Portraits in the Background of “Nothingness” Sheikh Jabber Burnt House, an Object of Persian Gulf War

War is a common heritage of Middle East, the experience of war was changed to a dramatic propaganda in Iran while the southern neighbor of Iran experienced it in another way: oblivion. In such a context, both states attempt to change the facts of the war, one to a process of sanctification and one to the portraits of nothingness. We, as archaeologists, were accidentally encountered with a heritage of Persian Gulf War during a contemporary archaeology project. Our curiosity made us to take a look at Jabber house, a forgotten building, a domestic architecture destroyed by a racket during the war. What was recorded in our frames was actually an artistic work, out of its original context. Our subjectivity as archaeologists made us to think about the other objects fossilized in museums, they are out of their painful context and structure, they are only beautiful, the portraits in the background of nothingness, in a burnt gallery. Persian Gulf War is treated in Kuwait as a negative heritage, what is discussed in this article as the main theme??a negative heritage lost its original context and meaning: Sheikh Jabber house.     

Envisioning Artifacts: a Classic Maya View of the Archaeological Record

This paper explores a Classic Maya (ca. AD 250–900) “material vision”—that is, a locally determined and culturally specific way of understanding the material world, its salient qualities, and associated meanings—based on evidence found in hieroglyphic texts from across the Maya world. Understanding Classic Maya ways of seeing the material world is an important undertaking as part of exploring alignments and misalignments between ancient indigenous and modern archaeological understandings of what today we view as “artifacts.” This topic is explored in the article through two related inquiries: first, I look at “artifacts” (i.e., materials that qualify as such, in an archaeological material vision) recorded in the hieroglyphic record, yielding thematic understandings of objects related to form and function, wholeness versus brokenness, and the relational potential of objects. Second, I use ten hieroglyphic property qualifiers that indicate Maya material perceptions and categories to gain explicit insight into some organizing principles within a Maya way of visualizing the material world. Throughout the article, I ask: can we envision archaeological objects using Maya conceptions, and how does this way of seeing align or misalign with archaeological material engagements?     

Minutes of the Annual General Meeting of the Palestine Exploration Fund, 11 June 2009

Abstract

A total of 119 rock-cut burial caves of the Roman and Byzantine periods were surveyed in the study area, all of which had been subjected to robbing at some point in the recent past. This tomb raiding in the Saffa region has resulted in severe damage to a large number of rock-cut tombs, the desecration of several hundred ancient burials, and in the extraction of thousands of funerary objects from their original context. This study depends mainly on interviews with several of the raiders of these tombs and on a field survey carried out by the author in February and March 2011. The main aim of this study is to address three questions: What are the present and future challenges facing the tombs of the Roman and Byzantine periods in the study area? Could an ethnographical study help us to expand our understanding of the looting history of these burial caves and the kinds of looted objects that were found there? What can such an ethnographical study add to our understanding of the past?     

基于后人类思想的国际城市研究：理论溯源与概念辨析

进入二十一世纪以来,以赛博格城市、混合城市、城市政治生态学、集合城市主义为代表的后人类城市研究思想成为揭示当代城市中人类与非人类复杂交织关系的前沿性理论视角。本文在深入探讨上述概念的理论渊源、主要思想观点及其应用进展的基础上,指出后人类城市思想在我国城市研究中的可能方法论意义,即城市分析不能将人类与非人类绝对割裂地看待,而需要将城市中的主体或客体重新定义为人类与非人类的“混杂体”,整合以往分散在自然、工程、社科与人文等不同领域中的观察与分析,拓展人们对城市过程的认知,开创更多的城市研究可能性。     

The legitimisation of clicktivism

Is clicking ‘Like’ on Facebook a legitimate form of political participation? Is changing your profile picture or sharing an online article politically meaningful? It is undeniable that such actions can be politically-themed, but whether they amount to what we term ‘political participation’ remains contentious. This article explores the legitimacy of clicktivism as a political act, arguing that legitimacy be understood as multifaceted. To this end, the paper develops a series of lenses by which to explore the theoretical boundaries of these emerging actions. These are: the adherence of the action to tradition avenues; the acceptance of the action, and belief in that action; and, the intentionality of the action, and the context in which it is situated.     

Agricultural brokers

Pigs worked as brokers of agrarian life in the early medieval west in two ways. First, they converted organisms and spaces that humans did not directly exploit into a ‘commodity’ that humans did value. And the material work that pigs did made possible a second kind of brokerage, this one conceptual: the animals facilitated (or provoked) ways of seeing local phenomena in the context of wider ecological and social systems. Pigs’ ability to make use of a range of habitats, and humans’ interest in exploiting that work despite the trouble that pigs routinely caused, demonstrated that seemingly small things could influence and illuminate early medieval economies, social status, justice, and even metaphysics.     

作为“转轮王”和“文殊菩萨”的清帝——兼论乾隆帝与藏传佛教的关系

从历史背景来看,藏传佛教赋予中原统治者的"转轮王"和"文殊菩萨化身"称号只是一种尊称和象征性符号。不管是被动接受还是主动悦纳,它们对于清帝的核心意义在于确认其作为中原王朝统治者的身份。乾隆帝制作御容佛装像的基点在于以传统王朝的皇帝面对蒙藏族群,在此前提下融入个人的宗教趣味,形成了以"转轮王"兼"文殊菩萨化身"呈现的皇帝形象。如果说这种形式有什么更多的含义,那也不外乎是增加他对蒙藏高层的亲和力和他身为清帝的神圣性。新清史学者所主张的乾隆帝以藏传佛教的转轮王、菩萨身份治国的观点缺乏依据。     

Introduction to Small Finds,Big Implications: The Cultural Meaning of the Littlest Artifacts

Why do the smallest artifacts found during the excavation of a site elicit the most visceral response from those who find them and study them? Is it because they are portable items that can be tied to people, such as coins, smoking pipes, and children’s toys, or is it because often they are visually appealing? While the range of small finds discussed in this collection will be diverse, the contributors all share a passion for deriving cultural meaning from the context in which they were found. It will be proven that small finds can have big implications when an anthropological framework is employed during analysis.     

Archiving anthropology in Portugal

This article examines some of the issues surrounding archiving in anthropology. It provides an account of archiving in the Portuguese context and seeks to problematize anthropology archives, contributing to the as yet timid debate over this question in the field. There are various ways of recording ethnographies and saving the ensuing records. Anthropologists often reflect on their archives, but rarely make these reflections public. Nor do we know much about what anthropologists in general plan to do with their fieldnotes, diaries, images, maps, drawings, audio and video recordings and objects, once a specific research project is complete. How do anthropologists store their data? What should be done with these materials? What stories can they tell? Will the ethnographic materials produced in the present be considered historical archives in the future?     

博物馆经典藏品资源的文创产品开发——以曾侯乙编钟文创系列产品的开发为例

对博物馆经典藏品进行复制,或者萃取其文化元素开发衍生产品,一直为博物馆所重视。这类复制品从传播效应、经济效应、市场价值、文化价值和创意内涵诸方面都体现出"文创产品"的性质,应该纳入"文创产品"市场予以定位、规划。湖北省博物馆对馆藏经典藏品曾侯乙编钟开发了七大类百余个品种的文创系列产品,它们既体现了藏品原型的价值和精髓,也具有保护、研究和实用价值。目前我国博物馆文创事业还需要在经典藏品资源的研究、市场研发人才的培养、衍生品系列的完善、跨界同质资源的整合以及复制品制作单位资质的把控等方面加大推进的步伐。     

Between Regionalization and Centralization: The Creation of the Musée Léopold II in Elisabethville (Musée national de Lubumbashi), Belgian Congo (1931–1961)

Since “museumland” was revisited in the 1980s, different authors have studied the history of colonial museums in Europe within a broader discussion on colonial bias, the creation of traditions and the theory of representation. It has become clear, for example, how African utensils were exported to Europe, where they were exhibited as curiosa, ethnographical objects or art. But what happened when the very notion of the museum was exported back to Africa? Who created these institutes and in what context? Was the relationship between colonizers and colonized altered? Did the “social life” of the objects on show change? And what was the relationship between the “old” museums in Europe and the “new” ones created in the colony? These questions have rarely been studied. In this article, the creation of the Musée Léopold II will be used as a basis to offer insight into the links between colonial “science” and “policy”, which proved not to be as monolithic as often portrayed, but rather were complex amalgamations of different opinions and even conflicting interests.     

HISTORY GOES WALKABOUT

Could the methods of history—and not just its objects of study—be decolonized? This essay explores analogous areas of cultural production, such as painting, to determine how historians might begin to produce work that lies outside the Western, Euro‐Christian imaginary. It focuses on the case of Australia and the means by which Aboriginal artists have reanimated and recalibrated traditional forms of knowledge, offering new bases for thinking about the history and temporalities of Australia. The work of the painter Tim Johnson is then presented as an example for history in his demonstration of the ways in which indigenous methods and ways of seeing the world can be deployed by Others. The ethical, theoretical, and practical challenges that accompany such work are detailed, alongside a historiographical account of the way in which these discussions mesh with seminal debates in postcolonialism, subaltern studies, and settler colonialism as they relate to historical theory. Drawing on recent work in History and Theory, the article asks: what might be the consequences for history were it not to develop a meaningful “global turn,” arguing that a critical moment has been reached in which modes of understanding the world that come from outside the West need to be incorporated into historians’ repertoires for thinking and making.     

Facing Faces: The Head Motif in Migration-Period Archaeology

TIME AND AGAIN WE SEE STRANGE FACES on archaeological objects from early migration-period contexts in northern and western Europe. They are depicted on fibulas, belt buckles, button brooches and some other types of objects. With their bulgy eyes, open mouths and chubby cheeks they appear as though they were ‘shadowing’ and pursuing human-kind. Who are they, whose image might be represented here, what meaning did these images convey and what were they meant to achieve? Through an analysis of new and old archaeological finds, the appearances, spatial distribution and duration of use of these faces are discussed, and an interpretation for their meaning is suggested. Contacts between the various Germanic-speaking groups of northern Europe and their blended culture, signalled by motifs derived from Celtic, Roman and later Christian societies, created a new world of idiosyncratic images and thoughts which are interrogated here.     

The Merovingian accounting documents of Tours: form and function

A little fewer than thirty Merovingian accounting documents which originated from the Abbey of St Martin of Tours, though fragmentary, provide for the historians of early medieval Europe an unexpected tool with which the latter could cast a new light over actual conditions in tribute collection and the management system for the fiscal administration of the abbey. The present article asks some basic questions about these accounting documents in the hope of casting further light on their form and function: which form did take the documents while they had been used for the collection of dues? At which stage of collecting procedure they served in the abbey as a tool for the keeping of records? When was each document prepared? In which historical context could be placed the birth of fiscal document of the abbey? All of these question are important for an understanding of the history of St Martin's of Tours and of the use of documents in general in the Merovingian era.     

The Use of Optical Coherence Tomography for Monitoring the Subsurface Morphologies of Archaic Jades

We demonstrate the use of the Optical Coherence Tomography (OCT) technique for non‐invasive scanning of the subsurface morphologies of jade objects. The two‐dimensional tomography images show the refractive index or dielectric constant variations in the samples, reflecting their structures. Three samples of archaic jade objects from the Qijia and Liangzhu cultures in China are scanned in order to understand the subsurface morphologies of the naturally whitened jades. Also, two jade objects with artificial treatments (burning) are scanned and compared with the original materials in subsurface structures. In the original objects, the jade materials can generally be quite transparent, such that the backscattering intensity is weak, although the large‐scale (tens of microns or larger) subsurface morphology can be clearly observed. After burning, small‐scale (smaller than a few microns) structures are formed and the backscattering intensity is enhanced. In this situation, the large‐scale structures may be preserved or even newly generated. On the other hand, in an archaic object with natural whitening, small‐scale structures are also formed. Hence, the deeper distributions of significant backscattering intensity are observed, when compared with the unwhitened objects. Nevertheless, the large‐scale features diminish during the whitening process. With OCT scanning, such differences in subsurface morphology can provide us a valuable reference for authenticating archaic jade objects.     

THE CROW DOWN HOARD, LAMBOURN, WEST BERKSHIRE

Summary.   The discovery of a hoard of five middle Bronze Age gold objects during a metal-detecting rally on the Lambourn Downs in 2004 precipitated an archaeological investigation into their character, provenance and context. This article describes the objects themselves, their composition, how they were made and their archaeological background. It also reports the result of forensic archaeological work undertaken on them. The parallels for the objects and the social context of their deposition are discussed.     

Moral Injury as Inherent Political Critique: The Prophetic Possibilities of a New Term1

Moral injury is a term developed specifically to highlight the moral harm accrued by U.S. veterans during war, the salience of which seems to exceed the analytical range of terms such as “trauma.” Veterans can feel that they violated fundamental moral ideals, leaving some to feel they have lost the ability to be “good.” Moral injury as a term originally had an important political dimension, however, one that has been lost in a turn to a more clinical approach. I argue that the experience of moral injury can lend itself to potential, prophetic insights into the effects of one's culture on the wider world. Instead of seeing moral injury as a disorder in need of clinical treatment, it can be the basis of a religiously informed social ethic empowering veterans to engage the broader social conditions and policies that lead to war in the first place.     

Keeping the Devil at Bay: The Shoe on the Coffin Lid and Other Grave Charms in Nineteenth- and Early Twentieth-century America

Nineteenth- and early twentieth-century graves excavated archaeologically in the United States are occasionally found in association with objects beyond the typical clothing or coffin hardware, such as ceramic vessels, coins, and perhaps most mysterious of all, a single shoe placed on the lid of the coffin or casket. Not clearly described in archival accounts, the single shoe phenomenon within a mortuary context is argued here to be a creolized practice, combining an African cosmology and belief in the liminal state of the soul after death with a European and especially British Isles tradition of shoes as magical objects and potential traps for evil.