this stance throughout 1901. At some point in the course of 1902, however, he displayed a dramatic change in outlook, which it is the purpose of this article to describe and, by pinning down the date with more precision than did Selborne himself in correspondence with Arthur J. Marder in 1938, to explain.1 A.J. Marder, TheAnatomy of British Sea Power: A Histo~ of B~tish Naval Policy in the Pre-Dreadnought Era, 1880–1905 (London, 1940), p. 464.      

Paradoxes,Protests and the Mujeres de Negro of Northern Mexico

On November 25, 2002, thousands of people marched through the streets of Mexico City and demanded, in the name of social justice, an end to the violence against women in northern Mexico. ‘Ni Una Más’ (not one more) was their chant and is also the name of their social justice campaign. Their words referred to the hundreds of women and girls who have died violent and brutal deaths in northern Mexico and to the several hundred more who have disappeared over the last ten years. These Ni Una Más marchers, many working with human rights and feminist organizations in Mexico, are protesting against the political disregard and lack of accountability, at all levels of government, in relation to this surging violence against women. And the symbolic leaders of their movement are the Mujeres de Negro (women wearing black), who are based in Chihuahua City. In this article, I examine how the Mujeres de Negro demonstrate how feminist politics so often plays upon the negotiation of spatial paradoxes in order to open new arenas for women's political agency. For while the Mujeres de Negro of northern Mexico are galvanizing an international human rights movement that is challenging political elites, they are also reinforcing many of the traditional prohibitions against women's access to politics and the public sphere. And I explore how the Mujeres de Negro devise a spatial strategy for navigating this paradox in an increasingly dangerous political environment.     

“Back in the heartland”: Seamus Heaney's “Route 110” sequence in Human Chain

This essay foregrounds the increasingly significant role translation has played in Seamus Heaney's compositional and creative practices since the 1970s, and how it functions as a means of displacement and route into imagined homecomings. It offers a detailed analysis of the sequence which occupies a central position within Human Chain, in which Heaney HeaneySeamusStations. Belfast: Ulsterman Publications, 1975. [Google Scholar] attends to and seeks to reconcile once more the different “voices of my education”, that of originary familial/parish culture of Mossbawn and Bellaghy, and that acquired at St Columb's College and Queen's University that furnished him with rich linguistic and cultural assets, but sentenced him also to a “migrant solitude” (“The Wanderer”, Stations). “Route 110” illustrates the enduring effects of both bequests, as Heaney takes scenes and motifs from Virgil's Aeneid, Book VI, which details Aeneas' experiences on his descent into the seventieth year, Heaney takes readers with him on a road back to pre-Troubles Northern Ireland in the mid-twentieth century, stopping off initially at Smithfield Market, Belfast, in order to pick up a “used copy” of the Virgil that will become his guide. What he subsequently assembles is an album of snapshots of his youth, part of his legacy to his newly-born granddaughter.     

The Interplay of Spirit in Greek Island Dancing

Values of honourable courtship are expressed in dance and this paper is an ethnographic reconstruction of a Greek island dance called the sousta practised on the Dodecanesian island of Rhodes during the interwar period (1925–1940). Its performance was a dynamic interplay of gender roles that mediated romance and moved the performers toward the resolution of marriage. The aim of the paper is to elaborate on values ascribed to men and women during the occasion of dancing at a village wedding in southern Rhodes. The interplay of grace (hari) and honour (timi) will locate why and how men reveal through hari and why women are concealed through timi during the dance performance.     

Roman noir et drapeau noir: Didier Daeninckx and the libertarian legacy

Abstract

The crime novelist Didier Daeninckx originally established himself as an author of historical crime fiction. His 1984 Daeninckx, D. (1984) 2011a. Meurtres pour mémoire. Paris: Folio Policier. [Google Scholar] novel, Meurtres pour mémoire, in particular challenged occluded and intertwined memories of the Occupation and the Algerian War of Independence. Since then, and through his subsequent writings and political activities, Daeninckx has been recognised as giving voice to a range of marginalised communities and memories. Much academic study has therefore concentrated on the recovery of the past in Daeninckx’s fiction, approaching his work from the perspective of cultural history and memory studies, considering it a form of memory activism. This article offers a new perspective on Daeninckx’s political engagement. It will examine Daeninckx’s three contributions to Éditions Baleine’s collaboratively authored detective series Le Poulpe: Nazis dans le métro (1996), Éthique en toc (2000) and La Route du Rom (2003). It will argue that they are informed by a memory of France’s broad libertarian tradition which constitutes a hidden referent essential to understanding the formulation of the ethico-political counter-communities to which many of his characters (and his ideal, implied reader) belong. More particularly, it will argue that these communities form the basis of a new model of political engagement beyond party, state and class, suggesting not only the persistence but also the adaptability of libertarian thinking in Daeninckx’s work and the French roman noir.     

Art and Impowerment: Levinas,Nietzsche, and the Ethics of Literary Discourse

This article draws on the profound affinities between the thought of Levinas and Nietzsche to argue that aesthetics plays a major role in Levinas's ethical philosophy. As in the case of Nietzsche, who called himself “the first tragic philosopher,” aesthetics gives reference to the tragic, yet affirmative content of Levinas's ethics. For both, what Levinas calls the “alterity,” or otherness, of art and literature is located not in an ontological or conceptual “beyond”—in a “spiritual” dimension “which sets itself up as knowledge of the absolute”—but in the “interstices” of language, in the “between times” (entretemps) of its modes of temporality: which can only be accessed by way of “the tragic” in art. Alterity signifies not a privileged, interpersonal dimension freed from the problematics of modernity, but points to the complicity between the West's concept of rationality and its history of barbarism exemplified by the Holocaust. The artwork for Levinas is at once temporally diachronic and spatially diasporic, a region of impowerment that is precisely lacking in the expressive or imaginative empowerment normally attributed to the artwork, but which demonstrates a utopian, emancipatory potential in revealing the fissures and hidden pathways that run through the hegemonic structures and totalizing frameworks of modernity.     

Dark Nightmare: The Shooting of William Alexander as Canon Scott Saw it

Frederick G. Scott's World War I war memoir, The Great War As I Saw It, contains the sole unofficial eyewitness recording of a court martial execution that we possess. The case of William Alexander 20726 Alexander, William. 20726. Service records. Library Archives Canada, RG24, vol. 2538 HQS 1822, RG 150/acc 1992-93/166/Box 83-992 and RG24-C-1, 1946 Central Army Registry R112-553-X-E, Reel C-5053 90,  [Google Scholar], executed in October 1917, for desertion in the face of the enemy compelled Scott to devote more printed space to it than to the death of his own son, Henry. A discussion based upon a close reading of Scott's memoir and an exposition from archival sources of Alexander's case demonstrates the ways in which Scott evades the case's disturbing implications echoes wider aspects of Canada's early memorialization of the Great War.     

‘The best thing ever’: how children's popular culture matters

This paper reflects upon a popular cultural event which was, briefly, for a particular grouping of children in the UK, ‘the best thing ever’: namely the release of the CD-single Reach, by the British pop group S Club 7. I suggest that this event was illustrative of manifold cultural forms and practices which—being ostensibly banal, fun, faddish, lowbrow and ‘childish’—continue to go largely unheralded by many social/cultural geographers. Against this grain, this paper presents three apprehensions of S Club 7’s significance. First, I restate a particular case made via Anglo-American cultural studies that ‘children's popular culture’, ought to be taken more seriously in contexts salient to social/cultural geographers. Second, I detail how the S Club 7 phenomenon existed, practically and materially, and mattered, in some children's everyday lives. Third, refracting cultural geographers' recent apprehensions of affective, evental aspects of cultural practices, I suggest that the pop cultural phenomenon described herein mattered (to those children, there and then) in ways which elude and exceed canonical scholarly habits of writing/knowing popular cultural phenomena.     

Intellectuels belges en quête d'un nouveau socialisme: l'aventure des Cahiers socialistes (1944–1953)

Summary ?The publication of the first issue of Cahiers socialistes at the very end of the war in 1944 and its nine-year run have to be considered in the framework of the new socialist politic, which combined realism and reformism. It is in answer to the ‘formal, parliamentarian and conformist’ socialism that the collaborators of Cahiers socialistes, mostly trained at the Université Libre de Bruxelles, formulated an alternative left-wing proposition focused on socioeconomic reforms grounded in moral ideals such as freedom and human dignity. Cahiers socialistes were thus the product of an intellectual elite which then had a career in academe or in the civil service. This small group did not have a great impact in the shaping of public opinion but it has left a considerable conceptual legacy for socialist intellectuals.

La parution du premier numéro des Cahiers socialistes dans les derniers jours de guerre en 1944, et la poursuite fructueuse de la publication au cours des neuf années qui suivirent, doivent être vues dans le contexte socio-économique de l'époque et de la ‘nouvelle’ politique socialiste belge, réaliste et réformiste, avec ses points de vue en matière de politique sociale, de politique étrangère et d'intégration européenne. C'est en majeure partie en réaction au socialisme ‘parlementaire, formel et conformiste’ que les collaborateurs des Cahiers socialistes, pour la plupart issus de l'Université Libre de Bruxelles, proposèrent une gauche alternative centrée sur des réformes socio-économiques, situées dans une optique volontariste, même personnaliste, et liées à une série d'idéaux moraux comme la liberté et la diginité humaine. Les Cahiers socialistes étaient le produit d'une élite intellectuelle. Tant le contenu des publications que le profil sociologique de ses collaborateurs—la plupart d'entre eux firent carrière dans l'enseignement, la recherche scientifique ou dans l'administration—en témoignent. Il s'agissait d'un petit groupe d'intellectuels dont l'engagement, s'il était considérable, ne trouva pas vraiment grand écho dans l'opinion publique. Cela n'a toutefois pas empêché la constitution d'un héritage spirituel à long terme destiné aux générations futures d'intellectuels socialistes.     

Rethinking the Historical Genealogy of Orientalism

The publication of Edward Said’s Orientalism (1978 Said, E. 1978. Orientalism, New York: Random House.  [Google Scholar]) marked a paradigm shift in thinking about the relationship between the West and the non‐West. Said coupled his critique of European discourse on the Middle East to issues of representation generally, demonstrating that Western discourse on the Middle East was linked to power, trafficked in racist stereotypes and continually reproduced itself. Despite important achievements, the critique of colonial representations often appeared abstract and disengaged from its own history as well as the specific colonial histories it sought to explain. We contend that while colonial representations have been theorized, they have yet to be adequately historicized. To this end, we trace the genealogy of the critique of colonial forms of knowledge in Britain, France and the US from the mid‐1940s to 1978. We argue for the historicization of the critique of orientalism, and for a more philosophically adequate theorization of modernity in world history.     

Vital Creativity: Exhibiting Beauty and Heritage in Material Culture

Museum exhibits are an important but often overlooked source of anthropological, folklore and decorative art analyses. Some exhibits are cross-cultural and focus on object types; others deal with the cultures of particular peoples. This review assesses two exhibit catalogues that deal with each of these two types: Gavin, Pierce, and Pleguezuelo's Cerámica y Cultura: The Story of Spanish and Mexican Mayólica deals with one art form and its development, and Griffith's Hecho a Mano: The Traditional Arts of Tucson's Mexican American Community documents the home arts of Mexican Americans in Tucson, Arizona during the 1990s.     

From the Body of Christ to Racial Homogeneity: Carl Schmitt's Mobilization of ‘Life’ against ‘the Spirit of Technicity’

This article traces the semantics of “life” and “vitality” in Carl Schmitt up to the 1930s. It shows that Schmitt deploys these vitalist elements against the modern “spirit of technicity” in his attempt to combat the lack of substantial ideas in modern politics. However, Schmitt himself cannot escape a fundamental political relativism. There remains an unstable tension at the heart of his thought between the quest for substance and the quest for order. The latter is relativist because it is a quest for order as such, any order. Although Schmitt's semantics of life and vitality is not drawn from a biological register, it adopted a völkisch meaning in 1933. Anti-Semitism becomes a form of life and racial homogeneity fills in for substance. The article concludes that, while there are good reasons for criticizing the modern “spirit of technicity,” Schmitt's critical model is fundamentally flawed.