共查询到20条相似文献,搜索用时 15 毫秒
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Reg Gadney 《Interdisciplinary science reviews : ISR》2017,42(1-2):180-192
ABSTRACTFrom 1962 to 1966 the author was an undergraduate at the University of Cambridge. During this period awareness of Kinetic Art grew nationally and internationally. Two student-run magazines – Granta and Image – became important platforms for dissemination of information and critical discourse about Kinetic Art in the context of other avant-garde developments. Having met several pioneers in the field in Paris before University, the author soon made contact with Professor Richard Gregory in the Experimental Psychology Department of the Cambridge Psychology Laboratory with whom he then collaborated. He worked closely also with Mike Weaver, an academic in the English Literature faculty, who initiated the First International Exhibition of Concrete, Kinetic and Phonetic Poetry at St Catharine’s College in November 1964. They infused the Cambridge context with influences in Concrete Poetry and Kinetic Art from elsewhere. This article describes this period of early experimentation and reflects briefly on its legacy. 相似文献
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E.M.R. Critchley 《Journal of the history of the neurosciences》2013,22(4):243-267
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一 走遍世界,再也无法寻找到这样一所硕大而独特的美术学院:九曲黄河第一湾的青海省同仁县隆务寺周围的五个村庄里,就连每一缕清醇的空气都透着艺术的灵光。这几个村庄是:吴屯、郭麻日、年都乎、尕赛日等。在这里,“家家都从艺,人人会作画”,除 相似文献
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GU BINGSHU 《中国西藏(英文版)》2005,16(6):43-47
Regung art is a particularwonder of Tibetan Bud-dhism art, blending blendsreligious and folk art in away that is treasured byTibetan Buddhists as well as becomingwell known in the world.Art Flower in Golden ValleyRegung is the Tibetan name of areasin Tongren County and Zeku County inQinghai Province with the meaning of"golden valley".The Regung area as the birthplace of"Regung art" has an abundance of tangka,duishiu, sculptures and religious architec-tural structures. Several villages, … 相似文献
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George Kaye 《International Journal of Cultural Policy》2013,19(1):141-143
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历史上的异质文化输入对艺术的发展都有促进作用,敦煌艺术正是异质文化和本土文化碰撞融合的结果。在当代艺术语境中,敦煌艺术具有文化融合的典范作用和对传统文化冈子继承的双重身份。敦煌学研究的日益深入和多学科交叉研究的日趋成熟,为敦煌艺术研究的转型搭建了一个有益的平台。存中同当代艺术发展的进程中,西方现代主义艺术思潮之后的本土文化回归是目前面临的主要问题。敦煌艺术作为中国中世纪的一部美术史,深入研究其不同文化的相互借鉴和兴衰发展中隐含的艺术规律,对于重构中国传统文化精神,突出中吲当代艺术的民族性、时代性,都具有十分重要的现实意义。 相似文献
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Amongst the thousands of Bronze Age rock art images that are found along the paleogeographic coast lines of southern Scandinavia
the most ubiquitous is the boat. A few are furnished with what look like a mast or sail. These attributes have largely been
ignored or explained away as features or objects other than rig because it is widely accepted that the sail was not used in
Scandinavia until the 8th century AD. But what if after all they really are depictions of rig? Might this suggest that the
sail was not only known but perhaps used here over a 1,000 years earlier than previously accepted? Starting from the bases
of the images and the environment in which they are found, this paper asks whether vessels of the types we believe belonged
to the Scandinavian Bronze Age could have been sailed? These evaluations led to a series of sail trials in a canoe undertaken
in the archipelago of the Swedish west coast in the late summer and autumn of 2005. The successful results of these trials
were later transferred to the Tilia, a full-scale reconstruction of the Hjortspring boat, a vessel dated to 350 BC but believed to belong to a long-established
boatbuilding tradition stretching back into the Bronze Age. This is the report of the hypothesis behind these trials as well
as their planning, execution and immediate results. 相似文献