“We knew no North,no South”: U.S.–Mexican War Veterans and the Construction of Public Memory in the Post-Civil War United States, 1874–1897

In 1874, American veterans of the U.S.–Mexican War 1846–1848 formed the National Association of Veterans of the Mexican War (NAVMW). Until the organization’s demise in 1897, NAVMW members crafted and celebrated a vision of their war with Mexico as a national triumph which had united Americans from all sections of the Union in a common cause. This article examines how, by promoting this particular memory of the war to the American public, NAVMW members sought to remind their countrymen of their shared national history, and so aid the process of reconciliation between North and South in the post-Civil War era.     

‘My Blood Was All Turning to Water’: Testimonial Advertisements and the Creation of a Menstrual Network in the U.S., 1870s–1910s

This article explores the nexus of two phenomena – the mass production of consumer goods and the maelstrom of medical theorising on the female reproductive system – through testimonial advertisements produced by the Lydia E. Pinkham Medicine Company (LEPMC). This article argues that a wide-ranging, self-regenerating group of predominantly white, middle-class American women formed a network rooted in LEPMC advertisements to negotiate power over the practice and meaning of their own reproductive lives. By publicly testifying to the efficacy of Pinkham products, these women used the tools of mass advertising and their collective understanding of modern medicine to campaign for empowered womanhood. They created a narrative in which they played long-suffering protagonists who challenged physicians’ authority, claimed ownership over reproductive knowledge and prioritised female consumers. By forefronting the female consumers who engaged directly with the LEPMC advertising department and indirectly with each other, this article situates the Pinkham network in a complex discourse on women's reproductive agency.     

The exiles of the Risorgimento: Italian volunteers in the Portuguese Civil War (1832–34)

Abstract

Between 1832 and 1834 during the civil war against the partisans of absolutism in Portugal about a hundred Italians fought as volunteers in the Portuguese liberal army. These Italians were motivated to participate by a Romantic culture of war that was strongly rooted in the liberal nationalism of the Italian Risorgimento, but above all, the decision to fight as a volunteer abroad was the result of an international movement of political solidarity with Portuguese liberalism in the early 1830s with which the Italian liberals came into contact during their political exile in France and in Belgium. For the Italian, fighting as volunteers in Portugal proved to be a decisive political experience which deeply shaped their own political ideas of the nation that the volunteers would subsequently draw on in their different political and professional roles in Italy where they became ministers, diplomats and generals of the Kingdom of Italy.     

Controversy,uncertainty and the diverse public in cultural diplomacy: Australia–China relations

In the past few years, foreign policy tensions between China and Australia have become especially fraught. In some cases, this political situation manifests in the very diplomatic initiatives that were funded to help ease relations. This article considers a case study of a theatrical collaboration in the context of contemporary Australia–China relations to interrogate the value of our understandings of and evaluation frameworks for public diplomacy. This article argues that theories of cultural diplomacy and assessments of initiatives need to consider the multiple and competing objectives, diverse publics and controversial receptions that may be the outcomes of cultural diplomatic initiatives. It demonstrates this complexity in relation to Australia–China relations. Taking a cultural diplomatic initiative that sought to increase positive association for Chinese culture in the Australian public as a case study, it illustrates the range of differences that can be found amongst stakeholders, and the different roles that may be ascribed to cultural diplomacy. These interests, including those of different artistic and political stakeholders, as well as differences in the publics involved, are best segmented not only according to nation but also to subculture.