Observations on the Geographical Dimensions of Russia's Resource Abundance

A UK-based authority on Russia's economic geography examines the geographical dimensions of Russia's resource abundance, devoting particular attention to the spatial redistribution of resource rents generated by extraction, primary processing, and fabrication. After establishing Russia's credentials as a "resource-abundant economy," the author identifies the country's resource regions and considers their relative importance in terms of population, territory, and national economic contribution. He then considers the various dimensions (and different geographies) of resource rent, focusing on the oil and gas sector. The paper extends Gaddy and Ickes' (2005) macro-economic assessment and discusses the consequences of rent redistribution for interregional income flows as well as Russia's territorial cohesion. Journal of Economic Literature, Classification Numbers: O11, O13, O18, Q30. 5 figures, 1 table, 55 references.     

Michael Choniates,poet of love and knowledge

Abstract

This article situates an epigram by Michael Choniates on medieval Athens in the broader context of European poetry by examining Michael's use of the 'lover as idolater' and 'looking for Rome in Rome' topoi in comparison with treatments of these themes in the Italian and medieval Latin traditions. It then discusses the poem in light of Michael's engagement with Byzantine romance and liturgical verse. The author attempts to show that this poem, commonly read for its 'O! tempora, O! mores' sentiment, is a subtle and rich text that creatively deals with some of the major themes of medieval literature.     

One problem involved in translating to meaning: An example of acknowledging time and tradition

Abstract

The translation to meaning of Psalm 82 changed through time and tradition. The polytheistic world of the author of the poem was not the accepted context for understanding the psalm when it was considered as part of the Bible. Jewish and Christian readings of the same text have traditionally been quite different. Examples of various understandings of the psalm from the author's to the Reformation's are presented to demonstrate that the official meaning of the biblical text actually has been different according to the tradition in which it has been read.     

The Pepys Apocalypse (Cambridge,Magdalene College,MS Pepys 1803) and the readership of religious women

In 1405 Richard Scrope, archbishop of York, rebelled against Henry IV and was executed. He has been seen by historians as being easily led into rebelling against the king by other rebels and also as rather a fool. Although it survives in no contemporary copy, a Manifesto containing 10 charges against Henry's government was attributed to the archbishop by contemporaries. Contemporary chroniclers and historians alike have disparaged this document as having little to do with political reality and as such reflects the simple-mindedness of its author; Archbishop Scrope. This article discusses six of the charges (grouped in pairs) contained in various versions of the Manifesto that centre on Henry IV's alleged abuses of government, specifically: 1 and 2) that the king had oppressively taxed both his lay and clerical subjects; 3 and 4) that the king had replaced experienced government officials with new men who had lined their pockets and that the king had subverted the appointment to the office of sheriff; finally 5 and 6) that he subverted the selection process for knights of the shire and subverted their rights to ‘act freely’ in parliament. The article demonstrates that the archbishop's charges were not ‘naïve nonsense’ but reflected political reality and resonated with those who read them.     

Schicksalsmächte

In the first and longer part of his study (I)? the author seeks to reassess both the word‐for‐word meaning and the contextual function of the much debated line 183 nee nulla interea est inaratae gratia terrae. He sees the reason for the impasse of commentators (recently Mynors) in the fact that inaratus is wrongly taken as a negated adj. ("unploughed") whereas it makes better sense taking it as the past participle of inarare (i.e. “ploughed"). St. Ambrose may have read the line in this way. In the second part (II) the author tries to find out how the controversial nullo tantum se Mysia cultu / iactat et ipsa suas mirantur Gargara messis (I 102–103) makes sense in its context. Basing his understanding on the parallel at Aen. 6,876f. he ends up with pleading that cultus should be understood in a more general way ‐ something in the vein of “beautiful quality”;, “refined condition”;.     

Mazzini in Italian historical memory

Abstract

The essay examines the reasons for the difficult ‘reception’ of Mazzini's image in Italy. With particular reference to themes dear to Mazzini, like the role of public monuments and publications, the author explains why Mazzini's image has had a precarious hold on the collective memory of the Italian people. He goes on to offer a brief overview of the revival of Mazzinian scholarship in the last 15 years (1993–2008), underscoring how the renewed interest is related to the ongoing European and global debate on the meaning of democracy. The author concludes with a list of titles appearing since 1993 that suggest new approaches to the study of Mazzini, and that will be of use to scholars and students.     

Genealogical narrative and self-knowledge in Rousseau's Discourse on the Origin and the Foundations of Inequality among Men

SUMMARY

Why did Rousseau cast the substance of the Second Discourse in the form of a genealogy? In this essay the author attempts to work out the relation between the literary form (genealogical narrative, as the author calls it) of the Discourse's two main parts and the content. A key thesis of Rousseau's text concerns our lack of self-knowledge, indeed, our ignorance of our ignorance. The author argues that in a number of ways genealogical narrative is meant to respond to that lack. In the course of his discussion he comments on Rousseau's puzzling remarks in the Second Discourse about his expository method. Further, given the thesis that we lack self-knowledge, Rousseau owes us an account of his genesis as self-knowing genealogist. He attempts to do so in part through his narrative of the ‘illumination of Vincennes’. The author examines that narrative as well, reading it and the Discourse in light of each other. Can Rousseau resolve the problems of self-reference that the philosophical use of genealogy often leads to? The article discusses this complex metaphilosophical problem, along with views about the value of genealogical accounts, in light of recent work by Robert Guay, John Kekes, Alasdair MacIntyre, and Frederick Neuhouser, among others.     

‘Come Buy,Come Buy’: Christina Rossetti's ‘Goblin Market’ and the Cries of London

Placing Christina Rossetti's ‘Goblin Market’ (1862) within the rich context of children's London guidebooks establishes a literary tradition in which readers are counseled to be wise urban consumers. During this period of rapid industrialization, exotic foods appeared on English tables amid public fears about food adulteration. Rossetti's poem and contemporary guidebooks transmit the anxiety surrounding food selection and consumption. From Aunt Busy-Bee's New London Cries (1852) to Aunt Louisa's London Alphabet (1872), London is depicted as an urban sounding board for commercial opportunities and moral choices. Removed from agrarian sites of production, urban readers are urged to select food according to the moral character of the vendor. In Rossetti's famous poem, Lizzie's and Laura's choices are immediately relevant to readers who hearkened to similar cries shouted daily in their neighborhoods. Rossetti herself would have heard them growing up in London, and these traditional cries bear semantic and metaphoric similarities to the goblins' cries. Apart from serving as inspirations for Rossetti's work, guides to the cries are also important documents in their own right, part of the corpus of near-forgotten work penned for children to amuse them in their idle hours as well as to instruct them in proper practices of commercial enterprise and moral consumption. The child reader is invited to know London and to absorb lessons by piecing together the letters and sounds of the metropolis.     

Can Russia Compete in the Global Economy?

A noted British economist and analyst of current developments in Russia investigates that country's competitiveness in global merchandise export markets by seeking to determine its trade specialization and comparative advantage in a global context. In search of consistent trends, the author compares Russia's scores in 2000 on the Balassa Index of Revealed Comparative Advantage with those of 2004, and also for that year with a selected list of international competitors (Brazil, India, China, Turkey, and the United States) as well. He then discusses recent (through June 2006) government efforts to stimulate export growth in sectors currently underrepresented in Russia's trade profile and assesses prospects for improvement in the balance of Russia's export profile. Journal of Economic Literature, Classification Numbers: E20, F14, F40. 7 tables, 20 references, 1 appendix.     

The First Circle and the Last Man: Solzhenitsyn's Political Science

The author examines David Hume's History of England to elucidate his thoughts on the subject of education. He argues that education's ability to improve moral judgments drives Hume's interest. With this in mind, the idiosyncratic review of English literature scattered throughout Hume's History can be seen in its proper light. Finally, the author suggests History represents Hume's best effort to develop a literary style capable of improving morals.     

De Quelques présents latins

Plato and Xenophon ‐ contrary to Dover's interpretation of the Clouds ‐ provide the background to Aristophanes’ caricature of Socrates: viewed against that background, Aristophanes’ jokes in the Clouds lose their obscurity, his comedy gains on poignancy and artistic unity; Plato's and Xenophon's Socrates regains historicity.     

Medbh McGuckian's source texts and the challenge to authorial identity in “The Good Wife Taught her Daughter”

This article contends that Medbh McGuckian's “The Good Wife Taught her Daughter”, from her 2006 volume The Currach Requires No Harbours, offers an example of the poet's direct engagement with and rejection of negative commentary regarding her opaque style and incorporation of material from source texts. This article first presents a contextualising overview of the main strands of criticism of McGuckian's work. Following this, two detailed readings of this poem are offered. The first of these readings foregrounds McGuckian's challenge to the possibility of stable meaning in any linguistic act. The second reading identifies McGuckian's source texts and examines how their content and nature underline her deliberate destabilisation of identity and meaning.     

The Turkish Oedipus: National Self and Stereotype in the Work of a 1960s Greek Cartoonist 1

This article analyzes a particular type of radical political discourse in Greece—namely the articulation of stereotypes of Greek-ness and Turkish-ness in the work of Mendis Bostantzoglu, a Greek satirist and cartoonist. The author examines a poem and a sketch published in the 1960s, in which stereotypes of Greek-ness and Turkish-ness are presented and mocked. Relating their production to their specific historical context and current academic discussions in Greece on nationalism and Otherness, the author argues that the ways in which ethnic stereotypes of “self” and “other” are used to discuss political issues have more to tell about internal Greek issues (such as a critique of the government and its policies) than about Greece's foreign affairs. Such analyses, it is further argued, also lead to a greater appreciation of the complex and implicit sets of meanings negotiated by the stereotypes themselves.     

Ukraine's Geopolitical Choice, 2009

A noted specialist in international affairs and former U.S. ambassador to Ukraine reviews and analyzes the history of independent Ukraine's relations with Russia and the West following the disintegration of the Soviet Union. The author proceeds to examine the multifaceted Western position toward Kyiv as it has evolved through June 2009, paying due attention to the European Union and NATO. He then discusses the factors contributing to the volatility of Ukrainian-Russian relations following the Orange Revolution of 2004, including a range of specific concerns as well as more general Russian desires for a compliant government that would pay deference to key Russian interests. Concluding sections focus on Ukraine's future geopolitical trajectory in the run-up to the country's presidential elections in early 2010 and on internal problems (constitutional, market, and energy reform) that will command urgent attention once the political situation stabilizes and the outlines of a constructive engagement that could be pursued by the West are at hand. Journal of Economic Literature, Classification Numbers: F500, F520, P200. 1 figure, 1 table, 39 references.     

Trying to Make Sense of Catullus 67

This reading is based on the assumption that the first five lines deal with the following three members of a Veronese family: (I) the younger Balbus (nato 5 identified by viro 1 and Caecilius 9), (II) his father, the older Balbus (parenti at 1 and senex at 4), and (III) the wife of Balbus the younger seen as the main target of the poem (the marita of 6 and, paradoxically, the virgo of 19); the assumption is that virgo is a reference to the sexual incapacity of a former husband from her time in Brixia. Badian's conjecture pacta (6) is defended, and two conjectures are proposed: incestus for illius (23) and quaerendu’ vir unde (27).     

‘Becoming Beautiful in the Dance’: On the Formation of Ethical Modalities of Being in Yap,Federated States of Micronesia1

ABSTRACT This article examines how the ideals of self‐monitoring, self‐reflexivity, self‐restraint, and self‐governance, as well as assumptions pertaining to the mastery of the body, its movements, and forms of expressivity, lie at the heart of one of Yap's (Federated States of Micronesia) most important aesthetic institutions ‐ the dance. In so doing, it suggests that Yapese dancing and the forms of self‐vigilance that are associated with it can be understood as implicated in the formation of a distinctly Yapese moral modality of being. That is, Yapese dancing ‐ including its performance and appreciation ‐ plays a role in helping individuals craft particular forms of feeling, thinking, appreciating, judging, imagining, and behaving that are consonant with local understandings of the good person, the good life, and right action. A polite and agreeable exterior was maintained at all times to reveal nothing of internal mental states. Yapese frequently played games testing each other's abilities to keep their concentration and sense of restraint. Spectators at a Yapese dance who had forgotten themselves and had become enthralled by a particular dancer were singled out and reminded to chew their wad of betel (mu ko bu'), much to the delight of all present.     

Restructuring of the Polish Passenger Car Industry through Foreign Direct Investment

A U.S.-based geographer discusses the effects of foreign direct investment (FDI) in the Polish passenger car industry. The paper illustrates the magnitude of enterprise restructuring and changes in a significant economic sector. Using the case study approach, the author focuses on three of the largest foreign-owned passenger car makers in Poland: Fiat Auto Poland, Daewoo-FSO, and Opel Polska. He then considers FDI in the rest of the Polish automobile industry, noting inter alia Poland's proximity to West European markets and the country's low-cost labor. The case studies, based in part on recent interviews, discuss investment policies, enterprise restructuring, production trends, and effects of FDI in the supplier bases of car makers. Journal of Economic Literature, Classification Numbers: D20, F21, L62. 6 figures, 1 table, 76 references.     

Improvisation and Hybrid Genres: Reading Childe Harold’s Pilgrimage

ABSTRACT

In the first section I ask two questions: what sort of a poem is Childe Harold’s Pilgrimage, and what is the immediate experience of reading it in sequence? These two questions are the practical equivalents of the main terms of my title. I try to answer them by reconstructing a first reading of the poem in the light of my own experience and the imagined one of the first readers of the poem. I suggest that two terms—accretion and elimination—are helpful here and that, in some ways, the structure and sequential experiencing of the poem resemble the structures of extended nineteenth-century musical forms. In the second section, I reverse perspective and take a position at the end of the poem. From such a point, it is easier to find what the poem has included and eliminated and this, in turn, suggests the kind of poem that it is. In the third section I tackle the terms “improvisation” and “hybrid genres” directly, link them with my earlier arguments, and engage with some theorists, especially Bakhtin. In particular, I argue against the view that Childe Harold’s Pilgrimage dissolves genre but argue that genres are nevertheless “open categories.” My conclusion is less definite. I confess to difficulties that still bother me.     

The Patronage of Rembrandt's Passion Series: Art,Politics, and Princely Display at the Court of Orange in the Seventeenth Century

This article sets out a new reading of a neglected poem by Sir Robert Howard, The Duell of the Stags (1668). It places the poem in the political context of the fall of Clarendon and rise of Howard’s friend and ally the Duke of Buckingham, and of Howard’s concurrent falling-out with his brother-in-law John Dryden. It explores the influence of Thomas Hobbes’ political theory on Howard’s poem, especially refracted through Sir William Davenant’s Hobbesian epic Gondibert (1651). The author argues that Howard’s poem implicitly attacked Dryden’s mode of panegyric for the Restoration regime by offering a radically alternative reading of Hobbes, casting royal power as fragile and contingent.     

Palaeographica

In view of certain recent trends in Vergilian criticism the function of his imitation is still an open issue in at least one important respect. The author discusses some instances where critics have posited allusions running counter to the surface meaning of the text, such as Aen. 6.460 (‐ Cat. 66.39); 4–412.lb (‐Ap. Rhod. Arg. 4.445); 8.394 (‐ Lucr. 1.34); 4.149 (‐ Il. 1.46). Instead of integrating into Vergil's text an alien, sometimes even subversive, voice, it is more satisfying to understand such cases on the basis of the general hallmark of Vergilian imitatio, its ability to transform influences and assimilate even incongruous elements.