On a quotation of the Skandapurāna in the Tīrthavivecanakānda of Laksmīdhara's Krtyakalpataru

Indo-Iranian Journal -     

Poetic license in the Buddhist Sanskrit Verses of the Upālipariprcchā

Indo-Iranian Journal -     

Vintages of the Sāqī-nāma: Fermenting and Blending the Cupbearer's Song in the Sixteenth Century

Drawing on a rich tradition of anacreontic poetry and taking inspiration from works by Nizāmī and Hāfiz, the sāqī-nāma or “cupbearer's song” emerged as an independent genre in the early sixteenth century and flourished throughout the Persian literary world for the next 250 years. Looking back on the development of the genre, the early seventeenth-century literary historians ‘Abd al-Nabī Qazvīnī and Awhadī Balyānī give contrasting accounts of its formation, but both agree on the significance of the work of Hakīm Partuvī Shīrāzī (d. 928/1520–21). An examination of his sāqī-nāma, together with two other early representatives of the genre by Sidqī Astarābādī (d. 952/1545) and Sharaf Jahān Qazvīnī (d. 968/1561), shows how closely this new genre was tied to the politics and ideology of the new Safavid state and reveals profound structural similarities to the preeminent panegyric genre of the Islamicate world, the qasīda. But once the basic components of the sāqī-nāmā were distilled and taken up by poets outside this socio-political environment, the genre proved to be as protean as the wine symbolism at its core. Cupbearer songs from the end of the century, particularly those of Muhammad Sūfī Māzandarānī (d. 1035/1625–26) and Sanjar Kāshānī (d. 1021/1612), show how the basic elements of the genre could be reconfigured to serve a variety of more personal interests.     

Omniscience in the Mahāyānasūtrālankāra and its commentaries

I am indebted to Charles Hallisey, Matthew Kapstein, John Keenan, and J. W. de Jong, each of whom read an earlier draft of this paper and gave me useful criticisms. I have adopted some of their suggestions, and this paper has benefited considerably therefrom. I alone am responsible for deficiencies and errors that remain.     

The Place of the Mālavikāgnimitra within Kālidāsa's oeuvre

Indo-Iranian Journal -     

A Gāthic Rite? A Critique of the Cosmological Interpretation of the Gāthās I

In the last few decades ritual interpretation of the Gāthās has replaced the biblical one as the dominant paradigm. The emphasis on the central role of ritual in the Avesta is well justified. This realization has given rise to the question of the role and meaning of ritual in the Gāthās. Marijan Molé had tried to argue that the Gāthās in fact describe and accompany a rite whose purpose was the preservation/renovation of the cosmic order. Students of the Gāthās working within the new paradigm have taken up Molé’s general frame. They have tried to show that the Gāthās, collectively or individually, is the text of a particular rite that served, among others, to preserve the cosmic order, especially the daily rise of the sun. The article questions the validity of this thesis. Its focus is on the version of the thesis we find in a number of recent publications by Jean Kellens. He tries to show that the first Gāthā (Ahunauuaitī) describes a unitary pre-dawn ritual that comprised a haoma rite and an animal sacrifice, and had cosmological and eschatological pretensions. His textual analyses and arguments are examined in some detail. The article concludes that Kellens's attempt must be deemed unsuccessful.     

Dating and provenance of glass artefacts excavated from the ancient city of Tall Zirā‛a,Jordan

Fourteen glass objects recovered from excavations at the ancient city of Tall Zirā‛a, Jordan, were analysed using laser ablation inductively coupled plasma mass spectrometry (LA-ICP-MS) to determine the period and origin of manufacture. The composition of glasses manufactured in the Late Bronze Age (LBA) and Iron Age are distinctly different, therefore major element analysis can be used to distinguish between the groups relatively easily. The LA-ICP-MS analysis provided quantitative trace element data which were used to determine the provenance of those glasses identified as LBA. This research discusses the implications of the presence of both Egyptian and Mesopotamian LBA glasses and examines the varying compositions and colour strategies employed in both the LBA and Iron Age objects. Specifically, glass in the LBA was considered to be one of the highest status items attainable, playing an instrumental role in diplomatic gift-giving. When considered with the archaeological information, the significance of these finds at Tall Zirā‛a indicates that this city was a settlement of high status, not primarily a convenient trading stop on the Transjordan route.     

Daryā-ye Nur: History and Myth of a Crown Jewel of Iran

One of the most exceptional among the world renowned historical treasures is the repository of valuables of the olden shahs of Persia found in the Jewels Museum in Tehran. The outstanding jewel among those kept there is the diamond called Daryā-ye Nur, weighing about 182 carats. The history of this stone, according to the literature on the subject, starts in seventeenth century India, in the city of Golconda. Analysis of primary sources, however, allows for the supposition that this stone may have a longer history.     

Rhetoric,Narrative, and the Remembrance of Death in ʿAttār's Mosibat-nāmeh

This paper examines the anecdotes of ?Attār’s Mosibat-nāmeh as temporal phenomena from the perspective of a reader moving progressively through the text; it is argued that that these anecdotes do not function primarily as carriers of dogmatic information, but as dynamic rhetorical performances designed to prod their audiences into recommitting to a pious mode of life. First, the article shows how the poem’s frame-tale influences a reader’s experience of the embedded anecdotes by encouraging a sequential mode of consumption and contextualizing the work’s pedagogical aims. Next, it is demonstrated that these anecdotes are bound together through formulae and lexical triggers, producing a paratactic structure reminiscent of oral homiletics. Individual anecdotes aim to unsettle readers’ ossified religious understandings, and together they offer a flexible set of heuristics for pious living. Finally, it is argued that ?Attār’s intended readers were likely familiar with the mystical principles that underlie his poems; he therefore did not use narratives to provide completely new teachings, but rather to persuade his audience to more fully embody those pious principles to which they were already committed.