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1.
This article situates Australian Elizabeth Reid’s contribution to International Women’s Year (IWY) (1975) within ongoing historiographical discussions on development and human rights. The world’s first advisor on women’s affairs to a head of government, Reid used the burgeoning Women’s Liberation Movement’s critique of ‘sexism’ to challenge IWY’s goals of formal equality, a limited and undesirable outcomes that prevented women and men from instead becoming ‘more human’. These ideas were then used to challenge the dominance of economic development over individual and collective rights at the 1975 Mexico City conference, placing Reid as a participant in the 1970s human rights ‘breakthrough’.  相似文献   

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Research on asylum-seeking children tends to disregard those in parental care. In particular, little is known about children’s own perspectives. Based on ethnographic fieldwork in Sweden, this article explores the ways in which accompanied children experience and seek to overcome challenges posed by asylum reception. The focus is on children’s ambition and ability to form their everyday life, given their ambiguous position of tentative emplacement. Theoretical inspiration is sought in Ortner’s ‘agency of personal projects’ and de Certeau’s concept of ‘tactics’, analysed through the prism of liminality. The study found that while some tactics aimed at avoiding situations and settings that made children uncomfortable, others involved influencing their situation through pursuing ‘personal projects’. Many children’s strivings were directed at creating ‘a normal life’ and a place for themselves in Swedish society. The findings challenge the idea that accompanied children are more protected from difficulties and responsibilities than those seeking asylum alone.  相似文献   

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This article argues that China’s approach to Afghanistan since the end of the Cold War has been shaped by the desire both for security in Xinjiang and for geopolitical advantage in Central Asia. While Beijing’s Xinjiang calculus was ascendant from 1991 to 2001, since 2001 a broader geopolitical calculus has emerged. This latter factor has been encapsulated in President Xi Jinping’s ‘One Belt, One Road’ strategy, which, at its core, is an outgrowth of Beijing’s decades-long agenda to integrate Xinjiang and utilise this region’s unique geopolitical position to facilitate a China-centric Eurasian geo-economic system. While China’s Xinjiang calculus determines that it shares an interest with the USA in combating radical Islamism in Afghanistan (and Central Asia more broadly), the geopolitical calculus of the ‘One Belt, One Road’ strategy points to a fundamental incompatibility between US and Chinese interests.  相似文献   

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In the debate about Michael Oakeshott’s philosophy there is very little agreement on the theoretical and historical meaning of his skepticism. Starting from the assumption that skepticism is not a fixed theory but a tradition of ideas, this article draws on both published texts and archival materials to contend that Oakeshott developed his thought by confronting himself with, and even merging, different strands of skepticism: the ancient, the modern, as represented by Hobbes and Montaigne, and the idealist, as conceived by F. H. Bradley. The article firstly shows Oakeshott’s awareness of ancient skepticism, even though its impact on his thought is contested and controversial. With regard to modern skepticism, it looks at how Oakeshott defines Hobbes’s skepticism in his “Introduction to Leviathan.” It also examines the relevance of Montaigne to Oakeshott’s image of conversation, his idea of human agency and conception of politics. Finally, the article illustrates the influence of Bradley’s skepticism on Oakeshott’s conception of philosophy and reveals the consistency between Oakeshott’s skepticism and idealism. What emerges is a complex picture, in which Oakeshott’s skepticism is a constellation of elements taken from a variety of sources.  相似文献   

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ABSTRACT

The idea of adequately ‘representing’ violence was an important point of discussion amongst Resistance artists and intellectuals at the time of the French Occupation. In particular, intellectual resistant Jean Paulhan had written on the subject in his text introducing Jean Fautrier’s retrospective exhibition of November and December 1943 in occupied Paris, ‘Fautrier the Enraged’. While the thematic of the exhibition proposed an academic and traditional subject matter, Paulhan demonstrated that Fautrier’s typically matierist and anti-naturalistic approach was instrumental in ‘suggesting reality’. Fautrier’s individual creative process, Paulhan argued, led to a transparent experience to be shared between viewer and artist not only on an aesthetic level, but also from a political point of view. At the time of ‘Fautrier the Enraged”s writing, Paulhan had indeed been concerned with issues of political engagement, as is evident from his essay ‘The Flowers of Tarbes or Terror in Literature’ (1941), which reflects upon the human condition and is concerned with reconciling poetry, politics and ethics. The author believes that such questions were being addressed in Paulhan’s text on Fautrier and by Fautrier’s art and that an aesthetic reading of Paulhan’s text is inseparable from a political interpretation of Fautrier’s art within the context of the Occupation. Indeed, the aesthetic criteria used in Paulhan’s text as framework to his argument were then loaded with political meaning. For instance, Paulhan considered virtuosity as an essential artistic characteristic to be opposed to the art of imitation based on the technical ability to observe and simulate ‘nature’ as imposed by the occupants. With excerpts from Paulhan’s essay and exchange of letters with Fautrier as well as visual analysis of some of the artworks presented in the exhibition, this paper deals with the wider issues of ‘representation’ in the historical and cultural context of the Second World War in France.  相似文献   

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This paper discusses children’s independence as a conceptual framework for exploring how independence in children’s everyday life relates to learning in the Finnish context. The framework is articulated using the conduct of everyday life as a theoretical base and focuses on the sociocultural aspects of informal daily life such as periods when children are at home without direct adult supervision as potentially important learning environments. Independence is also linked to discourses on educational success, self-regulated learning and children’s independent mobility. Discussion is supported by results from a survey conducted in Finland exploring parental perceptions of their children’s level of independence and children’s spatial movement and routines. The conceptual arguments made and preliminary findings summarized point to children’s independence in the conduct of everyday life as an additional factor to consider when exploring the impact of sociocultural factors on the development of self-regulated learners.  相似文献   

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ABSTRACT

Whaling has been a consistent theme in Australia’s relations with Japan since the 1930s, Australia having endeavoured to regulate, restrict, or bring to a complete halt Japan’s Antarctic whaling virtually since it began. Australia’s motivations have been mixed, involving at various points, some combination of protection of Australia’s coastal whaling industry, concern for Australia’s security, for safeguarding Australia’s Antarctic territorial claim, and more recently, concern for Australia’s whale-watching industry and/or for the whales. Since environmental consciousness became a primary factor in the 1970s, Australian policy has been aligned with that of anti-whaling non-governmental organizations (NGOs), albeit that certain actions of NGOs have caused difficulties for the Australian Government. Law – inclusive of legal argument in the course of diplomacy, domestic laws, and international litigation – has been a mechanism of influence used by the Australian Government and NGOs. This paper traces Australia’s legal opposition from its beginnings until Japan’s announcement in December 2018 that it would end Antarctic whaling.  相似文献   

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This article examines E.H. Gombrich’s critical appraisal of Arnold Hauser’s book, The Social History of Art. Hauser’s Social History of Art was published in 1951, a year after Gombrich’s bestseller, The Story of Art. Although written in Britain for an English-speaking public, both books had their origins in the intellectual history of Central Europe: Gombrich was an Austrian art historian and Hauser was Hungarian. Gombrich’s critique, published in The Art Bulletin in 1953, attacked Hauser’s dialectical materialism and his sociological interpretation of art history. Borrowing arguments from Karl Popper’s critique of historicism, Gombrich described Hauser’s work as collectivist and deterministic, tendencies at odds with his own conception of art history. However, in his readiness to label Hauser a proponent of historical materialism, Gombrich failed to recognize Hauser’s own criticism of deterministic theories of art, especially formalism. This article investigates Gombrich’s reasons for rejecting Hauser’s sociology of art. It argues Gombrich used Hauser as an ideological counterpoint to his own version of art history, avowedly liberal and individualist in outlook.  相似文献   

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This article shows how Hayek’s understanding of ‘unlimited democracy’ was influenced by the work of Carl Schmitt. It goes on to make the case that ordoliberal ideas informed his suggestions for limiting democracy, made in response to Schmitt’s work. A number of authors have drawn attention to the influence of Schmitt on Hayek’s thought. Similarly, the ordoliberal relationship has been explored. However, these two influences must be read alongside each other in order to arrive at a full understanding of Hayek’s deep ambivalence towards democracy and how that developed from the 1930s through to the 1970s. Finally, the article makes the case that the decisive influence on Hayek’s later authoritarian turn was not the work of Schmitt, as certain authors have argued, but ordoliberal interpretations of dictatorship. It also argues that Hayek’s model constitution is informed by fundamental ordoliberal concerns.  相似文献   

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ABSTRACT

Shelley’s “Letter to Maria Gisborne” is a playful improvisational verse epistle, widely praised for its urbanity and its display of the poet’s invention. The verses turn on a catalogue of the collection of odd scientific and mechanical objects that Shelley found scattered around him in the place he composed the letter, the Livorno workshop of Gisborne’s son, a young engineer who was building a new-model steamboat at the time (with Shelley’s financial and intellectual backing). In the context of that space, the poem reads as a response to competing notions of invention. For Shelley, the engineer’s workshop is an attractive alternative to the poet’s tower—which was uncomfortably close to a Grub Street garret. Verbal and visual images of poets’ and scientists’ workshops, from Hogarth and Mary Robinson, to Joseph Wright of Derby and Frankenstein, illustrate the tensions embodied in the physical location and poetic performance of Shelley’s celebrated “Letter.”  相似文献   

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Humor in Anne of Green Gables serves the novel’s realism, establishing the perspective of a child. The humanistic humor and overblown, imaginative realism in Montgomery’s work is both a burlesque on Romantic attitudes and a vehicle for her social outlook, an outlook which is decidedly conservative. Like Thomas Carlyle in Past and Present, Montgomery creates in Avonlea an idealized past that serves (in part) as a moral standard from which she can gauge modernity. Anne’s optimism, her “ambitions,” humanizes Marilla’s Calvinism, Marilla’s tendency toward emotional austerity. But from the mid-point of the novel onwards, the humor is made increasingly at Anne’s expense as Montgomery satirizes Romantic pretensions and steers her heroine away from the extremes of childhood into an adult sense of individual balance and duty.  相似文献   

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Abstract

This article looks at how international development’s rhetoric for enlisting men to take up anti-violence against women’s work is translated into reality. Based on fieldwork conducted in Afghanistan and Pakistan, I argue that whilst there have been success stories of men’s behaviour changing, the localisation of gender concepts and ideas into local frameworks has not been as successful. Furthermore, inattention to how gender relations are shaped by conflict and violence results in the dilution of feminist values around work on violence against women. This inattention also privileges middle-class men’s activism at the expense of activism by women and men from lower-socioeconomic backgrounds. The article concludes with a call for further transnational feminist dialogue and interventions in the area of men’s involvement, so that current and future initiatives are critical, reflexive and relevant.  相似文献   

15.
Using dozens of Ottoman maps from the Central Ottoman Archives in Istanbul, the article challenges the prevailing standpoint regarding the historical-geographic process that took place on both sides of the Bay of Acre/haifa during the last decades of the Ottoman period, and led to Haifa’s emergence as one of the most important port towns in the eastern Mediterranean, and concomitantly to Acre’s demise and negligence. To date, the few researchers who have dealt with this process, especially from the viewpoint of Haifa’s local history, have viewed the Ottoman regime as a passive force that did not act to preserve the status or economic strength of Acre, the regional headquarters, the province’s capital city and the region’s most important town for many years. We argue that the central Ottoman government in Istanbul did not perceive the process of Acre’s demise and Haifa’s rise as a deterministic process. Official Ottoman maps drawn at the request of the imperial centre as early as the 1880s show that plans existed to develop Acre and its region. These plans, even if only partially implemented, would have clearly contributed to preserving Acre’s status over Haifa. The Ottomans attempted to preserve the geo-strategic status of Acre and its importance and made plans to upgrade various infrastructures in the town’s vicinity, which might have changed processes related to physical conditions and powerful technological advances. This approach, which is based on the belief in the human ability to confront and deal with deterministic geographic and physical conditions, seems to have been the foundation of Ottoman planning in the case of Acre. The Ottomans’ capacity to implement these plans was very limited, however, and they eventually had to acknowledge this reality. Thus, Acre was reduced to its formal status as the capital of an Ottoman administrative district until the end of the Ottoman rule in Palestine. In a way, its fate was not very different from that of other traditional centres of Ottoman rule along the eastern Mediterranean coast, whose importance diminished at that time, while new centres that were more cosmopolitan and connected to developments overseas came to power.  相似文献   

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A post-Restoration dating of Marvell’s poem The Garden and its Latin companion piece “Hortus” to around 1668 has been generally accepted in recent criticism, despite some counter-arguments from those who defend the traditional dating to Marvell’s period at Nun Appleton (1650–2). None of these analyses, however, have attempted to date the Latin rather than the English poem. This article offers a new dating of “Hortus” to around 1654, during Marvell’s time at Eton as tutor to John Dutton. The argument is based on a series of parallels and allusions to Latin poetry either dating from, or demonstrably particularly fashionable in, the period between 1646 and 1654, as well as close attention to the political resonance and contemporary understanding of the poem’s classical sources. As such, it is also a case study in the dating of neo-Latin verse, of which many thousands of examples survive from seventeenth-century England.  相似文献   

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This paper examines the Pahlavi National Library, the planning for which began in 1972 and expired in 1978 on the eve of the Islamic Revolution. The Pahlavi National Library was to rank in size and eminence with the great libraries of the world, yet this extraordinary project has hitherto received little to no scholarly attention. Using documents primarily from the archives of the shah’s cultural counsellor at the imperial court, Shojā?eddin Shafā, this paper looks in detail at a number of initiatives spearheaded by Shafā from the early 1960s, which essentially laid the groundwork for the Pahlavi National Library, in order to understand how the shah’s regime used culture and scholarship to further its political goals. The paper proceeds to investigate the Pahlavi National Library, analyzing it in the context of the shah’s domestic and foreign policy objectives.  相似文献   

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何绍基是晚清宋诗派中最有成就的诗论家和诗人,其诗歌创作中呈现出的师承渊源非常丰富。何绍基一生不论为人、治学还是写诗作文皆服膺苏轼,苏轼忠孝节义的道义心性,旷达乐观、洒落超迈的胸襟,格物致知的进取精神与谐趣睿智的人格魅力对他产生深刻的影响。何绍基的诗作中除了对苏轼诗句的借用、比喻手法的吸收以及大量次苏韵等表象外,还在谐趣、理趣、儒者伦理的追求等方面得苏诗之神韵。随着阅历的变化,何绍基寄韵白居易,创作了讽喻诗,语言平易流利,不避口语俗语。晚年的何绍基心境较为黯淡,师法对象再次发生转移,“自将诗心比郊岛”,企望“敲诗”“苦吟”而达到“人夸奇想自天来”,寒瘦之诗成又一风貌。  相似文献   

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Daughter of a merchant, the amateur designer and embroiderer Sarah Bland came from an upper-middle-class family. She made an album of a collection of drawn and printed designs between 1835 and 1854 that includes her original designs, patterns traced from magazines, and commercial, printed designs for Berlin wool work. This case study explores her kinship networks, social context and environment as well as perceptions of a woman’s role. It concentrates on Bland’s designs, both made and collected, and compares these to her botanical illustrations, made while she was staying at St Leonards-on-Sea on the south-east coast of England from 1835 to 1843. These pieces are now held at the Victoria and Albert Museum, and the Museum’s database is discussed in relation to other systems to explore its potential for cataloguing such designs as well as its shortcomings. This article posits that art historical databases can be used to catalogue designs for embroidery with a method which is both sensitive to gender and socially contextual. This allows women’s history in relation to designs for embroidered textiles and dress to emerge.  相似文献   

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