Transnational ways of seeing: sexual and national belonging in Hedwig and the Angry Inch

I argue that transnational ways of seeing help us apprehend the histories of globalization, immigration and imperialism that frame and make legible cultural productions. Focusing on John Cameron Mitchell's 2001 film Hedwig and the Angry Inch, which has been almost universally received as being about transsexuality, this essay argues that the film is equally about transnationality and specifically about how queer identifications and identities are produced in relation to the nation-state. Hedwig explores the limits of national belonging and the pleasures of US popular culture through the lens of sexual and gender identity, with the ambiguity of the Hedwig's body embodying confusion about legal, political and cultural citizenship. The film identifies and critiques the violences of heteronormative national belonging, yet by reading Hedwig alongside the political and legal histories that make its narrative legible, it becomes apparent that the film's popular reception frequently erases the transnational and imperial histories that undergird and produce sexual identities and identification. I argue that cultural practices do not simply reflect national or queer identifications but also produce them. The fissures between the cultural work of the film itself and of its circulation illustrate how despite the mutual imbrication of sexuality and nationality, transsexuality is sometimes more readily apprehended than is transnationality.     

On Ambivalence and (Anti-)Normativity (or,Theology as a Way of Life?)

ABSTRACT

This essay argues that queer theory’s ongoing reflection about its own disciplinary identity yields insights that could benefit contemporary political theology. Exploring how internal discussions and debates on the queerness of queer theory can serve as an instructive analogy for similar conversations about the “theologicalness” of political theology, this essay proposes two potential insights that can be gleaned. First, political theology should continue to draw on and do theology, but it should not worry about venturing outside the bounds of what is presumed to be the theological. Theological reflection develops from, and also engenders, communicative and critical expressions, which are deeply important theological modes of political theology, central to its identity even as they appear at times to broaden or stray from it. Second, political theology should look more to politics, broadly understood as the various ways of ordering human life and the utilization and manifestation of power in that structuring, for the theology it offers. In these ways and more, this essay concludes, political theology, like queer theory, is both theory and praxis, a body of knowledge and way of life.     

2. WRITING POLITICS BACK INTO HISTORY1

This essay examines the writing of history and historiography in early modern south India as discussed in the book Textures of Time. The book argues that a historical and historiographical awareness was prevalent in south India prior to the arrival of a European field of knowledge under colonial rule. However, this essay maintains that the book unwittingly reproduces some of the very same Eurocentric formulations of the writing of history and modernity that it seeks to refute. A liberal conception of modernity is at the core of how society, history, and politics have been imagined in this book. These attributes of modernity, such as history as a set of causal relations, as presentation of facts, as a realm of the real cannot escape their prior formulation in Europe. The liberal social order also underpins the relationship between writing and the world. In Textures, early historians merely represent reality; they are not authors whose practices are constitutive of politics and identity. The conception of modernity overlooks the constitutive role colonial empires played in the very creation not only of the West and non‐West, but also in conceptions of the real, the modern, the universal, and the historical.     

‘It’s Like Biting Your Own Tail’: Pedro Lemebel’s Queer Response to the Challenge of Subversion in Neoliberal Times

Using the methods of textual analysis and in conversation with both Latin American cultural studies and queer studies, the essay examines the ways that Pedro Lemebel’s diverse body of work – ranging from live performances, fiction, non-fictional crónicas, and interviews – engages the limits of subversion in neoliberal times. On the one hand, Lemebel’s work has been routinely framed in terms of its subversion of gendered, sexual, and political norms. On the other hand, scholars and commentators have not deeply engaged the many ways that Lemebel’s own work comments on and represents the challenges of producing subversive cultural productions in a globalized, late capitalist environment in which subversion, including his own, can be undone precisely when it is most celebrated, valued, and commodified. Reading Lemebel’s commentaries and interviews as producing cultural criticism that complements his better-known crónicas’ and performances’ ideological narratives, the essay argues that Lemebel’s oeuvre repeatedly addresses the challenges of performing a delicate dance between resistance and co-optation, given his acknowledged inseparability from the market. Taking Lemebel as a model for this balancing act, the essay ultimately aims to reveal and critique some of the ways that we academics tend to read sexual dissidence as successful subversion without recognizing its complications and limits.     

Temporal and Narrative (Dis)junctures: Guillermo Núñez’s Aesthetics of Memory and the Museum of Memory and Human Rights (Santiago,Chile)

Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today.     

From Paper to Celluloid and Back Again: Finance and Form in Jorge Délano’s Films

This essay argues that our current understanding of the cinematic work by the pioneering Chilean film director Jorge Délano obscures a sophisticated interaction between politics, art and economics, one that reveals unexamined aspects of how the film industry developed in Chile. Most notably, it argues that Délano’s illustrated political satire magazine Topaze was central to the development of early sound cinema in the country. Following Rielle Navitski, the essay utilizes and examines tensions between models drawn from periodical studies and the concepts of remediation and intermediality in film studies. Examining illustrations from the first three years of Topaze’s production (1931–1933) in the context of the country’s economic situation, the essay argues that Délano remediated cinema in Topaze as a strategy of capital accumulation. This analysis also makes it possible to see how one of his sound films, Escándalo (1940), similarly remediated the illustrated paper periodical as he pursued financing for the production of cinematic commodities for export. The essay ends by examining the relationship between these issues and the political situation in early Cold War Chile.     

Worlding Sexualities under Apartheid: From Gay Liberation to a Queer Afropolitanism

This essay examines gay journalism as gay liberation literature to model a cultural history of sexuality informed by comparative urban and queer studies. My argument is that gay liberation literature under apartheid lags behind important shifts in sexual activism; and my aim is to extend the valences of postcolonial queer studies towards a historical examination of North-South interactions in theorizing sexual rights activism. The primary archive used is Link/Skakel, the official newsletter of the Gay Association of South Africa (GASA), which soon became a mainstream gay newspaper called Exit. I first describe debates around the term Afropolitanism to describe how the development of a gay and lesbian subculture in Johannesburg was influenced by models of gay consumerism and activism in the North. Next, I examine the controversial legal reforms initiated by GASA without challenging racial discrimination and segregation, reflecting a consumption based identity politics. The direction of comparison from North-South and the exclusivist racial and gendered assumptions were challenged by a ‘queer Afropolitanism’ connecting racial and sexual liberation, articulated first by lesbians in GASA and later, the Gays and Lesbians of Witwatersrand (GLOW). In conclusion, I indicate how the transformation of the Johannesburg based gay liberation movement reflecting sexual, racial, and geographical diversity is not reflected in its associated publications, which degenerate into tabloid style journalism.     

Trans geographies,embodiment and experience

Queer geographers have long been interested in the interconnections between sexuality and space. With queer theorizing as its hallmark, queer geographical research has made substantial contributions to our understandings of genders, sexualities and embodiment and their constitution in, and production of, space and place. This article examines how trans scholarship intersects with several themes central to queer geographical research – subjectivity/performativity; experience/embodiment; and the historical, political and social constitution of what are now called ‘traditional’ LGBTQ or ‘queer’ urban spaces – and offers geographers interested in intersections between sexuality, gender and the body, alternative and challenging avenues of inquiry. This scholarship highlights, in part, the discontinuities and silences embedded in so-called LGBTQ and queer communities and spaces and points to the need to explore more particularly historical and political conceptualizations of the formations of subjectivities, identities and forms of embodiment in play in these spaces.     

Believing in the USA: Derrida,Melville and the Great American Charlatan

ABSTRACT

This essay considers the relationship between the prophet and the charlatan, particularly as they figure in the contemporary American political landscape. It argues that at moments of democratic political crisis these figures arise and reveal the vacancy of sovereignty within the democratic model. The essay treats Herman Melville’s The Confidence-Man along with Jacques Derrida’s writings on democracy and the apocalyptic tone as resources in this endeavor. It considers as well why recent worries over the status of facts in the era of “fake news” have led to critiques of deconstruction.     

“SEEING” THE PAST: TEXT AND QUESTIONS OF HISTORY IN THE RĀJATARAṄGIṆĪ

Traditional scholarly opinion has regarded Kalha?a's Rājatara?gi?ī, the twelfth‐century Sanskrit chronicle of Kashmiri kings, as a work of history. This essay proposes a reinvestigation of the nature of the iconic text from outside the shadow of that label. It first closely critiques the positivist “history hypothesis,” exposing its internal contradictions over questions of chronology, causality, and objectivity as attributed to the text. It then argues that more than an empiricist historical account that modern historians like to believe it is—in the process bracketing out integral rhetorical, mythic, and didactic parts of the text—the Rājatara?gi?ī should be viewed in totality for the kāvya (epic poem) that it is, which is to say, as representing a specific language practice that sought to produce meaning and articulated the poet's vision of the land and its lineages. The essay thus urges momentarily reclaiming the text from the hegemonic but troubled understanding of it as history—only to restore it ultimately to a more cohesive notion of historicality that is consistent with its contents. Toward this end, it highlights the concrete claim to epistemic authority that is asserted both by the genre of Sanskrit kāvya generally and by the Rājatara?gi?ī in particular, and their conception of the poetic “production” of the past that bears a striking resonance with constructivist historiography. It then traces the intensely intertextual and value‐laden nature of the epistemology that frames the Rājatara?gi?ī into a narrative discourse on power and ethical governance. It is in its narrativity and discursivity—its meaningful representation of what constitutes “true” knowledge of time and human action—that the salience of the Rājatara?gi?ī may lie.     

Traces of empire: Architectural heritage,imperial memory and post-war reconstruction in Sarajevo and Beirut

ABSTRACT

Beirut and Sarajevo share a long Ottoman past followed by urban expansion under the protectorate of further imperial rule – of the French and Habsburg Empires, respectively, as well as a recent experience of urban warfare, segregation, and post-war reconstruction. This article examines how the architectural heritage of empires in the two cities has been transformed, reimagined and mobilized through urban post-war reconstruction by a number of actors: local authorities and politicians, architects, international organizations and investors. Discussing the tensions between the memory of empire and contemporary nation-building processes, the essay argues that the politics of memory and amnesia surrounding the recent wars shape and reconfigure the memory and heritage of empire. Moreover, it reflects how the reshaping of urban space acts both as an arena and as an enhancer of the politics and practices of memory and amnesia.     

Historicising Agency

Why has ‘agency’ been such a tenacious concept in historical scholarship on women and gender, and what have been the consequences on this tenacity? This essay tackles these questions and proposes, through a brief examination of the history of skin lighteners in South Africa and beyond, how agency might be pushed in more surprising, more analytically productive directions. Too often agency slips from being a conceptual tool or starting point to a concluding argument. For example, in my subfield of African women's and gender history, statements like ‘African women had agency’ can stand as the impoverished punch lines of empirically rich studies. Consideration of Walter Johnson's 2003 essay ‘On Agency’ highlights the intellectual and political imperatives of 1970s Marxist and feminist social history that placed agency at centre stage. This essay examines why, more than a decade after Johnson's critique, agency endures as a ‘safety’ argument for reasons related to representational politics, research methodologies and the circumscribed imagination of intellectual gatekeepers. It argues that we should move beyond agency as argument by attending to the multiple concerns and desires – some intentional, others not – that animate human actions, including contentious gendered practices, and by examining how different historical actors have themselves understood agency. Agency has a history. By acknowledging and tracing that history, we will be better able to discern the usefulness and limits of agency for our own analyses.     

Actor-Network Theory as a Critical Approach to Environmental Justice: A Case against Synthesis with Urban Political Ecology

Abstract:  Recent critiques of environmental justice research emphasize its disengagement from theory and its political focus on liberal conceptions of distributional and procedural justice. Marxian urban political ecology has been proposed as an approach that can both contextualize environmental inequalities more productively and provide a basis for a more radical politics of environmental justice. Although this work takes its primary inspiration from historical materialism, it also adapts key concepts from actor-network theory (ANT)—in particular, the agency of nonhumans—while dismissing the rest of ANT as insufficiently critical and explanatory. This paper argues that ANT—specifically, the version articulated by Bruno Latour—provides a basis for an alternative critical approach to environmental justice research and politics. Instead of arguing for a synthesis of ANT and Marxism, I contend that ANT gives us a distinctive conception of the  social  and opens up new questions about the production and justification of environmental inequalities.     

From Risorgimento to Il Politecnico: impegno and intellectual networks in the Einaudi publishing house, 1945

The article unveils the (dis)continuities between two post-WWII journals, Risorgimento and Il Politecnico, both published by Einaudi in 1945. By reassessing the publishing history of Risorgimento from a genealogical perspective, the article aims to chart the evolutions of the then current intellectual debate on impegno. Specifically, by analysing the relevant contributors’ correspondence and the essays that were published in the journals, the article examines the journals as sites of networking but also tension between different intellectual habitus. This will illuminate not only how the two editors-in-chief (Salinari and Vittorini, respectively) took different positions in relation to both the literary field and the PCI (Italian Communist Party), but also the opposition of editorial staffs – based, respectively, in Rome and in Milan – in relation to the publisher Einaudi.     

2. CAN THE CRITIQUE OF CAPITALISM BE ANTIHUMANIST?

This essay argues that to understand Foucault's attraction to neoliberalism, we must understand the elective theoretical affinities that he perceived between this current in economic thought and one of the central elements of his own philosophical project: the critique of humanism or “anthropologism” (that is, the tendency in modern thought to sift all knowledge through human knowledge). Specifically, the essay examines moments in Foucault's 1978 and 1979 lectures when Foucault clearly refers to the arguments of his earlier work, The Order of Things, the locus classicus of his philosophical antihumanism. In particular, Foucault claimed that economists of the Chicago School developed a theory of labor that escaped the limitations of the “anthropological” theory of labor associated with Adam Smith, David Ricardo, and Karl Marx. He also interpreted the notion of homo oeconomicus and Smith's idea of the market's “invisible hand” as critiques of the characteristically modern attempt to make transcendental claims on the basis of human nature. The essay concludes by asking if Foucault's philosophical antihumanism provides an adequate vantage point from which to critique contemporary capitalism.     

Martin Amis,neo-Orientalism,and hubris

This article puts forward a reading of Martin Amis’s 2008 book The Second Plane with an emphasis on its cultural politics. It reconsiders Amis’s book from a distance of almost a decade in light of recent global developments, including the rise of ISIS in the Middle East, the resurgence of acute Islamophobia in Europe and the US, and Tony Blair’s public acknowledgement of the shortcomings of the 2003 invasion of Iraq. With these factors in mind, the essay argues that it is possible to detect in Amis’s book early warning signs of how the West’s relationship with both Islamism and Islam would develop in the period following its publication. Drawing on William Connolly’s work on tragedy and Edward Said’s work on Orientalism, the essay argues that The Second Plane ought to be read as advancing a hubristic ‘neo-Orientalist’ cultural and political agenda which today threatens to lock much of the world into an ongoing cycle of recrimination and revenge. Against this, a case is made for an appreciation of the complex circumstances which give rise to suicide terrorism and for a sense of history largely absent from Amis’s writing on the subject.     

From Populism To Protagonism (and Back?) in Bolivarian Venezuela: Rethinking Ernesto Laclau’s on Populist Reason

Ernesto Laclau’s On Populist Reason, now over a decade old, is one of our generation’s most nuanced contributions to debates on political community and social change in the era of mass democracy. Against critiques of populism as illiberal demagoguery, Laclau’s conceptualization emphasizes the discursive nature of power and politics and considers populist sequences as radical democratic openings in an era of consolidated global neoliberal capitalism. This article considers the shifting terrain of democracy – from liberal, to populist, and finally to protagonistic forms – in the context of Venezuela’s Bolivarian Revolution. I argue that despite Laclau’s important contributions, the formulations of power that underlie his populist reason are symptomatic rather than critical of contemporary liberal politics. The article offers an analysis of Bolivarian Venezuela that emphasizes popular experimentation with protagonism as an expression of democracy based in grassroots collective autonomy and direct democracy over the representation and managed development of the modern state.     

Diva Las Vegas: queering space in the entertainment capital of the world

After a spate of demolitions and a 1990s building boom, the values of neoliberalism – deregulation, privatisation and innovation through competition – have shaped an entirely new topography in Las Vegas, developing in perfect harmony with the former’s rise to global dominance. The Strip, however, has come to capture more than free market economics in building form. The fabric of this desert suburb is also unmistakably gendered, and embodies normative sexuality throughout its unique arrangement of casino-hotels. This article proposes that neoliberalism and heteronormativity are closely intertwined and manifest through the spatial composition of Las Vegas Boulevard. It uses the area’s orientation towards entertainment to consider performance as a central element to this spatiality, and thus as a lens through which to approach analysis of the Strip in spatial terms. Under the Strip’s twin spatial regimes, queer entertainers, and drag performers in particular, have historically marketed both themselves and their acts in order to attract revenue from a conservative, heterosexual audience. Despite its all-pervasive heteronormativity, however, I also argue that the Strip contains a queer disruption at its core. The drag revue Divas Las Vegas hosted by the Strip’s longest-running headliner, Frank Marino, marks a break with local drag traditions, and provides a queer interrogation of gender politics for its audience of predominantly heterosexual tourists.     

Clothing as communication? Vestments and views of the papacy c.1300

ABSTRACT

This essay argues that Pope Boniface VIII (1294–1303) used clothing in a highly intentional and performative manner to communicate his status and authority. His audience, however, was quite limited – essentially, the small community of those who aspired to hold or influence the power of the Holy See – and the messages conveyed were not particularly complex. Attempting a reception history of papal attire c.1300, the essay surveys remarks regarding clothing in late thirteenth- and early fourteenth-century chronicles and analyses in depth the evidence of two sources: ambassadorial reports to King James II of Aragon (1291–1327) and the De electione et coronatione sanctissimi patris domini Bonifatii pape octavi of Cardinal Jacopo Caetani Stefaneschi (c.1270–1343). A suggestive finding is that performativity, or the highly theatrical use of garments, appears to have been used by Boniface VIII to foster dissemination of simple communications across great distances.     

Moderation and religious criticism in William Cartwright’s The Ordinary (1635)

Building on the recent revival of critical interest in the drama of William Cartwright, this article explores the politics of religious moderation in his 1635 play The Ordinary. I situate the concept of moderation in Caroline England in relation to recent historical work on the subject, examining how Cartwright treats the subject in his poetry, where he argues that religious extremism inhibits the proper articulation of moderate politics. I then consider religious criticism in The Ordinary, suggesting that it attacks aspects of Puritan and Arminian theology alike. Although he ranges over a number of topics, Cartwright is particularly concerned with the way in which religious innovation is undermined by economic unfairness, incompetence, and greed. The play shows how Caroline comedy engages with polemical culture in subtle and sophisticated ways.