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1.
Realistic images of death and burial appear in unprecedented numbers as illustrations for the Office of the Dead in late medieval prayerbooks. Taking issue with the traditional, generalized interpretations of these images as expressions of the late medieval preoccupation with death, the author argues that the iconography of death ritual that emerged after 1375 was actually a manifestation of the popular need to assert the restoration of social and religious traditions that had been suspended during the period when the Black Death ravaged western Europe. Viewed against the background of pre-plague catholic death rituals and the literary evidence of the disruption and suspension of those rituals resulting from the onslaught of bubonic plague, the new iconography of death and burial assumes social significance that sets it apart from more eschatologically oriented visual and literary themes associated with death and dying during the late middle ages.  相似文献   

2.
广西西林县普驮发现的“铜鼓葬”是古句町一种较为特殊的葬俗,时代为西汉晚期至东汉初,其特殊的葬俗、独特而丰富的随葬品,暗示此类葬俗是专为某类特殊的人群使用。我们认为西林普驮铜鼓葬的主人身份是句町部落集合体中具有显赫权威的精神领袖-巫师。  相似文献   

3.
This article investigates the use of feasts and gifts of food in the household of Eleanor de Montfort between February and August 1265. In his influential The dangers of ritual, Philippe Buc argued, through a study of early medieval chronicles, that rituals in medieval Europe were regularly targets for disruption and aggressive manipulation either in practice or in the texts reporting the rituals. This article tests Buc’s thesis against administrative records from thirteenth-century England. The evidence from Eleanor’s household accounts is illuminated through a study of contemporary literary sources and didactic texts. It concludes that the administrative records indicate that rituals in practice were less habitually the subject of manipulation and conflict than the literary evidence indicates.  相似文献   

4.
ABSTRACT

This article examines the visual culture of the late medieval great residence from the perspective of the female gaze. In 1466, the widowed Alice Chaucer, duchess of Suffolk (c.1404–75), moved several items from her London and East Anglian houses to her principal residence at Ewelme, Oxfordshire. A unique set of inventories reveals that the move anticipated the birth and baptism of one of Alice’s grandchildren at that manor house. Focusing on the tapestries displayed in the main rooms of Alice’s residence, this article argues that the rituals surrounding the birth of Alice’s grandchild – and their occurrence within a female-headed household – provided a gendered viewing context, which both informed, and was informed by, their iconography. It considers how the mutually constitutive relationship between space, iconography and ritual would have authorised an event centred on female bodies, whilst also articulating Alice’s authority as household and family matriarch.  相似文献   

5.
ABSTRACT

Wild birds are intrinsically associated with our perception of the Middle Ages. They often feature in heraldic designs, paintings, and books of hours; few human activities typify the medieval period better than falconry. Prominent in medieval iconography, wild birds feature less frequently in written sources (as they were rarely the subject of trade transactions or legal documents) but they can be abundant in archaeological sites. In this paper we highlight the nature of wild bird exploitation in Italian medieval societies, ranging from their role as food items to their status and symbolic importance. A survey of 13 Italian medieval sites corresponding to 19 ‘period sites’, dated from the fifth to the fifteenth centuries, reveals the occurrence of more than 100 species (certainly an under-estimate of the actual number). Anseriformes and Columbiformes played a prominent role in the mid- and late medieval Italian diet, though Passeriformes and wild Galliformes were also important. In the late Middle Ages, there is an increase in species diversity and in the role of hunting as an important marker of social status.  相似文献   

6.
NEW DISCOVERIES may indicate the location of a previously unknown early medieval burial ground in central Northumberland. Objects discovered during the course of metal-detecting include an assemblage with a folded, pattern-welded sword and zoomorphic shield mount. Excavation indicated near total destruction of deposits as a result of post-medieval land-use and only Bronze-Age burials inserted into bedrock remained intact. Three putative early medieval burials are identified here, with the largest assemblage associated with a high-status male. The sword and shield mount from this assemblage are comparable with finds from high-status burials in southern and eastern England. Together with the landscape context of the site, the assemblage provides evidence for the burial practices of an emerging Northumbrian elite in the late 6th century ad.  相似文献   

7.
Humans use animals as a means of creating and manipulating relationships with other human beings. This process occurs both through the use of animals for food or raw materials and through the use of animals as literary and artistic symbols. Cervus elaphus is Irelands only indigenous deer species. It is also unique in being the only native Irish, wild animal to appear frequently in medieval texts, iconography, and archaeological deposits. This paper brings together diversesources of information to illuminate how early medieval monasteries used reddeer to establish an identity for themselves and to conceptualize socioeconomic relationships with others.  相似文献   

8.
From today's point of view, the concepts of "miasma" and "contagion" appear to be two mutually exclusive perceptions of the spread of epidemic diseases, and quite a number of historians have tried to discuss the history of public health and epidemic diseases in terms of a progression from the miasmic to the contagionist concept. More detailed local studies, however, indicate how extremely misleading it may be to separate such medical concepts and ideas from their actual historical context. The article presented here, based on local studies in late medieval and early modern imperial towns in southern Germany, demonstrates to what extent the inhabitants of these towns had notions of both "miasma" and "contagion." Furthermore, a contextual analysis of language shows that they did not see a necessity to strictly distinguish between these different concepts relating to the spread of diseases. Tracing the meaning of "infection" and "contagion," we find that these terms were used in connection with various diseases, and that a change in the use of the expressions does not necessarily imply a change of the corresponding notion. Moreover, a coexistence of differing perceptions cannot--as some historians have suggested--be attributed to a divergence between the academic medicine and the popular ideas of that period. A survey of measures and actions in the public health sector indicates that a coexistence of--from our point of view--inconsistent concepts helped the authorities as well as the individuals to find means of defense and consolation during all those crises caused by epidemic diseases--crises that occurred very frequently in these towns during the late medieval and early modern periods. As the article demonstrates, the interaction during such crises reveals the continuity of ancient rituals and concepts as well as the adoption of new insights resulting from changes in the economical, political, scientific, religious, and social structures.  相似文献   

9.
This article explores the diversity of the European idea of peace in the late thirteenth and early fourteenth centuries. In the late Middle Ages, a literary genre of “peace writings” emerged. Despite the ubiquitous academic interest in peace, however, late medieval scholastic conceptions of peace have hitherto escaped serious scholarly investigation. Drawing on Johan Galtung's classic typology of the idea of peace, this essay offers an examination of the discussions of Thomas Aquinas, Remigio de’ Girolami, and Dante on peace, which not only illustrates the diversity of late medieval visions of peace but also argues that late medieval thinkers shared the recognition that temporal peace was possible: a significant departure from the Christian skepticism of this-worldly peace.  相似文献   

10.
自从确定“腰坑”这一考古学术语以来,腰坑葬俗文化已逐渐成为考古学、民俗学研究者所关注的课题,近年来对此葬俗做过研究的有郜向平、王志友、杨毕、谢日万、朱海仁、胡庆生、彭文等,以及日本学者井上聪。最近,笔者曾对陕西地区腰坑葬俗的情况进行过肤浅的研究。而此文撰写的目的,是通过对商周时期关中地区腰坑葬俗的具体探讨,以期理清该葬俗在周族、殷族中的变化。  相似文献   

11.
Although not so richly documented as some other French principalities, enough evidence survives to describe various rituals connected with ducal civic entries in late medieval Brittany, which have been largely ignored in recent general literature. This article synthesises this material, highlighting in particular the political and ideological as well as ceremonial imperatives which governed evolving Breton practice between the fourteenth and early sixteenth centuries as the duchy passed from independent rule under the Montfort dynasty into the hands of the kings of France.  相似文献   

12.
This article examines the nature of the illness that plagued Edward the Black Prince (1330–76) for the last nine years of his life and caused his death. The prince's premature death had profound political repercussions and a discussion of his symptoms provides a lens through which to examine late medieval attitudes to a wide range of social, religious and medical issues. The prince's symptoms, especially those described by Thomas Walsingham in his Chronica maiora, suggest traditional explanations of his death are incorrect. This article offers a number of varied but connected medieval and symbolic interpretations as well as a consideration of methodologies appropriate for analysing such material  相似文献   

13.
Siebrecht C 《German history》2011,29(2):202-223
Drawing on women's visual responses to the First World War, this article examines female mourning in wartime Germany. The unprecedented death toll on the battlefronts, military burial practices and the physical distance from the remains of the war dead disrupted traditional rituals of bereavement, hindered closure and compounded women's grief on the home front. In response to these novel circumstances, a number of female artists used their images to reimagine funerary customs, overcome the separation from the fallen and express acute emotional distress. This article analyses three images produced during the conflict by the artists Katharina Heise, Martha Schrag and Sella Hasse, and places their work within the civilian experience of bereavement in war. By depicting the pain of loss, female artists contested the historical tradition of proud female mourning in German society and countered wartime codes of conduct that prohibited the public display of emotional pain in response to soldiers’ deaths. As a largely overlooked body of sources, women's art adds to our understanding of the tensions in wartime cultures of mourning that emerged between 1914 and 1918.  相似文献   

14.
This article examines the nature of the illness that plagued Edward the Black Prince (1330–76) for the last nine years of his life and caused his death. The prince's premature death had profound political repercussions and a discussion of his symptoms provides a lens through which to examine late medieval attitudes to a wide range of social, religious and medical issues. The prince's symptoms, especially those described by Thomas Walsingham in his Chronica maiora, suggest traditional explanations of his death are incorrect. This article offers a number of varied but connected medieval and symbolic interpretations as well as a consideration of methodologies appropriate for analysing such material  相似文献   

15.
Abstract

The Chase family vault (Oistins, Barbados) is widely known as the setting of a macabre nineteenth-century story of moving coffins. On several occasions between 1812 and 1821, on opening the sealed vault to add a new burial, the neatly stacked coffins were found scattered. This legend has never been examined within its contemporary setting, including the Gothic literary and cultural movement. This article seeks to show that the episode reveals much about the negotiation of power in an island society on the edge of slave rebellion, where the planter class were fearful of the enslaved peoples’ continued practice of the banned spiritual and healing rituals known as Obeah. The article further examines how the story reflects notions of otherness, death, materiality, and memory in early nineteenth-century Barbados, where the ordered Protestant world of the planters clashed with what they perceived as the elemental worldview of the enslaved African and Afro-Barbadian population.  相似文献   

16.
Mortuary rituals, specifically secondary mortuary practices with the socially sanctioned removal of all or some parts of the deceased, are a powerful means of social integration during periods of social, economic, or environmental change. Integrating ethnographic data on the social impact of secondary mortuary ceremonies with archaeological evidence from the Late Natufian and Prepottery Neolithic A periods of the south-central Levant, this study explores how the development and maintenance of intentional secondary mortuary rituals, such as with the removal and reburial of skulls, served as powerful communal acts that symbolically and physically linked communities and limited the perception or reality of social differentiation. Continuity within, and meanings behind, secondary mortuary practices during the late Pleistocene and early Holocene prompts the researcher to reevaluate previous interpretations of the relationship(s) among the appearance of formalized social inequality, food production, and the definition of personal relations within Levantine Neolithic communities.  相似文献   

17.
Notes and News     
Abstract

This paper seeks to cast some light on a so-called Green Man ivory knife handle from Perth and on the cultural context from which it sprang. It was made and lost or disposed of during the 14th century and, although its full life-story includes its archaeological recovery and subsequent curation in Perth Museum, its main importance lies in what it can tell us of medieval people. Exploring its material and production, its function as a handle, its iconography and its cultural background reveals this importance. Bringing these strands together gives us a snapshot of medieval cognition, focusing, on the way elements of seasonal ritual were consumed in the medieval burgh of Perth.  相似文献   

18.
An interpretation of the features surrounding the complex and deliberate closure ritual in several collective Middle Neolithic tombs of the Ambrona Valley (Soria) is offered, where fire and quicklime played a major role in the rituals. The problems involved in the excavation and the understanding of this complex burial evidence are examined. The roles they might have played in the context of the important social and economic transformations of the local Neolithic groups around the end of the fourth millennium cal BC are also analysed. It is argued that the burial rituals tried to reinforce group solidarity at a time when the community was beginning to fragment, as the economic systems began to yield a surplus production whose management would have altered political structures.  相似文献   

19.
Kate Manzo 《对极》2008,40(4):632-657
Abstract: This paper asks how images of children are used by prominent signatories to NGO codes of conduct. The answer is that images of childhood and shared codes of conduct are both means through which development and relief NGOs produce themselves as rights‐based organisations. The iconography of childhood expresses institutional ideals and the key humanitarian values of humanity, neutrality and impartiality, and solidarity. Images of children are useful for NGOs in reinforcing the legitimacy of their ‘emergency’ interventions as well as the very idea of development itself. But the dominant iconography is also inherently paradoxical, as the child image can be read as both a colonial metaphor for the majority world and as a signifier of humanitarian identity. The question then for NGOs using this image in social justice campaigns is whether overtly political accompanying texts can nullify the contradictory subliminal messages that emanate from the iconography of childhood.  相似文献   

20.
The use of ding-tripod in Chu tombs was well established in the Warring States period and in most cases, it was strictly implemented. However, exceptions do exist. For example, in tomb of Marquis Yi of the Zeng state, archaeologists found two qiao-ding, which consists of two ding- tripods, one with a fitted lid and the other with a hooped lid. In the tomb No. 1 at Jiuliandun, a ding-tripod with a hooped lid was intentionally used and served as xu-ding. This paper attempts to understand burial rituals of the Chu state during the Warring State period by examining the tomb inventories (catalogues of funerary goods in the tombs) unearthed from the tomb No. 2 at Baoshan. It proposes that the use of ding-tripod in tombs was often adjusted according to the burial rituals.  相似文献   

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