Foucault and the French tradition of historical epistemology

A recently published volume – edited by Walter Tega and Luigi Turco – celebrates the Italian historian of philosophy Antonio Santucci. One of the founders of the neoilluminismo (new-Enlightenment), Santucci blended strong civil commitment with rigorous textual analysis and contributed to the popularisation of British and American philosophy in Italy. The book describes Santucci's contribution to the historical research on empiricism and stimulates a reappraisal of the heated cultural debate which flourished in Italy after the Second World War.     

Paragone: notes on hegemony and realism in the 1950s

This article focuses on the literary review Paragone and on the debate on realism articulated by the review and by the Cultural Commission of the Italian Communist Party (PCI) in the 1950s. By analysing the review’s internal composition, correspondence between its contributors, and records of the PCI’s Cultural Commission, this article highlights a series of issues relating to the debate on realism in the 1950s, as a critical time, in both aesthetic and political terms, for the determination of Italian culture’s identity profile. Specifically, the article discusses the key features of the debate on realism that unfolded in Paragone, and relates these to the debate simultaneously developing within the Cultural Commission. This comparison allows us to argue for a close connection between the aesthetic habitus displayed by an independent review and that embraced by a cultural institution with a distinctly political as well as cultural agenda.     

Piero Gobetti and the Liberal Revolution in Italy

Abstract

Piero Gobetti, who died at an early age in 1926 after a severe beating by Fascist squadristi, is one of the most remarkable figures in twentieth‐century Italian culture. A writer and thinker with deep political commitment, Gobetti launched the reviews and journals during the political crisis in Italy between 1918 and 1925 which provided a meeting point for the otherwise dispersed forces of the Italian Left. The republication of his essay ‘The Liberal Revolution. An Essay of the Political Struggle in Italy’ ‐ the fifth edition since it first appeared in 1924 — has reopened the debate on Gobetti and provides an opportunity to consider Gobetti's ideas outside the context of the often politically motivated interpretations that have been placed on them.     

Trade,culture and the European Union cultural exception

ABSTRACT

The article examines how the European Union has addressed the ‘trade and culture debate’ in its international trade agreements. From a cultural exception approach based on an attempt to detach culture from trade provisions, the European Union economic agreements seem to evolve to a broader and more holistic position aiming to promote cultural exchanges through cooperation, while still safeguarding policy space in cultural matters through its traditional cultural exception. The article provides an overview of the European positions to defend the specificity of the audio-visual services sector at the multilateral (World Trade Organization Agreements), regional and bilateral levels. It also examines how the implementation of the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions has led the European Union to negotiate cultural cooperation provisions in parallel to some of its recent bilateral and regional trade agreements and the way this Convention may impact the understanding of the ‘trade and culture debate’.     

Deep hanging out in the arts: an anthropological approach to capturing cultural value

This article presents the findings of an Arts and Humanities Research Council (AHRC) funded project carried out from September 2013 to March 2014 by five researchers at the University of Leeds (UK), who paired off with five audience-participants and engaged in a process of ‘deep hanging out’ at events curated as part of Leeds’ annual LoveArts festival. As part of AHRC’s Cultural Value project, the overarching aim of the research was to produce a rich, polyvocal, evocative and complex account of cultural value by co-investigating arts engagement with audience–participants. Findings suggested that both the methods and purpose of knowing about cultural value impact significantly on any exploration of cultural experience. Fieldwork culminated in the apparent paradox that we know, and yet still don’t seem to know, the value and impact of the arts. Protracted discussions with the participants suggested that this paradox stemmed from a misplaced focus on knowledge; that instead of striving to understand and rationalize the value of the arts, we should instead aim to feel and experience it. During a process of deep hanging out, our participants revealed the limitations of language in capturing the value of the arts, yet confirmed perceptions of the arts as a vehicle for developing self-identity and -expression and for living a better life. These findings suggest that the Cultural Value debate needs to be reframed from what is currently an interminable epistemological obsession (that seeks to prove and evidence the value of culture) into a more complex phenomenological question, which asks how people experience the arts and culture and why people want to understand its value. This in turn implies a re-conceptualization of the relationships between artists or arts organisations and their publics, based on a more relational form of engagement and on a more anthropological approach to capturing and co-creating cultural value.     

Marx–Lenin–Rotten–Strummer: British Marxism and youth culture in the 1970s

This article uses the debate on youth culture that took place in the pages of Marxism Today (1973–75) to explore the ways by which cultural changes and identity politics began to challenge, complement and redefine the British left. The debate revealed much about the tensions that ultimately pulled the Communist Party of Great Britain apart. But it also uncovered faultlines that had ramifications for the left more generally and, perhaps, the wider British polity.     

The Gubbio Papers: historic centers in the age of the economic miracle

World War II is over. Italy is radically transformed with new modes of production and consumption, of thinking and dreaming, of living the present, remembering the past, and projecting the future. Here is the end of an 'old' archaic Italy, and the beginning of a 'modern' one, which rethinks its own national identity on the basis of its 'Atlantic' collocation and Marshallized economy - but also as resistance to an 'Americanization' of its culture. An emblematic episode in this reconstruction of Italy is the discussion, opened by the Gubbio Papers in the early 1960s, on the ­'management' of Italy's artistic 'patrimony'. The restoration of Italy's historic centers, aimed at avoiding American urban sprawl and the culture of US neo-capitalism, engenders, however, new and more peculiar problems - last but not the least the 'museumification' of both Italy's culture and its past. This article frames the Gubbio 'solution' within the larger contemporary debate concerning the models of economic and cultural development that should be deployed in Italy's 'reconstruction'.     

Religious Reforming Currents in Sixteenth‐Century Italy: The Spirituali and the Tridentine Debates over Church Reform

The history of religious reform in sixteenth century Italy has been the subject of much scholarly debate in recent decades, as well as uncertainty about how best to conceptualise the period, so indelibly marked by epoch‐changing events, such as the Protestant Reformation (from 1517) and the Council of Trent (1545–1563). Reforming currents in Italy were swept along by these events, and indeed appear to have been overwhelmed by them. Commonly, these currents are explored for their theological nature and especially their heterodox, even Protestant, character. Less well studied is their role in the debates over organisational church reform. It is here that we can discern the tenacity of these currents well into the Tridentine period. This article explores key protagonists of reform, known as the spirituali, with particular reference to the humanist bishop, Ludovico Beccadelli, and his role in the debate over episcopal residence. Through an analysis of his contribution to this divisive debate at the Council of Trent, the article seeks to shed light on a strand of the spirituali that was both resilient and prominent in the battle for the future direction of the Catholic Church.     

The church and Catholicism in contemporary Italy

Abstract

The constitutions of modern States may be seen somehow as a form of civil religion that is to be revered and that binds all people of a nation both ethically and legally. Reflecting on the constitutional architecture of a State means going deeper into the structure of societies, laws and mentalities. One of the foremost experts of the history of the Italian constitution and himself an interpreter of the fundamental Law of Italy, in this lecture Judge Sabino Cassese discusses the forms of constitutionalism adopted in Italy from the nineteenth-century Statuto Albertino down to contemporary debate on the ‘updating’ of the Italian constitution.     

COMMERCIAL AND SOCIAL SIGNIFICANCE OF GLASS BEADS IN MIGRATION-PERIOD ITALY: THE CEMETERY OF CAMPO MARCHIONE

Migration-period glass beads from Italy are an overlooked source of evidence. This investigation discusses the provenance, economic value and social significance of glass beads from the cemetery of Campo Marchione, northern Italy (c.570 to the end of the seventh century AD). The different chemical compositions and specific forming technologies have identified European, Egyptian, Mesopotamian and Asian specimens. The wider contextualization of the beads in association with other grave goods and the sex and age of the deceased has yielded important insights into the economic, social and cultural significance beads held in Italy, acting as markers of long-distance exchange.     

Trade and culture: the ongoing debate

ABSTRACT

The debate over how to reconcile trade liberalization with cultural policy is a long-standing one. There is great variation in how countries have navigated this debate. Furthermore, evolving individual policy approaches show noteworthy dynamism, largely in response to domestic politics, shifts in the international trading system and technological developments. This special issue explores different approaches to the trade and culture debate across geographic space, as well as the evolution across time through analysis of six cases – Canada, the European Union, South Africa, Latin America, the United States and China.     

'To attract the attention of fish as little as possible': An Object-Led Discussion of Three Garments,for Country Wear for Women,Made of Scottish Woollen Cloth,Dating from 1883–1908

Abstract

This article aims to establish the precise social and cultural function of three day costumes, worn by women in Scotland in the 1880–1910 period, all made from heavy-duty woollen cloth, using an object-focused, material culture approach. Discussion is built around Tim Breen's view that things acquire meaning only once woven into cultural debate about the structure of society.     

Ordinary culture in a world of strangers: toward cosmopolitan cultural policy *

The image of Zwarte Piet, as part of Dutch Sinterklaas celebrations has caused heated debate in the past decade, which has polarized tensions between the ‘Dutch’ and ‘strangers’. This article argues that the debate cannot be resolved within a framework of a methodologically nationalist cultural policy. Building on Kwame Anthony Appiah’s book Cosmopolitanism: Ethics in a World of Strangers, I argue that a cosmopolitan framework for belonging is not only a normative but also a policy imperative. Cultural policy should recognize our shared global belonging, rather than building a national polis predicated on difference that sets us apart. However, a methodologically cosmopolitan cultural policy cannot be a blanket approach to replace or undermine national frameworks. It should embed the nation in a cosmopolitan public policy to accommodate cultural and religious diversity under globalization that has irrevocably eroded the illusion of a national unity.     

A colpi di cuore. Storie del sessantotto

This article attempts to tackle the problem of how a colonial culture that was elaborated through the written word may have impacted on an Italian society that was significantly more ‘backward’ than its western European counterparts. The Prima Guerra d'Africa (1885-96) has often been seen as a military campaign desired exclusively by an isolated Italian government in a society that was incapable of using the occasion to develop cultural themes that impacted on the desires and aspirations of the ‘real’ Italy. This supposed societal dysfunction meant that Italy failed to create a ‘culture of imperialism’ in the years of the Scramble for Africa in a way that has now come to be considered of such central importance for the histories of France, Britain or even Germany.

Through an analysis of the role played by primary schools in Italian culture in these years, this article attempts to reverse this view, arguing that even taking into consideration Italy's ‘backwardness’ there was not only a great awareness of what Italy was supposedly doing in Africa but also a serious attempt to load the events that occured there with a meaning that had a much more intimate relationship with Italy's population. Although defeat in Africa meant a major setback in this process, imperialism as a cultural phenomenon continued to be of fundamental importance to the progress of nation building and the development of nationalism in Italy and, Finaldi argues, it should therefore be assigned a place in Italian culture that is much more on a par to that which culture and imperialism are deemed to have held for other European nation-states.     

The great divide? Notions of racism in Fascist Italy and Nazi Germany: new answers to an old problem

ABSTRACT

One of Michele Sarfatti’s greatest accomplishments has been to challenge the notion that there was a fundamental difference between the biological racism predominant in Nazi Germany and the ‘cultural racism’ of Fascist Italy. I examine how this dichotomy took shape and the meaning it acquired over time. My basic argument is that this division is the result of dialogue between Italian and German population experts during the interwar period, and that making a sharp distinction between a ‘German’ and an ‘Italian’ style of racism helped them to construct their own identities. In other words, the debate on racism was a vehicle for defining what it meant to be a ‘true’ Nazi or Fascist. In this way, differences in racist ideology can be understood as a product of struggles over meaning. Ultimately, my aim is to de-essentialize the meaning of race in research on both Nazi Germany and Fascist Italy.     

An Assessment of the Effectiveness of Strategic Spatial Planning: A Study of Sardinian Municipalities

A political and technical debate about the effectiveness of strategic spatial planning results is ongoing. The debate has taken this direction, rather than focusing on the methods, procedures and organization of spatial planning, because it is difficult to contextualize the development of programmed steps within the time required for their implementation. This article explores the potentialities and challenges of this debate, focusing on its evolutionary excursus in Italy and the region of Sardinia. The aim of this article is to propose a qualitative assessment methodology, capable of comparing different spatial strategic plans, in order to understand the extent to which the plans’ stated objectives were achieved, and to assess what changes the implementation of these objectives achieved in the external environment over the medium and long term.     

On bullshit in cultural policy practice and research: notes from the British case

In 2005, Harry G. Frankfurt, a retired professor of moral philosophy at Princeton University, made it into the best‐sellers chart with his book On Bullshit. Taking his essay as its starting point, this article explores the analysis of bullshit and the prevalence of bullshitting in the contemporary public sphere. Frankfurt’s short essay indeed provides an intellectual framework to interpret and understand contemporary rhetoric and practice in the cultural policy field, as well as recent trends in cultural policy research. Through a discussion of selected New Labour’s cultural policy documents in Britain, the article aims to show that many of the key actors in the cultural policy debate indeed display the ‘indifference to how things really are’ and the cultivation of vested interests which Frankfurt attributes to the activity of bullshitting. The final part of the text discusses the implications of the present status quo for ‘critical’ cultural policy research.     

Multi/Interdisciplinary investigations into Italy and World War I: An introduction

This introductory article details some of the main points that characterized Italian politics and culture in the period leading up to World War I and during the war itself, and then surveys the contributions of each article in this series that further investigates the period. The authors note the febrile nature of Italian domestic politics before the war which challenged traditional liberal parliamentarism. This political challenge was accompanied by a challenge to traditional art, and no movement epitomized these twin challenges to the old order like Futurism. Yet, though the Futurists and other nationalist groups glorified war and helped push Italy into the conflict, the country was hardly united. In fact, the hope was that war would finally unify the nation and erase the shame of Italy’s lackluster military performances since unification. As such, Italy’s cultural experience of the war was somewhat unique, in that the desire to prove its martial valor did not lead to the level of denunciations that other nations’ artists and writers produced – though there were some critics. Ialongo’s article traces the Futurist contribution to this pro-war ethic. Reich shows how the popularity of the Maciste alpino film during the war built upon this desire to unify the nation behind the war. And Palanti’s analysis of the post-war film Umanità notes that there were critics in Italy willing to challenge the cult of war.     

Blaming the Medici: Footnotes, falsification, and the fate of the ‘English Model’ in eighteenth-century Italy

Franco Venturi famously emphasised the importance of the ‘English Model’ for Italian reformist culture in his Settecento riformatore. This essay contributes to the history of the development and evolution of the ‘English Model’ beginning with its influential appearance in Antonio Genovesi's 1757–1758 translation of John Cary's 1695 Essay on the State of England. The ‘English Model’ was not a stable concept and, in fact, one tradition inverted the model's meaning, rejecting the need for protectionism and instead embracing a providential faith in laissez-faire. This tradition began with an important, but falsified footnote in Carlo Denina's 1769–1770 Rivoluzioni d’Italia. In this note and the tradition that adopted it, Lorenzo de’ Medici's imagined English wool factories became the locus of this inversion, and, through a reading of Adam Smith's Wealth of Nations, blaming the Medici as agents of Italy's aberrant historical development became an alternative to blaming English economic imperialism in late eighteenth-century Italy. The narrative of Medici involvement in the decline of Italy was finally realigned with Genovesi's original intention under the auspice of Pope Pius VI in 1794.