Between Apartheid,the Holocaust and the Nakba: Archbishop Desmond Tutu’s Pilgrimage to Israel-Palestine (1989) and the Emergence of an Analogical Lexicon

ABSTRACT

On 22 December 1989, the anti-apartheid activist and Nobel Peace Prize laureate, Archbishop Desmond Tutu conducted a Christmas pilgrimage to Israel and the Occupied Territories. Tutu used his visit to relay political messages in support of the Palestinian liberation struggle and to criticize Israeli-South African ties, and his statements evoked sever criticism on the part of Zionist Jewish constituencies. Through a tighter focus on Tutu’s various public statements and their reception in the years leading up to the visit, this article traces the history of different sets of interlocking analogies in Tutu’s thought, positioning his 1989 visit to Israel-Palestine—neglected thus far in the critical literature —as a landmark in his thinking. In so doing, it offers a critical analysis of another instance of the Israel-apartheid analogy in the political struggle against the Israeli occupation. At the same time, it points to the genesis of the analogy in Tutu’s ongoing engagements with the suffering of Jews during the Holocaust.     

From the particularistic to the universalistic: national narratives in Israel’s mainstream press, 1967–97

The aim of this article is to study the development of the Jewish‐Zionist national idea as expressed in the national narrative as it appeared in Israel’s mainstream press during the years 1967–97, against the background of five critical events in the Israeli collective experience as well as in the wake of the Holocaust Memorial Days. This development is studied as a case of the immanent tension between nationalism’s universalistic message and its particularistic application. The Jewish‐Zionist narrative in Israel is found to be ‘shifting’ from its particularistic towards its more universalistic pole. This development is discussed as a transition from a ‘purely national’ to a ‘post‐national’ narrative, and is positioned in its local and global contexts.     

The cloak,the cage and the fog of sanctity: the Zionist mission and the role of religion among Arab Jews*

Abstract. This paper examines the Zionist national mission to mobilise Jewish ethnic communities in Arab countries, in the period preceding the establishment of the state of Israel. It draws on archival texts to trace a phenomenon known in Jewish historiography as ‘Shadarut’; a voluntary religious practice of fundraising which was widespread in the Jewish world for hundreds of years. The paper shows how this pre‐national religious practice (to be labelled ‘the cloak’) was adopted and incorporated into the Zionist national project (‘the cage’), first generating tension between the Jewish religious establishment and the Zionist ‘secular’ movement, and then blurring the distinction between Judaism as a religion and Judaism as a national identity. The paper shows how secular emissaries of European origin arrived in Arab countries as religious emissaries (‘shadarim’) and aspired to discover a strong religious fervour among members of the Jewish communities there. This is because in the eyes of the Zionist (ostensibly secular) movement, being religious Jews in Islamic countries was a criterion that demarcated them from their Arab neighbours. This analysis entails two main conclusions: (a) that contrary to the experience of the European Zionist national movement in which secularism and the revolt against the Jewish religion played a central role, in Islamic countries it was particularly the Jewish religion, and not secular nationalism that was used to mobilise the Jewish community into the Jewish national movement; (b) that the ‘shadarut’ practice refuses to yield to the epistemological imperatives and the common divisions that arise from the binary distinction between ‘religiousness’ and ‘secularity’, particularly in the Middle East. Some implications for contemporary Israeli society are discussed.     

Montesquieu's Shadow: Debating reform in the Austrian Netherlands

Arthur Ruppin was the central figure in the Zionist colonization project in Palestine-Land of Israel in the decades preceded the establishment of the state of Israel. Ruppin's immense contribution gave him in Zionist historiography the title of ‘The Father of Jewish settlement in Palestine.’ Nevertheless, in spite of the title ‘Father’, Zionist historiography actually treats him as a ‘Zionist clerk,’ diminishing his role to an apolitical expert on bureaucracy and the economy. Exploring the reasons for his ambiguous position in Zionist historiography and memory, the historical account in the following article reveals how formative were his activities not only in the establishment of the bureaucratic field of the Yishuv (pre-state of Israel), but also in producing and disseminating the modern Hebrew identity models, consequently the article analyzes the relation of these models to the German-social Darwinist perceptions and practices, which shaped Ruppin's cultural identity, weltanschauung and actions.     

Marginalisation through commemoration: Trends and practices in Holocaust education in the United Kingdom

This provocation reflects on trends in Holocaust education in the UK. It argues that an emphasis on cultivating memory means much teaching and learning about the Holocaust is commemorative rather than educational. In this pursuit it forwards five theses about the current condition of much teaching and learning about the Holocaust.     

‘Sites of memory’ of the Holocaust: shaping national memory in the education system in Israel

Abstract. This article attempts to understand the development of the national memory in Israel and the stress on the Holocaust as the constitutive representation of the national identity in the last decades. In the first three decades of the existence of the state, at a time Israeli society was embedded in an ‘environment of memory’ due to the presence of a big proportion of Holocaust survivors, the subject of the Holocaust was almost neglected in schools. On the other hand, since the 1980s, when the ‘environment of memory’ of the Holocaust started to fade naturally, ‘sites of memories’ of the Holocaust started to blossom in the education system. The national memory is meant to support political and social arrangements in the present; thus, in order to shape national subjects, the education system has to adapt the official memory accordingly. While in the past, the memory of the Holocaust was counterproductive to the formation of the ‘new Jew’, it became an appropriate response to the crisis of the national subjectivity unleashed after the Yom Kippur War.     

Becoming Cleopatra: the forgotten Zionism of Raphael Lemkin

The biography of Raphael Lemkin has emerged of late as a highly contested lieu de memoire in charged political debates in Europe, the United States and the Middle East about the meaning, past and present, of the Holocaust and genocide. At the same time, scholars have attempted to demythologize Lemkin by reinscribing his life into its pre-World War II Polish context. Yet thus far no one has identified the precise political activities and affiliations that shaped Lemkin’s concept of genocide. In this article, I show that Lemkin, far from being a Jewish Bundist, a Polish nationalist or an apolitical cosmopolitan, was an active member of the interwar Polish Zionist movement, from which he drew the ideas that inspired his idea of the crime of genocide. In the first part of this article, I use his published writings from the 1920s and 1930s in Hebrew, Yiddish and Polish to recover a rich Jewish political framework in which his concepts of barbarism and genocide first began to emerge. In the second section, I ask how this crucial dimension of Lemkin’s life and thought vanished from the historical record, and why it has yet to be recovered in spite of the boom in biographical scholarship. Finally, I suggest how the recovery of Lemkin’s Zionism helps to reframe the current political impasse in the historiography of Holocaust and genocide studies.     

后大屠杀时代:纳粹屠犹的社会后果分析

20世纪80年代以来,越来越多的学者意识到了大屠杀已经成为一个世界性的问题,在美国、以色列、欧洲等地普遍兴起了对“后大屠杀时代”的研究,主要探讨源于大屠杀并影响到后大屠杀时代的种种社会现象。通过对幸存者的心理磨难、对纳粹屠犹的神学反思、犹太意识的强化以及西方社会的“遗弃”对犹太人的精神打击等问题的研究,可以看出,大屠杀事件对犹太人社会心理产生了重大的影响。     

“六日战争”对美国犹太人族群认同的影响

20世纪60年代,"大屠杀"话语的传播引发了美国犹太人对族群命运的担忧。在"六日战争"前,面对阿拉伯国家的反犹宣传及其对以色列的重重围困,美国犹太人担心"再次大屠杀"会发生,从而促使美国犹太人对以色列的生存产生深度忧虑。美国犹太社团逐渐把维护以色列的特殊利益和争取美国社会对以色列的同情与支持,作为游说活动的主要目标。美国犹太游说组织通过舆论引导、公开呼吁、经济动员等方式积极进行游说。"六日战争"后,美国与以色列之间的特殊关系迅速发展。美国犹太人的民族自信心和自豪感显著提升,并自觉地将以色列与自身的命运紧密相连。他们在归属意愿、宗教情感、对以色列的文化兴趣、青年群体族群意识等层面表达对以色列的认同,以色列在美国犹太人族群认同中发挥的作用凸显。     

Alliance of the Hebrews, 1863–1875: The diaspora roots of an ultra-Orthodox proto-Zionist utopia in Palestine

In 1873, Akiva Yosef Schlesinger (1837–1922), a young Hungarian rabbi who combined ultra-Orthodox militancy with Jewish nationalism, published a remarkable booklet in Jerusalem that anticipated features of later Zionist utopias. It derived its original inspiration not from the active messianism that drove other religious “forerunners of Zionism,” but rather from harsh critiques of Orthodox society and culture in Hungary. Only later were Messianism and the Holy Land grafted on to the remedies he proposed for the ills of Orthodox society in the diaspora. In Palestine, his vision expanded to encompass a utopian blueprint for a revitalized, authentic Jewish society and a vision of a Jewish state.     

Symbolic Places of National History and Revival: A Study in Zionist Mythical Geography

Symbolic places that celebrate history and invest locations with mythical meaning provide a sense of identity in place and time; they fuse history and geography in terms of myth and memory. The retrieval and evocation of ancient history in terms of symbolic places seems to be especially significant in periods of national revival, when the invention and reinvention of tradition feature prominently in the framework of nation-building. This study examines an important aspect of the formation of the mythical geography of Zionist restoration: the retrieval and evocation of ancient Jewish history in terms of Modi'in, Massada, Beitar and Yavneh. These four places have figured prominently in the shaping of the symbolic matrix of Zionist revival. The article examines the emergence of these symbolic locations and elaborates on the cultural and political meanings assigned to them in different periods and political contexts. It further elucidates their association with particular sectors of Zionist society, and their affiliation with ideological perspectives, and focuses on particular symbolic places that have emerged in the course of Zionist restoration and the conflation of a Jewish past and a Zionist present. At the same time, this is a case study of the politics of symbolic places and their role in the shaping of the mythical geography of national revival.     

The Modern State,the Question of Genocide,and Holocaust Scholarship

This review article asks: what defines mass violence in the twentieth century as particularly modern and how does the Holocaust figure in this history? The article compares the work of two path-breaking historians—Mark Levene and Timothy Snyder—while also discussing recent research by other scholars. It argues that the emergence of nation-states, together with technology and scientific knowledge to alter the environment, created the conditions for distinctly modern violence aiming to destroy diversity in societies and the environment. The article examines the relation between genocide, including the Holocaust, and the rise of twentieth-century nation-states. It follows the persistent idea that the Holocaust is unique in a way that establishes a hierarchy of Holocaust/genocide/other mass violence. As Levene argues, the contextualization of the complex set of events and processes called the Holocaust within the violent history of ethno-national and ethno-religious “homogenization” of nation-states challenges this framework. The article then turns to Snyder’s argument that, since Hitler’s worldview of racial struggle over land and food rejected agricultural science, genetic engineering in agriculture is one way to heed the Holocaust’s warning. A discussion of the devastating impact of genetic engineering in agriculture—in the frame of the violent implications of modern “development”—underscores how the destruction of societies perceived as “backward,” particularly indigenous groups in the Global South, follows the destruction of their biodiverse habitats and agriculture to make way for monoculture genetically engineered crops. A focus on case studies of such mass violence and the responses by indigenous groups facilitates, finally, a discussion of the recent turn to microhistories in Holocaust scholarship. These offer another contextualized view: of the societies that faced the assault of nation-states. The article concludes that the complexities on the social level, each rooted in specific circumstances and histories, challenge the analytical value of the general term “Holocaust.”     

Images of Rabbi Uziel and their place in his commemoration

The article examines changes in the commemoration work and memorial discourse surrounding the first Sephardi Chief Rabbi of the State of Israel, Rabbi Ben-Tzion Meir Hai Uziel. While commemoration work in the public sphere in Israel has dwindled over the years, there has been a revival of memory discourse in recent years, especially amongst Religious Zionists. The article proposes reasons for this resurgence, including a response to processes of Haredization of the Sephardi spiritual leadership in Israel and a quest for a source of inspiration for a moderate, Zionist Orthodox rabbinate.     

THE FINAL PHASE?

This essay reviews the recent book by Carolyn Dean that seeks to elucidate the ways in which complaints about a “surfeit of memory” and the privileging of Jewish victimization during the Holocaust as unique and as the emblem of radical evil in our times has shaped discussions of victims in general, creating an environment in which groups vie for victim status as a means of validating their grievances and making claims for justice. The hostility to such claims has, Dean argues, created antivictim discourses that end up generating aversion toward victims, primarily by denying the validity of their claims to suffering and, in the case of Jews, projecting them as “perpetrators” in their neglect of the suffering of others. At the same time, Dean argues, the demand that victims narrate their suffering in the aesthetically constrained style of “minimalism” equally undermines the legitimacy of victims' memories by demanding that they be presented in an already mastered form, thereby erasing the very trauma that, in principle, such narratives seek to represent. At stake in the debates concerning Holocaust memorial consciousness and its proper modes of representation, this article suggests, are larger historiographical and ethical issues about how to integrate the horrors of the past and the traumatic experience of terror into the normal protocols of historical writing, which rely on distance, objectivity, and interpretive critique as governing procedures. To incorporate terror into historical representation will mean acknowledging and accepting as historiographically legitimate the differing status of analytically recuperated “facts” and victim testimony and finding a way to theorize the reality of “voices” from the past without assuming the necessary “truth” of what they convey.     

PHOTOGRAPHS, SYMBOLIC IMAGES, AND THE HOLOCAUST: ON THE (IM)POSSIBILITY OF DEPICTING HISTORICAL TRUTH

Photography has often been scrutinized regarding its relationship to reality or historical truth. This includes not only the indexicality of photography, but also the question of how structures and processes that comprise history and historical events can be depicted. In this context, the Holocaust provides a particular challenge to photography. As has been discussed in numerous publications, this historic event marks the "limits of representation." Nevertheless there are many photographs "showing" the Holocaust that have been produced in different contexts that bespeak the photographers' gaze and the circumstances of the photographs' production. Some of the pictures have become very well known due to their frequent reproduction, even though they often do not show the annihilation itself, but situations different from that; their interpretation as Holocaust pictures results rather from a metonymic deferral. When these pictures are frequently reproduced they are transformed into symbolic images, that is, images that can be removed from their specific context, and in this way they come to signify abstract concepts such as "evil." Despite being removed from their specific context these images can, as this essay argues, refer to historical truth. First, I explore the arguments of some key theorists of photography (Benjamin, Kracauer, Sontag, Barthes) to investigate the relationship between photography and reality in general, looking at their different concepts of reality, history, and historical truth, as well as the question of the meaning of images. Second, I describe the individual circumstances in which some famous Holocaust pictures were taken in order to analyze, by means of three examples, the question what makes these specific pictures so particularly suitable to becoming symbolic images and why they may—despite their abstract meaning—be able to depict historical truth.     

The Holocaust and the birth of Israel in British,Swedish and Finnish press discourse, 1947–1948

This article examines the way in which the Holocaust was linked to the process of the birth of Israel between 1947 and 1948 in the mainstream British, Swedish and Finnish press. By utilising a framework of comparative cultural history, this essay seeks to understand why different countries responded to the suffering of the Jews during the Second World War in such diverse ways. This essay also seeks to question the popular belief that the two events were intimately linked, and that the link was recognised in a straightforward manner. Hence, the study argues that although the press coverage sometimes managed to establish the connection between the two events, more typically the news was domesticated. In other words, the news had a transcendental and meta-historical character, working as an extension to each country's own self-understanding of Jews, Zionism and the Holocaust.     

Medizinische Expertise – zionistische Visionen: Ärztinnen und Ärzte als Immigranten in Palästina / Israel

In National Socialist Germany Jewish academicians and professional staff were initially deprived of their rights and marginalised, later they were chased down and murdered. With regard to those, who were able to escape the National Socialist realm of power, one can speak of a forced migration of academicians that reached a dimension which until now was unknown. A greater number of different academic as well as non‐academic occupational groups have been examined in the past few years in connection with their influence on scientific as well as social developments within the context of immigration. In this context Palestine, later Israel, occupies a special position. There exists a deficiency in research for the occupational group of physicians with regard to overindividual studies, which will be the focus of this analysis. There is no question about their part not only in the establishment of medical care structures in Palestine as well as the design and diversification of the Israeli health care system, but also in the international significance of Israeli developments in medicine and life sciences in the second half of the twentieth century. This study will examine members of a Zionist grouping that had exhibited Zionist engagement already before their flight from Europe. The objective of this examination is to determine the substantial contribution of Zionist physicians in designing the medical structures in the country.     

Affective spaces,sensuous engagements: in quest of a synaesthetic approach to ‘dark memorials’

Although relatively recent, the concepts of ‘dark tourism’, ‘difficult heritage tourism’ and ‘Holocaust tourism’ have already been approached from historical, cultural, sociological, anthropological and managerial perspectives. The article offers a philosophical inquiry of ‘dark attractions’, inspired by Deleuze and Guattari’s work on aesthetics, with an aim of divorcing the term ‘dark tourism’ from its typically negative valance. It makes use of a synaesthetic understanding of experience and relies on an enlarged idea of perception conceptualised as a dynamic continuity between bodily/affective and intellectual cognitive faculties that are activated in the vibrant interaction with the architectural landscape of the ‘dark site’. The emphasis on immediate perception necessarily implies formulation of a concept of ‘affective aesthetics’ which refers to bodily process, a vital movement that triggers the subject’s passionate becoming-other, where ‘becoming’ stands for an intensive flow of affective (micro)perceptions. Such an approach sheds a different light on ‘Holocaust tourism’ and the ‘pleasures’ associated therewith, especially because it provides an explanation to a situation (common at many Holocaust memorials) when visitors are pleased, or positively affected, with representation/image/expression of sadness/atrocity. The synaesthetic operations of ‘dark attractions’ will be briefly illustrated with an example of the Holocaust memory site in Be??ec, Poland.     

Israeli Perceptions of Anti-Semitism and Anti-Zionism

Zionist thinkers assumed that the establishment of a Jewish state, which entailed a fundamental change in traits that non-Jews found contemptible, would bring an end to anti-Semitism. Yet after the 1967 war, the Soviet Union, the Western left and Third World governments, previously supportive of Israel, placed Israel in the camp of Western imperialism, while the emerging New Left identified Israel as imperialistic and racist. Against the background of the change in the international climate, debates in Israel over anti-Zionism and anti-Semitism were shaped by domestic politics. While the right saw anti-Semitism as the cause of hostility to Israel, the left argued that anti-Zionism, rooted in political arguments about the Middle East conflict, fanned the flames of anti-Semitism. The attitude to anti-Zionism and anti-Semitism became a cultural code, highlighting the divide between left and right, and between religious and secular.     

2. THE VICTIM'S VOICE AND MELODRAMATIC AESTHETICS IN HISTORY1

Saul Friedländer's recent Nazi Germany and the Jews: The Years of Extermination offers a brilliant new literary mode for historical representation of extreme events such as the Holocaust. He has produced an authoritative historical narrative of the Holocaust, within which he integrates the victims' authentic voices, as recorded (mostly) in their contemporary writings. This article offers a comparative assessment of Friedländer's achievement with regard to the integration of Jewish sources into the historical account. It begins with a contextualization of Friedländer's book within a framework that compares the ways in which Jewish sources are addressed by different historiographical approaches. In the second part it seeks to contextualize analytically and critically Friedländer's concept of “disbelief”—a concept by which he defines the role of the “victims’ voices” in his narrative. I claim that in our current “era of the witness,” set within a culture addicted to the “excessive,” the voices of the victims and the witnesses appear to have lost their radical political and ethical force. They seem no longer to bear the excess of history, and can thus hardly claim to be the guardians of disbelief. Excess and disbelief have thus become the most commonplace cultural topos. In our current culture, I contend, the excessive voices of the victims have, to some extent, exchanged their epistemological, ontological, and ethical revolutionary function for an aesthetic one. They operate according to the pleasure principle in order to bring us, the consumers of Holocaust images, the most expected image of the “unimaginable,” which therefore generates a melancholic pleasure and involves the narrative in melodramatic aesthetics. The article concludes by briefly suggesting some guidelines for an alternative approach to the study of contemporary Jewish Holocaust sources.