HISTORY IN THE SIKH PAST1

This article offers a reading of an early eighteenth‐century Punjabi text—Gur Sobha or “The Splendor of the Guru”—as a form of historical representation, suggesting reasons for the importance of the representation of the past as history within Sikh discursive contexts. The text in question provides an account of the life, death, and teachings of the last of the ten living Sikh Gurus or teachers, Guru Gobind Singh. The article argues that the construction of history in this text is linked to the transition of the Sikh community at the death of the last living Guru whereby authority was invested in the canonical text (granth) and community (panth). As such a particular rationale for history was produced within Sikh religious thought and intellectual production around the discursive construction of the community in relation to the past and as a continuing presence. As such, the text provides an alternative to modern European forms of historical representation, while sharing some features of the “historical” as defined in that context. The essay relates this phenomenon to a broader exploration of history in South Asian contexts, to notions of historicality that are plural, and to issues particular to the intersection of history and religion. Later texts, through the middle of the nineteenth century, are briefly considered, to provide a sense of the significance of Gur Sobha within a broader, historically and religiously constituted Sikh imagination of the past.     

3. THE QUESTION OF HISTORY IN PRECOLONIAL INDIA

This essay considers an important and enduring problem in the writing of Indian history: how do we historians approach precolonial narratives of the past? A rich and suggestive new study of South Indian modes of historiography, Textures of Time: Writing History in South India 1600–1800, by Velcheru Narayana Rao, David Shulman, and Sanjay Subrahmanyam, has positioned itself at the center of this debate. For a variety of reasons, precolonial narratives have been demoted to the status of mere information, and genres of South Indian writing have been dismissed as showing that South Indians lacked the ability to write history and indeed lacked historical consciousness. Textures of Time responds to this picture by proposing a novel historical method for locating historical sensibility in precolonial narratives of the past. The authors ask us not to judge all textual traditions in India, especially narratives of the past, on the basis of the verifiability of facts contained in them. Rather they suggest a radical openness of the text, and they argue that a historical narrative is constituted in the act of reading itself. They do this by examining the role of genre and what they call texture in precolonial South Indian writing. This essay examines the strengths and limitations of their proposal. It does so by examining the formation of colonial archives starting in the late‐eighteenth century in order to understand the predicament of history in South Asia. Colonial archives brought about a crisis in historiographical practices in India; they not only transformed texts into raw information for the historian to then reconstruct a historical narrative, they also delegitimized precolonial modes of historiography. A better understanding of these archives puts one in a better position to assess the insights of Textures of Time, but it also helps to highlight the problems in its solution. In particular, it reveals how the book continues to use modern criteria to assess premodern works, and in this way perhaps to judge them inappropriately.     

THE CONTEST OVER CONTEXT IN INTELLECTUAL HISTORY

Recent articles critical of the use of context in contextual intellectual history have identified contextual method with the post‐1960s work of the “Cambridge School,” which is regarded as being grounded in a flawed theory of textual interpretation. Focusing on German cultural and political history, this article shows that a contextual historiography was already fully developed in seventeenth‐century ecclesiastical history, and a parallel version of this approach had developed in the field of constitutional history. The modern critique of context emerged only with the appearance of dialectical philosophical history in the first decades of the nineteenth century. The article argues that rather than representing a scholarly engagement with contextual historiography, the central plank of the dialectical critique of contextualism—the notion that contextual explication of thought is insufficient because context itself has transcendental conditions—is actually a cultural‐political attack on it launched on behalf of a hostile and incommensurable academic culture.     

SCHOPENHAUER'S PHILOSOPHY OF HISTORY

Contained mostly within one brief chapter of his The World as Will and Representation, Schopenhauer's philosophy of history has long been considered either hostile or irrelevant to nineteenth‐century philosophy of history. This article argues that, on the contrary, Schopenhauer maintained what would become a widely accepted criticism of the methodological identity of historiography and the natural sciences. His criticism of Hegel's teleological historiography was more philosophically rigorous than is commonly acknowledged. And his proposal of a “genuine” historiography along the model of art became a major influence on the historiography of Burckhardt, Emerson, and Nietzsche. This article accordingly aims to restore Schopenhauer to the conversation of nineteenth‐century philosophy of history.     

TEMPORALITIES IN SOUTHEAST ASIAN HISTORIOGRAPHY

The challenge of globalizing historical theory requires that theorization be grounded in material from all parts of the world. Southeast Asia is a world region that is somewhat underrepresented in the theorization of history. The distinctive historical traditions of Southeast Asia present an opportunity to bring new insights to existing theories of history. In this article, I offer a theoretical approach to historical temporality that is grounded in close readings of texts from this region by focusing on how these texts construe temporality through choices of narrative organization. I develop a toolkit for analyzing the temporalities in historical texts from equatorial Southeast Asia (the region covering present-day Indonesia and Malaysia), which includes a precise analytical vocabulary to fully account for their diversity. This approach leads to a theoretical stance that supersedes the conceptual dichotomies of linear/cyclical time and empty/full time, in favor of a more pluralistic understanding of temporalities. The grounded theory presented in this article is not only better suited to working with Southeast Asian materials, but it can also be placed in useful dialogue with existing theories, such as the narrativist approach of Hayden White and recent theorizations of the medieval historiography of Western Europe.     

5. TIME GARDENS: HISTORICAL CONCEPTS IN MODERN HISTORIOGRAPHY

This article argues for the analysis of temporal concepts such as “age,” “century,” and “epoch,” “past,” “present,” and “future,” formed during the Enlightenment, as an approach to the study of the history of modern historiography. Starting from the basic distinction of “empty” and “embodied” time in Leibniz's and Newton's dispute of 1715 about the philosophical nature of time, it traces the episteme of the eighteenth century using the metaphor of a “time garden” for describing some basic features of enlightened historiography. Finally, the paper discusses the consequences of the increasing employment of concepts of embodied time for the future development of the historical sciences.     

MAKING HISTORY BY CONTEXTUALIZING ONESELF: AUTOBIOGRAPHY AS HISTORIOGRAPHICAL INTERVENTION

This essay argues that, in their reflection of theoretical positions, autobiographies by historians may become valid historical writings (that is, both true narratives and legitimate historical interpretations) and, as a consequence and simultaneously, privileged sources for historiographical inquiry and evidence of its evolution. At the beginning of the twentyfirst century, following the model established by Carolyn Steedman, historians such as Geoff Eley, Natalie Z. Davis, Gabrielle M. Spiegel, Dominick LaCapra, Gerda Lerner, William H. Sewell, Jr., Sheila Fitzpatrick, and John Elliott created a new form of academic life‐writing that has challenged established literary and historiographical conventions and resisted generic classification. This article aims to examine this new historical‐autobiographical genre—including the subgenre of the “autobiographical paper”—and highlights its ability to function as both history (as a retrospective account of the author's own past) and theory (as a speculative approach to historiographical questions). I propose to call these writings interventional in the sense that these historians use their autobiographies, with a more or less deliberate authorial intention, to participate, mediate, and intervene in theoretical debates by using the story of their own intellectual and academic trajectory as the source of historiography. Traditional historians’ autobiographies, including ego‐historical essays, have provided us with substantial information about the history of historiography; these new performative autobiographies help us to better understand historiography and the development of the historical discipline. Interventional historians seek not only to understand their lives but also to engage in a more complex theoretical project.     

Beyond the Border War: New Perspectives on Southern Africa's Late Cold War Conflicts

Abstract

Over the last fifteen years Karel Schoeman, Afrikaans author of well-esteemed novels, described the history of the Cape Colony during the years of the Dutch East India Company (VOC) in an ongoing series of historical studies, narratives, non-fiction, biographies and monographs. This article is an attempt to evaluate Schoeman's contribution to South African historiography: his approach and presentation, the subjects emphasised and interpretations given, and the scholarly quality and significance of his work. Characteristic of Schoeman is his ability to capture the character of the past enabling the reader to really understand it. The past is a country, far away, difficult to enter but there is a road to understanding: Verstehen, a mind open to historical sensation, listening to the voices from the past, seeing the past in its heritage. In his historical novels, Schoeman adapts history to the fictional world he creates. In his historiography, popularising scholarly knowledge with literary skills, Schoeman remains critical of many traditional stories and portraits a new, non-fiction Cape – a refreshment station for the maritime VOC empire situated halfway between Europe and Asia on African soil; a struggling colony of people of various backgrounds, poor people without history mostly; a colony full of problems, contrasts and contradictions, but also a surprising society, multiracial, multicultural, open, and full of possibilities.     

2. ON ISLAMIC TIME: RETHINKING CHRONOLOGY IN THE HISTORIOGRAPHY OF MUSLIM SOCIETIES

This article argues that the academic representation of Islamic history as a single timeline, which was established in the nineteenth century and continues to predominate to the present, is a primary issue restricting fruitful readings of Islamic historical materials. Utilizing insights in thinking about history that favor multiple temporalities, I suggest that scholars in Islamic studies can expand the possibilities of their work by paying attention to the diversity of ways in which time is conceptualized within original materials. As illustrations for the rethinking I advocate, I provide readings of the structures and literary affects of three Persian works in different genres, produced circa 1490–1540 ce . I suggest that a foundational reorientation in the field of Islamic historiography has the potential to help us break out of binds identified in the critique of orientalism provided by Edward Said and others and would lead to better ways to approach developments in Muslim societies.     

FROM REVOLUTION TO MODERNIZATION: THE PARADIGMATIC TRANSITION IN CHINESE HISTORIOGRAPHY IN THE REFORM ERA

Chinese historiography of modern China in the 1980s and 1990s underwent a paradigmatic transition: in place of the traditional revolutionary historiography that bases its analyses on Marxist methodologies and highlights rebellions and revolutions as the overarching themes in modern Chinese history, the emerging modernization paradigm builds its conceptual framework on borrowed modernization theory and foregrounds top‐down, incremental reforms as the main force propelling China's evolution to modernity. This article scrutinizes the origins of the new paradigm in the context of a burgeoning modernization discourse in reform‐era China. It further examines the fundamental divides between the two types of historiography in their respective constructions of master narratives and their different approaches to representing historical events in modern China. Behind the prevalence of the modernization paradigm in Chinese historiography is Chinese historians' unchanged commitment to serving present political needs by interpreting the past.     

THE POETICS OF ANCIENT GREEK MEMORY AND THE HISTORICAL IMPERATIVE

This book examines Greek engagements with the past as articulations of memory formulated against the contingency of chance associated with temporality. Based on a phenomenological understanding of temporality, it identifies four memorializing strategies: continuity (tradition), regularity (exemplarity), development, and acceptance of chance. This framework serves in pursuing a twofold aim: to reconstruct the literary field of memory in fifth‐century bce Greece; and to interpret Greek historiography as a memorializing mode. The key contention advanced by this approach is that acts of memory entailed an “idea of history” that was articulated not only in historiography, but also in epinician poetry, elegy, tragedy, and oratory. The book offers a rich account of poetic conventions and contexts through which each of these genres counterbalanced contingency through the use of exemplary and traditional modes of memory. This fine analysis highlights the grip of the present on the past as a significant feature of both historiographical and nonhistoriographical genres. The essay argues that this work fills a disciplinary gap by extending the reflection on memory to a new period, Greek antiquity. The retrospective positioning of this period at the outset of Western historical thought brings Grethlein's investigation to the center of debates about memory, temporality, and the meaning history. In engaging with the book's argument, the essay suggests that historiographical memory emerged in Greece not as a first‐order encounter with time, but as a second‐order encounter with forgetting. This confrontation marked a certain separation of historiography from other memorializing genres. Whereas poetic and rhetorical memories were posited against contingency, historiography sought to retrieve those aspects of the past that may otherwise have been irretrievably lost and forgotten. In doing so, it formulated the historiographical imperative as a negation of forgetting that problematized the truth‐value of memory and the very act of remembering the past.     

6. WHY WE NEED TO MOVE FROM TRUTH‐FUNCTIONALITY TO PERFORMATIVITY IN HISTORIOGRAPHY

The central challenge of the philosophy of history and historiography is to find a principled way to rank different interpretations of the past without assuming their truth in terms of correspondence. The narrativist insight of the narrative philosophy of historiography was to correctly question historical realism. It analyzed texts and showed that they cannot reflect the past as it is. However, the rejection of the truth‐functional evaluation threatens to lead to an “anything goes” approach in terms of cognitive evaluation of historiography. In any case, no adequate theory of evaluation has so far been developed, although clearly not all historiographical interpretations are acceptable. Postnarrativist philosophy of historiography suggests that any history book includes a content‐synthesizing unit, but that it is problematic to think that it is “narrative” that structures texts. It is better to think of historiography texts as presenting reasoning for views and theses about the past. Arguments for these theses should be considered not as being true but as more or less appropriate, fitting, or warranted. The historian aims to produce as highly rationally warranted and compelling a thesis of the past as possible; its rational appropriateness depends on three dimensions of cognitive evaluation: the epistemic, the rhetorical, and the discursive.     

VISION AS REVISION: RANKE AND THE BEGINNING OF MODERN HISTORY

It is widely agreed that a new conception of history was developed in the early nineteenth century: the past came to be seen in a new light, as did the way of studying the past. This article discusses the nature of this collective revision, focusing on one of its first and most important manifestations: Ranke's 1824 Geschichten der romanischen und germanischen Völker. It argues that, in Ranke's case, the driving force of the revision was religious, and that, subsequently, an understanding of the nature of Ranke's religious attitude is vital to any interpretation of his historical revision. Being aesthetic‐experiential rather than conceptual or “positive,” this religious element is reflected throughout Ranke's enterprise, in source criticism and in historical representation no less than in the conception of cause and effect in the historical process. These three levels or aspects of the historical enterprise correspond to the experience of the past, and are connected by the essence of the experience: visual perception. The highly individual character of the enterprise, its foundation in sentiments and experiences of little persuasive force that only with difficulty can be brought into language at all, explains the paradoxical nature of the Rankean heritage. On the one hand, Ranke had a great and lasting impact; on the other hand, his approach was never re‐utilized as a whole, only in its constituent parts—which, when not in the relationship Ranke had envisioned, took on a new and different character. This also suggests the difference between Ranke's revision and a new paradigm: whereas the latter is an exemplary solution providing binding regulations, the former is unrepeatable.     

POSTCOLONIALITY AND THE TWO SITES OF HISTORICITY

This essay examines the two sites of historicity, namely history‐writing and historical agency, and their interrelationship. I borrow the idea of “sites of historicity” from historian Michel‐Rolph Trouillot's Silencing the Past: Power and the Production of History (1995). For the purpose of analyzing how the relationship between the two sites changes with time and context, using Trouillot's theoretical lens, I examine the philosophies of history of Immanuel Kant and G. W. F. Hegel. By citing instances from these two philosophers, I claim that with the rise of nineteenth‐century colonialism, the two sites of historicity became discursively related in a specific way, whereby historical agency came to be predicated on history‐writing. Hence, in contrast to Kant's work, in Hegel's philosophy of history the relationship between the two sites of historicity acquired a decidedly colonialist form. As a result of this predication of historical agency on history‐writing, the alleged lack of historiography of certain cultures began to be considered as a token of their lack of political ability. The essay ends with the suggestion that the postcolonial thinkers and commentators who deal with historiography should challenge the foregoing predication, as it continues to inform contemporary thought concerning historiography.     

The New Annalistic: A Sketch of a Theory of History

This article argues for the establishment of a new, "annalistic" model of history and historical investigation. This implies a new concept of historical event: instead of being seen as an element within a historical narrative, the historical event is defined as the common reference point of many narratives that can be told about it. The annalistic model also implies a new concept of historical change: instead of being defined as the change of an "object" within a set of given historical parameters, historical change has to be perceived as the change of parameters related to a given historical object. A new concept of history follows from the annalistic model: instead of history being a metaphysical unity of space and time (the destiny of mankind, the positivist's world of facts), in which everything is linked to everything, it is instead the product of historical judgment carried out by those who design stories about their own past, present, and future. To the "annalist" a world is imaginable in which no history has existed, exists, or will exist.
The article analyzes three aspects of the concept of historical time: it demonstrates the huge variety of temporal structures in history; it argues for the foundation of the representation of historical time in linguistic concepts; and it discusses the relationship of fictionality and reality in historical discourse. Finally, the annalistic model is compared to the traditional concept of history established by historicism in the nineteenth century.     

THE ENDURING PUBLIC STRUGGLE TO CONSTRUCT,CONTROL, AND CHALLENGE HISTORICAL MEMORIES

Sumit Guha's History and Collective Memory in South Asia, 1200–2000 develops important arguments about the public significance of historical knowledge and the essential role of historians in public life. All societies need collective memories to sustain their cultural identities, as Guha shows in this wide‐ranging account of how such memories have been constructed in South Asian societies since the thirteenth century. The knowledge of historical experts is increasingly challenged or derided by contemporary social groups and political activists, who circulate their own historical narratives via new networks of communication. Political uses of historical knowledge are not new, however, as Guha shows in detailed accounts of how Hindu, Muslim, and British imperial regimes all used historical narratives to justify their own power. He also explains how other social groups challenged official historical narratives with their own popular stories about the past. This book contributes to recent work in global intellectual history by comparing similarities in the historical practices of premodern Europe and South Asia, discussing the cross‐cultural exchanges in colonial‐era institutions, and describing postcolonial challenges to European ideas. Guha thus offers an insightful analysis of how social and political forces influence and respond to the cloistered institutions that produce historical knowledge and construct collective memories. He concludes that evidence‐based historical narratives must be continually defended amid current public assaults on historical knowledge in both South Asia and the United States. More generally, Guha's book suggests the need for ongoing analysis of how public events, social conflicts, and new communication systems can reshape or discredit the work of historical experts.     

亚裔美国史学五十年:反思与展望

回顾和检讨亚裔美国史学在过去半个世纪里所走过的道路可以发现,早期亚裔美国史学中一个最突出的问题是以意识形态为主导的一元论历史观。在近30年的时间里,学者大都仅仅从"种族歧视"这一个角度去诠释历史事件,反对从其他视野去观察亚洲移民的经历。不过,最近15年来,这个领域中出现了冲破一元论历史观束缚的趋势。新一代学者提出了白人、黑人和亚裔之间三角形关系的论点,从而否定了"有色对白种"的双重种族关系理论模式。从"跨国主义"的视野观察亚裔美国史的人认为,亚洲移民实际上具有双重的民族主义和双重文化认同,从而向"同化论"、"定居者"论和"美国化"论提出了挑战。他们还发现,日本人向美国移民和日本帝国主义的海外扩张之间有着密不可分的关系。这些新动向标志着亚裔美国史学正在逐步走向成熟。     

WRITING THE NATION INTO HISTORY

This article considers the fruits of an elaborate multi‐year European Science Foundation (ESF)‐sponsored research project on the reciprocal dynamics joining nineteenth‐ and twentieth‐century historiography to the varying trajectories of European state‐formation. It reads the culminating volume in the eight‐book series sponsored by this ESF project against the wider associated discussions and the larger context of the contemporary historiography of nationalism. It seeks to draw out the defining features of the approach involved (conceptually, methodologically, intellectually, politically), while pointing to a number of the entailments and lacunae. In particular, it considers some of the attenuations and omissions resulting from the adoption of an overly institutional and “top‐down” approach to the chosen thematic of “nation and narration.”     

DAVID CARR'S THEORY OF EXPERIENCING TIMES PAST

This article is a review of David Carr's “Reflections on Temporal Perspective” in which Carr argues that present‐day historians or philosophers can experience the past, given that the past persists into the present and thus has a “presence” in contemporary life that makes it directly accessible to us. On that basis, Carr seeks to craft a phenomenological approach to history that puts experience in the place of representation and memory, rejecting thereby traditional notions of how we come to know and understand the past. Inherent in this approach is a new, and now widely shared, revision of our understanding of historical temporality, for such an experiencing of the past analytically demands a revised understanding of what “past” signifies when it is “present.” In this, Carr participates in a much broader movement in current historiography, which can be seen in the work of Frank Ankersmit, Hans Ulrich Gumbrecht, Dominick LaCapra, Ewa Domanska, Eelco Runia, and others who focus on the persistence of the past in the present, embracing a materialist rather than linguistic or narrativist approach to historical research and writing. But if history signifies change over time, what “past” in the present do we actually experience? How is it logically possible to embrace both a commitment to the notion of historical development—as Carr does—and a notion of historical perseverance so powerful that the past as such survives and can be experienced? Carr's answer to this query is that “the present point of view is somehow permanent and yet always changing, framed at each moment by a different past and future.” What makes this possible, in his view, is the reality of superimposed temporalities, an idea he illustrates in his analysis of Braudel's La Mediterranée and other works. Hence it is precisely his “reflections on temporal perspective” that enable the experience of the past.     

Hydrology and Empire: The Nile,Water Imperialism and the Partition of Africa

Why did the British march up the Nile in the 1890s? The answers to this crucial question of imperial historiography have direct relevance for narratives and theories about imperialism, in general, and the partition of Africa in the nineteenth century, in particular. They will also influence our understanding of some of the main issues in the modern history of the whole region, including state developments and resource utilisation. This article presents an alternative to dominant interpretations of the partition of Africa and the role of British Nile policies in this context. It differs from mainstream diplomatic history, which dominates this research field, in its emphasis on how geographical factors and the hydrological characteristics of the Nile influenced and framed British thinking and actions in the region. Realising the importance of such factors and the specific character of the regional water system does not imply less attention to traditional diplomatic correspondence or to the role of individual imperial entrepreneurs. The strength of this analytical approach theoretically is that it makes it possible to locate the intentions and acts of historical subjects within specific geographical contexts. Empirically, it opens up a whole new set of source material, embedding the reconstruction of the British Nile discourse in a world of Nile plans, water works and hydrological discourses.