The Poeta Saxo at Paderborn: episcopal authority and Carolingian rule in late ninth‐century Saxony

This paper argues that the Poeta Saxo's epic poem about Charlemagne was composed at the bishopric of Paderborn as part of a wider literary programme that included both the Translatio sancti Liborii and the Vita sancti Liborii. Near the close of the ninth century, when Paderborn's renown and resources were at their lowest ebb, these three works articulated an image of episcopal authority, touted the pre‐eminence of Paderborn, and made a bid for royal patronage.     

Pietism and medicine in the first half of the 18th century

In the beginning of the 18th century Halle Pietists tried to establish a specific approach to sickness and healing. They constructed close links between physical illness on the one hand and the religious concept of individual piety, penance and rebirth on the other. This new' pietist medicine largely depended on Georg Ernst Stahl's medical theory, which was not pietist in itself, but was adopted and simplified by pietist physicians. Although conclusive and rhetorically present in programmatic texts, pietist medicine turned out to be less influential on medical practice than expected.     

Nuclear disarmament versus peace in the twenty‐first century*

In his analysis of the continuing necessity for Britain to retain its nuclear capability, the author argues that the purpose of the British nuclear deterrent is what it has always been—‘to minimize the prospect of the United Kingdom being attacked by mass destruction weapons’. His discussion ranges from the ethical paradox surrounding the possession of nuclear weapons, the central problem of their predictability, the problem of new threat and, in his view, the Utopian non‐proliferation obligations. The possession of the deterrent may be unpleasant, he concludes, but it is necessary, its purpose lying‘not in its actual use but in its nature as the ultimate “stalemate weapon”.’     

The effectiveness of UN and EU sanctions: lessons for the twenty‐first century

A fractious UN Security Council has contributed to the decline in effectiveness of a number of UN sanctions adopted in recent years. Yet they remain a tool of the Council, for example with regard to Libya in 2011. The challenge is to understand how UN, country (US) and regional sanctions (EU, AU, Arab League) can be meaningful in such a climate. The four books reviewed make various suggestions, from clarity of mandate to better evaluating impact. Mikael Eriksson's Targeting peace seeks to evaluate the complexity of the sanctions policy process. He argues that effectiveness comes partly from understanding politics (episodes of sanctions), but also from institutional reform—‘black box’ processes, as he calls them. Sanctions are more successful as part of a wider package. Clara Portela in European Union sanctions and foreign policy examines the use of sanctions as a political tool, including the suspension of development aid and the withdrawal of trade privileges. She shows how the EU plays an important role in signalling and constraining when UN sanctions are weak. For example, informal measures like the 2003 EU decision to invite only dissidents to national day receptions in Havanna resulted in the release of detainees that it had aimed for. The high rate of success of development aid cut‐off stands in sharp contrast with EU Common Foreign and Security Policy sanctions. The unintended consequence of good intentions is also highlighted by both Portela and Eriksson—Zimbabwe in particular but also Côte d'Ivoire and Iran pose similar challenges. The imposition of EU or UN sanctions is easier than reaching consensus to lift them, although events in Burma (Myanmar) in 2012 have resulted in smooth suspensions of most US and EU sanctions. All four books show that targeted sanctions cannot be seen as stand‐alone measures, nor assessed in isolation. Sanctions are multi‐faceted and require detailed assessment of political context, episode and institutional process.     

Economic incentives for the Frankish conquest of Saxony

Contrary to received scholarly wisdom, this article argues that the Frankish conquest of Saxony under Charlemagne in the late eighth and early ninth centuries was driven in no small part by the pursuit of material wealth. Specifically, most scholars have viewed pre‐conquest Saxony as too materially impoverished for economic incentives to have played a significant role in Frankish expansion into the lands between the Rhine and the Elbe. However, a thorough review of the written and archaeological evidence suggests that Saxony had much to offer its Carolingian conquerors in the form of plunder and tribute, land and mineral resources, revenue from royal and ecclesiastical renders and taxation, and access to and control of trade routes.     

Smoking and health in London's East End in the first half of the 19th century

Abstract

The harmful effects of smoking are now proven, but to what extent can tobacco use be identified in 19th-century skeletal remains? The full osteological analysis of 705 individuals from the cemetery of St Mary and St Michael (open 1843–54) in Whitechapel, London, revealed a high prevalence of pipe smoking amongst the male population. In addition to a lower life expectancy, the smokers were found to have increased levels of skeletal evidence for lung disease when compared to the remainder of the sample. This has implications for the health, social structure and cohesion of this Irish migrant population.     

Music, Print and Presentation in Saxony During the Seventeenth Century

At the start of the seventeenth century composers such as MichaelPraetorius, Johann Hermann Schein and Heinrich Schütz sawmuch of their music into print; at the end of the century, however,musicians such as Johann Kuhnau or Nikolaus Adam Strungk enteredprint comparatively little, if at all. This article uses thedecline in music printing as a way to understand the changingrole of music and musicians in society. At the start of thecentury, the intensity of music printing testified to the Lutheranmarket for music, but also to the efforts of composers to promoteand present themselves in print. After the Thirty Years' War,however, the market for printed music collapsed, as many courtsand cities began to expect virtuoso performances and a constantsupply of new compositions.