Liberation and literature: Naples 1944

The arrival of Anglo‐American forces in Naples on 1 October 1943 precipitated the structural crisis which had beset the capital of the south since its integration into the Italian nation‐state in 1860. This crisis had been masked by the reassuringly engaging ethos of napoletanità, encoded in the urban dialect and crystallized in its literary culture from Matilde Serao and Salvatore Di Giacomo onwards. The myth of napoletanità had been frozen under Fascism, but was shattered by the experience of the war years and after, and only factitiously restored under the political hegemony of the monarchist ship owner Achille Lauro during the 1950s. Young literary Americans such as John Home Burns and William Weaver, who found themselves in Naples with the occupying Allied forces, fell under its spell, while the equally young British military intelligence officer Norman Lewis maintained a detached, but sympathetic, objectivity. The older Tuscan writer, Curzio Malaparte, so provocatively transformed the image of Naples as to earn furious rejection by the city's dominant postwar political circles and by Italy's literary circles. Yet, despite brilliant attempts at restoration by the departed Neapolitan, Giuseppe Marotta, and the much‐loved actor‐playwright Eduardo De Filippo, napoletanità was systematically undermined and demolished by younger Neapolitan writers from Domenico Rea and Anna Maria Ortese to Raffaele La Capria as the city's urban fabric was transformed by appallingly irresponsible property speculators. This article focuses on the literary anthropology of Naples in the 1940s. It explores literary texts and contexts, and the way they problematize Naples as a unified subject or object. It addresses the paradoxical issue of the city's need for liberation from itself, and the time scale of a liberation that perhaps has always been and always will be in fieri.     

Becoming a camorrista : criminal culture and life choices in Naples

In 1992, Pasquale Galasso, a Camorra superboss, revealed many intricate secrets about the Neapolitan Camorra. This led to revelations from other pentiti (criminals turned state witnesses), allowing an insight for the first time into the Neapolitan Camorra from the insider's point of view. Understanding why individuals join a criminal organization, the Camorra in particular, is one of the questions addressed in this article. Using primary sources and an 'interaction model' based on the interplay of agency and structure, it studies the impact of Neapolitan criminal culture on an individual's life choices in the 1950s, and compares these with the 1980s and 1990s. It concludes that while in the 1950s criminal values were emerging as an ethos and had a somewhat limited impact on individuals, by the 1980s this ethos had become a clear 'subculture', an 'ideology' which had a pervasive influence on the life choices of many young Neapolitans. Nel 1992, Pasquale Galasso, super boss della Camorra, rivelÒ parecchi segreti sulle cosche napoletanc. La sua disponibilitÀ a collaborare spinse altri pentiti a seguire il suo csempio. CiÒ consentì per la prima volta di conoscere in maniera più approfondita la Camorra tramite le rivelazioni di alcuni dei suoi membri. Pertanto, i motivi per cui si sceglie di entrare nella Camorra è una fra le questioni analizzate nel presente articolo. Attraverso l'uso di fonti primarie e di un modello interattivo caratterizzato da una combinazione tra capacitÀ decisionale e struttura organizzativa, l'articolo sviluppa una analisi comparativa sull'impatto di una cultura criminale napoletana nei confronti delle scelte di singoli individui negli anni cinquanta, ottanta e novanta. Le conclusioni di questo studio sottolineano che, sebbene negli anni cinquanta una cultura criminale stava acquisendo un valore etico, essa aveva una influenza minima sulle scelte comportamentali dei singoli soggetti; mentre dagli anni ottanta era ormai divenuta una subcultura, una ideologia che aveva prodotto un impatto notevole sulle scelte di vita di molti giovani napoletani.     

Narrating urban assemblages—Chris Ware and Building Stories

This article takes up the recent interest in assemblage theory in urban geography and considers the potential for art to contribute to our narrations of urban assemblages. In particular, it uses Chris Ware's recent magnum opus, Building Stories, as not only an account of the urban as an assemblage, but to indicate more broadly the way in which comics might be used to narrate urban assemblages in ways that highlight their multiplicity and plurivocality. The article draws out three themes in its analysis of Building Stories: more-than-human subjects, the various temporalities of the city, and the way memory and narrative are emergent from urban assemblages.     

#GomorraLaSerie: Converging audience and enhanced authorship on twenty-first-century Italian screens

Based on Roberto Saviano’s book Gomorra (2006), production of the TV series Gomorra – La serie (2014) was met with scepticism as many feared it would glamorise organised crime and, consequently, attract young people toward Camorra affiliation. The series’ bleak portrayal of criminals and criminality was offered as a response to such concerns. Despite the preoccupations, Gomorra – La serie was hugely successful and, because of its quality, was sold to other countries. In Italy, the series’ success can be measured by the popularity of its Twitter hashtag #GomorraLaSerie. Engaged with Henry Jenkins’ theories of media convergence and based on a corpus of tweets bearing this official hashtag, this article proposes a quantitative analysis and advances conclusions regarding the Italian TV audience and second-screen viewing practices. Additionally, through a qualitative study of Saviano’s tweets about the series, it examines the writer’s use of the social media platform as a tool of narrative continuity. Finally, the article highlights a few examples of fan-generated media and concludes with remarks regarding Saviano’s problematic position at the centre of a transmedia object.     

Afterimages of the Victorian City

As emblematic spaces of social and cultural contamination, the Victorian street and underworld have had remarkable afterlives in twentieth-century reinterpretations of Victorian cityscapes. This article explores what persists in our vision of the nineteenth-century city well over a century after it was, so to speak, first seen, and how what persists impacts on our attempts to reconstruct that act of seeing. In the lived spaces around us there is in fact continuity, in that the city is a palimpsest and patchwork of Victorian and post-Victorian materials. However, to see those spaces as Victorian is in fact to elide a historical process of physical accumulation and syncretism. This article explores spectral ‘afterimages’ of the Victorian street and underground, in a variety of contemporary sources, ranging from Gary Sherman's Death Line (1972) and John Mackenzie's The Long Good Friday (1980) to Salman Rushdie's The Satanic Verses (New York: Picador, 1988), the material culture of steampunk and the Telectroscope by the artist Paul St George. It traces two distinct genealogies of renderings of Victorian urban spaces in current popular culture. While filmic renderings are obsessed with the ghostly circulation of Victorian spectres haunting the present, steampunk artists imagine an alternative temporality, locating the origin of an alternative future in the mobility of Victorian metropolitan culture.     

Matthew Paris on the writing of history

Matthew Paris was one of the most prolific and influential historians of the central middle ages. Matthew's significance rests both on the range of his interests and the scope of his writing. Yet, even basic questions about his outlook on writing, his concept of history, or the relationship with his audience, have hardly been asked. These issues are central themes of this article, and will be used to consider wider questions about Matthew's concept of truth, his handling of information, and his view of the world around him. The article, furthermore, extends coverage beyond the Chronica majora or Matthew's vernacular writings to consider his concept of history as it emerges from the totality of his oeuvre.     

An irreconcilable first-place: the precarious life of tourism and heritage in a southern European historic centre

Abstract

This article discusses the ambiguous relationship between heritage tourism and everyday life in the historic centre of Naples. This area, long characterised by a lower-class residential population and intermittently considered off-limits to tourists, has over the last two decades become the focus of a burgeoning heritage tourism industry. The article adopts the idea of precariousness – understood contra conventional formulations as a condition that elicits both anxiety and emancipatory release – in order to make sense of the allure and repulsion that the historic centre exerts in tourist encounters with the city. Through three examples – a bus sightseeing tour, online responses to a New York Times article about Naples and local people’s perceptions of a pedestrianised piazza as a tourist contact zone – the article illustrates how the historic centre as a tourist destination is constituted by a mix of foreboding and excitement; where affective experience tends to trump the monumental gaze. Thinking in terms of precariousness not only underlines the contradictory role that this area plays in the local production of cultural heritage but also poses a challenge to those accounts that see in the advent of a visitor economy the inevitable ‘museumification’ and gentrification of historic centres.     

The Lore of Liu An and the Authorship of the Huainanzi

This article provides an alternative approach to the issue of the Huainanzi's authorship by exploring how it was related to the Liu An lore emphasizing him as a talented writer. Beginning with a redefinition of the concept of the author in early Chinese literature, the article first examines how Liu An as the author of the Huainanzi functions as the key to our understanding of the text in previous scholarship. The article then moves to investigate the materials relied upon by previous scholarship in defining Liu An as the author of the Huainanzi. The investigation reveals the conflicting messages in different sources regarding when and how Liu An was hailed as a talented writer, what the neipian would likely be, and whether or not Liu An presented the Huainanzi to the Han court. Finally, this article examines the formation of the Liu An lore, in which he is portrayed as a prolific writer especially associated with esoteric writings of the time, and argues that it is this Liu An lore that has defined the Huainanzi's authorship.     

Coordinated Strategic Voting in the 2008 Federal Election

Citizenship and Immigration Canada's new citizenship guide, Discover Canada, received significant coverage in the national media and among popular bloggers when it was released in late 2009. Among the more controversial responses were allegations that the guide served a partisan political purpose. It was “an incremental step in the rebranding of Canada into a conservative country, full of people more inclined to vote Conservative.” This paper investigates the veracity of this claim by documenting the historical evolution of Canada's citizenship guides. It finds that while Discover Canada departs notably from its immediate, Liberal-sponsored, predecessors, it is not so different from the initial documentation produced under the Liberal governments of Pierre Elliott Trudeau. To suggest that the new guide has fundamentally altered the national image is therefore a profound exaggeration.     

The Nor’-Wester and the Saskatchewan Gold Rush

ABSTRACT

This article explores the phenomenon of how news about the discovery of gold on the North Saskatchewan River in British administrated Rupert's Land was propagated by the press in the early 1860s. It tracks the resonance of gold rush news first in the Nor’-Wester, a newspaper published in the Red River Settlement, and then reveals how this paper's coverage was re-published and transmitted across the Anglophone world. The article shows how news about the Saskatchewan gold rush was highly politicised. In the Red River Settlement, editors of the Nor’-Wester sought to spur on the British parliament to implement responsible government in the colony, issuing dire warnings about the potential repercussions of a mass migration to the region and the need to act precipitously. Likewise, in newspapers across North America, editors republished and endorsed news from the Nor’-Wester about the Saskatchewan gold fields to benefit their own communities. But while editors championed the Saskatchewan gold fields to lure potential gold rushers to the region, no large-scale migration to the Northwest occurred. While news about the Saskatchewan gold fields may have been popular across the Anglophone world, it was not actionable. While news reports conveyed the impression that a gold rush was ongoing on the North Saskatchewan River, the reality on the ground did not match the press coverage.     

French radicalism through the eyes of John Stuart Mill

The paper attempts to highlight some under-researched aspects of the interaction between British and French radical political thinkers and activists during the period between the July Revolution of 1830 in France and the early years of the Third Republic. It focuses in particular on the decisive impact that the aftermath of the July Revolution of 1830 had for the perception of French politics by the most Francophile British radical, John Stuart Mill. In this context, Mill's astonishingly dense coverage of French affairs in The Examiner and the relation between that coverage and Mill's radical agenda at home are explored. The Revolution of February 1848 and the establishment of a Republic in France raised new hopes and led to a new round of Anglo-French radical co-operation and manifestations of fraternity. However, it was the frustration of the expectations raised by 1848 (fatally by the time of Louis Napoleon Bonaparte's coup d’état in December 1851) that had the most profound effect on the perception of French radicalism outre-Manche. A detailed analysis of which French ‘radical’ parties, factions and personalities attracted Mill's sympathies and support from 1830 to the beginnings of the Third Republic is offered, along with the reasons why Mill was attracted by some of the people and factions in question and not by others. The paper winds up with a few comments on Mill's strenuous efforts to contribute to Anglo-French mutual understanding and fellow-feeling and his strategies to that effect.     

When Nazi dreams come true: The third Reich's internal struggle over the future of Europe after a German victory

In the present article it is argued that Pieter de la Court's Political Maxims of the State of Holland presented a remarkably consistent grand strategy for Holland in relation to its Dutch allies and the European powers. I present an outline of this strategy, which was built around the accomplishment and defence of commercial goals; I sketch a historical context that takes into account the general historical shift from tribute-taking agrarian societies towards commercial wealth-generating polities, and also the violent contemporary military and ideological background against which De la Court's strategy stands out; I argue that his strategy can be understood by his use of three basic game theoretic concepts (prisoner's dilemma, assurance game and free-riding); and I stress the distinctive character of De la Court's work, by comparing the practical and strategic use of these concepts in the Maxims with the function of the same concepts in the philosophical contract theories of Thomas Hobbes and Benedict de Spinoza.     

New‐Build Gentrification and the Everyday Displacement of Polish Immigrant Tenants in Greenpoint,Brooklyn

In response to research that has downplayed or denied the reality of gentrification‐induced displacement, critical urban geographers have called for rethinking the concept of displacement. This article takes up that call by examining the impact of new‐build gentrification on the everyday place‐making abilities of Polish immigrant tenants in Greenpoint, Brooklyn. Based on nearly four years of work as a tenant organizer, this article looks at the forms of “everyday displacement”—the ongoing loss of the agency, freedom, and security to “make place”—experienced by immigrant tenants who struggle to remain in the neighborhood. Drawing upon Lefebvre's spatial triad and Blomley's work on the social relations of property, this article argues that everyday displacement is experienced through the production of new spaces of prohibition, appropriation, and insecurity that constitute a form of neighborhood erasure.     

A Byzantine hagiographical parody: Life of Mary the Younger

Abstract

In this paper, it is argued that The Life of Mary the Younger, an anonymous Byzantine text of the eleventh century, has a conscious intertextual dialogue with the oldest Byzantine Life venerating a holy woman, the Life of Macrina written by her brother, Gregory of Nyssa, between 380 and 383. The intertextual relation between these two female Lives takes the form of parody. Following Linda Hutcheon's theory of parody, this article shows how the anonymous hagiographer of Mary reworks Gregory's authoritative text to create a new work, a parody in terms of postmodern literary criticism, whose aim was to criticise old and contemporary customs, conventions and ideologies. In other words, the present article approaches and decodes the literariness, the function and ideology of Mary's Life in the light of Macrina's Life.     

Meridionalismo,the crisis of liberalism,and the advent of Marxism in post‐risorgimento Naples

For an ideology described by Marx himself as one that was suitable only for advanced societies, backward Naples ironically served as the point of entry for Marxism in Italy. As theorists and activists, the great Neapolitan Marxists—Antonio Labriola, Carlo Cafiero, Arturo Labriola, and Amadeo Bordiga—completely dominated the initial stages of the movement. For an understanding of the severe socio‐economic conditions that did much to make Naples the incubator of radicalism in post‐Risorgimento Italy, the literature of the meridionalisti (southern reformers) remains indispensable. Under attack on both sides of the Atlantic by a new generation of historians who admirably seek to produce a nuanced history of the South by rising above the stereotypes associated with a one‐dimensional image of the “Southern Problem,” the meridionalisti require supplementing today as historians. Nevertheless, the reaction against them has been too extreme. They remain invaluable eye‐witnesses to the conditions and events that formed the historical context of Marxism's momentous appearance in Italy.     

Black sisterhood: The situation of urban aboriginal women and their relationship to the white women's movement 1

The article argues that Aboriginal women in urban aboriginal society experience very different oppressions than do white women in urban white society. Aboriginal women believe that their greatest oppression is racism not sexism. When their objective conditions are examined it becomes obvious that this is indeed so. In fact Aboriginal women are statistically better educated and better employed than are Aboriginal men. Other economic and societal factors combine to produce a situation whereby a black woman's status within her own society is very different to that of her white sisters. Black women are more likely to be heads of household; more likely to be political leaders and less likely to be child‐burdened than their white counterparts. Consequently women's movement demands such as abortion, child‐care, the right to work and sexual liberation are not given high priority by the Aboriginal women's movement. Aboriginal women's demands stem from the politics of poverty and discrimination. These are caused by racism not sexism.     

From the Waters to the Plate to the Latrine: Fish and Seafood from the Cardo V Sewer,Herculaneum

The excavation of an ancient sewer in the town of Herculaneum, Italy, provided the opportunity to study Roman diet in the Bay of Naples, including the marine component. The sewer served an apartment block which was buried by the eruption of Vesuvius in AD 79 and retained human and kitchen waste of the non-élite individuals living above. The remains showed a high degree of dietary diversity with around 70 fish, 48 marine mollusc and three marine arthropod taxa being identified. The fish were mostly small individuals which were probably netted in fairly shallow, coastal waters. The marine invertebrates included species of sandy shores, rocks and the sea bed but the majority could have been collected very close to the water’s edge. Both the fish and the shellfish would have been available locally in large quantities and probably represented cheap and nutritious dietary fare. Some of the consumed fish was probably salted (salsamenta) or fermented (as fish sauces such as garum), but it is thought that most of the fish and shellfish originated in the Bay of Naples and would have been purchased fresh. The difficulty of identifying preserved fish within the mixed sewer assemblage is discussed.     

CBC News Coverage of Canada's 2006 Liberal Party Leadership Candidates

Content-coded CBC evening newscasts are used in this article to examine reports on the eight candidates for Liberal Party leader in the weeks before the party's 2006 convention. In a sharp contrast to news reports on US presidential nominations, The National provided coverage balanced between the horse race and more substantive matters, including policy discussions and a candidate's personality and leadership qualities. But as with US nomination coverage, The National largely ignored trailing candidates, focusing nearly all its attention on the likely and plausible nominees. In terms of tone, The National provided “compensatory coverage,” where front-runners were treated more negatively than the candidates who were further back in the field.     

Reclaiming the Land,Reclaiming the Indian: The La Salle Series of George Catlin

In 1847, American painter George Catlin completed a series of paintings depicting La Salle's travels through North America, ostensibly at the request of King Louis-Philippe. This article argues that the La Salle series is an unusually coherent statement by Catlin about the value of the American wilderness and Native American culture for white America. A close examination of the paintings and Catlin's writing exposes the La Salle series as a reclamation project in which Catlin sought to rescue an imagined “pure” past at contact and preserve it in paint in order to make it available and useful to the present.