St Bega – myth,maiden, or bracelet? An Insular cult and its origins

This short article examines the origins of the cult of St Bega in Ireland and Britain. Insular and Scandinavian analogues of her Life are explored and so is the popularity of Celtic saints in northern Europe during the twelfth and thirteenth centuries. This topic can shed light on broader issues of cultural identity in the Irish Sea Region during the middle ages.     

Eilert Sundt. A founding father of the social sciences in Norway

The cult of St Nicholas spread in Scandinavia and northern Rus' in approximately the same period, namely in the last decades of the 11th and the first decades of the 12th centuries. In spite of such a correspondence, the dissemination of the cult in the two adjacent regions has been treated as two separate phenomena. Consequently, the growing popularity of the cult in Scandinavia has traditionally been dealt with as an immanent part of the transmission of the Catholic tradition, and a similar phenomenon in northern Rus' has been discussed with reference to the establishment of Orthodox Christianity. By contrast, the evidence analysed in this article shows that the establishment of the cult of St Nicholas in the two regions was an intertwined process, in which the difference between Latin Christendom and Greek Orthodoxy played a minor role. The early spread of this particular cult thus suggests that, as far as some aspects of the cult of saints are concerned, the division between Catholicism and Orthodox Christianity in Northern Europe was less abrupt in the 11th and 12th centuries than has been traditionally assumed. This was due to the fact that the medieval cult of saints was not limited to the liturgy of saints, but was a wider social phenomenon in which political and dynastic links and cultural and trading contacts across Northern Europe often mattered more than confessional differences. When we leave the liturgy aside and turn to kings, princes, traders and other folk interacting across the early Christian North, then the confessional borders are less useful for our understanding of how some aspects of Christian culture were communicated across Northern Europe in the first two centuries after conversion.     

Coarse cloth and clerical tailoring: negotiating Boston-Irish cultural imperatives in the Famine era

Recent calls for updated approaches to the Irish-American historical experience recommend more systematic attention to complexities inherent in Irish immigration and settlement. They also seek further contextualisation of the history of the Irish in the USA within broader North American, transatlantic and global frameworks. The need to review and potentially reappraise longstanding, essentialist perspectives on Irish arrival and assimilation is equally evident. This article expands on foundational narrative histories of the Boston Irish to re-examine Famine-era settlement and contending agendas within spheres of religious affiliation and political activism. The character and evolution of Irish-American ethnic identity, and the tragic imprint of the Famine under consideration here pave the way for new readings of traditional orthodoxies. Collectively, they reveal Boston's Irish historical terrain to be more complex than the record currently suggests.     

An Opportunistic Anglophobe: Charles J. Haughey,the Irish Government and the Falklands War, 1982

This article examines Irish taoiseach (prime minister) Charles J. Haughey’s involvement with the Falklands War of 1982; a hitherto neglected subject related to a defining episode in the history of Great Britain in the post-war era. Specifically, it focuses on Haughey’s relationship with British prime minister Margaret Thatcher during the depths of this crisis and the immediate diplomatic and political fallout between the British and Irish governments in the aftermath of the Falklands War. At the heart of this article is the argument that Haughey’s modus operandi during the Falkland War was motivated by a blend of political opportunism and cynical anglophobia.     

The political significance of the coinage of the Irish Free State

This article examines the political context of the new Irish coinage that was introduced in 1928. It attempts to illustrate how the coins of the Irish Free State were products of the political circumstances of their time. The article also analyses the political negotiations concerning the future of the large quantity of British coins that remained in circulation in the Irish Free State. The conclusion will argue that the Irish coins issued in 1928 were of considerable political importance as symbols of national identity visible to the general public on a daily basis. Symbols of this nature were of particular significance to the Irish Free State because its status as a sovereign state was open to dispute in the 1920s and 1930s. The Anglo-Irish Treaty of 1921 made it clear that the Irish Free State was a Dominion of the British Empire. This article will argue that the political background to the introduction of the new Irish coins reflects wider controversies that dominated Irish politics and external relations in the years between the two world wars.     

On national dress and the problem of authenticity in Ulysses

This article considers James Joyce’s representation of Irish dress, arguing that his ambivalent treatment of it accurately reflects his fractious relationship with the Irish Revival movement. The article begins with a discussion of the metaphor of performance and relates this to issues around “authenticity”. From here, it discusses Douglas Hyde’s thoughts on dress, as presented in “The Necessity for de-Anglicising Ireland”, contextualising these within a brief history of nineteenth and early-twentieth-century Irish dress history, and recognising the important work of women in this. Assessing Joyce’s depictions of Irish dress, especially in “Scylla and Charybdis”, “Cyclops” and “Circe”, this article argues that Joyce sees Irish dress as a contingent and fragile cultural performance.     

An Irish Party and the British Parliament: Conor Cruise O'Brien's Parnell and His Party

This essay reassesses the importance of Conor Cruise O'Brien's Parnell and His Party, 1880–90, originally published in 1957, with particular reference to its significance in the history of the British parliament. While establishing the book's continuing relevance, both as a study of a specific political phenomenon and as a model for analysing political movements, the essay questions aspects which do not hold up in the light of subsequent research. In particular, O'Brien's account and interpretation of Parnell's behaviour in 1890–1 in the aftermath of the O'Shea divorce case is shown to be inadequate in the light of more recent research and writing.     

Playing for Ireland in foreign fields: the Gaelic Athletic Association and Irish nationalism in America

With a few exceptions, the existing scholarship on the relationship between the Gaelic Athletic Association (GAA) and Irish nationalism has largely overlooked the experiences of the Irish diaspora. This article seeks to redress this neglect by exploring the ways in which Irish nationalism has historically been produced, reproduced and contested amongst members of the GAA in the USA. In light of their status as focal points of Irish immigration and as centres of Gaelic games activity in America, the article focuses on the cities of Boston, New York, Chicago and San Francisco. It draws on extensive archival and interview research conducted in each locale since 2000 and reveals that while intensely politicised and ethnic versions of Irish nationalism have historically weaved their way through US branches of the Association, since the mid-1990s there have been a number of socio-economic and political developments both in Ireland and in America that have seen the GAA begin to articulate a more civic, less ethnically bounded version of Irish nationalism.     

A comparison of the 1889 and the revised 1903 edition of Somerville and Ross's first novel,An Irish Cousin

In 1903, after the publication of the second volume of the Irish R.M. stories, Edith ?. Somerville and Martin Ross revised and republished their first novel, An Irish Cousin (1889 Somerville, E. OE., and MartinRoss. An Irish Cousin. London: Richard Bentley, 1889. [Google Scholar]), under its original name. They reduced it from two volumes to one, made global revisions to the plot, and edited it at the word and sentence level. More interestingly, they modified the representation of the main Irish protagonists of the gothic plot, both landlords and tenants. To date, no extensive comparison between the two editions exists. The 1889 edition is rare, so commentators have relied on the 1903 edition even though they often cite the social context of the first edition. This article compares the two editions and provides explanations for the revisions, examining the authors’ personal and professional reasons for these changes voiced in their published and unpublished letters and diaries within the cultural, social, and political context of the period. The comparison briefly considers the implications of these changes for theorists of the Irish Gothic.     

Exploring textures of Irish America: a new perspective on the Fenian invasion of Canada

Within an Irish nationalist history, for those at “home” and especially for members of the Irish American diaspora, venerating heroic rebels and recollecting attempted insurrections are quintessential narratives used to define Ireland's turbulent past. However, on the fringes in that regard has been the American-based Fenian Brotherhood's attempted invasion of Canada in 1866. Arguably a successful effort – although a very brief one, due to the American authorities' obstruction – its international camber and transnational implications may have kept this history apart from premier narratives of an Irish nationalist past. This paper suggests that although in the long term the Fenian invasion of Canada was largely expunged from the Irish/Irish American nationalist canon, initially it was retained, for a short time at least, in popular expressions of Irishness. By turning to “texts” that contemporaneously venerated the Fenians' efforts and uncovering transnational undertones in the process, this paper offers new suggestions concerning the changing textures of Irish America.     

The role of the Irish boundary commission in the entrenchment of the Irish border: from tactical panacea to political liability

The abortive saga of the Irish Boundary Commission has largely been dismissed as a minor footnote that warrants little elaboration in the discussion of Ireland's partition. This is unsurprising considering that its final report was hastily suppressed so as to prevent the destabilisation of the nascent regimes in Northern Ireland and the then Irish Free State. However, the concept of the Commission derives from the intensifying controversies of Irish Home Rule and partition, and the consequent difficulties in establishing how and where a boundary was eventually drawn as well as to the status of the entities it would be dividing. The Commission was legally conceived in Article 12 of the 1921 Anglo-Irish Treaty but confusion over its wording protracted a sequence of events that ensured that it was almost three years before it actually met. Article 12 was eventually interpreted in a restrictive manner, which exposed inherent flaws that were either ignored or naively underestimated when it was originally adapted from part of the post-World War I Treaty of Versailles. Furthermore, the complexities of evidence were inadequately scrutinised by a small and under-resourced panel that operated under considerable political pressure to delimit a precise line that satisfied subjective terms of reference. Nevertheless, the revoked Commission served as a crucial catalyst in defining the Irish Free State's relationship with the British State and in entrenching the territorial framework of Northern Ireland's six counties that exists to this day.     

Putting the border in place: customs regulation in the making of the Irish border, 1921–1945

This paper explores the historical geography of the making of the Irish border through a focus on the practices of customs regulation through which it was constituted and on the impeded, permitted and concealed mobilities of people and objects across the customs boundary after 1923. It traces how legislative change at the level of the state – in this case the governments of the Irish Free State, Northern Ireland and the United Kingdom – was translated into the routine practices of those trying to regulate the movement of people and objects across the customs boundary, and considers the responses of those subject to, and regularly subverting, these efforts. Drawing on recent interests in the prosaic practices of the state, and in materiality and mobility more widely, our focus is both on the work of political power at the border through the practices, texts, tools and techniques of customs regulation, and on the experience and effects of customs control for those living near the newly defined line between Northern Ireland and the Irish Free State.     

Death on the Seine: The mystery of the pagan king Setric

In 943, a pagan king called Setric arrived with a fleet on the Seine, seeking to ‘take over the whole area without a grant from the king’ and to bring the young Richard and his Rouen Northmen back ‘to the worship of idols, and to bring back pagan rites’. But this was not to be because the young Carolingian king Louis IV d’Outremer was quickly on the scene and engaged Setric and his dux Turmod in battle. Louis’s mounted forces were victorious and both Setric and Turmod were killed. As the great French historian Philippe Lauer said: ‘La défaite du viking Setric et du renégat Turmod est un événement important dans l’histoire de l’établissement des Normands en Neustrie’. The mystery examined in this article is, who was this pagan king Setric (ON Sigtryggr) who had been sent to Valhalla? And where had he come from —York or Denmark? It is shown that whilst a Danish origin for King Setric cannot be completely excluded, the equation of a King Sihtric of York with King Setric on the Seine is more likely and is supported by a plethora of onomastic, chronological, numismatic and contextual evidence.     

Stand(ing) up for the immigrants: the work of comedian Des Bishop

This article examines the work of white Irish American stand-up comedian Des Bishop in the context of Ireland's changing demographics. In particular, it situates Bishop within current and controversial debates on ‘undocumented Irish’ in the USA versus ‘illegal immigrants’ to Ireland, debates in which Bishop himself has explicitly intervened. A New York native who has been living in Ireland since the age of fourteen, Bishop's comedy draws upon the convention of the US stand-up as ‘ethnic’ outsider who exposes the foibles of the dominant mainstream, while he also self-consciously asserts his comic persona within the ‘returned Yank’ tradition in Irish American culture. In an increasingly multicultural Ireland, I contend that Bishop has established himself as a mediating figure between white (read: desirable) and non-white (read: undesirable) immigrants to Ireland, a strategy which, I argue, must be approached with caution.     

Crowds,Fenianism and the Victorian Stage

This article examines two Irish rebellion-themed plays in context of the growth of Fenianism in the months preceding the Clerkenwell explosion in order to reveal the ways that popular theatre participated in a wider public discussion about what was seen as the modern phenomenon of the crowd. The melodramatic dramas Oonagh; or the Lovers of Lisnamona (Her Majesty's, 1866) and Achora Machree; or Gems of Ould Ireland (Newcastle-upon-Tyne, 1867) were produced on the eve of one of the greatest Irish–English political crises of the nineteenth century when fears of Irish crowds, and the chaos, violence and contagion they were believed to bring, reached their peak. Both plays feature dangerously ambiguous crowds that alternately form portraits of bucolic sentimentality and forcefully express Irish dissent. This powerful ambiguity mirrors conflicting visions of crowds in this period. While dominant Victorian crowd theory characterized the crowd as a source of chaos that needed to be controlled, political movements such as Irish Republicanism used the organizational form of the crowd to create political and social change.     

Subjectivity and representation in descartes: The origins of modernity

Although ‘Burke and Irish history’ is a theme which has long been known to modern commentators, it has not necessarily been addressed sufficiently. This essay seeks to put forward a more comprehensive account of Burke's views on Irish history than has previously been offered by scholars. According to Burke, the protection of Christianity had brought flourishing science to seventh- and eighth-century Ireland. Nevertheless, the nation was plunged into a barbarous state after the invasions of the Danes and other northern tribes. Burke's sympathy with the Brehon law was possibly unique, although he was not uncritical of it. Unlike the Irish patriots, his chief concern with historical Ireland was not the origins of the Irish legislature. He was rather most interested in the religious affairs which had continued to plague the nation during history. Throughout his career, Burke considered the Irish Rebellion of 1641 to have been ‘provoked’, and continuously endeavoured to remove the penal laws imposed on the Roman Catholics after the Williamite Conquest of 1689–1691. In his view, despite the substantial increase in prosperity after 1688/9, the series of religious persecutions, as well as other oppressive policies, had still obstructed the further progress of Irish society.     

Writing from the margins: Marina Carr's early theatre

This article analyses Marina Carr's first four plays: Low in the Dark (1989), The Deer's Surrender (1990), This Love Thing (1991) and Ullaloo (1991). It aims to show how Carr seeks to eschew the mimetic conventions of what can be seen as a dominant, patriarchal theatre establishment, marking (and possibly maintaining) her marginal position as a theatre-maker at the time. I argue that Carr, at this point in her career, was engaged in distinctly feminist theatre practices. Materialist feminist discourse provides a useful framework for understanding what the emergent dramatist was trying to achieve and the meaningful possibilities of her work. A study of this phase of Carr's career, encompassing all four works preceding The Mai, has not been offered in research on the dramatist to date. In addition to expanding the history of feminist theatre practice in Ireland, it promotes an enriched understanding of Carr's theatre as a whole.     

云南曹溪寺华严三圣的X光照相检测及初步研究

云南省曹溪寺大雄宝殿内的华严三圣属于木雕造像,是宋代大理国时期的遗物。三尊造像造型庄严肃穆,雕刻精美,是国内宋代造像的代表。为了更好地了解和保护木雕造像,通过X光照相检测,获得了三尊木雕造像的制作工艺、历史修复痕迹和保存状况等信息,这些信息对保护文物具有重要的参考价值。本工作是对大型木雕造像进行X光照相检测的一次有益尝试。     

The Negotiated Hibernian: Discourse on the Fenian in England and America

During the 1850s and 1860s, the British Empire faced a threat from nationalists advocating self‐rule for Ireland. Known as the Fenians, the English press quickly identified them as a monolithic terrorist organization and blamed them for all manner of threats against the Empire; furthermore, they argued that elements in the United States, for reasons of their own, supported the separatists. However, the image of the Fenian was far more complex than the simple rhetorical image constructed in the British press, especially when an alternate stream of pro‐Irish rhetoric is considered. Indeed, the Fenian was as much a rhetorical cultural construct as it was a transnational independence movement.