Das türkische Exil als Geschichte von Frauen und ihr Beitrag zum Wissenschaftstransfer in die Türkei von 1933 bis 1945

When the National‐Socialists from the year 1933 forced jewish civil‐servants and professionals to leave their jobs with restrictive laws against different professional groups, among those who left the country in order do find new openings were many women. For many of them the exile meant the break up of their academic career. However, those who found a new occupation in the Turkish university reform the Turkish state started in 1933 made an important contribution to a successful project of science transfer the large group of emigrants from Germany and Austria carried out in Turkey between 1933 and 1945. The article shows how exiled German and Austrian women especially in the medical professions took part in the innovational shift of science and learning of the Turkish universities and the clinical practice in the institutions of public health.     

Design als ‘mediating interface’ Zur Zeugen‐ und Zeichenhaftigkeit des Radioapparates

Design as Mediating Interface: Historical Evidence and Symbolic Enunciation of the Radio Set. – Based on a case study on the invention of the radio station scale in the late 1920's and early 1930's, this article pleads for an interdisciplinary look at the importance of design as a mediating interface in the production‐consumption junction. In this cultural history perspective on technology, the material artifact matters both as a witness of and a sign for the symbolic meaning and appropriation of the technical object, which transgresses the functional logic of instrumental rationality. In presenting five different perspectives on design offering some alternative looks for a cultural history of technology, this theoretically inspired essay wants to sound the critical potential of a multilayered semantic approach to the radio apparatus as a prominent representation of a radical innovation in media technology.     

Wissenschaftliche Photographie als visuelle Kultur. Die Erforschung und Dokumentation von Spektren

This paper discusses facets of 19th‐century scientific photography as a visual culture. The example of spectral research and documentation is particularly well suited, because prismatically diffracted light from the sun or from luminous gases was one of the most frequently examined phenomena of that century. The results were significant not only for physics but also for analytical chemistry and astrophysics. The spectrum also served as an ideal test object for checking the effectiveness of a wide array of photochemically sensitizable surfaces to the various color regions. Scientific photography became the most important experimental technique in the infrared and ultraviolet. H. A. Rowland's spectrum charts are discussed as an example of the transition from comprehensiveness in documentation to fetishism. The discussion of the Lippmann process, one of the first methods of color photography, addresses the associated training of the eye. Issues of authenticity and the much averred ?mechanical objectivity”? are raised with regard to retouching. The overriding theme of visual science cultures leads furthermore to unanticipated interdependencies with other scientific fields, such as geography, and draws the importance of practitioners into the foreground.     

Zytoarchitektonik und Revolution ‐ Lenins Gehirn als Raum und Objekt

The investigation of Lenin's brain by the German neurobiologist Oskar Vogt from Berlin and his Russian collaborators in Moscow is one of the most exciting and simultaneously oddest chapters in the history of medicine. With the bizarre claim to be able to detect the material substrate of genius it provoked as much unrealistic expectations in the public as strong criticism by the scientific community of brain researchers. The present paper deals in a brief survey with the history of collecting and measuring the brains of famous persons in general and particularly with the historical, political and social circumstances of the performed investigation of Lenin's brain. In this connection the epistemological and technical prereqisites of architectonical brain research and its means of the topographical representation of complex histo‐anatomical and physiological differences in the brain cortex are shortly discussed. The opening of Russian archives after the socio‐economic turn of the year 1991 brought up new background facts in Lenin's pathobiography; together with the sources from German archives a rather extensive reconstruction of the historical events between Lenin's death in 1924 and the final report of the Moscow Brain Research Institute (Institute Mozga) to the Politburo of the Russian Communist Party (Bolsheviki) in 1936 is possible now.     

Dinosaurier‐Skelette als Kriegsziel: Kulturgutraubplanungen,Besatzungspolitik und die deutsche Paläontologie in Belgien im Ersten Weltkrieg

The paper deals with the unnoticed and sweeping activities of German scientists and university disciplines in the context of German occupation policy and plannings of plundering cultural assets as war pillage during the First World War. It exemplarily shows the case of palaeontologists in occupied Belgium: Their main project was the famous excavation site of skeletons of the dinosaur Iguanodon in the small town Bernissart. After a new excavation between 1915 and 1918 they planned, with the support of occupation authorities, the transportation of dinosaur skeletons into German natural history museums and collections as war pillage.     

Physik und Politik in der frühen Bundesrepublik Deutschland. Max Born,Werner Heisenberg und Pascual Jordan als politische Grenzgänger

Physics and Politics in the Early Federal Republic of Germany. Max Born, Werner Heisenberg and Pascual Jordan between Scientific and Political Discourse. – Contrasting the historiography of two major developments in 20th century German history, the creation of quantum mechanics in 1925 and the dispute on the nuclear armament of the Federal Republic of Germany in 1957, the question is raised to which extent the scientific culture was able to bridge political disagreement within the German physicists' community. A twofold story of the private and public exchange between Max Born, Werner Heisenberg and Pascual Jordan among others on the scientists' position to nuclear armament on the one hand and the writing of the history of quantum mechanics on the other hand displays different types of relating scientific work and moral responsibility. Neither politics nor science went on unaltered after the disputes between physics and politics in the early Federal Republic of Germany.