Military morality transformed: weapons and soldiers on the nineteenth-century battlefield

The increased lethality of nineteenth-century “arms of precision” caused military formations to disperse in combat, transforming the ordinary soldier from a near automaton, drilled to deliver random fire under close supervision, into a moral agent who exercised a degree of choice about where, when, and how to fire his weapon. The emerging autonomy of the soldier became a central theme in contemporary tactical debates, which struggled to reconcile the desire for discipline with the individual initiative necessary on the battlefield. This tactical conundrum offers revealing insights about human aggression and mass violence. Its dark legacy was the propagation of military values into civilian society, thus paving the way for the political soldiers of the twentieth century.     

Interpreting the Enlightenment

This article addresses a number of issues relevant to the interpretation of the Enlightenment raised by Jonathan Israel in his recent book, Enlightenment Contested. After a brief summary of the main points of the book it considers whether, as Israel claims, the core of the Enlightenment is a materialist monist metaphysic first fully articulated by Spinoza, and whether it is convincing to make materialism and atheism the main criteria of Enlightenment thought. The argument that Spinoza and Pierre Bayle should be seen as co-founders of the Enlightenment is also examined. The article further questions the cogency of the sharp distinction drawn between the moderate and radical wings of the movement, and seeks to determine whether the model of radicalism used by Israel has the consistency ascribed to it, whether it was as widely disseminated as claimed, and whether thinkers described as radical argued and wrote as Israel's model of radicalism would lead us to expect.     

Landowners and urban development: the Ramsden Estate and nineteenth-century Huddersfield

Decisions taken by a dominant landowner had different effects at different times on the changing housing market in Huddersfield. During the early stages of urban growth the Ramsden Estate held a virtual monopoly in land, but failed to exercise its power to control building. Corruption by local agents led to the establishment of tenancy at will, an unusual system of land tenure, which encouraged the development of a very small-scale building industry. Changes in ownership in the 1840s were followed by stiff measures to control the character of building including the prohibition of back-to-back houses. By the second half of the century, competition between landowners increased and the Ramsden Estate was unable to attract large numbers of builders, forcing it eventually to provide land on terms they dictated.     

Azaria's antecedents: stereotyping infanticide in late nineteenth-century Australia

Recent historical studies have reconsidered the plight of white women accused of infanticide in Australia, casting new light especially on the motives of single women and mothers of large families. Still unredeemed and largely unanalysed, however, is the baby-farmer. This article explores stereotypes of this bête noire of the nineteenth-century city, addressing concurrent medicalisation of the maternal body, child-birth, infant feeding and foster care. In so doing it also analyses representations of the midwife and the wet-nurse, along with their essentialised opposite, the good mother, who abided by the newly defined "rights of the child".     

The origins of the entertainment industry: the operetta in late nineteenth-century Italy

Abstract

How does a new successful musical genre impose itself, define its audiences and repertoires and eventually replace older genres? The essay examines the case of operetta from its French origins to the specific diffusion in the Italian entertainment system. Here the popularity of the ‘little opera’ coming from France and later from Vienna grew along with a new system of theaters, politeama and café chantants. They were run by a new generation of entrepreneurs and publishers such as Sonzogno, interested in diffuse new forms of musical leisure. The rising of the Italian operetta found strong resistance from the traditional opera world at the turn of the nineteenth century, when the distinction between artistic music and music as entertainment was being consolidated and we can find a sort of passing of the baton between opera and operetta as the major popular musical genre.     

News wire services in the nineteenth-century United States

News wire services were established in the United States in the mid-nineteenth century to gather and distribute news for local newspapers, using the new technology of the telegraph. With that early beginning in the era of electronic communication, the expansion of news wire services spans the change from a society of local communities to a more nationally integrated society. This paper assesses the importanceof changes in the medium's spatial organization which promoted national culture. The first wire services were local, ad hoc groups, organized to achieve greater efficiency in news-gathering. Formal services were first organized on a local basis, but in 1848 they began to sell news to the major urbanized portions of the United States. As the nation grew, the desire for greater efficiency conflicted with the desire for greater autonomy. Regional wire services persisted from the 1860s to the 1880s but after the 1880s, a tenuous national organization was achieved, cementing itself into a national system after the turn of the century. Efficiency in news collection was the primary reason for the increasing scale of news collecting groups. Each step toward larger spatial coverage, fed the growth of a complex interdependent urban system.     

Light tries the expert eye: the introduction of photography in nineteenth-century macroscopic neuroanatomy

It is often argued that photography's scientific inauguration meaningfully coincided with a shift towards the ideal of mechanical objectivity. Values of disinterestedness and precision were readily attributed to photography and were cherished by the emerging field of neurology as well. However, after the publication of the first neuroanatomical atlas to contain photographs, Jules Bernard Luys' Iconographie Photographique des Centres Nerveux (1873), the use of photography in macroscopic neuroanatomy remained rare. The present article sketches this largely overlooked terrain of investigation and will expand on why in macroscopical neuroanatomy photography failed to offer a satisfactory alternative to drawing or engraving.