On Roman Remains Recently Discovered at Headington near Oxford

Plans to redisplay the Bayeux Tapestry raise anew the questions as to where and how it was originally intended to be displayed. Analysis of the linen fabric provides new insights into the tapestry’s design and manufacture, and enables its original length to be calculated. Re-examination of the (largely destroyed) 11th-century cathedral at Bayeux and of its liturgical layout demonstrates that the tapestry would have fitted neatly into the nave west of the choir screen. Its narrative falls into three discrete sections that reflect the way in which it would have been hung within the building, and the arrangement of the scenes takes account of the uneven bay-spacings of the nave arcades and the positions of the doorways. It can therefore be concluded that the tapestry was designed for a particular location within the nave of Bayeux cathedral. The cathedral’s liturgical traditions shed light on the way in which the tapestry would have been viewed in the Middle Ages, and the wider implications for the way in which it could and should be viewed today are briefly considered.     

Tree-rings and Medieval Archaeology

CAREFUL examination of the horizontal beams above the arches framing the arcades of the 12th-century great hall of the bishop's palace at Hereford has brought to light additional structural evidence shewing that the hall, as originally built, had a clerestory and separate pent-roofs over the aisles. The proposed reconstruction is discussed with reference to surviving but incomplete examples of the same date at Leicester and Farnham, where the evidence for the architectural form is inconclusive. It is compared with earlier illustrations, including those in the Bayeux Tapestry. The evidence of the churches of late 10th and 11th-century date with transverse (diaphragm) arches is also adduced.     

An Anatomy of the London Agent

This article considers the London agent through the careers of Gilbert Mabbott and, to a lesser extent, William Raylton. The London agent was a commonplace in early modern political culture, but the phenomenon is rarely addressed in the historiography. I argue for the importance of the agent to early modern English history in general, but I also consider Mabbott's situation in particular. Because of the civil wars, Mabbott was able to rise beyond his social station as a scrivener and freed himself from the bonds of the patron‐client relationship. This article seeks to define some of the roles played by agents in the early modern period by looking at Mabbott's and Raylton's work for their major employers: Thomas Wentworth, Hull, royalist delinquents and their children, various parliamentary armies, and Oliver Cromwell. It ends by looking at the wealth that Mabbott acquired through his work, both before and after the Restoration, as demonstrative of how an agent's power could yield impressive rewards when freed of social constraints.     

King Stephen,the English church,and a female mystic: Christina of Markyate's Vita as a neglected source for the council of Winchester (August 1139) and its aftermath

One of the central reasons for the disintegration of royal authority (sometimes called ‘the Anarchy’) during the reign of King Stephen of England is generally thought to have been his troubled relationship with the English church. The king was summoned to appear before the legate in England, Henry of Blois, bishop of Winchester (who was also Stephen's brother), at a church council called for Winchester on 29 August 1139, in order to show cause for his conduct in arresting several prominent bishops and in confiscating their property. Several major chroniclers discuss the events leading up to and occurring at the council of Winchester, especially William of Malmesbury in his Historia novella and the anonymous Gesta Stephani. The versions of events contained in these sources are not entirely consistent. The present paper examines yet another recounting of the events of the council, seldom appreciated by historians of twelfth-century England, presented in the Vita of Christina of Markyate (c.1096/98–c.1155/66), composed by an anonymous monk of St Albans between 1140 and 1146. Christina was close to the abbot of St Albans, Geoffrey de Gorham, who was probably the patron of the Vita and who quite likely attended the Winchester council and apparently became involved in its aftermath. These events are recorded in some detail in the Vita, presenting us with a vivid recounting of the council and the immediate consequences thereof. The narrative of the Vita contains a somewhat different picture of the personalities and occurrences surrounding the Winchester council than we encounter in the chronicles. The current essay compares the Vita to the standard accounts. We argue that the Vita may be the earliest and possibly most reliable source for the events of the council. Moreover, if we privilege the report of the Vita, the council becomes an especially significant moment in the breakdown of relations between Stephen and the English church.     

Jean Lemaire de Belges's Rhetorical Masks in L’Amant Vert and “Les Regretz de la Dame Infortunée”

A prominent feature of the poetry of Franco-Burgundian poet and rhetorician Jean Lemaire de Belges (1473–1524) is his use of a rhetorical mask—a persona—through which to proffer his utterances and assert his identity. Because the early sixteenth-century court poet's financially and politically subservient position vis-à-vis powerful aristocratic patrons demands an encomiastic rhetoric that leaves little room for the poet's self-assertion within the body of the poetic text, Lemaire must employ the indirect means of a narrative mask to assert his own existence and concerns. This article examines first the narrative mask of the parrot-lover in the 1505 Epîtres de l’Amant Vert, through which Lemaire is able to voice concerns about his precarious position as a writer almost entirely at the mercy of his patron's good health and good will. A discussion of “Les Regretz de la Dame Infortunée” (1506) follows, in which Lemaire takes an intriguing narratological stance that unites his voice to that of his patroness, Margaret of Austria (1480–1530), ultimately forging an authorial je that speaks for both poet and patron. This nearly mystical union of narrative voices allows Lemaire to express his own concerns about the volatility of the patronage system while concomitantly giving voice to Margaret's mourning at the death of her brother, Philip the Handsome (1478–1506).     

Master Wiger of Utrecht's Liber exemplorum sub titulis redactorum

This article introduces the Liber exemplorum sub titulis redactorum of Master Wiger, provost of St Peter's Collegiate Church, Utrecht (afterwards, a convert to the Franciscan Order, fl. 1209–38). Wiger's collection, which was compiled at some point between c.1205 and 1228, is one of the earliest surviving representations of the genre of ‘example book’. It stands in a far more direct literary relationship with the encyclopaedic compendia produced after c.1250 than with the works of Wiger's contemporaries – authors such as James of Vitry, Caesarius of Heisterbach, Odo of Cheriton and the compiler of the anonymous Cistercian collection recently edited under the title Collectaneum exemplorum et visionum Clarevallense. This is established by an examination of the principles of structure and design in Master Wiger's text, and a comparison of his approach to the emerging problem of textual ‘searchability’ with systems employed by contemporary authors.     

The Anglo-Norman succession debate of II26: Prelude to Stephen's anarchy

On 1 January 1127 Henry 1 made his magnates and prelates swear to accept his daughter Maud as heiress to England and Normandy. In the months prior to the oathtaking, certain identifiable curiales ～ Robert earl of Gloucester, Brian fitz Count, and David king of Scots - seem to have been supporting Maud's candidacy. Others, including Roger bishop of Salisbury and his kinsmen, appear to have opposed her and perhaps to have supported Henry's nephew, William Clito, as heir. The factions resurfaced at Henry's death in December 1135. William Clito having died in the meantime, Roger of Salisbury became one of Stephen of Blois' earliest and strongest supporters. Maud's former friends, Robert of Gloucester and Brian fitz Count, were temporarily immobilized by a violent break between Henry and Maud in the closing months of Henry's reign, but they, along with King David, subsequently became Maud's most active and consistent champions. The two factions differed neither in socioeconomic background nor in ideology. It was not a question of old baronial families on one side and newly-risen curiales on the other, but simply of differing personal allegiances originating in the divisions among Henry's courtiers in 1126.     

On Dilwyn Church

Abstract

The stone castle was probably begun in the first quarter of the 13th century by Alan, the king's steward, or his son, Walter. Bute had only recently been wrested from the kingdom of Man and the Isles, whose overlord, King Håkon IV of Norway, sent two expeditions to retake it in 1230 and 1263. When Bute returned to Scottish control in 1266, the castle was strengthened by the addition of four rounded projecting towers and a gatehouse facing the sea. Rothesay played little part in the Wars if Independence from 1290 onwards. The marriage of Walter III Stewart with King Robert the Bruce's daughter, Marjorie, however, eventually resulted in the Stewarts obtaining the throne in 1371 through Marjorie's son, Robert.

Both King Robert II (1371–90) and his son Robert III (1390–1406) spent time at Rothesay Castle and carried out minor building works. James IV (1488–1513) also took a personal interest in it, and in August 1498 appointed his kinsman, Ninian Stewart, as captain and keeper. He also began construction of the large residential gatehouse, called le dungeon, that was added on to the earlier gatehouse; this work was finished under James V in 1540–42.

In 1685 the castle was burnt by the duke if Argyll, and the keeper's family abandoned it as a residence. In 1816–18, the second marquess of Bute had the courtyard cleared of vegetation and rubble; and in 1871–9, the third marquess cleared the moat and engaged the architect William Burges to carry out restoration of the masonry. The gatehouse hall was also rebuilt in 1900.     

The Internationalism of German Castle Research: Bodo Ebhardt,His European Network,and the Construction of 'Castle Knowledge'

Abstract

Recent monographs and articles emphasize the strong impact of nationalism and racist thinking on archaeology. In contrast to the treatments which focus on single nation states and on archaeology as a politically legitimate science, this paper explores the tension between internationalism and racist premises in German castle research, and how it manifests itself in the construction of knowledge about medieval castles across national borders. I will focus on Bodo Ebhardt, Germany's most famous and influential castle researcher of the first half of the 20th century. The analysis of his scientific work, and of his personal contact with other European researchers as well as with German politicians and patrons, will shed light on the changes and continuities in his network, and in particular on his construction of the past that was influenced by the formation of this network, which, in turn, affected his assessment of medieval castles.     

Changing Notions of Authenticity: Presenting a Castle Over Four Centuries

Bolsover Castle is a 17th‐century mock‐medieval castle built for the Cavendish family. First impressions suggest that its Pillar Parlour has survived with little alteration for nearly four centuries. In reality, there have been minor but telling changes to its fabric. The 18‐century Cavendishes venerated the castle as a shrine to their ancestors. Bolsover’s 19th‐century tenants recreated a romantic Olden Time appearance. The public bodies responsible for the castle in the 20th century used archaeology to reconstruct its 17th‐century form. In each case, these custodians aimed to present the site ‘authentically’, but their work reveals their own contemporary readings of the castle’s history. This evidence, gathered for a Conservation Plan, allowed English Heritage’s re‐display of the castle (1996–2001) to take a more reflective and positive approach to creating new meanings. This use of history to create local important meanings should give good cheer to those managing similar small but significant sites across the world.     

The saint as patron in the work of Gregory of Tours

Gregory of Tours and his world have long been out of fashion; but despite modern neglect of his works, Gregory gives us access to an understanding of many important aspects of late antiquity, among which is the role of the saint as patron. Saints appear as patrons throughout Gregory's works; the focus of this study is his account of the miraculous deeds of St. Martin. The role of the saint as patron is best understood against the background of the recent work of Peter Brown on holy men in late antiquity; several other scholars have also emphasized the importance of patrons in the Roman world. Appeals to the saints in Gregory's world are to be understood as one manifestation of the Roman ritual of appeal to a patron. More important than their afflictions are the social circumstances of those who appeal to St. Martin and analyzing some others in detail, we can demonstrate that the most important elements in those appeals are the social weakness of the appellants, their need for a saintly patron, and Martin's role as a model saintly patron in Gregory's world     

History of German Universities

This article has three main goals. Firstly, it intends to present the interesting but little-studied intellectual figure of Sir Francis Kynaston (1586ca.–1642), his educational enterprises, and his contributions to 17th-century English culture. Secondly, it aims to illustrate in detail his often neglected or, at best, misunderstood political ideas and connect them to the type of debates and controversies he was involved in at the end of the 1620s. In doing so, one of the principal objectives will be to revisit the traditional scholarly interpretations of Kynaston's place within the history of political thought in early modern England. In particular, attention will be paid to the language Kynaston employed to attack a specific political paradigm, that is parliamentarian “patriotism”. Finally, the essay will endeavour to show the interplay between Kynaston's educational project and cultural ideals, on one side, and his absolutist political doctrines and goals, on the other.     

Against the current. Essays in the history of ideas

In An Essay upon Civil Government (1722), Andrew Michael Ramsay mounted a sustained attack upon the development throughout English history of popular government. According to Ramsay, popular involvement in sovereignty had led to the decline of society and the revolutions of the seventeenth century. In his own time, Parliament had become a despotic instrument of government, riven with faction and driven by a multiplicity of laws that manifested a widespread corruption in the state. Ramsay's solution to this degeneracy was the extirpation of Parliament, and its substitution with a monarchy moderated by an aristocratic senate. Ramsay's adoption of certain “Country” elements, including a return to the first principles of the constitution, claimed to reflect the principles of contemporary French aristocratic theory which called for the reform of government through the nobility. In his desire to exclude popular government, and reverse the decline of the state, however, Ramsay utilised the theory with which Bossuet had defended Louis XIV's absolute France. Intriguingly, traces of the natural law system which fortified Ramsay's theory can be found in Viscount Bolingbroke's subsequent attack on Walpole's Whig ministry and the corruption of the state.     

A mother's gift? Astrology and the pyxis of al-Mughīra

ABSTRACT

This article re-examines the most celebrated, and most controversial, of the Cordoban ivories, the al-Mughīra pyxis, from a perspective of gender and kinship relations within the court hierarchy. It proposes an alternative patron for this object, namely al-Mughīra's mother al-Mushtaq, a consort of the Cordoban Umayyad caliph ?Abd al-Rahmān III (r. 929–61) in the latter years of his life, and a patron of architecture. The article suggests astronomical and astrological possibilities for interpreting the pyxis’ unusual iconography, which arise from considering al-Mushtaq as a potential patron of the al-Mughīra pyxis. Key to the argument is the notion that women in the Cordoban court were ‘makers’ of art and architecture, in that they could and did exercise authority through artistic patronage.     

Henry Savile's Tacitus and the English role on the Continent: Leicester,Hotman, Lipsius

This article argues that Henry Savile's widely admired Tacitus of 1591 should not be read as an implied call for a more aggressive English stance against Spanish advances on the Continent (as one recent article suggests), but precisely for a more restrained and prudential approach. Secondly, it calls into question the generally accepted view that Robert Devereux, Earl of Essex, played a prominent role in the composition of the book. It argues that in reconstructing the work's original intellectual context and especially that of the supplement The Ende of Nero and the beginning of Galba, the main emphasis should not be on Essex's political and military career, but on that of his stepfather Robert Dudley, Earl of Leicester. The article provides an investigation (as far as the surviving information allows) of the background in Continental politics and political thought in relation to the text of The Ende, which suggests that it should primarily be read from the perspective of the unsuccessful English intervention in the Low Countries in 1585–88.     

‘I beg you to tear up my letters …’ Nikos Skalkottas's last years in Berlin (1928–33)

Abstract

Nikos Skalkottas (1904–49), the Greek pupil of Schoenberg, was one of the greatest and most prolific atonal and twelve-note composers of the twentieth century, though unrecognised in Athens during his lifetime. The fifty-six letters that he wrote to his patron Manolis Benakis illuminate Skalkottas's life and his music, the financial and emotional difficulties leading to his enforced departure from Berlin, his aesthetic viewpoint, his opinions on Greece and its musical life, and his reasons for composing the popular ‘36 Greek Dances’. This is the first published account of this important documentary source.     

Bernardo del Carpio en el Poema de Fernán González

The focus of the Poema de Fernán González falls squarely on its protagonist, the tenth-century Castilian warrior lord known to us today as Count Fernán González. Nevertheless, a third of the poem is devoted to the narration of events and prominent figures who preceded the Count. Most notable among these is Bernardo del Carpio, a fully fictitious epic hero who prefigures the Count in his willingness to fight for the independence of the Castilian nation. This analysis of the narration of Bernardo's heroic deeds against the invading army of Charlemagne is meant to clarify lingering doubts about the sources of the poem and their mode of transmission.     

Experiencing Dracula's homeland

ABSTRACT

Transylvania has not only a geographical location as a province of Romania but also a mental meaning as Dracula's land. Dracula has become an important brand name for Romania, attracting many tourists in recent years – especially after the fall of communism. The main dimensions of Dracula's castle (i.e. Bran Castle) experiences shared online by tourists were identified to ascertain the primary reasons for satisfaction and dissatisfaction with visits and to test whether narratives and satisfaction vary according to the occasion (i.e. Halloween). Quantitative (i.e. computer-based) and qualitative (i.e. narrative) content analyses were conducted on the Web reviews written by visitors. The results reveal that the experiences are multidimensional, and they include the following themes: ‘castle’, ‘visit’, ‘Dracula’, ‘inside’, ‘tourist’, ‘outside’, ‘trip’, ‘souvenirs’, ‘stairs’ and ‘Dracula's castle’. The main reasons for dissatisfaction are overcrowding, which is connected with the outside theme, and the disappointment of tourists regarding the old furniture, which is associated with the inside theme. The results also reveal that visitors are the most satisfied with their experience around the time of Halloween. The narratives shared online emphasise tourists’ need to associate their imaginings with this region and castle, giving their experiences greater meaning through this destination's image as Transylvania.