The Study of Ancient Iran in the Twentieth Century

The following article discusses the development of ancient Iranian studies, namely the important philological, archaeological, religious, and historical discoveries in the twentieth century and how they have changed our views of ancient Iran and its impact on modern Iranian identity. The essay also previews the use and abuse of ancient Iranian studies by the state and their focus on the newly discovered Achaemenid Empire at the cost of Arsacid and Sasanian dynasties.     

Sanitized Modernity: Rural Public Health in Mid-Twentieth Century Khuzestan

Existing histories of public health in Iran often center on elite or urban narratives. This paper shifts the focus to Iran’s villages by examining the twentieth century public health history of rural northern Khuzestan. It argues that Khuzestani villagers desired, rather than resisted, modern medical services. However, vertical decision-making and the prioritization given by public health planners to economic concerns over social well-being led to the uneven distribution of services and failure to fulfill the expectations of Khuzestan’s villagers. This paper uses memoirs, official reports, correspondence, and other records from the Development & Resources Corporation, along with reports from Iran’s Ministry of Education and Ministry of Health, to bring a richer picture of Iranian villagers’ twentieth century history into focus.     

The Formative Years of Anglo‐Iranian Relations (1907–1953): Colonial Scramble for Iran and Its Political Legacy

As the title largely illustrates, this study seeks to investigate, from a diplomatic‐history and geostrategic perspective, the key developments in Anglo‐Iranian relations during what may best be dubbed their “formative years,” ranging from 1907 to 1953. Having thus provided a glimpse into pre‐twentieth‐century Persian–British relations, it moves to analyze the division of Persia into two spheres of influence between Great Britain and Tsarist Russia in 1907, the Anglo‐Iranian agreement of 1919, the English control of Iranian oil during the first half of the twentieth century and the nationalist struggle against it, and finally the 1953 coup d'état orchestrated by the United Kingdom and the United States against the democratic government of Mohammad Mosaddeq, which managed to topple him and bring Mohammad Reza Shah Pahlavi to power. While the article focuses mainly on the complex history of Anglo‐Iranian relationship, it strives to shed light on the implications of such a history for future bilateral relations, its impact on the contemporary Iranian perception of the British, and finally the cultural‐political legacy it has left behind in Iran. The study follows a chronological order and draws on a range of English and Persian sources in trying to fulfill its task.     

Maps,Mapping, Modernity: Art and Cartography in the Twentieth Century

While the history of cartography has freed itself from debilitating debates over the scientific and artistic status of maps, considerations of the relationship between art and cartography have continued to focus largely on pre‐modern maps, avoiding critical examination of twentieth‐century art and science in cartography and leaving intact the impression that these followed distinct paths in the modern period. In this paper, however, I have drawn on theoretical work in Science Studies and taken account of modern art's separation from aesthetics to suggest that an examination of art and cartography in the twentieth century should focus on mapping practices rather than on maps as such. A summary overview of modern‐art movements and selected works indicates a continued, if critical, engagement of avant‐garde artists with cartography, and the examination of more popular newspaper artwork produced in the context of the intensely modern visual culture of mid‐twentieth century Los Angeles indicates a similarly close connection between modernity, art and cartography.     

Patron and Patriot: Dinshah J. Irani and the Revival of Indo-Iranian Culture

This article examines the life and work of Dinshah Irani, a prominent Parsi scholar, lawyer and philanthropist who was a key intellectual intermediary between the Parsi community of Bombay and the intellectual community of Iranian nationalists during the 1920s and 1930s. The article details the role played by Irani in patronizing the publication of Zoroastrian-themed printed works in Bombay that were intended for export to the reading market in Iran. By focusing on the life and work of Dinshah Irani, the article details the important role the Parsi community of Bombay played in the revival of Iranian antiquity during the early twentieth century. The article also highlights the transnational cultural and intellectual history of Iranian nationalism during the Reza Shah period.     

Studies of Chiang Kai‐shek by mainland scholars since the 1980s

Chiang Kai‐shek was one of the most influential leaders of twentieth‐century China. Since the 1980s, perceptions of Chiang in mainland academic circles have been continually sharpened. As an important subject of research for the history of modern China, Chiang has increasingly emerged from the shadows as a real figure. The extent to which scholars can make an in‐depth, objective and comprehensive study of Chiang will have a direct relationship to the progress made in the study of the history of the Republic of China, the Chinese revolution, and modern and contemporary China. It will also determine the depth of our understanding of many important issues both past and present. Armed with a broader knowledge of Chiang and modern Chinese history, scholars and historians now face the larger challenge of setting the new image of Chiang in the context of the development of modern China.     

Promoting the Advancement of Women: Baha'i Schools for Girls in Iran, 1909–35

In the early twentieth century, Iranian Baha'is were at the forefront of efforts to promote modern schooling for girls in Iran. Using previously untapped published primary sources and archival records, this article examines the history of the Baha'i schools for girls in the context of modern schooling of Iranian girls and assesses their contribution to female education in Iran. This contribution was significant and all the more remarkable considering the Iranian Baha'is’ numbers and resources and the restrictions under which they operated. Most notably, in the spring of 1933, less than two years before the forced closure of Baha'i schools by the Pahlavi state, 4 percent of all females in Iran's accredited schools were enrolled in Baha'i schools. The Baha'i community's most prestigious school, Tarbīyat-i banāt in Tehran, was by this time Iran's largest girls’ school. Outside Tehran, in some localities, the only girls’ schools were run by Baha'is, and in others a significant portion of all female pupils were enrolled in Baha'i schools.     

Iranian Studies in the United Kingdom in the Twentieth Century

This essay provides a general introductory survey of Iranian and Iran-related studies in the United Kingdom in the twentieth century (including languages, literature, and the arts), with a very brief preliminary foray into earlier Iran-related scholarship and wide-ranging imaginations of Iran in Britain and Ireland, as well as some concluding remarks on contemporary knowledge production about Britain in Iran. Among other themes covered in the essay are the varied contributions of non-Britons and non-Irish to Iran-related scholarship and imaginations in the United Kingdom, underscoring the overall transnational production, dissemination, reception, and utilization of knowledge (history, geography, archaeology, cultures, ethnography and anthropology, art and architecture, Iran-related Persian-language literatures and poetry, etc.). In particular, the essay highlights the contributions made by individuals from, and institutions in, the Indian subcontinent to “British” scholarship and knowledge about Iran.     

Issues and Paradoxes in the Development of Iranian National Cinema: An Overview

Contemporary Iranian cinema has enjoyed wide success on the international scene—winning awards at film festivals, receiving praise by critics, and being screened in many countries around the world. But this success has another side to it: at home in Iran, the movie theater attendance is in decline and a range of players, including individuals, policymakers and government entities continue to meddle in shaping its future. Throughout the twentieth century and during the two decades of post-revolutionary successes abroad, Iranian cinema developed its own unique style and aesthetic. A cinema which was sometimes nurtured and financially encouraged by the government, yet at other times censored or banned by it. This paper provides a brief survey of the history of Iranian cinema since the 1900s in order to reveal the paradoxical issues both propelling and bedeviling its development and the role of principal actors involved in fashioning an Iranian national cinema.     

Rethinking Idris-i Bidlisi: An Iranian Bureaucrat and Historian between the Shah and the Sultan

A bureaucrat and historian of Iranian origin, Idris-i Bidlisi (b. Ray/Iran 1457–d. Istanbul 1520), is undoubtedly one of the most original and important intellectual figures in the Ottoman?Iranian borderland in the sixteenth century. He lived in a very turbulent period and established different relationships with Iranian and Ottoman dynasties at the end of the fifteenth century and at the beginning of the sixteenth century. He and his works have been the focus of long-standing historical debates in Turkey that have continued to the present day. Until now, most modern scholarly works on Bidlisi have failed to provide a proper, in-depth textual and historical analysis. As a result, such modern works have come to present a skewed, romanticized image of Bidlisi, largely detached from the nature and dynamics of the historical context in which Bidlisi lived and evolved as an intellectual and writer. This paper provides a realistic appraisal of Bidlisi and discusses the shortcomings of modern historiography on him. By looking at Bidlisi and his corpus, and more specifically at the ways in which the latter was shaped by Bidlisi’s patronage relationships, the paper aims to open up a window into Bidlisi’s evolving mindset and worldview. In other words, through an in-depth analysis of his corpus and new archival sources the paper strives to unveil the intellectual life and career of an Iranian bureaucrat and historian positioned between Ottoman?Iranian borderland and provide a glimpse into the nature of patronage in the sixteenth century.     

Re-establishment of Achaemenid History and its Development in the Nineteenth and Twentieth Centuries

Iranians were aware of Sasanian history through traditional historical writings, but they knew nothing about Achaemenid history. Following European travelers to Persia from the fifteenth century, who were well prepared by reading the classical and biblical texts, Persepolis and Pasargadae were rediscovered and Achaemenid history re-established in the nineteenth century. The rise of Reza Khan to power and his grand emphasis on nationalism and ancient Iran that characterized his reign also left a deeper impact on Achaemenid studies in this period. In this paper the re-establishment of Achaemenid history and its development in nineteenth and twentieth centuries are discussed and reviewed.     

The Birth and Growth of a Polynesian Women's Exchange Network

Based on ethnographic interviews and historical research, this article describes the birth and growth of a commoner women's exchange network in the Kingdom of Tonga during the twentieth century. The network developed during the first two decades of the century along with other late colonial institutions in Tonga that have been called ‘the compromise culture’. The exchange institution started with the inter-island exchange of women's prestige wealth within Tonga; the network soon expanded to incorporate Fijian and Samoan women's groups, to include western commodities and cash and, in the 1980s and 1990s, to involve Tongan migrants who are resident overseas. The detailed history of the women's exchange network over eight decades recounts an important slice of commoner women's life stories and memories. At the same time, as an account of a compromise institution, the history of the exchange network offers a window on the process of change in the twentieth century. It demonstrates the deeply conservative nature of seemingly radical institutional changes in Tonga, the increasing difficulties over time in trying to isolate ‘western’; and ‘traditional’; forces, and the profound transformations of Tongan life now underway.     

Modernity East and West: Melodrama and yanqing in Shanghai’s popular culture*

The rise of the melodrama as a literary and theatrical genre appears to have had a co-relation with the rise of industrial cities in modern times around the globe from Europe, North America, to East Asia. In China, this phenomenon manifested itself in the yanqing (lit. speaking of feelings) genre that dominated the popular culture scene in Shanghai in the most part of the twentieth century. While the yanqing genre was an expression of particular Chinese modern experiences, it also provided a channel for these local experiences to partake in and enrich a global experience of modernity. This study shows how yanqing arts helped ordinary Shanghai residents deal with changing patterns of gender, love, and family relations in the fast-growing and modernizing city. Through such re-examination of the yanqing culture this study tries to shed new light on some important questions in modern Chinese history and help correct traditional elite views of this history.     

Public debt and financial crises in the twentieth century

The costs of wars have been the main driver of public debt in the Western World during the modern era. The late twentieth century stands out as a period that saw a pronounced increase of government debt to GDP ratios in peacetime. This paper assesses the role that financial crises have played in shaping the public debt trajectory in the twentieth century. Focusing on the experiences of 14 industrial economies, I show that financial crises have long and lasting effects on public finances. I provide evidence that the costs of financial crises have increased strongly in the second half of the twentieth century and that the costs of financial crises grow with the size of the financial sector. In many countries, the rising costs incurred from stabilizing the economy after financial crises were an important cause of the peacetime surge of public debt ratios in the late twentieth century. In today's highly financialized economies, financial crises have become a key risk for public finances.     

从村童到学术大师:韩儒林评传

20世纪的中国史学有两大流派,即实证主义史学和马克思主义史学。韩儒林先生是一位掌握实证史学方法、努力用马克思主义观点解释历史现象的史学家。他在元史和边疆史地研究方面取得了丰硕成就,成为一代学术大师。     

Excavating Zarathustra: Ernst Herzfeld's Archaeological History of Iran

This article analyzes the work of the German archaeologist Ernst Herzfeld (1879–1948) and its influence on the writing of Iranian national history in the 1920s and 1930s. Herzfeld's life and work illuminates the relationship between Germany and Iran and between orientalist scholarship and nationalist history in the first half of the twentieth century. Through the method of what he called “archaeological history,” Herzfeld wrote an interdisciplinary history of Iran and its Aryan foundations that contested the assumptions of decades of European orientalist scholarship.     

HISTORICAL TELEOLOGY: THE GRAND ILLUSION

The sixteen essays in this volume treat a broad array of topics related to the idea of teleology in history. The majority are not concerned with evaluating or even analyzing arguments for or against the teleological view of history. Their purpose is more to display the wide variety of teleological views. In their introduction, the editors speak of the Enlightenment origins of the teleological view of history, but the volume “seeks to explore that enlightened project … across its fragmentation and multiplication in the nineteenth century” (13). In fact, they believe that “the very idea that a single, however powerful, conception of time could function as the unifying principle of all modern historicity is cast in doubt. Our volume intends to expand on this doubt” (14). Thus, in addition to discussions of Kant, Hegel, Marx, Darwin, and so on, we learn about the Canudos revolt in Brazil, the Taiping rebellion in China, missionary writings in colonial India, John Brown, Scholem on Zionism, and much more. But this often fascinating profusion of microhistorical research suffers from considerable conceptual confusion. Terms like teleology, eschatology, providence, and messianism are not adequately distinguished. In my essay I point out that the teleological view of history does not date from the Enlightenment but is part of the religious tradition of the West. Many nineteenth‐ and twentieth‐century versions discussed here simply continue or adapt these religious views. The puzzling question is why those modern thinkers who question or reject the idea of divine providence continue to think in teleological terms about history. This question, which could have served as an organizing principle for these essays, is for the most part not even addressed.     

Structural,Visual, or Iconic: Transmutations of Wooden Brackets in Modern China

Together with pillars and roof, the bracket set is one of the most fundamental structural components of traditional timber-frame architecture in China. Not only structurally indispensable, it was also emblematic of specific building styles developed through history. Entering the modern era, however, its architectural validity was overturned by the use of modern technology and building materials, rendering brackets merely a visual and decorative motif. This paper contends that it was precisely when the bracket set lost its structural significance that it began to be discussed in ways that endowed it with layers of cultural meaning in the context of modern China. Examining its modern appropriations in materials other than wood throughout the twentieth century, the paper explores shifting meanings of brackets in their continuous transmutations from a reminder of a defunct component in the building tradition to a nostalgic sign for an irretrievable architectural past.     

Oral history studies in contemporary China

The rise of oral history is a new trend in historical studies in China that began in the late twentieth century. This promising tendency has so far achieved important results in two areas: theoretical exploration and oral interviews. This article proposes the theory of oral history’s four realities and three curtains and by so doing preliminarily clarifies the relations among historical memories, historical narratives, and the authenticity of oral history. These theories represent the current understanding of the discipline of contemporary Chinese history in regard to the core questions of oral history. Oral history in China has currently reached a new phase of self-conscious disciplinary construction and has the following tentative plans: to strengthen the study of basic theories and methods of oral history; to intensify the training of talented scholars and to establish a professional group of oral historians; to promote the general implementation of oral history projects; to create new oral history websites and academic journals, and to prepare for the establishment of oral history archives in China.     

What He Thought…What He Did: An Archaeological Study of the Persian Gulf Coasts Colonial Sites of Sheikh Khazal Khan in the Early Twentieth Century

Iranian colonial sites on Persian Gulf coasts include eighteenth-century Portuguese fortresses and graveyards on the islands of Hormoz and Qeshm and twentieth-century British colonial missions in southern Iran and Kuwait. Sheikh Khazal Khan, an Iranian Arab, who lived in the early twentieth century, ruled Khuzestan and counseled the governors of Kuwait. He also apparently worked as Great Britain’s political dependent in the region at least from 1890s. He constructed five palaces on the shores of southwestern Iran and two in Kuwait. The author excavated these sites in 2008. Khazal’s identity is a problematic subject in contemporary Iranian history. He is judged variously as a spy (for most Iranians) and as a hero (for Pan-Arabs). Introducing Khazal Khan’s Persian Gulf coastal architectural data, this essay explains the context in which these colonial architectural units were constructed. The patterns of this colonial process are used to interpret Khazal’s identity, based on the material culture of the era.