Crafting heritage: artisans and the making of Indigenous heritage in contemporary Taiwan

Since the 1990s, Indigenous groups in Taiwan have been increasingly engaged in retrieving and reviving cultural practices that are considered ‘traditional’ and markers of Indigenous identities. This article takes such recent and ongoing revival of cultural practices and connected material culture amongst Taiwanese Indigenous groups as the departure point to argue that the idea of a ‘contemporary Indigenous heritage’ is constructed (notably by Indigenous artists and artisans) through the conflation of ‘tradition’, ‘value’, ‘authenticity’ and ‘indigeneity’, as well as creativity and innovation. In the article, I endeavour to explain this process. To this end, I identify and illustrate a set of strategies and discourses through which Indigenous artists and artisans in Taiwan construct their work as both ‘Indigenous’ and ‘heritage’. I suggest that such strategies and discourses revolve around the following: (i) materiality, (ii) visual display and performance, (iii) Indigenous cultural research and (iv) knowledge transmission. Building on the Taiwanese case study, this article furthers scholarly enquiries into the making of heritage by generating an enhanced understanding of the role of artists and artisans in the creation, renewal, authentication and transmission of ‘Indigenous heritage’.     

“Ill‐natured comparisons”: Racism and relativism in European representations of ni‐Vanuata from Cook's second voyage

Landes’ anthropological theorizing, highlighting the connections between race, gender, sexuality and class, expressed an Eastern European Jewish female praxis well-established by the late 1920s and early ‘30s when Landes began her research career. Landes’ changing Jewish identification through her life resulted from gendered aging and the reformulation of Jewish racialization processes in the U.S. Her late life reflections are evidence of what Susan Watkins calls ‘gendered late-style’ as well as Jewish conceptions of time as anti-linear and counter-normative. I investigate how her Jewish socialist Yiddish-speaking family background inflected her interpersonal and professional networks and her writings on anti-racist, class and gender-based themes.

Abbreviations: RLP: Ruth Landes Papers; NAA: National Anthropological Archives; SI: Smithsonian Institution; RBP: Ruth Benedict Papers; ASC: Archives and Special Collections Library; VCL: Vassar College Libraries     

Straight Pins,Gauze, and Linotypes: The Cuban Post-Soviet Artists’ Book

Matanzas’s Ediciones Vigía and Holguin’s Ediciones Cuadernos Papiro construct an arc from the revolutionary 1960s and its investment in collective and communal goods, to the increasingly privatized 1990s and 2000s through their materials and procedures, as well as through their engagement with the figure of the archive. I contend that the books printed by Ediciones Vigía and Ediciones Cuadernos Papiro are both artists’ books – that is, books that are art unto themselves – and books as ‘archives’. Here, I understand the ‘book’ as ‘archive’ in a similar fashion as art historian Hal Foster interprets ‘archival art’: that is, art, in this case book art, that ‘draws on informal archives but produces them as well’ in an effort ‘to make historical information, often lost or displaced, physically present’. The hand-made books of Ediciones Vigía and Ediciones Cuadernos Papiro project a new figure of the reader and occupy social spaces that are radically different from their predecessors. Where Cuban institutional archives have left incomplete territories of the Revolutionary-era and pre-Revolutionary book, the 1990s and 2000s ‘archival book’ incarnated in Ediciones Vigía and Cuadernos Papiro has come to occupy these voids in a compensatory fashion as an ‘archival’ product.     

Security in international society: A comment on Alex J. Bellamy and Matt McDonald

Although English School (ES) theorists have played a significant and explicit role in security studies, Bellamy and McDonald claim that this has not been the case. However, they fail to show how they have arrived at their conclusion. Moreover, Bellamy and McDonald conflate solidarism with cosmopolitanism, with the result that they wrongly claim that some theorists are ‘weak’ while others are ‘deep’ solidarists. In addition, their attempt to view human security as a reflection of solidarist trends in the ES is welcome, but their method risks undermining the ES. I propose that an ES perspective on security needs to incorporate elements from three streams of thought: pluralism, solidarism and cosmopolitanism. I contend that security ought to be viewed as people centred and that it should be embedded within international society's norms, rules and institutions.     

The End of Queer (as we knew it): Globalization and the making of a gay-friendly South Africa

In J. K. Gibson-Graham's The End of Capitalism (as we knew it), the authors (Julie Graham and Katherine Gibson) provocatively deploy queer theory to further their project of telling non-capitalist stories of globalization. In short, they reject the narrative that globalization is always and only penetrative in the hope that global capital will ‘lose its erection’ and ‘other openings’ in the body of capitalism can be considered. I adopt their strategy of looking at stories of globalization. But, while they are concerned with the homophobia of economic theorizing, I consider the gay-friendly discourse of post-apartheid South Africa. Recent expressions of official tolerance by various nation-states around the globe have been dismissed as the mere appropriation of difference by hegemonic forces. Against such interpretations, I look at the ways in which the inclusion of ‘sexual orientation’ in post-apartheid South Africa's constitutional Equality Clause can instead be read as a queer globalization. Based on this reading, I problematize the presumption that queer globalizations take place beyond the realm of the hegemonic and point to the need for queer theorists to think through the political ramifications of homosexuality's repositioning as saviour rather than scapegoat of certain nation-states.     

Wounded cities: Memory-work and a place-based ethics of care

What would it mean to think about cities marked by past structures of violence and exclusion as wounded but also as environments that offer its residents care? My current book in progress, Wounded Cities, focuses on creative practices and politics in Bogotá, Cape Town, Berlin, Minneapolis, and Roanoke, cities in which settlement clearances have produced spaces so steeped in oppression that the geographies of displacement continue to structure urban social relations. Precisely in and through these ‘wounded cities’, residents, artists, educators, and activists reconsider the meanings of the ‘right to the city’ and to theorizing the city more broadly. Drawing upon ethnographic research and theories from postcolonial theory, social psychiatry, social ecology, feminist political theory, and art theory, I introduce my concepts of ‘wounded city’, ‘memory-work’, and a ‘place-based ethics of care’ to retheorize urban politics. Artists and residents in wounded cities encourage political forms of witnessing to respect those who have gone before, attend to past injustices that continue to haunt contemporary cities, and create experimental communities to imagine different urban futures. I argue that a deeper appreciation of the lived, place-based experiences of inhabitants of most cities would enable planners, policy makers, and urban theorists to consider more ethical and sustainable forms of urban change than those that continue to legitimate disciplinary forms of governmentality.     

„Simulanten des Irrsinns auf dem Vortragspult“: Dada,Krieg und Psychiatrie,eine ‚Aktive Traumadynamik‘

“Simulanten des Irrsinns auf dem Vortragspult”: Dada, War and Psychiatry – ‘Active Dynamics of Trauma’. This paper relates stage performances of dada artists to war neurosis and shell shock as sociocultural phenomena. The leitmotif of this investigation is the notion of simulation, as dada artists were referred to as malingerers (simulators) of madness by the press at the time. I hypothesize that the performers imitate/simulate with drums, shouting and ‘bruitist’ sound poems, the noises of war, staging themselves as war neurotics in a kind of shocking clinical demonstration. Both discourses intersect in the fact that many dadaists try to dodge the draft by simulating madness. The scandalizing anti-art of dada will be understood as contagious anti-pedagogy, trying to vaccinate against the madness of the era.     

Symbolic recognition,multicultural citizens,and acknowledgement: Negotiating the Christmas Wars

In recent times, December has come to mark a new tradition—an annual public debate over the degree to which Christmas should be publicly recognised and celebrated in a multicultural society. Curiously, political theorists of multiculturalism have had little to say on this controversy. In this article, I argue that there is a genuine issue at stake in the so-called ‘December dilemma’, but that the public debate—which construes the matter in terms of offending non-Christians—fails to identify and address it. Differentiating three distinct areas of contention (public holiday, public square, and state schools), I suggest that the core issue is one of ‘acknowledging a “generalised other”’, and sketch what this might mean for each of these public aspects of Christmas celebration.     

Philosophers,Naturalists, and Antipodean Encounters, 1748-1803

This article addresses a complex nexus of discourse and praxis: varying Enlightenment visions of Man; emergent ideas about human differences; and encounters between European scientific voyagers and Indigenous people in New Holland (Australia) and Van Diemen's Land (Tasmania) at the start of the nineteenth century. Discursively, I trace two strands of ‘anthropological’ thinking. One, philosophical and economic, is epitomized in French and Scottish stadial theory. The other is naturalist and culminated in Buffon's natural history of man. Both were appropriated from the late eighteenth century by a nascent science of race. With respect to praxis, I chart the reciprocal impact of metropolitan theory, antipodean experience and local agency by selective comparison of materials produced by the voyages of Matthew Flinders and Nicolas Baudin in Australian waters in 1801–1803.     

'Old Paris Is No More': Geographies of Spectacle and Anti-Spectacle

The term 'spectacle' has played an important role in recentcritical discussions of vision and visuality. In human geography it has often been used to designate new forms of capitalist urban development associated with display and show. This paper examines aspects of the term by addressing the critique of the spectacle developed by the situationist Guy Debord. It situates his writings on the subject back into the context of his engagements with the modern city between the 1950s and 1970s, especially in Paris, where hespent much of his life. In particular, it reads these writings in terms both of his bleak view of urban change and alienation under capitalism and of the 'glimmers of light' that he found in 'the setting sun of this city.' Debord's attachment to certain urban sites within this critique of urban spectacle was often nostalgic. Yet it can also be understood as part of his concern with challenging the ways in which urban spaces were being reconstructed, and as opening up gaps or cracks for thinking about 'counter-sites' and points of political intervention.     

Contingent meanings,shifting practices: grandmother to grandmother solidarity as transnational feminist praxis

Abstract

While ‘solidarity’ is frequently evoked in transnational feminisms, it is less clear how this concept is understood and practiced among different actors in different contexts. This article addresses this limitation by investigating a movement of some 10,000 older Canadian women who, drawing on longstanding commitments to feminist advocacy, have mobilized over the past decade in solidarity with ‘grandmothers’ impacted by AIDS in southern Africa. The article investigates one pivotal development within this movement as an entry point to consider the productive friction surrounding transnational feminist practice more broadly: the splintering of the campaign in 2011 into separate advocacy and fundraising networks. Drawing on archival materials and interviews, the analysis depicts how changing perspectives on advocacy within the movement, which became most evident in this splintering, provide critical insights into thinking about the complexities of ‘solidarity’ as transnational feminist praxis. In particular, it extends existing scholarship on solidarity-building, suggesting that theorizing ‘solidarity’ in this context requires an understanding of its contingent practices. It also draws on older Canadian women’s reflections to challenge notions that ‘Second Wavers’ do not adequately grapple with how differences in power and privilege shape and inform their movements.     

The French Campaign for Improved Road Safety: State Power,Public Policy,and Regimes of Justification

In reaction against Bourdieu's state-centered analysis of power, theorists associated with the ‘Groupe de sociologie morale’ argue that non-state actors exercise considerable agency. In so doing, these actors draw upon ‘regimes of justification’ to formulate and defend moral schemes of action. While a necessary corrective to a Bourdieusian view of the world in which habitus and institutional fields of power leave relatively little room for creative agency, this position nonetheless leaves unanswered questions pertaining to the role of the state and its relation to these regimes of justification.

The recent French campaign for road safety provides an opportune instance in which to observe how states can and do draw on regimes of justification to legitimate public policies. Here I argue that the French government used two regimes, namely those based on civic equality and solidarity and on industrial efficiency, to legitimate new measures that cut across longstanding cultural patterns. In this process, the supposedly dirigiste French state actively sought civil society partners to educate French drivers and to convince them to accept, however grudgingly, the new policies. This case example thus suggests a middle path between the Bourdieusian view of the state as the ultimate field of power and the emphasis on individual agency of the approach associated with the ‘Groupe de sociologie morale’.     

The Idea of Indigenous Knowledge

The idea of ‘indigenous knowledge’ is a relatively recent phenomenon that, amongst other things, constitutes part of a challenge to ‘western’ thinking and conceptualization. Advocates of indigenous knowledge maintain that its study has profound educational and ethical relevance and also emphasise its significance in antiracist, antisexist and postcolonialist discourse, in general, and in terms of the ‘African Renaissance’, in particular. This paper argues the following: (1) ‘indigenous knowledge’ involves at best an incomplete, partial or, at worst, a questionable understanding or conception of knowledge; (2) as a tool in anti-discrimination and anti-repression discourse, ‘indigenous knowledge’ is largely inappropriate. I show, further, that in the development of ‘knowledge’, following some necessary conceptual readjustments in our understanding of this term, there is considerably greater common ground than admitted by theorists. It is this acknowledgement, not adherence to a popular concept of debatable plausibility that has profound educational, ethical and political consequences.     

Towards a chequebook democracy? Business,parties and the funding of politics in Italy and the United States

This article seeks to establish to what extent Silvio Berlusconi's entry into electoral politics as leader of Forza Italia signals an ‘Americanization’ of Italian politics. It argues that Italian party democracy is moving in an ‘American’ direction in two ways. First, Italian party organizations are declining, leading to a more candidate-centred type of electoral politics. Second, the decline of parties is enhancing the ability of business to use its financial clout to tailor public policy to its own requirements. However, these trends do not have identical effects in Italy and the United States. This article will also show that this process of ‘Americanization’ interacts with the existing political praxis and institutional framework of Italian politics to produce an outcome which differs from both the traditional Western European model and the American model of party democracy. It will be concluded that this outcome seriously undermines representative democracy in Italy.     

Cronies,economic crime and capitalism in Putin's sistema

The books included in this review article are essential for the understanding of what I call Putin's sistema—the governance model that originated in the Soviet system but has transformed and adapted to global change. Each book tackles, from a different angle, the issues of Russia's transition and suggests ways to describe its political consequences. The books all attempt to identify some underlying logic or organizing force in a Russian society that has emerged through weak institutions. Although I join the authors in their criticisms of the ‘transition paradigm’ and its ‘opening‐breakthrough‐consolidation of democracy’ formula, transformations of the Soviet sistema seem to resonate with the ‘opening‐breakthrough‐consolidation of capitalism’. Perestroika can be seen as an ‘opening’ in shaking the foundations of sistema; Yeltsin's era as a ‘breakthrough’; and Putin's regime as the ‘consolidation’ of capitalism but with its distinct characteristics.     

Second Laws,Two Cultures,and the Emergence of an Ecosystem Aesthetics

Abstract

The appropriation of scientific concepts by the humanities and the visual arts exemplifies what many feel are both the pitfalls and possibilities of interdisciplinary engagement. The principle of entropy, which C. P. Snow claimed could serve as a litmus test of the ‘two cultures’ divide, provides an excellent starting point for exploring how artists have employed scientific concepts far beyond their original contexts. As a case study in interdisciplinarity, the use of entropy in the visual arts is also a lens to consider the evolution of an artistic proposal from the 1960s known as ‘system aesthetics’. As an early challenge to the clean demarcation of art and science, system aesthetics was a precedent for what might be described as the emergence of an ecosystem aesthetics within contemporary art and design today.     

Grief as method: topographies of grief,care, and fieldwork from Northwest Arkansas to New York and the Marshall Islands

Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.     

Probability and certainty in seventeenth-century england. a study of the relationships between natural science,religion, history. law,and literature

Enlightenment optimism over mankind's progress was often voiced in terms of botanical growth by key figures such as John Millar; the mind's cultivation marked the beginning of this process. For agriculturists such as Arthur Young cultivation meant an advancement towards virtue and civilization; the cultivation of the mind can similarly be seen as an enlightenment concept which extols the human potential for improvable reason. In the course of this essay I aim to explore the relationship between ‘culture’ and ‘cultivation’ through botanical metaphor. By using the recurring motif of the mind's cultivation as a site from which to explore enlightenment views on female understanding, I investigate how far concerns with human progress extended to the female mind.

I examine the language of botany and cultivation in texts by authors such as Mary Wollstonecraft and Anna Laetitia Barbauld alongside that of Rousseau and Millar. Wollstonecraft's appropriation and subsequent inversion of the conventional cultivation metaphor, for example, demonstrates her desire to draw attention to society's neglect of women's educational potential by substituting images of enlightened growth with those of luxuriant decay. By pushing this analogy further she indicates how society has cultivated women rearing them like exotic flowering plants or ‘luxuriants’ where ‘strength of body and mind are sacrificed to libertine notions of beauty’. I discuss the antipastoral rationalism which enables her to unmask the false sentiment behind this traditional metaphoric association between women and flowers arguing that such familiar tropes are the language of male desire and are indicative of women's problematic relationship to culture.     

The politics of evolution: Morphology,medicine, and reform in radical London

Summary

This essay closely examines the highly contested but widely employed historiographical category ‘absolutism’. Why are scholars so divided on whether it is even legitimate to use the term and, if they agree to do so, why are they still much at odds in explaining what it is? What are the main historiographical currents in the study of absolutism? Is it the same thing to speak of absolutism in regard to the practices of early modern European monarchies and with reference to the political ideas of so-called absolutist theorists? By addressing these questions through the methodology of intellectual history, this essay provides a comprehensive account of debates on absolutism and, at the same time, suggests that further work needs to be carried out on its theoretical aspects. In this respect, the author will propose a series of key ideas and principles which are meant to encapsulate the core of an early modern doctrine of absolutist monarchical sovereignty. It will also be argued that, when studying political thought, the term ‘absolutism’ might be abandoned in favour of the plural ‘absolutisms’ as a better way of understanding the past, its languages, opinions, people. In so doing, a thorough analysis of what political absolutism(s) is will be set forth, and a series of more general considerations on history-writing will also be advanced.     

The Snake Bone Case: Law,Custom, and Justice in a Papua New Guinea Village Court

One of the outcomes of judgmental administrative attitudes toward indigenous praxis in colonial Papua New Guinea was a convention that an antagonistic relationship existed between European law and ‘native custom‘. By the end of the colonial period the defence of ‘custom’ had become part of an anti-colonial polemic among indigenous intellectuals and politicians. The Village Court system was established in this rhetorical climate. Its mission, reinforced in legislation, included the favouring of ‘custom’ in the dispensation of justice. Subsequent academic and journalistic commentaries on the development of the Village Court system have perpetuated a binary notion of the relationship between law and custom, whether portraying it as antagonistic or articulatory. This article focuses on a single case from a Port Moresby village court, involving an accusation of attempted sorcery. The case raises questions not only about the validity of the discursive law/custom dichotomy but about the notion of custom itself in the context of the dispensation of justice in contemporary Papua New Guinea. It is suggested that in village court praxis, the notion of custom serves the exploitation of village court officers as cheap labour in the justice system.