Ophthalmoscopy in Charlotte Brontë's Villette

This essay re-examines the representation of scopic conflict and discipline in Charlotte Brontë's novel, Villette (1853), within the context of the reconfiguration of the eye during the 1850s. Villette is pioneering in its representation of an ophthalmoscopic conception of the eye, as an organ which could be looked into by medical practitioners as well as looked at. This notion of the eye was only possible after Hermann von Helmholtz's invention of the ophthalmoscope in 1850. Villette is thus one of the first literary responses to the newly visible living retina. This essay argues that in light of the novel's emphasis on a penetrable, legible eye, the critical emphasis that scholars have placed on surveillance as a disciplinary model in Villette is overstated. Visual exchanges are described not in the disembodied abstractions of panopticism, but with references to a violent lexicon derived, in part, from the novel terminology of ophthalmoscopy. The prominence of opthalmoscopy points towards a remedial narrative in which diagnosis is succeeded by surgical intervention, and ultimately the restoration of sight. M. Paul Emanuel is the principal emblem of this visual practice: a merciless autocratic ophthalmologist who brings pain but also palliation. Villette's remedial narrative is organized around three devices designed to respectively look into, perforate, and enhance the human eye: the ophthalmoscope, the stylet (an instrument used in eye-surgery), and spectacles. This analysis adopts a historicist approach to re-contextualize Brontë's imaginative depiction of optical technology and perception within the mid-century emergence of ophthalmology.     

War Trauma and Alcoholism in the Early Writings of Charlotte and Branwell Brontë

During and after the Napoleonic Wars, there was an outpouring of military-based biographical writing never before seen in British history. Over 200 military memoirs were published either as standalone entities or in periodicals such as Blackwood’s Edinburgh Magazine and The United Service Journal. As a result, the experiences of ordinary soldiers were brought to the forefront of Britain’s public consciousness. Although many of these memoirs glorified war, a number revealed the psychological damage war inflicted on the British male population and explicitly exposed the horrors of combat to a domestic readership. Furthermore, this explosion of life writing also exposed a connection between suffering and alcoholism, consolidating trauma as a post-war, national problem. The Brontës, typically recognized as canonical, Victorian authors, first participated in this military-based literary movement. This article attempts to reposition and establish two of the siblings – Charlotte and Branwell – as significant post-war commentators. By focussing on their military reading, it will become clear how they vicariously processed and reimagined war trauma and addiction through their Glass Town and Angrian sagas. Not only will this article argue that the introduction of military biography into British society generated wide-scale recognition of war trauma, despite its absence within contemporary medical discourse, but it will also argue that the young Brontës’ literature is an important historical source for understanding and re-evaluating the public response to post-war military masculinity.     

Flowers for the doctor: Pro‐natalism and abortion in Fascist Milan∗

This article explores the reasons for the failure of the Fascist attempts to raise the Italian birth rate through an examination of the pro‐natalist campaign in the great industrial and commercial city of Milan and its surrounding province. It then considers one of the specific ways in which the birth rate was kept down ‐ illegal abortion ‐ focusing in particular on the dramatic events surrounding the arrest of an illegal abortionist in the small textile town of Rho in 1928.     

Our land is our voice: First Nation heritage-making in the Tr’ondëk/Klondike

Abstract

The subsistence lifeways of the Tr’ondëk Hwëch’in, a First Nation in northwestern Canada, were radically challenged by the arrival of settler colonialism during the Klondike Gold Rush (1896–98). This Yukon First Nation has subsequently faced down a powerful array of Western heritage activities and commemorations, both local and national, designed to absorb them into modernity. Through a conscious and continuous programme of heritage-making, the citizens of the First Nation have re-asserted their territorial sovereignty and maintained and adapted their cultural identity to changing circumstances. Their heritage-making strategies are illustrated through a review of their call for a treaty, the creation of new instruments for carrying and expressing their cultural identity and their more recent programme of support for the survivors of the Canadian Government’s Indian Residential Schools.     

‘A Still Ecstasy of Freedom and Enjoyment’: Walking the City in Charlotte Brontë’s Villette

This article situates Charlotte Brontë’s writing within the context of mid-nineteenth-century discourses of gender and travel, and posits that Brontë contributes to the discursive construct of the flâneuse through her writing about women walking the city in her letters from Belgium and in the novel Villette (1853). Through a critical framework drawing together literary historicism on women in the Victorian city and mobility theories of embodied and sensory movement, the analysis reveals how Brontë foregrounds the experience of the body in her writing of women walking, and uses this as a mode through which to explore gendered discourses of mobility, and especially women’s urban walking. It argues that Brontë offers a new model of female urban spectatorship which privileges the body of the flâneuse as the prime site of knowing the city; this positively reconfigures the possibilities for autonomy and agency that urban walking affords, while at the same time making the body a site through which ambivalence about women’s mobility is expressed. The article reveals Charlotte Brontë to be a writer actively engaged with discourses of mobility and modernity that have been overlooked in her work, and situates Brontë as a significant contributor to debates about women and the city. It advances literary histories of city walking by locating Villette as a key participant within the field, and contributes to Brontë studies by revealing new perspectives on the significance of women’s travel in her works.     

‘A Just and Liberal Landlord’: Manliness,Work, and the Landed Gentleman in the Brontës’ Novels

The Brontës’ many striking depictions of landowners are rife with ambiguities, particularly as these characters are seldom presented at work in their traditional roles as landlord and magistrate. While the Victorian landed gentleman’s status was partially predicated on not having to work for money, both the new Victorian professional ideal and traditional conceptions of paternalist care affected the ways this class was viewed by middle-class commentators at mid-century. In the Brontës’ novels, traditional paternalist responsibilities are fused with aspects of the professional ideal in depictions of reformed landed gentlemen, but even this new, ideal figure is represented as unsatisfactory. In this article, I consider how landowners were written about in contemporary periodicals and how the Brontës engage with these expectations. The Irish tenant and landlord problem, which was covered extensively in the periodical press, shaped Emily Brontë’s Wuthering Heights in a profound way, as the novel serves as an important, but until now overlooked, reworking of Maria Edgeworth’s representations of landowning masculinity in Castle Rackrent (1800). The Brontës repeatedly depict landowners retreating into the domestic sphere, which I argue forms an implicit narrative challenge to this figure’s social authority. This article opens up new ground for the examination of Victorian discourse on professionalization in relation to the Brontës’ works and a consideration of the ways in which this discourse was applied to landowners both in the periodical press and the Victorian novel.     

浅析Pro／ENGINEER在塑料模具设计教学中的运用

塑料模具设计是高职模具专业主干的核心课程,在当今电脑化网络化时代,应用电脑设计是一项主要的技能,“工欲善其事必先利其器”,Pro／E软件就是当前主流的模具设计软件,但如何才能使之在教学中运用得当,本文根据自己的做法做了一个系统显浅的分析,试图得到一些好的规律和措施。     

Accounts of early Christian history in the thought of François Guizot,Benjamin Constant and Madame de Staël 1800–c.1833

This article compares different historical accounts of early Christianity written by François Guizot, Benjamin Constant and Madame de Staël and shows that they played a significant role in the construction of their ideas about religious tolerance and political liberty in ancient and modern states. In his 1812 translation of Gibbon’s Decline and Fall of the Roman Empire Guizot used his editorial footnotes to oppose Gibbon’s sceptical representation of the early Church and to assert that the development of Christianity had been crucial in condemning slavery, establishing religious toleration and fostering individual liberty. Benjamin Constant also opposed Gibbon’s representation of early Church history but he argued in his posthumously published Du polythéisme romain (1833) that the key achievement of the early Christians had been to revive the idea of individual religious sentiment against the anti-individualist Roman state. As Guizot developed his historical research in the 1820s he rejected this view and came to see the early Christians as demonstrating the inherently social nature of all religious practice. Some of these ideas were anticipated by Madame de Staël in De la littérature (1800), but all three thinkers sought to reintegrate religion into their ideas of modern liberty in ways that merit greater attention.