The irreparable and the imprevidible: fathers and failures at Joyce's family circus

This paper reconsiders ideas of the father in Joyce's writing. It does so by examining in detail those ideas as they are elucidated through circus anecdote and imagery. The focus rests decisively on Ulysses (1922), but references to Joyce's earlier writing and to Finnegans Wake (1939) demonstrate the enduring popularity of the circus as image or metaphor for the author. The paper works broadly to contextualise hitherto overlooked circus references within the history of nineteenth- and early twentieth-century popular culture – Joyce is here connected to circus clown Johnny Patterson, music hall star Henry Clifton, and artist Jack B. Yeats. Through this history, it appears that Joyce imitates others in placing male authorities within both actual and invented circus rings to question legitimate influence in local domestic and wider social settings. It moves between these two locations to assess disquieting consequences of imagining political authority within this particular performance space in the fraught period of Irish history from 1904 to 1922.     

“Hugon come erindwards”: Finnegans Wake and Ireland’s Huguenots

This paper analyses the rich variety of allusions to the Huguenots in Finnegans Wake, and considers the reasons for Joyce’s interest in this group of Protestant émigrés. Joyce makes several references to the Saint Bartholomew’s Day massacre, the apotheosis of Huguenot persecution at the hands of the French Catholics, and he draws analogy between their experience and that of other groups of heretics and dissenters. Joyce celebrates the social, commercial, and cultural impact made by the migrants and their descendants, which was disproportionately great for the size of the diaspora. I argue that there are several reasons for Joyce’s engagement with the Huguenots. Their story of sectarian persecution, dispossession, and exile recalls the Irish Catholic experience, but it offers balance to the narrative of Catholic victimhood in depicting a Protestant group that suffered comparable oppression. Most importantly, the remarkable success with which the Huguenots integrated into Irish society offers a positive model for the plurality that Joyce espoused throughout his writing career, culminating in his final work.     

“Celticism,ballad transmission,and the schizoid voice: Ossianic fragments in Owenson,Yeats, Joyce,and Beckett”

ABSTRACT

This essay surveys responses to Macpherson’s Ossian in Irish literature, alongside analysis of the development of literary Celticism. Despite being a key text behind the development of Celticism in Irish writing, Ossian is consciously rejected in Irish Romanticism and in the Celtic Revival. However, Ossian becomes a symbol of literary recycling and mental fragmentation in Irish Modernism. Texts studied in this essay include Owenson’s The Wild Irish Girl, Joyce’s Finnegans Wake, and Beckett’s Murphy.     

The Absence of Macpherson and Strauss in Pocock’s Machiavellian Moment

SUMMARY

Pocock's Machiavellian Moment is monumental in its erudition, and thus one may be surprised that Pocock virtually ignored Macpherson's Political Theory of Possessive Individualism in his assessment of seventeenth-century political thought, and ignored Strauss's Thoughts on Machiavelli. Pocock noted that ‘the schools of Marx, Strauss and Voegelin concur’ in holding Locke to be a bourgeois or possessive individualist. Pocock elaborated a paradigm of republicanism as civic humanism as a contrast to liberalism as possessive individualism. Pocock seemed to accept tacitly Macpherson's and Strauss's view that Locke inverted the Aristotelian view of property as a means to political participation, whereby politics became a means to the protection and accumulation of property. Macphersonian scholars have criticised Pocock for misinterpreting the function of property in the Atlantic republican tradition and Straussian scholars have criticised The Machiavellian Moment for its failure to distinguish ancient from modern republics, and for Pocock's failure to appreciate the epochal significance of Machiavelli's call to master fortune or dominate nature through technique. But it is questionable whether or not it is incumbent on an intellectual historian to address present preoccupations about capitalism or global technique.     

Sex,Fashion, Work: James Joyce and the Late-Victorian Actress

This article considers the presence of three late-Victorian actresses (Mrs Patrick Campbell, Eleonora Duse, and Sarah Bernhardt) in the work of James Joyce. The first appears in Joyce’s short story ‘A Mother’ (Dubliners). The strong influence of the other two is also detectable in the characterization of Ulysses’ heroines, Gerty MacDowell and Molly Bloom, and in a seminal text of late modernism, Finnegans Wake. In ‘A Mother’, Joyce’s attention to the importance of fashion on the stage and to poor working conditions for female performers calls to mind the career of Mrs Patrick Campbell. In Ulysses, Gerty’s performance in ‘Nausicaa’ recalls the techniques of the Ibsenian actress Eleonora Duse, known especially for her blushing; I argue that, given this famous skill and Joyce’s fascination with her, Duse directly informs Gerty’s characterization. Finally, Molly Bloom’s repertoire of dramatic references, including Trilby, Lillie Langtry, Sarah Bernhardt, publicity photographs, and Pineroticism, suggests Joyce’s immersion in a late-Victorian dramatic world. After sketching these connections in detail, I show that his interest in these actresses encourages scholars to continue to question the validity of traditional periodization boundaries. I end by arguing that the appearance of these actresses in these examples of early, high, and late modernism indicates the cultural richness of the long nineteenth century for Joyce, which continues throughout modernism’s successive phases.     

Socialism and democratic strategy in Italy’s Biennio Rosso: Gramsci contra Treves

This article examines the divisions in Italian socialism between revolutionaries and reformists against the backdrop of the Biennio Rosso (1919–20), taking the writings of Antonio Gramsci and Claudio Treves respectively as characteristic of the two traditions. The central focus is on their opposing accounts of how the socialist movement should organize the masses to achieve its objectives – referred to here as its ‘democratic strategy.’ I demonstrate how the key strategic elements of Gramsci’s and Treves’s positions developed in a dialogue centered on the place that violence, (il)legality, soviets, parliaments and compromise should play in effectively mobilizing the masses for socialism. The article concludes by arguing that in retrospect Treves’s reformism has been a more successful approach, and Gramsci himself conceded something to it in his prison writings. However, I also maintain that the popular character of Gramsci’s radical democratic strategy – first fashioned in the Biennio Rosso – can still contribute to debates on socialism and social democracy today.     

Cuban Miami on the Air: Narratives of Cubanía

Radio has been a fundamental aspect of Cuban culture on and off the island since the first broadcast in Havana in 1922. When Cubans fled the island after the revolution of 1959 for the USA, particularly Miami, radio quickly became a vital medium for navigating a new country and for consolidating a Cuban exile identity. Politically, radio in Miami has been an effective means for articulating hardline exile politics. But with generational turnover and increasingly moderate stances on Cuba by more recent arrivals and US-born Cuban Americans, how is radio changing? How are narratives of what constitutes cubanía – Cubanness – shifting in an increasingly diverse Cuban Miami? This article takes up these questions through an examination of an immensely popular morning program that aired in 2009 in southern Florida called the Enrique y Joe Show. I examine how the Enrique y Joe Show, produced and performed by US-born Cuban Americans, utilized a form of irreverent Cuban humor called choteo to represent and satirize the hardline Cuban exile politics that have been dominant on Miami's radio waves for decades. Ultimately, their performances deploy choteo to articulate Cuban American identity divorced from a particular political orthodoxy. The coda reflects on changes in Miami's radio landscape since 2009.     

In search of lost selves: Aidan Higgins' Scenes from a Receding Past

This essay makes the case for a fresh evaluation of Aidan Higgins' long-neglected autobiographical novel Scenes from a Receding Past. It argues that it is most fruitfully understood as a contribution to the phenomenology of personal identity and that many of its formal idiosyncrasies, especially its deviations from the standard formula for Künstlerroman, are a direct result of its preoccupation with general concepts of selfhood rather than a concern with society, or with the artist's role. I trace the genealogy of Higgins' innovative and unique form of realism in this work, and in the novel to which it forms a prequel, Balcony of Europe, to his attempts to escape the influence of James Joyce; and using the work of, amongst others, Paul Ricoeur, demonstrate how his fiction contributes to a new understanding of the relations between narrative, memory, imagination, and consciousness.     

Violence on bodies: Space,social reproduction and intersectionality

Abstract

Social categories such as gender, race, ethnicity, caste, and class have been analyzed by feminist geographers, who collectively argue that as individuals we experience and live the effects of these social categories simultaneously. Violence as a result of living these categories is not specific to certain spaces or contexts. Nor can violence be imagined as only social – it is also political, economic and institutional. Silvia Federici’s work can assist feminist geographers in understanding how this violence plays out in various contexts. Federici's detailed archival searches and empirical analyses of bodies and reproduction show parallels with contemporary forms of direct and structural violence of the state, patriarchy, and capitalism through unequal power relations and unequal life chances. Refining the scarce scholarly acknowledgement of women (and men) who are exploitable or labeled as irrational and vulnerable, and of human and non-human populations that have been relegated to the realm of surplus and expendable bodies – explain how the organization of capital facilitates and, indeed, relies on violence. In support of this argument, the authors in this collection seek pathways within Federici’s ground-breaking works Caliban and the Witch and Revolution at Point Zero, which could enrich existing works in the discipline. The contributors reflect on how these particular books have been pivotal to feminist thought generally and their own research, analysis, and pedagogical practice specifically. Through their disparate studies the contributors have intertwined the geographies of structural, institutional, and/or state-sponsored violence with themes arising in Federici’s work.     

Las Casas and His Amerindian Nurse: Tropes of Lactation in the French Colonial Imaginary (c.1770–1815)

This article investigates Marmontel's reworking of the ancient legend of Pero and Cimone in his bestselling novel Les Incas (1777). According to an anecdote in Valerius Maximus's Memorable Doings and Sayings (c.30 CE), Pero saves her father, condemned to death by starvation, by breastfeeding him in prison. In Les Incas, it is Bartolomé de las Casas who is being cured from a fatal illness through the milk of an Amerindian princess. Jean‐Michel Moreau the Younger illustrated this lactation scene in the first edition of Marmontel's novel; his engraving inspired Louis Hersent to render the topic in oil three decades later. My article explores the ways in which French Enlightenment writers and artists employed lactation imagery to propose a utopian reform of colonial relations – the voluntary offering of America's riches to benevolent white patriarchs – at a time when the nature of government authority, paternity, maternity, race and kinship were being redefined. In 1808, Hersent's painting of ‘Las Casas Cured by Savages’ appears curiously anachronistic in the context of contemporary novels and paintings that portray colonial relationships as inundated by death and bloodshed. In Chateaubriand's Atala (1801), lactation imagery is employed to signify white men's necrophilic desire, genocide and loss.     

Expressing Islamic feminism in Mariama Bâ's So Long a Letter

This article examines the presence of a strictly Qur'anic base shaping the Islamic feminism of Ramatoulaye, the narrator and main protagonist of Mariama Bâ's francophone classic So Long a Letter (1979). I argue that the widely circulated insistence by critics and readers of Bâ's epistolary style novel on the practice of Islam in West Africa, particularly in Senegal, as a syncretic presence eagerly adapting to indigenous non-Islamic beliefs and practice, has led to an overly generalized and somewhat inaccurate perception of Islam in Africa. Through my reading of some key Islamic concepts described in Bâ's novel, such as the mirath, polygamy, prayer and sunna, I situate my reading of Ramatoulaye's expression of Islamic feminism within an African and Islamic feminist reading and further position these within the cultural context of the practice of Islam in Senegal. By her ‘strategic self-positioning’, as defined by Islamic feminist Miriam Cooke, among others, within a small group of Senegalese Muslims – locally known as ibadu Muslims – Ramatoulaye succeeds in enacting Islamic feminism in her spiritual persistence for a strict adherence to the Qur'an and in her resistance to the temptation to expand the Islamic precepts of her faith.     

Some New Vergilian Loci and Second Thoughts on Old Ones*

I. The text of Ecl. 3.100–102 is discussed and evaluated: quam is defended against quom and Cartault’s proposal [1897. Étude sur les Bucoliques de Virgile. Paris: Armand Colin] Hisce cutes – not adopted by editors and hardly visible in later apparatus critici, but recommended as worthy of attention by Heyworth [2015. “Notes on the Text and Interpretation of Vergil’s Eclogues and Georgics.” In Virgilian Studies. A Miscellany Dedicated to the Memory of Mario Geymonat [Studia Classica et Mediaevalia 10], edited by H.-C. Günther, 195–249. Nordhausen: Traugott Bautz] – is both brilliant and necessary. II. Based on grammar and context the abl. risu at Ecl. 4.60 is taken as modal: “Begin, little boy, to recognize (get to know) your mother with your smile”; then the final lines (62–63) must be restored to comply with Quintilian’s figura in numero (9.3.8) as qui risere (plural) followed by hunc “such a one” (singular); this change in number is shown to be in accordance with the use of a generalizing hic to denote quality. – III. At G. 2.22 I propose quos … vias construing reperire with two accusatives. – IV. At G. 2.266–268 I furnish parallels for similem … et as “like to” supporting Heyworth’s mutata … semina. – V. Rejecting my earlier position on A. 9.462–464 I now give a repentant vote in favour of Conte’s punctuation [2009. P. Vergilius Maro. Aeneis [Bibliotheca Teubneriana]. Berlin: De Gruyter] while at the same time adding an argument in its favour.     

Rape on the Railway: Women,Safety, and Moral Panic in Victorian Newspapers

In the Victorian press, the railway carriage was painted as a site of particular danger for women travelling alone. As a hybrid public and private space, the carriage placed strangers together in an intimate, quasi-domestic setting for which there were few established norms of behaviour. When male and female solo travellers found themselves confined together, it set the scene both for sexual assault and for false charges of assault, which the newspapers played upon; solo female travellers were depicted as either potential victims or potential Potiphar's wives. These representations were prominent in two moral panics that attempted to regulate women's movement. In this article, I examine accounts of sexual assault from the Lancet, The Times, the English Leader, and the People's Advocate from the 1860s and 1870s and consider newspaper reports as a source of erotic stimulation in a late-century pornographic novel, Raped on the Railway. I argue that the newspapers' fascination with sexual violence on trains, while connected to the weakened division between public and private spaces and an association of railway engines with virility, was primarily a response to fears about women's increasing freedom.     

“Rousers of the Rabble” in the New Mexico Land Grant War: La Alianza Federal De Mercedes and the Violence of the State

Abstract: This paper examines the patterns of state‐sponsored and state‐tolerated violence directed at a social movement organization in New Mexico known as La Alianza Federal de Mercedes during the 1960s and 1970s. Beginning in the 1960s, Alianza mobilized a broad‐based movement of Chicano activists and Hispano land grant communities to advocate the return of lands they claimed had been stolen following the Mexican American War of 1846–1848. As a result, its leaders and many of its members became targets of law enforcement surveillance programs and counterintelligence operations. In this paper I examine the patterns of surveillance and physical violence directed at Alianza members. Confronted by Alianza's challenge to racial inequality and economic injustice, the state construed Alianza as a generalized, and racialized, threat to social order that required in response the use of coercive control and physical violence.     

Translation as techné: female sexuality and the science of social progress in colonial India

Abstract

In this article, I analyze processes of translation that shaped the science of sex in eastern India between the 1880s and the 1930s. I trace the impact of translation – the rendering of words between the language of English and Bengali as well as the travel and transformation of concepts – through close textual analysis of influential Bengali-language medical and scientific textbooks on nymphomania, female sexual excesses, and the evolution of Indian society. The translation of sexual categories was a techné by which Bengali intellectuals produced categories of social behavior and identity as equivalent and homogenous. Through claims of equivalence in translation, Bengali scientists argued for the commensurability of Indian social practices with universalist schemes of social evolution and civilizational progress. This process of exchange pivoted on the figure of the sexually deviant woman, who became a key site of translation and categorical equivalence. In thinking translation through techné, I foreground how a semiotics of female sexuality produced ‘the social’ as an object of inquiry in colonial India.     

God,not Caesar: Revisiting National Socialism as ‘political religion’

This article argues that use of the concept of ‘political religion’ to describe the radicalized political movements of the twentieth century has again gained currency in recent years as a result of the collapse of the Soviet Union as well as the global upsurge of religiously inspired violence and that research with respect to religion proper – what religion is, its role in public life, its evolving reception by ‘insiders’ and ‘outsiders’ – can advance the discussion. The article subsequently offers the author's own research as evidence of the concept's applicability to the case of National Socialism. Analysis focuses, specifically, on a movement in nineteenth century Germany to develop a secular system of ethics, a project that eventually led, ironically and tragically, to the emergence of a new faith in a absolutized ‘collective will’ as the transcendent source of all moral values. The National Socialist movement subsequently co-opted this article of faith, the article argues, by transforming Hitler into a holy medium for the salvific dictates of what became, by the early 1930s, an unimpeachable ‘Volkswille.’     

Problematic Conjugations: Women’s Agency,Marriage and Domestic Violence in Indonesia

Abstract:

This paper examines women’s experience of domestic violence within marriage in Makassar, South Sulawesi. It analyses the meaning of marriage for men and women, the roles of men and women within marriage, shifts in marriage practices – particularly the shift from arranged to “love” marriage – and unequal gender positions within marriage. We discuss some salient issues in the “margins of marriage” in Indonesia: polygyny and constructions of masculinity that condone the practice of polygyny/affairs, and attitudes towards divorce, particularly for women. We then examine women’s perception of the causes and triggers of domestic violence as revealed by fieldwork data, using the lens of women’s agency. Our findings are that women perceive that their expressions of agency – for instance in challenging men’s authority, moral righteousness and adequacy as breadwinners – are the most common triggers for male violence within marriage. Finally, we discuss the difficulty for women of escaping domestic violence, thereby getting some purchase on the relative capacity of women to resist, deflect or deal with the violence.     

VERNACULAR INTELLIGENCE: COLONIAL PEDAGOGY AND THE LANGUAGE QUESTION IN MINANGKABAU

In the late 1920s the Dutch colonial government resolved to use local languages instead of Malay as the medium of instruction in indigenous schools throughout the Netherlands East Indies. In West Sumatra, this programme was launched in the academic year 1931–1932, and the government required schools to use the first series of textbooks published in the Minangkabau language – Lakēh pandai [Learn quickly], Kini lah pandai [Now I have learnt] and Dangakanlah [Listen!] – written by the Dutch linguist M.G. Emeis. This essay traces Minangkabau resistance to Emeis' works, and examines the confrontation between Dutch colonial policy and local expectations regarding the language of instruction used in the school system of West Sumatra. It also documents the philological efforts of Dutch experts to render the spoken Minangkabau language in a written romanised form, and looks at the scholarly discourse on Minangkabau language in the colonial period.