Australia and the South Pacific nuclear free zone treaty: a reinterpretation

A number of analysts have identified the 1986 South Pacific Nuclear Free Zone (SPNFZ) Treaty as one of Australia's major achievements in the area of arms control diplomacy. This article challenges the orthodox view in the secondary literature that Australia's pursuit of a SPNFZ Treaty was motivated exclusively by a desire to protect the nuclear dimension of its alliance relationship with the United States from more ‘radical’ proposals in the region. Drawing on previously unreleased documents made available to the author by the Department of Foreign Affairs and Trade under the Commonwealth's Freedom of Information Act, this article argues that the Hawke government's pursuit of a nuclear‐free zone in the South Pacific was motivated primarily by what it perceived as an opportunity to promote Australia's image as an activist middle power committed to bolstering the coherence of the global non‐proliferation regime.     

The Hindu nationalist reinterpretation of pilgrimage in India: the limits of Yatra politics

ABSTRACT. Victor Turner's anthropological reading of pilgrimages in terms of communitas is of utmost relevance in the case of Hinduism: indeed, Hindu pilgrimages produce a relative and temporal obliteration of social cleavages – particularly caste divisions – allowing the emergence of a sense of group belonging. Moreover, the geography of pilgrimage sites maps out the sacred land, marking the area of extension of Hindu civilisation in space. Hindu nationalists have tried to exploit this particular alchemy to offer an ethnic definition of the nation (and its territory) and thereby gather a following by lending some of their demonstrations the appearance of a pilgrimage. This approach asserted itself in the early 1980s thanks to the Ekatmata Yatra (Unity March) in 1983, and was confirmed in 1990 during the Rath Yatra (Chariot festival). Nevertheless, the instrumentalist interpretation of such movements comes up against an issue that is already at the core of subaltern studies' historiography, i.e. that masses do not always mobilise for the reasons put forth by political leaders. More specifically, if women march massively in the streets during these Yatra pilgrimages, it is both because they feel concerned by the reason for demonstrations and because these demonstrations have legitimised their entry into the public space, which still remains relatively closed to them.     

Nikos Gatsos' Amorgos,topography and the poetics of modernism

Abstract

Nikos Gatsos' Amorgos is approached here as a polyphonic poem that synthesizes elements of the Greek literary tradition into an intertextual palimpsest of fragments, in the vein of the modernist 'long poem'. The surrealist poet maintains a fine balance between tradition and radical innovation, shaping Amorgos as a place where poetry is created as an interaction of opposing tendencies. The topical character of the poem is underscored by its title: the sea-and-land imagery evokes the island as a literary topos of seclusion and self-sufficiency that lends its characteristics to the composition itself: a 'compendium' of poetic writing and avant-garde aesthetics.     

The image of authority in Carolingian coinage: the image of a ruler and Roman imperial tradition

This article examines the influence of Roman imperial symbols of authority on Carolingian coinage. During the brief period of a specific &1squo;renewal' in Carolingian coinage in the 810s, there was an evident turn to the Roman tradition of demonstrating authority. As a result, the image of a peace-making emperor on Roman coins during the late third to early fourth century was employed on Carolingian coins for the purpose of legitimizing the new imperial authority of the Carolingians. This image, however, was not long-lived and gradually disappeared in the 820s to 830s.     

From sedition to patriotism: performance, place, and the reinterpretation of American ethnic identity

Between the two World Wars, many Americans changed their attitudes toward ethnic minorities and their place within American civic culture. States such as Wisconsin, with its dense concentration of diverse immigrant groups, came under especially harsh fire during the Great War, only to be celebrated 20 years later as microcosms of a pluralist democracy. Although much has been written about this profound transformation of American ethnic identity from the perspective of «official culture», or those governing élites in power, less is known about the role of immigrant communities themselves in this change. Examination of the intertwining of ideology with the social manifestations of cultural performance in one Wisconsin community provides a way to interpret the elusive experience of ordinary people. In the case of two interwar Swiss American cultural performances, a view of ethnic culture emerges that sought to refashion a more inclusive definition of what it meant to be American. In the process of redefining their own identity, third generation Swiss strategically used such performance-based memory work. Their efforts not merely reflected, but shaped a discourse of ethnicity between the wars that became decreasingly antagonistic and gradually more open to ethnic and cultural difference.     

The making of a monster: the historical image of William Rufus

Few writers, medieval or modern, have had much good to write about William Rufus, the second Norman king of England (1087–1100). Beginning in the twelfth century, chroniclers and historians have portrayed William as a cruel, grasping, and sacriligious ruler. This study traces the development of this unflattering historical image from the twelfth to the eighteenth centuries and notes that the religious convictions which encouraged medieval churchmen to condemn Rufus were offset in the sixteenth and seventeenth centuries by a more political and anti-catholic approach to his reign. Beginning in the eighteenth century, however, historians abandoned this more flattering portrayal and returned once again to the evil image concocted by the monastic chroniclers.     

The making of a monster: the historical image of William Rufus

Few writers, medieval or modern, have had much good to write about William Rufus, the second Norman king of England (1087–1100). Beginning in the twelfth century, chroniclers and historians have portrayed William as a cruel, grasping, and sacriligious ruler. This study traces the development of this unflattering historical image from the twelfth to the eighteenth centuries and notes that the religious convictions which encouraged medieval churchmen to condemn Rufus were offset in the sixteenth and seventeenth centuries by a more political and anti-catholic approach to his reign. Beginning in the eighteenth century, however, historians abandoned this more flattering portrayal and returned once again to the evil image concocted by the monastic chroniclers.     

Community as a Policy Instrument: A Comparative Analysis

Over recent decades. "community" has been a powerful theme in social policy development not only in the United States but elsewhere in North America and Europe as well. Existing analyses of the concept, however, tended to approach it more from philosophical and sociological perspectives than from the standpoint of policy analysis. This article examines the uses of community as a policy instrument, considering its diverse applications us policy objective, policy means, and policy rhetoric. A cross-section of major community-oriented policies in the United States and Quebec is analyzed, providing a basis file policy-level, regime-level, and political culture comparison. Identifying the key components that community policies may incorporate, we propose a schema for systematically describing deferent types of interventions. Finally. we review the difficulties encountered in implementing policies with a community orientation and the need to avoid simplistic judgments of success and failure.