Arrival: Anthropology in Hollywood

The recent Hollywood science fiction film Arrival features as its main character a linguist who explicitly references the Sapir‐Whorf hypothesis and linguistic relativism. Unusually for a mainstream film, Arrival presents the insights of linguistic anthropology as a key to the human‐alien encounter and combines these concerns with other key anthropological insights, particularly in relation to notions of time and the embodied nature of writing/drawing. In this article, the author argues that the film can be useful in thinking about anthropological debates on ‘strong’ and ‘weak’ versions of Sapir‐Whorf and suggests that a careful parsing of the anthropological concepts drawn on in the film provides food for thought about the possible usefulness of popular fictional concoctions for thinking through contemporary issues in anthropology and conveying them to a wider audience.     

Reconsidering John Sergeant's Attacks on Locke's Essay

The Catholic polemicist John Sergeant published three major works of philosophy towards the end of his literary career, The Method to Science (1696), Solid Philosophy (1697) and Metaphysics (1700). They were highly critical of what Sergeant saw as the idea‐grounded epistemology of the Cartesians and John Locke, whom he labelled ‘ideists’. Previous scholars have interpreted Sergeant's texts as manifestations of his lifelong obsession with certainty, as initially developed in his Restoration polemics against Anglican divines. Using a previously neglected autobiographical letter, it is demonstrated that Sergeant's intentions were very different. Like Edward Stillingfleet and other critics, Sergeant saw Locke's philosophy as inspiring contemporary heterodoxy. The article identifies the specific channels by which Sergeant saw Lockeanism seeping into irreligion. Moreover, unlike Locke's Anglican critics, Sergeant resorted not to polemical accusations, but to abstract philosophy. This must also be explained contextually: Sergeant wished his works to become textbooks at the universities, concerned as he was by the pedagogical impact of the Essay. A premise of this article is that reception history is less useful for elucidating on the meaning of the received text than for telling us something about the intentions of the receiver, and about the intellectual culture in which the process of reception occurs. With this in mind, the article finishes by recontextualizing Sergeant's works within a broader narrative: his was an attempt to reassert the place of philosophy as a propaedeutic to theology in an age when such a conception of philosophy's social role was coming under intense scrutiny.     

Infidels and miscreants: love and war in Afghanistan

This article reviews the fruits of a sustained collaboration between the writer and reporter Sebastian Junger and the photographer and filmmaker Tim Hetherington, embedded with the US Army in Afghanistan: Junger's meditation, War; Hetherington's photographs, Infidel; and the documentary film they co‐directed, Restrepo. Taken together, these works offer perhaps the most significant insight into the nature of combat, and combat effectiveness, yet to emerge in the era of the ‘war on terror’. Remarkably enough, their fundamental theme is love.     

Tradition as a governing theme in the writings of John Cassian

John Cassian has been criticized in recent scholarship for historical inaccuracy – but it is not self‐evident that his works were intended as histories in the sense that is supposed by that criticism. Instead, Cassian presents himself as the promoter of key traditions. This paper describes of Cassian's own thinking about ‘tradition’ as a key theme in his works. To that end, it aims to redress scholarly misgivings about the worth of Cassian's writings by taking them as the transmission of identifiable traditions into early to mid‐fifth‐century Gaul (rather than as documentary evidence for late fourth‐century Egyptian monasticism).     

Origins of Missionary Periodicals: Form and Function of Three Moravian Publications

The nineteenth century was a boom time for the genre of missionary periodicals. Missionary periodicals were established by religious organizations, societies, and churches for their members, for the general public, for theologians, for women, for children, and for converted non‐Europeans, and their growth reflected the expansion of missionary societies into the non‐European colonial world. Despite the abundance and wide range of these publications, research on the origins, form, and function of missionary periodicals remains limited. This article examines the rationale behind the establishment of three Moravian Church missionary periodicals: the British Periodical Accounts (1790–1970); the German Missions‐Blatt (1837–1941); and the North American The Little Missionary (1870–1920). The article elucidates both broader similarities and differences in missionary periodicals, as well as distinguishing how intentions behind the establishment of missionary periodicals differed from the practice of how religious organizations, societies, and churches utilized these periodicals in presenting themselves to the outside world.     

Bad apples,dead souls: understanding Abu Ghraib

This review article centres on Abu Ghraib, and in particular the images of Abu Ghraib as deployed in Standard operating procedure (2008), the film by Errol Morris and the book by Philip Gourevitch. The article probes the meaning of the images and the circumstances of their creation. It asks, inter alia, what do we know of the soldier‐photographers (or photographer‐perpetrators) who took them? What do we know of Abu Ghraib? And how are we to understand what happened there?     

Comment réorganiser le réseau postal suisse? Une application de l'aide à la décision territoriale

How to reorganize the Swiss postal network? A case study of spatial decision making‐support. This article presents a case study of spatial decision making‐support in relation to the Swiss Post and its efforts to reorganize the postal network in eight Swiss cities. The first part of the article describes the methodology and highlights selected original elements used in the processing of geographic information (spatial analysis and multi‐criteria analysis). The second part, more analytical, examines the process used to apply the method defined in the previous section. Based on a constructivist approach of decision‐support, it explores the modes of interaction between available information and decision makers. The analysis shows that the decision maker is relatively difficult to identify since the decision making process includes a set of partial and dependent decisions that are taken by a diversity of people. In conclusion, geographic information played an important role, not only on the decision, but mainly in allowing decision makers to better understand spatial complexity     

Prophetic Perfectionism: The Afterlives of Nat Turner and John Brown

ABSTRACT

Recent fiction, film, art, and scholarship on nineteenth-century American abolitionists Nat Turner and John Brown shed light on the politics of their prophetic religion. Both men led violent rebellions against slavery for which they were executed. Prophetic perfectionism drove Turner and Brown but tended to fade in works about them. Exceptions to this pattern of reception include Jacob Lawrence's John Brown series (1941), Nate Parker's film The Birth of a Nation (2016), and Ted Smith's book Weird John Brown: Divine Violence and the Limits of Ethics (2014). This essay situates Turner's and Brown's prophetic perfectionism and their reception in the context of contemporary political theologies and aesthetics of religion and race.     

‘The Materialls for the Building’: Reuniting Francis Bacon’s Sylva Sylvarum and New Atlantis

Bacon’s Sylva Sylvarum and his New Atlantis both appeared soon after his death, edited by his chaplain, Rawley. The works are, on the face of it, dissimilar, and have been treated as unrelated, on the assumption that Rawley was merely attempting to rush out (in the wake of his employer’s death) two works that had occupied his last years. In order to establish just what their relation is, we need to establish, first, whether New Atlantis was simply a last‐minute addition to the Sylva volume; second, what Rawley says about their association and how he effects it; and third, whether the two works have other concerns in common that would have led Bacon himself to consider them as companion pieces. Such an examination shows that there were intrinsically connected pieces, and can be used to throw light on the aims of both works.     

Syriac Sources for Seventh-Century History

Abstract

In view of the paucity of other sources for this century, so momentous in the history of the Near East, the Syriac materials take on a particular importance for both Byzantine and Islamic historians. While some of these sources, such as Michael's Chronicle, are well known to all, others lie as yet unexploited and ignored. The purpose of the present article is to collect together in convenient form details of all the main Syriac sources available for the seventh century, listing standard editions, translations and the more important discussions. Fuller information on authors and secondary literature can readily be found by reference to the following works: A. Baumstark, Geschichte der syrischen Literatur (Bonn, 1922); I. Ortiz de Urbina, Patrologia Syriaca, 2nd ed. (Rome, 1965); C. Moss, Catalogue of Syriac Printed Books and Related Literature in the British Museum (London, 1962); S. P. Brock, ‘Syriac Studies 1960–1970: a classified bibliography’, Parole de l'Orient, IV (1973), 393–465. For the topographical history ot the area now covered by Iraq, J. M. Fiey's Assyrie chrétienne, 3 vols. (Beirut, 1965–8), is an invaluable compendium.     

Territorial Appeals in Post‐Wall German Filmmaking: The Case of Good Bye,Lenin!

Abstract: How do institutions, markets, and stakeholders influence what stories are feasible and profitable for filmmakers to tell? This article discusses appeals to territorial interest and identity in filmmaking in post‐wall Germany and the conditions that shape them. By tracing the emergence of the film Good Bye, Lenin! (2003), we see how the project accumulated support from some territories and not others; how filmmakers persuaded colleagues and critics of their interpretation's legitimacy; and how individuals and institutions shape how the film would be used and remembered. My objective is to draw attention to the messiness and uncertainty as multiple stakeholders align, contest, or subsume competing appeals that would be otherwise invisible in a “finished” film. Addressing those interested in the geopolitics of cultural production, the article argues for more attention to the behind‐the‐scenes negotiations in funding, production, and distribution processes in order to keep issues of power and dependence visible.     

Thoughtlessness: Rumsfeld in Washington

This review article considers the case of Donald Rumsfeld and his disastrous tenure as US Secretary of Defense (2001–2006), as recounted by Rumsfeld himself in his memoirs and other writings, and in interviews with the celebrated documentary filmmaker Errol Morris, for The unknown known (2014). In all of these works he appears completely unreconstructed; indeed, remarkably self‐satisfied. The article reflects on Rumsfeld as operator and courtier, and Morris's pursuit of a man without qualities, with reference to Hannah Arendt's notion of ‘the banality of evil’.     

HISTORICAL FUTURES

This article outlines the agenda of a collective research project that aims to explore modalities of historical futures that constitute our current historical condition. To present the collective work adequately, we have teamed up with History and Theory and initiated a long‐term serial publishing experiment. In the coming years, each issue of the journal will feature contributions to this research endeavor. In our project‐opening piece, we briefly introduce the experiment and the premises of the collective research agenda. We begin by recounting the many ways in which increasingly towering novel future prospects have begun to capture the scholarly world's attention across disciplinary boundaries. We then introduce the notion of historical futures. Crediting theoretical inspirations and paying intellectual debts to conceptual relatives, we define “historical futures” as the plurality of transitional relations between apprehensions of the past and anticipated futures. At the core of the article, we formulate our call for a collective investigation of modalities of historical futures and sketch three basic sets of concerns that the explorative works in this experiment may address: kinds of transitions from past to futures, kinds of anticipatory practices, and kinds of registers as interpretive tools that position such practices on a variety of spectrums between two poles (for instance, a value register with the poles of catastrophic and redemptive futures). Finally, we close with a brief note about the necessity of collective endeavors.     

Policy and creative strategies: Hong Kong CEPA films in the China market

Abstract

This article examines the creative strategies of Hong Kong Closer Economic Partnership Arrangement (CEPA) films in engagements with the China market under the framework of CEPA introduced in 2004. One of the aims of CEPA for the film sector is to boost co-production between Hong Kong and the mainland. In the past 10 years, CEPA has dramatically changed Hong Kong cinema’s relationship with China in that major film directors have moved to produce CEPA films to tap into the rapidly growing mainland market. This shift has been considered as part of HKSAR’s overall mainlandization and subsequent disappearance of a distinct local identity. This article revisits this view by presenting two case studies to see if indeed Hong Kong CEPA pictures are devoid of Hong Kong elements. The case studies analyze textual elements of two CEPA blockbuster films, The Mermaid (dir. Stephen Chow, 2016) and The Taking of Tiger Mountain 3D (dir. Tsui Hark, 2014). Citing the intertextual allusions to the directors’ old works seen in these two films, the authors argue that the market advantage granted by the CEPA scheme in effect allowed Hong Kong filmmakers to revive and extend signature creative strategies of Hong Kong cinema, despite censorship constraints.     

The Mafia,the market and the state in Italy and Russia

Pino Arlacchi (1983) La mafia imprenditrice (Bologna: II Mulino); translated by Martin Ryle as Mafia Business: The Mafia Ethic and the Spirit of Capitalism (London: Verso, 1986), $13.95, ISBN 0‐86091‐892‐0.

Raimondo Catanzaro (1988) II delitto come impresa: storia sociale della mafia (Padua: Liviana Editrice); translated by Raymond Rosenthal as Men of Respecc: A Social History of the Sicilian Mafia (New York: Free Press, 1992), $22.95, hardback, ISBN 0‐02‐905325‐0.

Diego Gambetta (1992) La mafia siciliana: Una industria della protezione privata (Turin: Einaudi revised paperback edn, 1994); translated as The Sicilian Mafia: The Business of Private Protection (Cambridge, Mass.: Harvard University Press, 1993), $39.95 hardback, ISBN 0‐674‐80741‐3.

Salvatore Lupo (1993) Storia della mafia dalle origini ai giorni nostri (Rome: Donzelli Editore).

Alexander Stille (1995) Excellent Cadavers: The Mafia and the Death of the First Italian Republic (New York: Pantheon), ISBN 0679425799.

Stephen Handelman (1995) Comrade Criminal: Russia's New Mafiya (New Haven, Conn.: Yale University Press), $27.50, hardback, ISBN 0‐300‐06352‐0.

Robert Putnam (1993) Making Democracy Work: Civic Traditions in Modern Italy (Princeton, NJ: Princeton University Press), $39.95, hardback, $14.95, paperback, ISBN 0‐691‐03738‐8.     

Culture and international society

This article investigates a hypothesis drawn from Martin Wight, that a society of states lacking a shared culture, as a result of expansion beyond its original base, will be unstable. This instability hypothesis has been influential in how the English School has presented the history of the expansion of European international society to a global scale. The article starts by offering two models of how a global international society could have come about since the late classical era: a multicultural encounter among several expanding civilizations (polycentric), or the takeover of the system by one centre (monocentric). Using these models as a backdrop, two accounts of the expansion story are developed. The Vanguardist account emphasizes the exceptionalism of European culture, posits a 500‐year period of western domination, sees multiculturalism and the decline of western power as problematic, and tends to pessimism about the future of international society. The Syncretist account emphasizes the permanence of cross‐cultural exchange, posits only a 200‐year period of western dominance, sees culture and international society as evolving together, and is not pessimistic about the stability of international society. These two models and two accounts are then used to assess the possible future of international society. The article argues that culture is less of a problem for international society than Wight, and much of the English School, suppose. The evidence for the substantial success of syncretism is strong and provides considerable stability to most of the likely outcomes. The key problem is not culture, but socio‐political structure. How can what North et al. call natural states and open access orders find shared practices and institutions that do not destabilize international society?     

“Operation Exodus”: Israeli government involvement in the production of Otto Preminger's Film Exodus (1960)

This article explores the Israeli government's enthusiastic and substantial role in the production of Otto Preminger's Exodus (1960), the influential pro-Zionist film on the creation of Israel which was loosely based on the highly successful novel by Leon Uris. This involvement followed a decade of mostly unsuccessful Israeli government endeavors to encourage its many supporters in Hollywood to produce films in and about Israel: both for their potential economic rewards and for international propaganda. Utilizing archival sources in the United States, Britain, and especially Israel, this article charts Israeli efforts to encourage Hollywood productions in the 1950s and the extent to which Israeli officials provided encouragement and assistance to Exodus: first to the novel and then critically to the film. The article shows that the film producers took into account British and Arab observations too. However, the degree to which Exodus served Israeli propaganda themes is finally demonstrated by the eager efforts made by Zionist bodies and Israeli government officials to promote its international distribution.     

The Labor of (Re)reading Plantation Landscapes Fungible(ly)

This article centers Saidiya Hartman's and Hortense Spillers' theorizations of Black fungibility as well as two speculative visual works in order to read Black bodies on plantation landscapes as symbols of transition, process, genderlessness and boundarylessness. I argue that reading Black bodies in this way breaks with the totalizing visual, conceptual and ontological regime of labor that tends to over determine Blackness within critical theories. Two visual fields help me with this counter read: William Gerrard De Brahm's 1757 “Map of South Carolina and a Part of Georgia”, as well as Julie Dash's 1991 images of the porous indigo‐stained hands of former slaves who worked indigo in the film Daughters of the Dust. While these two images oppose one another, their visual conventions enable a break with colonial and humanist scopic regimes like “Black labor” that tend to subsume multiple and intricate processes into the governing logic of labor.     

The Poeta Saxo at Paderborn: episcopal authority and Carolingian rule in late ninth‐century Saxony

This paper argues that the Poeta Saxo's epic poem about Charlemagne was composed at the bishopric of Paderborn as part of a wider literary programme that included both the Translatio sancti Liborii and the Vita sancti Liborii. Near the close of the ninth century, when Paderborn's renown and resources were at their lowest ebb, these three works articulated an image of episcopal authority, touted the pre‐eminence of Paderborn, and made a bid for royal patronage.