Heavenly Visions: Otago Colonists’ Concepts of the Afterlife

This paper explores popular beliefs about heaven and hell in the largely Presbyterian colony of Otago, New Zealand, during the second half of the nineteenth century. The heresy trials of two prominent clerics resulted, in large part, from the questioning of traditional doctrines on hell, particularly as they related to the fate of dead infants. Although fierce debate surrounded these trials, the diaries, letters, and headstones of Otago residents reveal a pervasive popular belief in heaven as the afterlife destination of all children and most adults. This reflected a growing focus on the innocence, rather than the original sin, of children, coupled with an increasing emphasis on the loving, rather than judgmental, characteristics of God. While clergy emphasized God's presence as the great pleasure of the afterlife, popular visions of heaven clung instead to the hope of joyful reunions with family and friends.     

The origin of the so-called plan of St Gall

In his second provisional report on investigations into the plan of St Gall, the author argues that this famous monastic blue print was drawn up by Theodore of Tarsus, archbishop of Canterbury (668-90), with the cathedral monastery of Christ Church, Canterbury, in mind. The author's first provisional report was published in the journal Baumeister in 1977 (Noll 1977: 74-5); this second report has been translated by John Vaughan from the German edition, published by the author in Munich in 1981, with some revision by the author. The plan has already been the subject of a full-scale illustrated paper in this journal by Waiter Horn (1975:219-57).     

Fighting for the Afterlife: Spiritists, Catholics, and Popular Religion in Nineteenth-Century France

This article examines the position of nineteenth-century French spiritism in relation to the Catholic Church. Spiritism offered an alternative "religion" to French Catholics dissatisfied with the church's traditionalism in a modernizing world. I begin by describing the spiritists' position on Catholic dogma and the movement's place as an urban popular religion. Spiritist critiques of heaven and hell incorporated liberal and republican values, thus making it appealing to these groups who were often hostile to the church. I move next to conflicts between the adversaries. Spiritists, unfettered by dogma or even logic in some cases, freely incorporated the supernatural into the nineteenth-century acceptance of Enlightenment values such as reason and science. The church, unable to deny the reality of supernatural phenomena claimed by the spiritists, limited itself to asserting the devil's hand in these phenomena. It thus could not fully address the challenge of spiritism. Spiritism as a popular religion complicates the assumption by many folklorists regarding the disappearance of popular beliefs in the face of the modern. The article concludes with a call to modify these theories in order to understand an evolving, often urban, popular culture which integrated "tradition" and "modernity" and continually created new forms of the marvellous.     

Marriage,Sex, and the Church of Scotland: Exploring Non‐Conformity Amongst the Lower Orders

The history of marriage amongst the Scottish lower orders in the eighteenth century has largely been a story of sexual discipline by the Kirk (Church of Scotland). As much of this history has been produced through kirk session records — the arm of the church that monitored sexual morality and marital conformity — this is often construed as a story of contest between the church and a resistant lower orders, trying to negotiate alternative forms of family life. Using kirk session and secular court records and popular literature, this article explores how religious belief shaped sexual and marital behaviour, particularly non‐conformity, during this period. It examines the Kirk's interpretation of chastity and marriage, how these ideas filtered into popular culture and were used by the lower orders to negotiate their own sexual and marital behaviour and relationship to the Church. It argues that the Kirk's varying attitude to marital and sexual non‐conformity meant that marital non‐conformity was less significant than sexual sin in the popular and religious imagination.     

The origin of the so-called plan of St Gall

In his second provisional report on investigations into the plan of St Gall, the author argues that this famous monastic blue print was drawn up by Theodore of Tarsus, archbishop of Canterbury (668-90), with the cathedral monastery of Christ Church, Canterbury, in mind. The author's first provisional report was published in the journal Baumeister in 1977 (Noll 1977: 74-5); this second report has been translated by John Vaughan from the German edition, published by the author in Munich in 1981, with some revision by the author. The plan has already been the subject of a full-scale illustrated paper in this journal by Waiter Horn (1975:219-57).     

Edward Abramowski's concept of stateless socialism and its impact on progressive social movements in Poland in the twentieth century

The author traces the impact of Abramowski's ideas on the recent history of Poland. His concepts were not only popular in the Polish Socialist Party (PPS) and the syndicalist movement in the interwar period (1918–1939), but they also exerted a profound influence on the cooperative movement and democratic left-wing opposition in the 1970s and 1980s. The leaders of the Workers’ Defence Committee (KOR) were much influenced by Abramowski's ideas and, according to some researchers, the Solidarity movement from 1980 to 1981 in Poland was the culmination of his concepts. Today's anti-systemic movements in Poland (anarchists, syndicalists, alter-globalists) are also inspired by Abramowski. The author also draws attention to certain similarities between Abramowski's ideas, Kropotkin's idea, Gramsci's concept of civil society and the thought of the young Marx. The author also outlines Abramowski's social ideas in the context of ideas promoted by the main theoreticians of the Polish left in the late nineteenth and early twentieth centuries.     

Conference report: 'L'età dei totalitarismi. Silone e la cultura letteraria e politica degli anni venti-trenta'

Giovannino Guareschi, author of the immensely popular Don Camillo stories and editor of the weekly newspaper Candido, spent 14 months in a Parma prison from 1954 to 1955 for having libelled the former Prime Minister Alcide De Gasperi. To this day, he is the only Italian journalist since the founding of the Republic ever to have served actual, behind-bars jail time for libel. This study examines several aspects of Guareschi's life in prison – the ways he coped with boredom and loneliness, the attempts he made to understand his fellow inmates and how he defiantly tried to buoy his spirits. In particular, it focuses on both his correspondence with his wife Ennia, a collection of 44 letters, and his personal musings kept in two prison diaries – all documents that have never been published. The analysis rectifies common misinterpretations as to why Guareschi purposely refused to appeal his guilty verdict and chose to go to jail, considers how Guareschi presented himself in his writings and contemplates Guareschi's place in the history of Italian prison writing.     

Strathern's Melanesian ‘dividual’ and the Christian ‘individual’: a Perspective from Vanua Lava,Vanuatu

What happens to people's concept of the person when their ‘dividuality’ engages with the Christian concept of the ‘individual’? According to Vanua Lava kastom, when people die they go to sere timiat, the place of the dead. But do they still go there when the person had been a Christian during their life time? Where is the Christian heaven and hell? Is there a separate Christian ‘soul’? Will the dead be eternally separated from each other and their ancestors? Can kastom and Christian concepts be reconciled? Depending on denomination and degree of conversion (devout, nominal, or ‘back‐slider’) people have found multiple answers that help them conceptualise their final resting place. Their answers are of relevance for theoretical debates in anthropology about dividuality, individuality and engagement with modernity.     

The (Jean) Nouvel Other: Primitivism and the Musée du Quai Branly

The Musée du Quai Branly, located beside the Eiffel Tower in Paris, opened in June 2006. Constructed to house France's important collection of non-western art, the museum has been promoted as ‘decidedly post-colonial’ and a place of ‘reconciliation and sharing’. Historians have situated the creation of the museum within political debates over the restructuring of several of France's museums and, more broadly, the country's position in a post-colonial world, while focusing little critical attention on the building itself. The author argues that Jean Nouvel's architectural program for the Musée du Quai Branly—a ‘primitive shelter’ surrounded by a ‘sacred wood’—gives physical form to a primitivist aesthetic. The unproblematised binaries of self versus other and culture versus nature evident in Nouvel's design reveal a surprisingly unsophisticated theoretical standpoint. As a frame in which to view and understand the objects on display, the Musée du Quai Branly invites a primitivist—and colonial—reading of its collection.     

Celebrity humanitarianism and the popular geopolitics of hope along the Thai-Burma border

In June of 2014 Angelina Jolie, actress and United Nations High Commissioner for Refugees (UNHCR) Goodwill Ambassador, visited camps—home to 130,000 Burmese exiles—along the Thai-Burma border to draw international attention to one of the most protracted displacement situations in the world. Her fourth trip to the border since 2002, Jolie's day-long visit was widely commended in popular media. I draw on ethnographic research among Burmese exiles in northern Thailand to argue that the popular geopolitics of hope she engendered is constituted through contradictory impulses of, on one hand, her signification of global capital and the concurrent widespread geoeconomic hope around Burma's deepening integration into global capitalism, and on the other, the far-reaching geopolitics of fear that has materialized around the threat of repatriation resulting from rapid political-economic change in Burma. Thus, this paper builds on recent work in popular geopolitics and geographies of emotion and affect to offer a grounded illustration of the micro-macro linkages between popular culture and everyday geopolitical experience, as well as the often politically nuanced role of celebrities in humanitarian interventions. This paper contributes to ongoing conversations around the relationship between celebrity humanitarians from the global North and the political-economic implications of the affective enrollment of their intended benefactors from the global South.     

The Need for Vengeance or the Need to Mourn? Atiq Rahimi's Exploration of “Afghan” Self-Identity in Earth and Ashes

It has been said of Atiq Rahimi's novel Earth and Ashes that the author intends it to convey a loss of any vision for a better future in Afghanistan. This essay neither disputes nor affirms this, but instead argues that this tone of disillusionment is sustained for a specific purpose—namely, to show how a belief in the Afghan requirement of vengeance helps sustain cycles of violence in Afghanistan. No critical work has explored this key motivation for the writing of the novel; this article does so using a method of close reading that enables an evaluation of the role the reader is afforded as part of this endeavor, be they natives or outsiders to this culture.     

From Flatland to Hypergraphics: Interacting with Higher Dimensions

Abstract

Flatland is over one hundred years old, and it has never been more popular than it is now, with five new English editions in the past six years, and translations into eight foreign languages. Much of its social satire is still pertinent today, and it is only now with the advent of modern computer graphics that we can begin to appreciate the challenge of seeing phenomena from higher dimensions which so baffled the two-dimensional protagonist of Edwin Abbott Abbott's little masterpiece. In this review we begin to answer the questions 'who was the author of this book, and how did he come to write it?'     

‘The best thing ever’: how children's popular culture matters

This paper reflects upon a popular cultural event which was, briefly, for a particular grouping of children in the UK, ‘the best thing ever’: namely the release of the CD-single Reach, by the British pop group S Club 7. I suggest that this event was illustrative of manifold cultural forms and practices which—being ostensibly banal, fun, faddish, lowbrow and ‘childish’—continue to go largely unheralded by many social/cultural geographers. Against this grain, this paper presents three apprehensions of S Club 7’s significance. First, I restate a particular case made via Anglo-American cultural studies that ‘children's popular culture’, ought to be taken more seriously in contexts salient to social/cultural geographers. Second, I detail how the S Club 7 phenomenon existed, practically and materially, and mattered, in some children's everyday lives. Third, refracting cultural geographers' recent apprehensions of affective, evental aspects of cultural practices, I suggest that the pop cultural phenomenon described herein mattered (to those children, there and then) in ways which elude and exceed canonical scholarly habits of writing/knowing popular cultural phenomena.     

"A Good Judge"

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Rumour and politics

This article contends that rumour—the circulation of unverified information —is an important form of political communication which deserves more attention from political scientists. To illustrate this claim a study is made of the part played by rumour in the ‘destabilisation’ of Malcolm Fraser's position as leader of the Liberal Party in August to October 1981. Health is a natural subject of rumour, and rumours about Mr. Fraser's health were used as the basis for speculation about a possible leadership challenge by Mr. Andrew Peacock. The collective character of parliamentary party politics, the artificial nature of media ‘facts’ and the predominance of certain types of news value in the media all encourage such rumours to flourish. The rumours had the effect of destabilising Mr. Fraser's position by creating and then enlarging a climate of uncertainty and anxiety within the Liberal Party and the electorate. Mr. Peacock was thereby enabled to test the strength of his potential support without being obliged to risk an open challenge. The author concludes that the most apt model of rumour to this case is that of ‘milling’, on the analogy of a ‘milling crowd’.     

The "Trial" of Lee Benson: Communism, White Chauvinism, and The Foundations of the "New Political History" in the United States

Lee Benson was one of the first American political historians to suggest a “systematic” revision of traditional political history with its emphasis on narrow economic class analysis, narrative arguments, and over‐reliance on qualitative research methodologies. This essay presents Benson's contributions to the “new political history”—an attempt to apply social‐science methods, concepts, and theories to American political history—as a social, cultural, and political narrative of Cold War‐era American history. Benson belonged to a generation of ex‐Communist American historians and political scientists whose scholarship and intellectual projects flowed—in part—out of Marxist social and political debates, agendas, and paradigmatic frameworks, even as they rejected and revised them. The main focus of the essay is the genesis of Benson's pioneering study of nineteenth‐century New York state political culture, The Concept of Jacksonian Democracy, with its emphasis on intra‐class versus inter‐class conflict, sensitivity to ethnocultural determinants of political and social behavior, and reliance on explicit social‐science theory and methodology. In what follows, I argue that The Concept of Jacksonian Democracy has its roots in Benson's Popular Front Marxist beliefs, and his decade‐long engagement and subsequent disenchantment with American left‐wing politics. Benson's growing alienation from Progressive historical paradigms and traditional Marxist analysis, and his attempts to formulate a neo‐Marxism attentive to unique American class and political realities, are linked to his involvement with 1940s radical factional politics and his disturbing encounter with internal Communist party racial and ideological tensions in the late 1940s at Cornell University in Ithaca, New York.     

Collective memory and its images: Popular urban painting in Zaire — a source of “present past”∗

Based on the example of Zaïre's popular urban painting, the author analyzes the relationship between the collective memory and the social imaginary. The pictorial dissertation on the past and the present of the population of a mining town — Lubumbashi — is an autonomous historical account mostly intended for the petite bourgeoisie. The analysis focusses on two levels of the discourse: (1) the images of the past, in relation to the present, which reflects the collective memory of the group, and (2) the discourse on the balance of power between the state and the civil society. The author compares this urban painting to urban song and to some life stories.     

Joan Barfoot's Exit Lines and the Pastoral of Old Age

This article traces the way in which Canadian author Joan Barfoot's novel Exit Lines draws upon the pastoral tradition in its representation of old age. Pastoral literature has traditionally encoded ideologies of age, and it is the inclusion of pastoral tropes that structures Barfoot's participation in the discussion of population aging currently taking place across disciplines and in the popular media. Pastoral writing is characterized by an acceptance of vulnerability and loss, and this provides Barfoot with an effective counterpoint to a contemporary culture of “positive” aging founded on an ethic of bodily control that alternately stigmatizes and masks the existence of decline and dependency in late life. The novel questions the way in which the rhetoric of crisis that characterizes discussions of population aging threatens to generate resentment against the dependent elderly, whom the novel depicts as vulnerable to exploitation by those who stand to profit from this “crisis.”