THE JOY OF GEOGRAPHY*

I may be the first past president of the cag to come to the podium with two addresses ready for delivery. One is rather lengthy and formal, representative of some of my work during the last decade or so. The second is shorter and lighter in tone, rather personal, but hopefully it will be taken in the spirit in which it is offered.
I have, of course, been thinking about this address for months. A number of people have suggested that I should discuss topics of common interest, including resources management, historical geography, national parks and public land, conservation, cultural ecology, and the Canadian Arctic. In urging me to address these topics colleagues provided various reasons, ranging from neglect of the subject in Canadian geography to its relevance to public policy. I am grateful for this advice, which has not, however, prevented me from procrastinating in finally deciding upon a topic.     

THE SEVEN THEMES OF MUSIC GEOGRAPHY*

Music geography first emerged as a subfield of cultural geography c. 1970, During the past 25 years, a significant body of research has been published in scholarly journals, books, and reference works. Seven major themes are outlined in the formation of music geography: I - origins (non-‘geographical’); II - world distribution and types; III - location analysis; IV-source areas of musical activities; V - trends based on electricity; VI - impact of music on landscapes; and VII - global music. A view is offered of how an eighth theme (technological innovations) might develop on the basis of recent observations. La géographiede la musique est apparueau début comme un sous-domaine de la géographie de la culture aux alentours de 1970. Au cours des vingt-cinq dernières années, un grand nombre de travaux sur ce sujet a été publié dans des revues scientifiques, des livres et des ouvrages de référence. On peut cerner sept thèmes principauxdans la formation de la géographie de la musique: 1. les origines (non ‘géographiques’); 2. la répartition mondiale et les genres; 3. /‘analyse de /‘emplacement; 4. les sources régionales des activités musicales; 5. les tendances fondées sur l'électricité; 6. l'impact de la musique sur les paysages; 7. la musique globale. À partir de récentes observations, on propose une perspective sur l'élaboration éventuelle d'un huitième thème, à savoir les innovations technologiques. Mots-clés:géographie de la musique, géographie de la culture, sources régionales, paysage sonore, musique globale.     

THE LOCATION THEORY OF THE PLANTATION*

ABSTRACT This paper develops a method for studying noninfinitesimal operational units, with the Thünen location and land use model. With constant returns to scale and perfect divisibility of nonland inputs, all operational units would occupy only a point on the landscape. The present model uses increasing returns to scale to generate large operational units, called “plantations” and studies the comparative statics. The setting of the model is an agricultural operation in which some processing of raw crop must be conducted prior to shipment to market. The processing is assumed to have increasing returns to scale.     

A GEOGRAPHY OF THE WAY OF LIFE,A DISTINCTIVE SUBFIELD OF REGIONAL ECONOMIC GEOGRAPHY

The authors formulate principles for a subfield of geography that would study and describe the way of life of peoples. Such an area of inquiry would use a wide range of data from population geography and the geography of services and seek to convey a composite picture of the way of life and identify a typology and regional differences. An attempt is made to illustrate some of these principles with particular reference to the French way of life.     

THE HUDSON'S BAY COMPANY'S ARCHIVES: A RESOURCE FOR HISTORICAL GEOGRAPHY*

In his review of progress in historical geography, Hugh Prince has observed that “the competence of historical geographers to handle source materials is no longer in doubt, but while documents may be faithful servants they are inadequate masters.” Although today, perhaps more so than at any time in the past, there is lively debate about the methodologies that might be employed in exploiting historical sources, the pivotal importance of archives in historical geographical research is no longer in question. As the major repositories of primary source materials, they are indeed the fountainheads sui generis of all historical research. Their increased use in recent years has been manifest, not only in the quantity and quality of recent research, but also in the appearance of a small, but growing, literature pointing to the opportunities for geographical research offered by discrete types of archival holdings and by certain unique collections. This essay calls attention to a particular archival collection, the Hudson's Bay Company Archives, which houses the records of a company that has been an active force throughout most of the present area of Canada for the past 300 years. Its purpose is to point to the geographical significance of this corporate record and to suggest ways in which it might be tapped by historical geographers.