L’autobiographie allemande du XVIIIe siècle,interprétée à la lumière de la sociologie de niklas Luhmann

With the help of Luhmann’s theory, this essay tries to define the connection between the boom of autobiographical writing in the late 18th century and the rise of the middle classes. Central to this, is his definition of “career”, with which he describes the individuals’ behaviour in the new functional bourgeois society. Strictly speaking, the individual gains personal and social identity, through his or her spoken or written autobiography as can be seen clearly in Jung-Stilling’s autobiography, which was published bit by bit. The individual hereby improves its prospects of social advancement. On the other hand, K. P. Moritz in hisAnton Reiser describes his hero’s life as the “career” of a failure whose hyperactive imagination interferes with the formation of his identity. Thus autobiographical writing in the 18th century shows itself as the literary autopoiesis of the authors’ concrete individuality.     

Conversion,Autobiography and Richard Baxter’s Reliquiae Baxterianae (1696)

This article juxtaposes two of Richard Baxter’s autobiographical accounts written 5 years apart but along very different lines. In the final chapter of A Holy Commonwealth (1659), Baxter confidently asserted the rightness of Parliament’s cause in the civil wars; for Baxter, it is a strikingly optimistic, triumphalist and providentialist account. In the Reliquiae Baxterianae, which he began to write in 1664, he explicitly distanced himself from any such claims about the wars and he wrote in a more chastened fashion. The former account, and the kind of autobiography it intimates, brings Baxter’s purposes in writing the Reliquiae more clearly into focus. The article advances on recent scholarship by Kathleen Lynch while investigating the nature of autobiography. The iterations of Baxter’s autobiography demonstrate that such accounts are first a story that the author tells himself or herself. If events negate that story, it is never told.     

A Life in Progress: Motion and Emotion in the Autobiography of Robert M. La Follette

Abstract

This article is a study of La Follette's Autobiography, the autobiography of the leading Wisconsin progressive Robert M. La Follette, which was published serially in 1911 and, in book form, in 1913. Rather than focusing, as have other historians, on which parts of La Follette's account are accurate and can therefore be trusted, it explains instead why and how this major autobiography was conceived and written. The article shows that the autobiography was the product of a sustained, complex, and often fraught series of collaborations among La Follette's family, friends, and political allies, and in the process illuminates the importance of affective ties as well as political ambition and commitment in bringing the project to fruition. In the world of progressive reform, it argues, personal and political experiences were inseparable.     

Modern and Medieval Approaches to Pilgrimage,Gender and Sacred Space

This article examines both modern ethnographical, and medieval hagiographical, constructs of sacred space in the context of female pilgrimage. Beginning with an overview of the ways in which anthropological theories of sacred space and gender have informed pilgrimage scholarship over the last fifty years, it focuses in particular on two conceptual models: that which argues that spatial practices employed by cult centres served to distance women from holy places, and that which contends that accommodation was reached between the devotional aspirations of female pilgrims on the one hand, and the institutional policies of the Church on the other. In turning to the Middle Ages, the second part of the article examines narrative representations of sacred space, and reveals that the spatial challenges posed by female pilgrimage in the medieval West were addressed and mediated in hagiography in surprisingly similar ways.     

Rewriting the founder: Werden on the Ruhr and the uses of hagiography

The rich hagiographical corpus, charters and privileges of the monastery of Werden on the Ruhr allow unparalleled access to its ninth-century history. This article focuses upon three ninth-century vitae of its founding saint which delineate both the transformations which Werden underwent in the course of the century and the ways in which the monastery attempted to respond and adapt to these changes. In so doing, it illuminates the role that saintly relics and hagiography could play in the formation of Christian communities both within and beyond cloister walls.     

On the path to oblivion: The pilgrims' declining role in the St. Christopher plays of early and early modern Spain

This article examines the representation of the pilgrim in the corpus of St. Christopher dramas of early and early modern Iberia. The importance of the character's supporting role varies according to the era in which each play is written. At first, in the medieval religious dramas of the Crown of Aragon, the pilgrim not only celebrates St. Christopher's piety and anticipates his meeting with Jesus Christ, but also embodies the sanctity and devotion necessitated of pilgrimage. The pilgrims undergo a transformation in the sixteenth century as they become comic and serve as foils to the protagonist's gravity. On the seventeenth-century secular stage, the representations diverge: they begin with a traditional representation of the pilgrim, but then the figure ultimately disappears as the comedias focus on the later period of St. Christopher's life, the result of a Tridentine directive that refocused the general worship of saints and hagiographical literature.     

The Sartre–Camus Quarrel and the Fall of the French Intellectual

Over the past thirty years, the disappearance, if not the death, of the intellectual in France has been the focus of significant conversation and debate. Yet a good bit earlier, two writers who epitomized that very figure of the intellectual, Jean-Paul Sartre and Albert Camus, in works written after their bitter break, seemed to have already sensed this decline. The present essay explores what Camus's novel La Chute [The fall] and Sartre's autobiography Les Mots [The words] share thematically and, in particular, how both works anticipate the fall of the French intellectual.     

The biography of Ignatios the Deacon: a reassessment of the evidence

Abstract

The recently published critical editions of three of Ignatios the Deacon's works, his correspondence and two of his hagiographical texts, may have enhanced our familiarity with an important scholarly figure, but have apparently not established a consensus as regards his educational curriculum and ecclesiastical career. This is not surprising in view of the lack of explicit information on crucial periods of his life and the wide diversity of the literature associated with his name. However, the discussion has become all the more confused as some of Ign.'s autobiographical references have been called into question (to my mind, not reasonably) or not taken into account in their entirety. Setting aside the divergences between the biography sketched by Cyril Mango and that by myself, which mainly concern the tentative period of Ign.'s episcopate and the period he became skevophylax, a very different interpretation of Ign.'s biographical data has been offered by Georgios Makris, the editor of the Life of St. Gregory the Decapolite. And a more recent reconsideration of his biography, presented in the Berliner Prosopographie der mittelalterlichen Zeit and published in full length by Thomas Pratsch in this journal, without radically disputing the basic chronological framework of Ign.'s lifetime as proposed by Mango, has tried to rearrange the scattered pieces of his puzzling career. Several hypotheses regarding Ign.'s ecclesiastical career were also put forward by Michel Kaplan in his inquiry into Ign.'s letters dateable to his period as metropolitan of Nicaea. Finally, in his posthumously published History of Byzantine Literature, Alexander Kazhdan, demonstrating excessive skepticism, distinguished the author of the anonymously preserved correspondence from Ignatios the Deacon, as well as denied him the composition of other works that have been assigned to him. The purpose of the present note is to re-assess the biographical evidence provided in Ign.'s own work.     

Concepts of Necessity in Voltaire's Poème sur le Désastre de Lisbonne

The eleventh-century Chanson de Sainte Foy is a paradigmatic example of early Romance textuality. Composed in southwestern France and intimately tied to the saint's cult centered around the abbey at Conques, an important site on the French pilgrimage road to Santiago, the almost 600-line poem is among the earliest examples of an extended narrative poem in Romance. Nonetheless, the place of composition and the language of the text remain a controversy. Most editors and linguistic studies of the text have identified its language with the French department of the Aude, specifically around the vicinity of Narbonne, thus rejecting a more southerly Catalan locus of composition. While widely recognizing the poem's cultural matter, this article argues for a stronger Catalan presence in the language of the poem. Specifically, the author examines forms of the so-called Pyrenean definite article derived from Latin IPSE in light of contemporary dialect features of the Catalan of the Eastern Pyrenees.     

Between history and hagiography: Eadmer of Canterbury's vision of the Historia novorum in Anglia

Written between c.1093 and the end of the 1120s, Eadmer of Canterbury's Historia novorum in Anglia is one of the best-known sources for the study of Anglo-Norman political, ecclesiastical and cultural history. This article explores the identity of the text as it developed in Eadmer's own mind. While modern scholars have placed the Historia novorum within the development of English national historiography, Eadmer showed no desire for his work to be received in this way. Instead, Eadmer's Historia was profoundly influenced by his extensive experience in writing the lives and miracles of saints. The Historia novorum occupies a space between history and hagiography, which successfully redeployed Eadmer's experiences of writing the past through hagiography, in order to produce an innovative and unique example of the genre of medieval historiography.     

Chastity Models in the Legenda Aurea and in the Sermones de Sanctis of Jacobus de Voragine

Abstract

The Sermones de sanctis of Jacobus de Voragine is not an independent text but the last written link of a communicative chain that starts with the holy figurae of the Legenda aurea and is completed with a final speech from a preacher to his audience. Chastity is represented in this hagiographical material, which is closely connected to the most important saints of the Dominican calendar, through absolute models that are removed from everyday experience: these models need to be interpreted by a preacher's spoken words and to be illustrated with a choice of exempla to reach laypeople effectively.     

Constantine,Helena, Maximus: on the appropriation of Roman history in medieval Wales,c.800–1250

This article explores the ways in which the three fourth-century figures, Constantine the Great (d. 337), St Helena (d. c.330) and Magnus Maximus (d. 388), were represented in texts produced in, or connected with, medieval Wales. The texts concerned may be described as genealogical, hagiographical or literary, and were written in either Latin or Welsh between about 800 and 1250. They include, amongst others, the ninth-century Historia Brittonum, Geoffrey of Monmouth's De gestis Britonum, and the vernacular prose tale Breudwyt Maxen Wledic. It is argued that the appropriation of the fourth-century figures occurred in a more limited number of contexts than has previously been supposed. Moreover, the evidence indicates that writers responsible for composing or redacting texts about these figures were far more likely to turn to earlier written texts for information on their subjects than to any contemporary oral traditions.     

The Idea of a Good and Bad Gemeinschaft in William Bloke Modisane’s Autobiography,Blame Me on History

William Bloke Modisane, the African writer and journalist, attracted wide notice with his autobiography, Blame Me on History, which was banned in South Africa in 1963, the year in which it received its first publication. The sociologist's interest in Modisane's autobiography can be located in several basic themes (among these can be counted the problem of his cultural dilemma as a member of the African middle class), but for present purposes, we need to note only one aspect of the book which I think has been constantly ignored, namely the sociological tradition that informs the meaning of his concept of the community— Sophiatown. The name “Sophiatown” carries a profoundly important meaning in Modisane's autobiography. I will argue that in the sociological sense in which the Drum writer uses the name, he articulates the central notions of what the German sociologist Ferdinand Tönnies regards as a Gemeinschaft social order. There is a different, though related, point that needs to be made about Modisane's use of the term “community”: if we read his book carefully, we can see that it contains two different narratives about Sophiatown, a positive one which appears to have been slightly romanticised, and a negative one, which focuses on the community's darker side, showing it up to have been a Gemeinschaft in an unusual way. It is through this binary opposition that Modisane creates in his autobiography that he shows his ambiguity with regard to his Gemeinschaft community.     

BACK TO THE FUTURE: POSTNARRATIVIST HISTORIOGRAPHY AND ANALYTIC PHILOSOPHY OF HISTORY

Jouni‐Matti Kuukkanen has written an important book. It directly confronts a key theoretical dilemma that has shadowed debate in historiography for several decades: histories cannot be written without using some narrative structure or other, but epistemological evaluation cannot be applied to narratives qua narrative. Thus, if empirical inquiry takes the form of a history, then it cannot be rationally evaluable, and if rationally evaluable, empirical inquiry cannot be in the form of a history. Kuukkanen's book both directly confronts and proposes a strategy for surmounting this tired and tiresome theoretical barrier. Kuukkanen deserves great credit for attempting to reshape a long‐stalled debate in a way that enables the theoretical options to be imagined anew. Yet his structuring of the oppositional tendencies engenders some ongoing problems regarding how to understand the philosophical stakes and options. This review argues that achieving Kuukkanen's postnarrativist future requires going back to past epistemic concerns discarded because they were tied to conceptions of logic and explanation that could not be reconciled with narrative form. Kuukkanen practices postnarrativism but still preaches a prenarrativist conception of logic. To reach his promised future, to actually overcome the dilemma that he rightly seeks to transcend, one must actually have the courage of Kuukkanen's pragmatist convictions.     

The Neoconservatives and the Pope: Misreading John Paul II in George Weigel's Biographies

With the recent release of his autobiographical narrative of the composition of the papal biography, Witness to Hope, prominent Catholic neoconservative George Weigel has invited a reexamination of the presentation of John Paul II to the world by Catholic neoconservatives. In his biographies, George Weigel crafts an often misleading portrait of Pope John Paul II as the pope of American liberalism and neoconservativism. Ironically, at the same time, the story of Weigel's biographies contains the story of the rise and fall of the Catholic neoconservative movement in America.     

Laughing at a saint? Miracle and irony in the Vita Gangulfi prima

This article examines the Vita Gangulfi prima, a text which was frequently copied and widely circulated in the Middle Ages. It argues that the text can be understood as an ironic discourse on miracle stories in hagiographical texts: the central message of the Vita is that meek and penitential living leads to sanctity, and not the enjoyment of stories about miracles. At the same time, the Vita presents the reader to some extent with a performance of this idea. The reader who sees through to the Vita's ironic intent is encouraged to laugh at the saint and thereby comes to comprehend the very sin for which the various characters in the Vita are punished, while the text simultaneously depicts penitence as the way out of this sinfulness. The Vita's critique of miracle stories made an eccentric contribution to a discourse which was also carried on in a number of other hagiographical texts of the early tenth century.     

‘From Nitria to Sitria’: the construction of Peter Damian's Vita Beati Romualdi

This article examines the construction of Peter Damian's (c.1007–72) Vita Beati Romualdi (c.1042) as a piece of eleventh-century hagiography. Peter Damian was an erudite hermit, monk and reformer whose ideas on spiritual perfection helped to shape the ideals of the so-called ‘Gregorian Reform’ movement in the eleventh century. This article aims to contribute to recent historiography on the eleventh century through a re-examination of this important piece of hagiography, which has not been more thoroughly considered by medievalists since 1957 in Tabacco's critical edition. This article suggests that, through the biography of St Romuald, Peter Damian sought to promote the example of the Desert Fathers in formulating a more rigorous monastic rule, not only for his hermits at Fonte Avellana, but also for a wide monastic and lay audience. It also argues that there existed a gradual evolution in monastic ideology from the tenth century onwards, sponsored by ascetics like Damian who strove constantly to lead a more austere existence based on the Desert tradition and more particularly the Life of St Antony. In particular, the article pays attention to how Damian, as a hagiographer, was engaged in the construction of Romuald's sanctity.     

‘Heritage talks. Heritage calls’: some instances of the canonisation policy of John Paul II in Italy

During his long pontificate, John Paul II pursued a wide and carefully articulated policy of canonisations whose aim was to underwrite his magisterium by presenting hagiographical models that would convey well-defined pastoral teaching and contain both ecclesiastical and ecclesiological messages for the faithful. The high number of Italians declared blessed and/or made saints analysed in the present article is proof of the special interest the Pope showed in Italy and specifically in the sanctity of the country. The high concentration of beatifications and canonisations of hagiographical figures from Italy can be explained only in part by the canonical system, which regulates the process of canonisation and which makes it easier to open and support a cause, above all from a financial point of view, if the pressure group behind the candidate for sainthood is located near the Vatican. More precisely, what emerges is both the attempt to create a specific public image of Italy as a nation which has been a historic stronghold of Catholicism and is still capable of reacting to secularisation, and the objective of laying down more effective guidelines and robust directives for civil society. In other words, by proposing Italian hagiographical models, John Paul II was striving to mould Italy's national identity in a Christian form, conferring on the country the role of model for other European states.