Engagement and reconstruction in critical research: negotiating urban practice,policy and theory in South Africa

In this paper we examine critical engagement in research in order to rethink and reconfigure binaries such as theorizer and practitioner and theory and practice across South and North. We argue that while we welcome the ‘moral geographies’ literature (and its ideas about ‘caring at a distance’) as a catalyst for forging more beneficial connections between South and North, we suggest this is not enough. Drawing on South African experiences of critical academic engagement in issues of urban geography, we examine moments for innovative knowledge construction that bridge theory and practice. These experiences are used to substantiate a normative argument for ‘inclusive geographies’ through critical engagement in order to break down boundaries between, for instance, theorizers and practitioners, intellectuals and activists, and South and North.     

More on the Kula: Ethnography,history, and theory

Leach, Jerry W., and Edmund Leach, eds. The Kula, New Perspectives on Massim Exchange. Cambridge: Cambridge University Press, 1983. xii + 577 pp. including plates, bibliography, index. $79.50 cloth.

Macintyre, Martha. The Kula, A Bibliography. Cambridge: Cambridge University Press, 1983. vi + 90 pp. including author index, appendix. $19.95 cloth.     

今村昌平的影像世界——以《楢山节考》、《鳗鱼》为中心

今村昌平是日本电影界颇具影响的导演之一。其影片《楢山节考》、《鳗鱼》曾相继两次荣获戛纳国际电影节金棕榈奖。在今村昌平精心营造的影像世界里,无论是他早期拍摄的作品《无止境的欲望,》还是巅峰之作《楢山节考》片中阿玲婆的“参拜楢山,”以至于《鳗鱼》片中杀人犯的“心理障碍”等镜像,无一不承载着导演对生命、人性的历史与哲学的拷问,其影像背后蕴涵着深邃的哲理命题和民族文化之精神献祭。     

Aberglasney: the theory,history and archaeology of a post-medieval landscape

Abstract

Printed and documentary sources, archaeological excavation, dendrochronology and geophysical survey are employed to investigate the history of Aberglasney, a small country house near Llandeilo, Carmarthenshire (SN 5815 2213). Traditions about its garden layout, parapet walkway, a gatehouse and a yew ‘tunnel’ are examined. Circa 1600, Bishop Anthony Rudd (1549–1614) probably built a ‘cwrt’ enclosure aligned north-south. The gatehouse belonged to this or a later house. In 1770 or later, the Dyer family rebuilt the house, probably redesigned and rewalled the entire estate layout, when an earlier farm building was converted into the parapet walkway and stock pens, in an area later known as the ‘cloistered court’. In Victorian times this feature, originally a farmyard, became a pleasure garden, part of a typical Georgian-Victorian complex including a kitchen garden, glasshouses, orchards and fishpond. A yew grove was established, most likely c. 1805, when the Philipps family began planting in a Picturesque style. Abandoned c. 1950, house and garden became dilapidated. The site is now the object of a radical development programme, involving inter alia the stabilization of all buildings fabric, and imposing 16th-/17th-century style formal gardens over the 18th-/19th-century kitchen garden and orchard.     

Recent ceramic analysis: 2. Composition,production, and theory

This is the second of two articles reviewing the burgeoning literature on recent ceramic analysis. The first (Journal of Archaeological Research, Vol. 4, No. 2, 1996) (pp. 133–163) surveyed functional and stylistic analyses and pottery origins. This article reviews compositional investigations and studies of pottery production, both of which have flourished in a period of heightened examination of specific techniques, assumptions, and concepts, such as standardization. In addition, researchers are exploring new analytical methods as well as approaches to ceramic theory. The review closes with a series of observations and critiques of current directions.     

Some Insights on the Aterian in the Libyan Sahara: Chronology, Environment, and Archaeology

The Aterian has a huge geographic extension covering all North Africa, although it was not supposed to exist in the mountain ranges of the central Sahara. Its chronological context is not yet definitively determined and it is still difficult to say whether the Aterian tools are technological, typological, functional, or chronological markers. Recent surveys and excavations at Uan Tabu and Uan Afuda, two rock-shelters located in the central Tadrart Acacus, provide the first chronological, environmental and archaeological indications on this Late Pleistocene human occupation in the area. The lack of organic matter led us to perform OSL and TL analyses on sand. L'Atérien a une énorme extension géographique qui couvre tout le Nord de l'Afrique, tandis qu'on ne pensait pas qu'il existait dans les montagnes du Sahara central. Son contexte culturel n'est pas définitivement déterminé et il est encore difficile de dire si les instruments atériens sont des indicateurs téchnologiques, typologiques, fonctionels ou culturels. Reconnaissances et fouilles récentes à Uan Tabu et Uan Afuda, deux abris situés dans l'Acacous central, fournissent les premières indications sur la chronologie, l'environnement et l'archéologie de l'Atérien dans la région. L'absence de la substance organique, nous a porté à faire des déterminations OSL et TL sur les sables.     

The world-systems perspective and archaeology: Forward into the past

This article reviews previous attempts to extend world-system theory from the modern era to prehistoric and archaeological settings. It summarizes major debates among scholars from several disciplines who are comparing the modern world-system with earlier world-systems. Special attention centers on the problems of conceptualizing world-systems, the spatial bounding of world-systems, and understandings of systemic logics.     

Military doctrine,command philosophy and the generation of fighting power: genesis and theory

Military doctrine is one of the conceptual components of war. Its raison d'être is that of a force multiplier. It enables a smaller force to take on and defeat a larger force in battle. This article's departure point is the aphorism of Sir Julian Corbett, who described doctrine as ‘the soul of warfare’. The second dimension to creating a force multiplier effect is forging doctrine with an appropriate command philosophy. The challenge for commanders is how, in unique circumstances, to formulate, disseminate and apply an appropriate doctrine and combine it with a relevant command philosophy. This can only be achieved by policy‐makers and senior commanders successfully answering the Clausewitzian question: what kind of conflict are they involved in? Once an answer has been provided, a synthesis of these two factors can be developed and applied. Doctrine has implications for all three levels of war. Tactically, doctrine does two things: first, it helps to create a tempo of operations; second, it develops a transitory quality that will produce operational effect, and ultimately facilitate the pursuit of strategic objectives. Its function is to provide both training and instruction. At the operational level instruction and understanding are critical functions. Third, at the strategic level it provides understanding and direction. Using John Gooch's six components of doctrine, it will be argued that there is a lacunae in the theory of doctrine as these components can manifest themselves in very different ways at the three levels of war. They can in turn affect the transitory quality of tactical operations. Doctrine is pivotal to success in war. Without doctrine and the appropriate command philosophy military operations cannot be successfully concluded against an active and determined foe.     

Systems theory,systems art and the computer: Ernest Edmonds interviewed by Francesca Franco

ABSTRACT

This interview with Edmonds, conducted by Franco in 2016, explores how Systems art, Systems Theory, and his personal relationships with artists such as Malcolm Hughes, Kenneth Martin and Edward Ihnatowicz influenced his art practice.     

New technologies in cultural institutions: theory,evidence and policy implications

Publicly-funded cultural institutions such as theatre companies, symphony orchestras, museums, libraries and so on are increasingly engaging with new technologies as a means of improving their operational efficiency and extending the range of ways in which they pursue their cultural missions. For example, opera companies are broadcasting performances by satellite to cinemas, and art museums are using the Internet to show virtual exhibitions. These developments have implications for funding authorities who need to update their policy approaches to encompass a range of new technological phenomena. This paper provides a framework for assessing technological innovation in cultural institutions, and discusses the ramifications of such a framework for cultural policy. The paper is illustrated using the results of a recent research project that evaluated the UK National Theatre’s NT Live experiment and the Tate Gallery’s use of a web-based exhibition as strategies to expand their audience reach.