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This article deals with a specific aspect of the development of corporativism as ‘unofficial’ doctrine of Fascist Italy: its presence in Italian universities. It argues that corporatist schools followed the fortune of the ideals they were called to represent, which were definitely eclipsed by the mid-1930s, when the economic crisis called for more direct and effective forms of state intervention in economic life. In the universities, the rise of corporativism as a specific field of study, and the broader project of creating an ideologically educated future ruling class, challenged the domination exercised by the powerful faculties of law in particular, which traditionally were the key paths for access to the legal profession and the civil service. The resistance of the conservative university establishment meant that the plans to promote corporatist curricula had failed well before the fall of the regime, but many of those appointed to teach Corporative Studies under Fascism maintained their academic positions in Italy's ‘de-Fascistized’ post-war law faculties, and made innovative contributions to Italian social and economic thought.  相似文献   

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In 1989, Evelyn Brooks Higginbotham observed that African Americanists paid scant attention to issues of gender and women's historians typically ignored questions of race; she warned that this silence compromised the very analysis of US history. Much has changed since Higginbotham issued her cautionary words. Not only has Americanist literature on gender and race grown exponentially over the past ten years, African-Americanist gender historians have produced some of the most influential monographs and articles in their field. This article surveys a decade's worth of conceptual breakthroughs in African-Americanist historiography as it ponders the question of whether certain silences still remain.  相似文献   

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ABSTRACT

Taking into consideration the transnational dimension of Fascism that had its epicentre in Italy ? as Mussolini’s purpose of “marching throughout the streets of Europe and the World” plainly illustrates ? this article explores the connections between the Italian Fascist regime and the Portuguese Estado Novo during the interwar period. From the moment Fascism became attractive for Portuguese intellectuals, state officers, and politicians, until it became a colonial threat to the Portuguese empire, the cultural diplomacy apparatuses of the two countries will be analysed from a balanced, bi-lateral perspective, encompassing actors, transferences, and resistances.  相似文献   

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In the last two decades studies on Italian colonialism have shown remarkable vitality and many positive results. But in spite of this undoubted progress there still remain some limitations of approach that prevent any real outstripping of the interpretive schemes hitherto used. The research being conducted largely follows the nation state paradigm: the Italian colonies are viewed and studied as essentially independent entities, devoid of relations with the surrounding territories and, above all, between each of these and the others.

This article offers an interpretive scheme that stresses the intimate relationship among the Italian colonial possessions in Africa, their status as a system, by moving away from a representation that has always favoured a rigorously individualised treatment of Italy’s colonies. It emphasises three main levels of interconnection: administrative structures, officials and colonial troops. While the first two were also common to other colonial entities, the extreme recourse to the mobility of colonial troops was a distinctive feature of the Italian version and the main factor of interconnection among Italy’s territories.

Our analysis also enables us to better understand the place violence held in Italian colonialism. Along with analyzing the deportations, massacres and use of gas, we must consider the uninterrupted cycle of campaigns that from 1911 to 1941 Italy inflicted on its colonies. For the most part, wars were delegated to colonial troops who for thirty years, moving from one colony to another, made war and violence a fundamental aspect of the Italian colonial experience.  相似文献   

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The article explores the efforts of Marinetti's futurists, Sarfatti's Novecento movement, and the Tuscan circle that propounded strapaese to shape a cultural basis for Italian Fascism. The first two movements sought to become an official art for Fascism, while the third sought to produce a culture that would remain true to Fascism's origins in 1919, but all were in different ways 'modernist' movements and they are therefore contextualized both in terms of the challenge presented by Fascism and those faced by their modernist counterparts elsewhere in Europe. It is argued that the three movements enjoyed some success in the 1920s but were effectively shut down by the rise of the intransigent Right in the 1930s. Yet it is also argued that they needed the regime because they were too weak by themselves to assert the principle of artistic autonomy in the face of an internationally ascendant commodity culture. L'articolo esplora i tentativi dei futuristi facenti capo a Marinetti, del movimento Novecento di Sarfatti, così come del circolo toscano detto di Strapaese, nel costruire e definire le basi culturali del fascismo italiano. I primi due movimenti cercarono di costituire un'arte ufficiale del fascismo, mentre la terza si protese a far nascere una cultura che rimanesse legata alle origini del movimento fascista del 1919; ma tutti erano, in maniera diversa, movimenti 'modernisti' e sono qui tra l'altro posti sia nel contesto del cambiamento, nel clima politico e culturale, rappresentato dal fascismo che in quello degli altri movimenti modernisti europei. Viene messo in evidenza che i tre movimenti ottennero un discreto successo negli anni venti, ma furono censurati da una destra intransigente che emergeva negli anni trenta. Tuttavia, è possibile affermare che tutti e tre i movimenti avevano bisogno del Regime perché troppo deboli ed incapaci di consolidare un principio di autonomia artistica nei confronti di una emergente cultura consumista nel contesto internazionale.  相似文献   

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ALEXANDER DE GRAND. Italian Fascism: Its Origins and Development. Lincoln: University of Nebraska Press, 1982; PTERRE AYQOBERRY. The Nazi Question: An Essay on the Interpretations of National Socialism (1922–1975). Tr. by Robert Hurley. New York: Random House, 1981; WILLIAM MILES FLETCHER III. The Search for a New Order: Intellectuals and Fascism in Prewar Japan. Chapel Hill: University of North Carolina Press, 1982; and BEN-AMI SHILLONY. Politics and Culture in Wartime Japan. Oxford: Oxford University Press, 1981.  相似文献   

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