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Authors whose scholarship is in the golden realm of English literature have not hesitated to make pronouncements on James Joyce's health. A publication in this genre claims he had tabes dorsalis. One feels that an authoritative comment, accepting or rejecting a diagnosis of neurosyphilis, should be provided by the Journal of the History of the Neurosciences.  相似文献   

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Authors whose scholarship is in the golden realm of English literature have not hesitated to make pronouncements on James Joyce’s health. A publication in this genre claims he had tabes dorsalis. One feels that an authoritative comment, accepting or rejecting a diagnosis of neurosyphilis, should be provided by the Journal of the History of the Neurosciences.  相似文献   

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This article considers the presence of three late-Victorian actresses (Mrs Patrick Campbell, Eleonora Duse, and Sarah Bernhardt) in the work of James Joyce. The first appears in Joyce’s short story ‘A Mother’ (Dubliners). The strong influence of the other two is also detectable in the characterization of Ulysses’ heroines, Gerty MacDowell and Molly Bloom, and in a seminal text of late modernism, Finnegans Wake. In ‘A Mother’, Joyce’s attention to the importance of fashion on the stage and to poor working conditions for female performers calls to mind the career of Mrs Patrick Campbell. In Ulysses, Gerty’s performance in ‘Nausicaa’ recalls the techniques of the Ibsenian actress Eleonora Duse, known especially for her blushing; I argue that, given this famous skill and Joyce’s fascination with her, Duse directly informs Gerty’s characterization. Finally, Molly Bloom’s repertoire of dramatic references, including Trilby, Lillie Langtry, Sarah Bernhardt, publicity photographs, and Pineroticism, suggests Joyce’s immersion in a late-Victorian dramatic world. After sketching these connections in detail, I show that his interest in these actresses encourages scholars to continue to question the validity of traditional periodization boundaries. I end by arguing that the appearance of these actresses in these examples of early, high, and late modernism indicates the cultural richness of the long nineteenth century for Joyce, which continues throughout modernism’s successive phases.  相似文献   

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Abstract

The Antikythera Mechanism, the world's oldest known geared mechanism, became widely known through the work of Derek Price who, concluding that its dials yielded astronomical and calendrical information, called it a 'calendar computer'. Price rightly drew attention to its importance as direct evidence for a high level of mechanical accomplishment in ancient times, but his account of the instrument itself is deficient. I have developed a new reconstruction on the basis of an independent survey of the original, drawing on my knowledge of early mechanism and of the history of craft techniques, and on my experience as a practical mechanic. This reconstruction follows the observed detail far more closely than does Price's. It displays somewhat different astronomical information, according closely with the contemporary literary evidence of interest in the making of planetaria. The main features of the new reconstruction, previously described elsewhere in a series of papers, are here brought together so as to convey a better impression of the whole. A model, made to the same scale as the original, demonstrates that the reconstruction is workable.  相似文献   

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This paper examines the reactions to the British labour unrest of 1910–1914 among the writers associated with two Edwardian periodicals, the Catholic Distributivist New Witness, and the advanced socialist New Age. Both papers were thrown into sympathy with the strikes whether through libertarianism, hatred of capitalism or the glorification of violence and struggle. This prompted theoretical discussions on the future organisation of labour in which liberty and consensus were precariously balanced, and mediated through elitism. By examining the contested and ambiguous origins of guild socialism, the paper draws tentative conclusions about its troubled legacy.  相似文献   

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The poetry of nationalism has roots in ancient literature, particularly the Hebrew Bible, but is mostly a product of nationalism since the French Revolution. Many national poets are politically active and serve in government. Asserting artistic individuality, they express national individuality, though nationalism can also suppress creativity. Calling for moral regeneration, poets inspire their people with memories of heroism, real or imagined, and with myths unique to the nation. Their poetry often springs from defeat but anticipates national liberation and independence. Yet there is also a dark side to some national poets, particularly in their glorification of violence and lust for revenge against oppressors. National poetry changed after the failed revolutions of 1848–9. National poets were less inclined to believe in liberal ideals and progress toward universal goals and there was greater disillusionment and ambiguity toward the national role. World War I severely limited the militarist tendency in national poetry.  相似文献   

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Uncertainty over Guibert's reasons for writing his autobiography, the De vita sua, has prompted attempts at psycho-historical analyses of his personality. Such studies, in particular those of Benton and Kantor, have tended to rely overheavily on over-simplified psycho-analytical models and ignore cultural, historical and religious factors. An appreciation of such factors, however, does much to improve our understanding both of Guibert's personality and his reasons for writing. On the other hand, psycho-history is not to be dismissed as a worthless aid to the writing of history. With the application of suitable safeguards, as the work of Dom Jean Leclerq has demonstrated, it can form a most useful addition to the historian's armory.  相似文献   

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