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Mark Griffiths  Jemima Repo 《对极》2020,52(4):1104-1121
This article brings women to the fore of a discussion of checkpoints in Palestine to understand better the ways that Palestinian women’s lives—even as they may not regularly cross checkpoints—are affected by Israeli security infrastructure. Drawing on fieldwork near Checkpoint 300 between Bethlehem and Jerusalem, we examine women’s lives in the context of a gendered system of permits and the nearby checkpoint that makes men’s days of labour both long and exhausting, a fact that has profound effects on the family home in terms of restricted mobilities and the division of domestic labour. The article thus builds an account of checkpoints that: (1) situates women’s everyday lives in Palestine in the context of Israel’s military occupation; (2) extends the temporality of checkpoints beyond the checkpoint itself; and, therefore, (3) enables an understanding of the effects of borders beyond the immediate space of the border.  相似文献   

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This article analyses the recollection of a Japanese ‘comfort women’ survivor published in 1975. By applying the analytical concept of gender and trauma, this study draws on the ‘politics of integrity’ theorised by Aurora Levins Morales (1998) as well as the theory of ‘coherence of the self’ proposed by Charlotte Linde (1993). The social, political and psychological analysis of her life story reveals the complexity of the politics of integrity in telling a story of trauma. It concludes how strongly her silent voice of trauma required societal acknowledgement of her sense of self to regain human integrity and dignity.  相似文献   

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In the thirteenth century, when the Kingdom of Kory?—a state ancestral to modern Korea—was threatened culturally as well as politically by Mongol invasion and domination, a leading monk of that era, Iry?n, undertook to record the folklore of the ancient period, the era of the so-called Three Kingdoms, and to compile it into a major work. This effort might now be called ‘salvage folklore’, but the way in which Iry?n conducted his research and analysed his materials suggests that he should be regarded as Korea’s first folklorist, and that his work, the Memorabilia of the Three Kingdoms, should be regarded as the earliest extant compendium of folkloric material from Korea.  相似文献   

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This paper explores the interrelations between politics and music as they appear in the ongoing debate about the rebetiko genre, within the intellectual circles of the left‐wing movement in the post‐war era. Through the analysis of the rebetika texts and biographical material, the ambivalent attitude of the Greek Left movement about the political context and the class affiliation of rebetiko are exposed. The Left saw popular music as a pedagogic means for inculcating class‐consciousness among the masses and promoting optimistic utopian images of a possible communist future. In the framework of this politically motivated consideration, the attempt of left‐wing intellectuals to interpret and evaluate the rebetiko genre led to various ambivalences and controversies within the Left movement.  相似文献   

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“The Joy of Normal Living” is at once the motto and the ideology of Kurihara Harumi, Japan’s best-known charisma housewife and icon of domesticity. This article looks at the relationship between “normal living” and the promise of happiness, as formulated in postwar Japan. Beginning with the government’s promotion, in the early postwar period, of the idea of akarui seikatsu (bright new life) as related to the typical suburban middle-class family of salaryman husband and full-time housewife, the article goes on to look at the cultural idea of “being happy as a woman” in contemporary Japan. Based on in-depth interviews with full-time housewives, and an analysis of popular women’s magazines, this article seeks to decipher what constitutes the idea of happiness for these women and for their generation.  相似文献   

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In the early stage of the Sino–Japanese War, Japan was trying hard to limit the conflict to within a scope where it could be resolved bilaterally between only the two nations involved. However, her actual behavior was in stark contrast to her wishful desire to be at peace with the United States, pushing the latter step by step instead in the direction of aiding China and thwarting Japan. Caught in a dilemma created as the United States abrogated the American–Japanese Treaty of Commerce and Navigation, and faced with the changes in the European situation, Japan’s policy makers were eventually pushed by their obsession with the “New East Asian Order” and by their yearning for the “Extended New East Asian Order” which was to include Southeast Asia, deciding to steer the Sino–Japanese War in the direction of “international resolution,” which was just an alternate route to the same goal sought by China. Subsequently, not only did Japan refuse to withdraw from China, she actually took one step further in an expansion southwards, trying to kill several birds with one stone. The war thus spilled over from China to encompass a much greater area. In this process, Japan’s diplomatic corps was often several steps ahead of the military, reflecting the carefully considered background in Japanese policymaking.  相似文献   

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This paper is based on the linguistic and cultural experiences of three francophone writers: Ahmadou Kourouma (Abidjan, Ivory Coast), Suzanne Dracius (Martinique), and Barry Jean Ancelet (Louisiana, United States). Their testimonies are discussed in the opening section. A reading of Jacques Derrida's Monolingualism of the Other; or, The Prosthesis of Origin, enables us to analyze the experiences of these three writers, “whose relation to the French language is as vexed and varied as Derrida's own Algerian inheritance” (in the words of an anonymous reviewer). It leads, in the next section, to a discussion of the impossibility of absolute monolingualism demanded by “linguistic imperialism,” the multiplicity inherent in any language, and the violence of a language which claims to be unique, while serving some ideology or power. In the last part, I address the double interdict to which Derrida believes education must respond, and the double entitlement for which it is responsible.  相似文献   

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Senuma Kayô (1875–1915) was Japan's first woman translator from Russian. She is now remembered mainly for her translations from Chekhov. This paper examines one of Kayô's early works, Mazushiki shôjo (A Poor Girl, 1904), translated from Dostoevsky's Poor Folk, which was one of the first Japanese translations of a work by Dostoevsky to be made directly from the Russian original. Kayô chose to translate only a part of Dostoevsky's work, focusing on the memoir of the character Varvara, in which her first love and its tragic end are recounted. While the central theme of Dostoevsky's work is poverty and its impact on human relationships, in Kayô's translation the central theme is Varvara's misfortune in love. In this emphasis Kayô found a “girl's story” in Dostoevsky's novel, and Mazushiki shôjo foreshadowed a new wave of Japanese girls' literature, which attracted many new female readers. Kayô's translation style is examined to see how it contributed to the development of a style appropriate to girls' story writing.  相似文献   

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Broom, L., and Jones, F. L., Opportunity and Attainment in Australia, Canberra, ANU Press, 1976.

Connell, R. W., Ruling Class, Ruling Culture, Cambridge, Cambridge University Press, 1977.

Davies, A. F., Encel, S. and Berry, M. J. (eds), Australian Society: A Sociological Introduction, third edition, Melbourne, Longman Cheshire, 1977.  相似文献   


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In the West, public space ideally serves as the open, transformative core of urban democratic society. But what role does it play in a non-Western democracy with anti-individualist, authoritarian cultural mores, such as in Japan? The author used archival research, direct observations and informal interviews, as well as reference to key insights of actor-network theory (ANT) to investigate whether or not the public spaces of a Japanese suburb are conducive to individual freedom and expression. The paper concludes that these spaces help maintain what Sugimoto (1997) calls the “friendly authoritarianism” of Japanese society.  相似文献   

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