In haec signa: Pilgrim-badge trade in southern France

Medieval shrines acquired their wealth from the pilgrims who worshipped in them. Though a large part of this wealth come in the form of outright donations, shrines received a considerable income from the sale of pilgrims' badges and other souvenirs. Originally an ecclesiastical monopoly, the sale of badges became a bone of contention in many pilgrimage centers between the shrine proper and the surrounding town. This phenomenon can be seen in the shrines of St James in Compostela, St Mary Magdalen in Saint-Maximin, and the Virgin Mary in Rocamadour and Le Puy. During the later middle ages the development of a whole souvenir industry for pilgrims reflected the change in the popular attitude towards pilgrimages. The pilgrimage ceased to be a purely religious undertaking of someone who had severed himself from secular society for the duration of the journey. It became a social event which combined piety with tourism.     

In haec signa: Pilgrim-badge trade in southern France

Medieval shrines acquired their wealth from the pilgrims who worshipped in them. Though a large part of this wealth come in the form of outright donations, shrines received a considerable income from the sale of pilgrims' badges and other souvenirs. Originally an ecclesiastical monopoly, the sale of badges became a bone of contention in many pilgrimage centers between the shrine proper and the surrounding town. This phenomenon can be seen in the shrines of St James in Compostela, St Mary Magdalen in Saint-Maximin, and the Virgin Mary in Rocamadour and Le Puy. During the later middle ages the development of a whole souvenir industry for pilgrims reflected the change in the popular attitude towards pilgrimages. The pilgrimage ceased to be a purely religious undertaking of someone who had severed himself from secular society for the duration of the journey. It became a social event which combined piety with tourism.     

Maria Mirabilis: Beholding Mary in the Miracles†

In medieval miracles of the Virgin Mary that feature images, gazing at Mary and being seen by her can shape or change the identity of the miracle's protagonist. Such miracles often feature figures who have the potential to be adult male Christians but do not yet hold that status; they are transformed by their encounters with the malleable materiality of Marian images. Narratives of a Muslim devoted to a Marian statue and an English child who has to have an image of the Crucifixion explained to him show how questioning the nature of such images, and their material implications, could lead to belief. The widely popular story of “The Jewish Boy” extends the power of the image to suggest that merely looking upon it without understanding is sufficient to create a circuit of likeness and recognition that ultimately leads to conversion. In such miracles, an ostensibly surface-oriented or simplistic mode of religious devotion engages with gendered bodies in powerfully transformative ways that touch on complex theological issues.     

Pius XII: Romanita,prophesy and charisma

The modern popular cult of the Pope, which originated with the ‘disinherited’ papacy of Pius IX, reached its acme with Pius XII. Phases of intensification of this cult, which was linked to other ‘devotions’, those of the Sacred Heart of Jesus and of the Virgin Mary, served to mobilize the Catholic masses at critical junctures for the Catholic Church and in the face of what were perceived as political threats. Pius XII had to animate ‘movement’ in an age proclaimed to be one of a unique crisis of civilization. The projection of him as a charismatic figure was linked to that of Rome as a sacred centre and as the very fulcrum of world history. The Catholic activist ethos of ‘movement’ and also the presentation of the interchange between Pius XII and the Crowd had features in common with Fascist rhetorics, but ultimately the cult of the ‘victim‐Pope’ represented an inversion of the crasser forms of power‐imagery.     

Gender and morals in Spanish Catholic youth culture: a case study of the Marian Congregations 1930-1936

Jesuit-run Marian Congregations proliferated in 1930s Spain. Drawing on literature produced for their members, this article demonstrates how gendered understandings were fundamental to the congregations' symbolic delineation of an uncontaminated Catholic space. Visions of an incorrupt male elite abound, reinforcing the Jesuits' educational mission among future leaders and opinion-formers. In contrast, the purity of women and children was seen as a sign of society's moral health. Modesty was the quintessential female virtue. Yet, the cult of the Virgin Mary suggested that the virginal female body was both tool and symbol in the struggle against a fallen world. Girls were, therefore, charged with the task of moral guardianship. Such campaigns were emblematic of Spanish Catholicism's tendency to proffer religious solutions to social problems.     

The Sky Came Down: Social Movements and Personhood in Mekeo Society1

This paper argues that the Mekeo cargo-cult centered on a young woman named Filo has to be understood in relation to local models of personhood and Mekeo social organization. It is argued that colonization brought a split between these two spheres of social life causing the movement, while the specific form taken by the movement has to be seen in relation to Mekeo models of personhood. Furthermore, the paper traces the social changes brought about by this movement to present day cargo activities that incorporate God, Jesus, The Virgin Mary and the Saints. Lastly it analyses how these beliefs compete for social hegemony with more traditionalist practices centered around the Mekeo sorcery complex.     

Entre destellos se desvanece una devoción: la imagen de oro de la Asunción,patrona de la catedral metropolitana de México

Abstract

The main purpose of this paper is to analyze representations of the Assumption of the Virgin, patroness of the Mexico City Metropolitan Cathedral in New Spain. In 1610, a superb golden figure of the Assunta was acquired and located in a silver tabernacle by the new main altarpiece, which was dedicated in 1673. In the eighteenth century, this altarpiece was substituted with a new one designed by Jerónimo de Balbás, where the golden statue was eventually relocated. Since the Assunta has generally been overlooked in colonial historiography, I intend to answer the following questions: What were the aesthetic and symbolic values, based upon the theological ideas at the time in the Spanish and Catholic worlds, guiding the representation of Mary in this golden image? What was its agency in relationship to materiality, form, and usage in liturgical contexts and religious festivals?     

“Hangd for the True Faith”: Embodied Devotion in Early Modern English Carmelite Cloisters

The annals of the English Carmelites of Antwerp document religious devotions which were intensely corporeal. Biographical sketches of individual sisters describe spiritual practices in which prayer and meditation, often enhanced by visual or bodily contact with devotional objects, fostered mystical encounters with Christ, saints, and martyrs. The Passion and the physical torment of holy figures who died for their faith infused the cloister's spirituality. At Antwerp, nuns encountered stories of suffering in devotional books and in hagiographical accounts of both the early Christian, and the more recent English, martyrs. They might also engage physically with Christ and saints through the cloister's relic collection and other objects of devotion. This article explores the religious milieu at Antwerp, considering the nuns' spiritual proclivity for suffering, which was inspired in part by their religious exile from England. It argues that a culture of martyrdom infused private devotional practices and shaped the convent's corporate identity.     

The Public Face of Post-Tridentine Italian Confraternities

Catholic reforming policies and Council of Trent rules encouraged and expanded the more public roles and responsibilities of lay confraternities, changing the nature of some old brotherhoods, and promoting new ones. The public images became more important for members, the wider church institutions including associated religious orders, and the public. This article considers some significant aspects of the "public face": processions, Forty Hour devotions, philanthropy. Confraternities contributed to the theatricality of post-tridentine, "baroque" religion in cities like Bologna, Naples and most especially Rome, where the Spanish national confraternity played a spectacular role.     

Wak’a/shrine making and pilgrimage tourism in Copacabana,Bolivia

Abstract

The cultural landscape of the town of Copacabana and nearby ancient sites on Lake Titicaca, Bolivia, have functioned as magnetic places of pilgrimage from Inka times to the present. They are analyzed as landscape constructions through the eyes of political and religious authorities as well as through those of the common pilgrims in a bottom-up perspective from Inka to Colonial times and to the present. Methodologies used are study of pertaining archaeological data and Colonial documents complemented by ethnographic interviews and participant observation. The data demonstrate how the past is redefined in the present as local heritage in a landscape perceived as Andean as well as Christian. Throughout Andean history, Copacabana has been the land terminal for pilgrims to set over to the Islands of the Sun and Moon to visit empowered shrines (wak’as) viewed as places of emergence of the Sun and the first humans. This pilgrimage was fabricated into state ideology by the Inka from ca. A.D.1450–1550. After the Spanish invasion, Copacabana became the seat of a widely revered Virgin who attracts pilgrims from all over Bolivia and southern Peru. Ethnographic fieldwork was conducted in early August 2015 and 2017 during one of the pilgrimages. Most visitors identify as pilgrim-tourists and many walk to five spatially distinct but thematically related wak’ as at which the past coalesces with the present and the secular with the divine in passionate and colorful performances for family wellbeing. Discussions center on the limited spatial control of the Catholic Church and on the growing practice of making new wak’as in Andean terms to the Virgin at selected landscape features outside of town as a form of popular heritage. Findings demonstrate that local Aymara people are not passive Colonial victims but selectively adopt from their conquerors what they hope may help alleviate poverty.     

Josephine's Journey: Gender‐based Violence and Marian Devotion in Urban Papua New Guinea

ABSTRACT This article deals with how, in the urban setting of Madang, Papua New Guinea, Marian devotion is deployed in response to domestic and gender‐based violence. While providing insight into the lived religious experiences of Catholic women living in Madang, this article shows how Mary empowers her followers to resist violence, yet, at the same time, paradoxically, is instrumental in sanctioning women to tolerate violence. Josephine's ‘journey of violence’ reveals not only Josephine's turning to Mary, but more so, her negotiations with values belonging to different cultural logics. Caught between ‘tradition’, Christianity and ‘modernity’, Josephine and other Catholic women engage in painful processes of self‐analysis and self‐transformation to adapt to and change their situation. In these processes, Mary is used as a role model.     

A psycho-historical source: the Memoirs of Abbot Guibert of Nogent

Medievalists turn to Guibert of Nogent's Memoirs (1116) for the account of the Laon uprising they contain. And yet this account is poor history. It is didactic and self-righteous in tone; one senses that the writer consistently sacrificed historical truth to the moral point he was trying to make. Scratch this twelfth- century ‘historian’ and you will find underneath a guilt-ridden cleric, haunted by vivid sexual reminiscences of his mother and by the terrible chastening reality of the Virgin Mary. A sensitive reading of the confessional sections of the Memoirs may yield up crucial unconscious impulses in a medieval man's psyche: his ‘masculine’ ambitions for glory, his need to prove his manhood, and yet also his ‘feminine’ desire for selfless submission to God, and his need to achieve a kind of passive holiness and innocence. These opposing impulses may account for the ‘demon’ that tortured Guibert of Nogent.After isolating certain psychological themes in the Memoirs it is possible to relate these themes to various nuances in the psychological ‘milieu’ of twelfth-century France. It is also possible to relate some of these themes to a ‘milieu’ not altogether different from that of twelfth-century France — twentieth-century southern Italy. For in southern Italy, we find that the psychological relationship between masculinity and femininity and (perhaps as a result of this relationship) the prominence of the Virgin Mary in the lives of the people corresponds closely to the situation in twelfth- century France. But this cross-cultural analysis is meant only to illuminate some of the possibilities of psychohistory. At the very least, a psychohistorical consideration of a text such as Guibert of Nogent's Memoirs should reveal some useful correlations between the single psychological current and the larger tides of cultural history.     

Picturing Confessional Politics at the Stuart Court: Henrietta Maria and Catherine of Braganza†

The deep confessional tensions in Stuart Britain were embodied in its Catholic queens. Queens, in their portraits and in the artworks in their palaces and chapels, were positioned within this dialectic, with the competing expectations of their husbands, their families, their religious retinues, the papacy, their own personal devotions, and the public against a changing political situation. This article examines how the visual arts provided a powerful tool for Henrietta Maria and Catherine of Braganza in this dynamic, both in claiming and facilitating piety and in advancing the Catholic cause. The themes of Catholic devotion and saintly embodiment are discussed through two important aspects of their engagement with the visual arts: palace display in which devotional works were hung prominently and portraits in which the queens embody saintly guises. Artworks from their chapels, too, will be considered; these spaces were dominated by Marian imagery, which suited both theological and dynastic interests. Although operating within different political contexts and personal agendas, they marshalled such imagery to promote the Catholic cause and perform their piety.     

Life in Medieval London

Abstract

This is the first detailed published study of the stained-glass ‘band’ window which survives in the east end of St Mary’s church, at Selling in Kent. It is argued that the Selling window was installed in the second decade of the 14th century; not, as is usually thought, the first. The window is a hierarchical statement, embodying a number of interrelated levels of meaning. Its primary function is to celebrate Christ’s incarnation, and the role of the Virgin and other saints as intercessors for mankind at the Last Judgement. The window clearly also commemorates the glory days of Edward I, who died in 1307. The historical evidence and the iconography suggest that, in addition, it is a memorial to the Clare family, installed after the English defeat at Bannockburn in 1314, commemorating the death of Gilbert III of Clare, earl of Gloucester and Hertford. The window was probably commissioned by the local lord Bartholomew Badlesmere and his wife, who was Gilbert’s cousin, between 1314 and 1317, when Bartholomew was executor of Gilbert’s estate.     

Faith in war: the religious experience of Scottish soldiery, c.1100–c.1500

This paper examines the comparatively patchy evidence for the pastoral provision and personal faith of late medieval Scottish combatants below the rank of knight. By examining such sources as papal supplications, royal financial accounts, parliamentary rolls, chronicles, poetry and the cartularies of Scottish monastic houses and burgh collegiate churches, it is possible to identify elite and parish provision of churchmen serving the needs of Scottish troops as they mustered, trained and prepared for battle. In addition, this evidence also highlights a number of cults and relics popular with the social ranks of the ordinary Scottish soldiery, including those of SS Ninian, Leonard, Thomas Becket, Columba, the Blessed Virgin Mary and — often cast as the nemesis of Scottish troops — Cuthbert. However, this survey also points to some tensions between the spiritual interests of Scottish servicemen and their ruling elites.     

Natural hazards and religion in New Orleans: Coping strategies and interpretations

Socially disadvantaged people are more vulnerable and exposed to the effects of extreme natural events and the social disasters which follow. This article presents the coping strategies and cultural creativity of the most vulnerable (non‐conformist African American religious/spiritual) communities in New Orleans today and in the aftermath of Katrina. Rituals and religious practices play an important role in resilience‐building and for relief and recovery from disasters. Case studies are presented to demonstrate how these devotions, and the community‐building and mutual support that take place as a result (as well as individual practices), have assisted practitioners in their struggle for survival during Katrina and the yearly hurricane season. The article also examines how natural hazards are perceived and reflected in religious explanations and expressions, as well as in spiritual arts, and how they lead to change and adaptations. Here, affected people are not regarded as ‘passive victims’ but as creative and active agents.     

A psycho-historical source: the Memoirs of Abbot Guibert of Nogent

Medievalists turn to Guibert of Nogent's Memoirs (1116) for the account of the Laon uprising they contain. And yet this account is poor history. It is didactic and self-righteous in tone; one senses that the writer consistently sacrificed historical truth to the moral point he was trying to make. Scratch this twelfth- century ‘historian’ and you will find underneath a guilt-ridden cleric, haunted by vivid sexual reminiscences of his mother and by the terrible chastening reality of the Virgin Mary. A sensitive reading of the confessional sections of the Memoirs may yield up crucial unconscious impulses in a medieval man's psyche: his ‘masculine’ ambitions for glory, his need to prove his manhood, and yet also his ‘feminine’ desire for selfless submission to God, and his need to achieve a kind of passive holiness and innocence. These opposing impulses may account for the ‘demon’ that tortured Guibert of Nogent.After isolating certain psychological themes in the Memoirs it is possible to relate these themes to various nuances in the psychological ‘milieu’ of twelfth-century France. It is also possible to relate some of these themes to a ‘milieu’ not altogether different from that of twelfth-century France — twentieth-century southern Italy. For in southern Italy, we find that the psychological relationship between masculinity and femininity and (perhaps as a result of this relationship) the prominence of the Virgin Mary in the lives of the people corresponds closely to the situation in twelfth- century France. But this cross-cultural analysis is meant only to illuminate some of the possibilities of psychohistory. At the very least, a psychohistorical consideration of a text such as Guibert of Nogent's Memoirs should reveal some useful correlations between the single psychological current and the larger tides of cultural history.     

Preaching Religion, Family and Memory in Nineteenth-Century England

This article explores the religious selfhood of an exemplary Bible Christian woman, Mary Thorne (1807–1883). Founded in 1815 as a splinter group of Wesleyan Methodism, the Bible Christian denomination invoked an epistemology which stressed the correlation between religious and familial obligations. A close study of Mary Thorne's private writings suggests the tensions which existed within this ideal at the level of everyday life. Her writings open a window on a religious woman's negotiation of her public identity alongside her experiences of marriage, sexuality and motherhood. They show the impact of age, life cycle and memory in the process of self-imagining and commemoration. Critically, they also show how dependent Thorne's self-realisation and presentation were on material signs of her identity. In understanding the varying constructions of Mary Thorne's religious selfhood, I argue we might more fully understand the material cultures that underpinned evangelical religion and domesticity in nineteenth-century Britain.