Exploring textures of Irish America: a new perspective on the Fenian invasion of Canada

Within an Irish nationalist history, for those at “home” and especially for members of the Irish American diaspora, venerating heroic rebels and recollecting attempted insurrections are quintessential narratives used to define Ireland's turbulent past. However, on the fringes in that regard has been the American-based Fenian Brotherhood's attempted invasion of Canada in 1866. Arguably a successful effort – although a very brief one, due to the American authorities' obstruction – its international camber and transnational implications may have kept this history apart from premier narratives of an Irish nationalist past. This paper suggests that although in the long term the Fenian invasion of Canada was largely expunged from the Irish/Irish American nationalist canon, initially it was retained, for a short time at least, in popular expressions of Irishness. By turning to “texts” that contemporaneously venerated the Fenians' efforts and uncovering transnational undertones in the process, this paper offers new suggestions concerning the changing textures of Irish America.     

Putting the border in place: customs regulation in the making of the Irish border, 1921–1945

This paper explores the historical geography of the making of the Irish border through a focus on the practices of customs regulation through which it was constituted and on the impeded, permitted and concealed mobilities of people and objects across the customs boundary after 1923. It traces how legislative change at the level of the state – in this case the governments of the Irish Free State, Northern Ireland and the United Kingdom – was translated into the routine practices of those trying to regulate the movement of people and objects across the customs boundary, and considers the responses of those subject to, and regularly subverting, these efforts. Drawing on recent interests in the prosaic practices of the state, and in materiality and mobility more widely, our focus is both on the work of political power at the border through the practices, texts, tools and techniques of customs regulation, and on the experience and effects of customs control for those living near the newly defined line between Northern Ireland and the Irish Free State.     

The Curious Case of the Vanishing Debate over Irish Home Rule: The Dominion of Canada,Irish Home Rule,and Canadian Historiography

In the 1880s, the British Empire was abuzz with debate over the Irish Home Rule Bills being discussed at that time in the Westminster Parliament. The Dominion of Canada was no exception and the Canadian House of Commons held no fewer than three debates on the concept of Irish Home Rule. Studying these debates provides a way to explore British identity beyond the British Isles. Although the nineteenth century attempts to implement Irish Home Rule were ultimately a failure, for almost half a century the concept was discussed throughout the Empire. This article takes an in-depth look at the Canadian parliamentary response to Irish Home Rule. In doing so, it argues that the debates reveal much about British identity in the Dominion, at least at the parliamentary level, and sheds light on conceptions of Britishness in the wider British world. It also suggests that these imperial debates represent an important stage in the development of Canadian history and deserve to take their place in Canadian historiography.     

Reframing the “Irish Question”: the role of the Irish co-operative movement in the formation of Irish nationalism, 1900–22

This article examines the role of the Irish co-operative movement in the early twentieth century and argues that it played a crucial role in shaping a popular understanding of the “Irish Question”. This mass-membership movement impacted upon the development of the Irish state and population. By taking this rural, social movement as a lens to analyse Irish society in the early twentieth century, social and economic issues re-emerge as central components to a contemporary understanding of Ireland's increasingly contested position within the Union. As the expectation of some kind of political resolution to demands for political independence grew during the First World War, radical nationalism absorbed a social and economic discourse that originated within the co-operative movement in its critique of the British state as it operated in Ireland. Irish co-operation represented a sophisticated form of political economy that provided an influential ideological platform for Irish nationalists as they anticipated some form of political independence.     

Illuminated addresses,national identity and Irish sport, 1880–1901

ABSTRACT

This essay examines the cultural significance of illuminated sporting addresses in Ireland at the turn of the twentieth century. Illuminated addresses were used in civic society as a means of commemoration, celebrating retirement and relocation for instance, and they were also physical expressions of public sporting events in Ireland. Illuminated addressees are documents which provide an insight into the cultural histories of late nineteenth- and early twentieth-century Irish sport. This essay pays particular attention to illuminated addresses sponsored by members of the Gaelic Athletic Association and also considers the significance of a late 1890s example which was funded by supporters of the Irish horse-racing which sheds light on the sub-culture of the Irish turf. Illuminated addresses are meaningful documents and this essay recovers, for the first time, some of their hidden history.     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.     

Subjectivity and representation in descartes: The origins of modernity

Although ‘Burke and Irish history’ is a theme which has long been known to modern commentators, it has not necessarily been addressed sufficiently. This essay seeks to put forward a more comprehensive account of Burke's views on Irish history than has previously been offered by scholars. According to Burke, the protection of Christianity had brought flourishing science to seventh- and eighth-century Ireland. Nevertheless, the nation was plunged into a barbarous state after the invasions of the Danes and other northern tribes. Burke's sympathy with the Brehon law was possibly unique, although he was not uncritical of it. Unlike the Irish patriots, his chief concern with historical Ireland was not the origins of the Irish legislature. He was rather most interested in the religious affairs which had continued to plague the nation during history. Throughout his career, Burke considered the Irish Rebellion of 1641 to have been ‘provoked’, and continuously endeavoured to remove the penal laws imposed on the Roman Catholics after the Williamite Conquest of 1689–1691. In his view, despite the substantial increase in prosperity after 1688/9, the series of religious persecutions, as well as other oppressive policies, had still obstructed the further progress of Irish society.     

Between the lodge and the meeting-house: Mapping Irish Protestant identities and social worlds in late Victorian Toronto

The urban lives of Irish Protestant immigrants and their descendants are a neglected feature in geographies of the Irish diaspora. Prominent settlers from the early nineteenth century, they played a key role in the shaping of a host culture in Anglophone Canada. The social and spatial processes that moulded Irish Protestants into a wider loyal British identity are examined at a number of scales in Toronto, 'the Belfast of North America'. After initially exploring the rhetoric and practices of city-wide institutions that served many Irish Protestants, the autobiographical reflections of John McAree are used as a case study on the micro-geographies of everyday lives experienced within local space as well as an empirical test for Bourdieu's ideas of practice and 'habitus'.     

Gaeltacht Thuaisceart an Oileáin Úir: post-territorial Irishness and Canadian multiculturalism

In 2007 a remarkable development for the Irish language outside of Ireland took place. A dedicated space for speaking and learning the language was established in Ontario, Canada, now known as Gaeltacht Thuaisceart an Oileáin Úir. While the adoption of the term ‘Gaeltacht’ may be controversial in an allochthonous context, this site is sustained by a diasporic community that endeavours to preserve an Irish cultural identity through learning and speaking the language. This paper presents the results of fieldwork conducted among Irish-language learners in Canada who have invested time and resources to establish a permanent space for the language. Data retrieved through an online survey reveal that the language serves as a vehicle for those wishing to maintain or connect with an Irish cultural identity, as well as for those outside of the diaspora who learn the language for other social, professional or educational purposes. Notably, such narratives are perfectly at ease within a modern, multicultural Canada.     

Coarse cloth and clerical tailoring: negotiating Boston-Irish cultural imperatives in the Famine era

Recent calls for updated approaches to the Irish-American historical experience recommend more systematic attention to complexities inherent in Irish immigration and settlement. They also seek further contextualisation of the history of the Irish in the USA within broader North American, transatlantic and global frameworks. The need to review and potentially reappraise longstanding, essentialist perspectives on Irish arrival and assimilation is equally evident. This article expands on foundational narrative histories of the Boston Irish to re-examine Famine-era settlement and contending agendas within spheres of religious affiliation and political activism. The character and evolution of Irish-American ethnic identity, and the tragic imprint of the Famine under consideration here pave the way for new readings of traditional orthodoxies. Collectively, they reveal Boston's Irish historical terrain to be more complex than the record currently suggests.     

The Irish rent … and mended: transitional textual communities in nineteenth-century America

In this paper, traditional folkloric forms that were ritualised and practised in pre-Famine Ireland are examined. So, too, are the strategies that storytellers employed in disseminating the imaginative aspects of the oral tradition to their audiences. Following the disruption of the storytelling tradition precipitated by the Great Famine and emigration, the fabric of Irish storytelling lay threadbare, both in Ireland and abroad. Of interest is the fact that in America the less “heroic” and more subtle strands of Irish folklore resurfaced in the theatrical venues that developed during the second half of the nineteenth century, namely, minstrelsy, Vaudeville, and Tin Pan Alley. By the turn of twentieth century, the Irish were responding to other “heroic” depictions of themselves, not only with protestation but also with “tongue-in-cheek” laughter. Their grounding in a variety of folkloric texts in Ireland enabled them to transition to multiple kinds of accommodation and expressive resistance.     

The Last September: Irish modernism,narrative deferral,historicist determinism

This article questions the idea that Irish literary modernism is defined by Irish postcoloniality. The continued influence of historicist approaches in literary studies have inspired an understanding of Irish modernism as determined by material base. An oversight of such approaches, however, is that much of the respective fiction which constitutes Irish modernism resists representing the cultural circumstances from which it emerges. Particular to this predicament is Elizabeth Bowen’s The Last September given that it is the novel which is often read as representing Ireland’s transition from colonial to postcolonial status. Through an analysis of its fractured, and thus typically modernist, narrative strategy, this article argues that colonial history is an absent presence which lacks constitutive meaning in this fiction, and thus suggests that Irish literary modernism does not neatly correspond to or reflect the story of Irish monumental history.     

“Much the more political of the two”: Mabel FitzGerald and the Irish revolution

This article offers an assessment of the career and ideology of the Irish republican and Cumann na mBan activist Mabel FitzGerald, née McConnell (1884–1958). From a staunchly Unionist Belfast Presbyterian family, Mabel converted to republicanism while an undergraduate in the early 1900s. In 1911 she eloped with Desmond FitzGerald, a Catholic poet. The couple became prominent nationalist activists, and participated in the Easter Rising. In 1922 Desmond, now a minister in the provisional government, supported the Anglo-Irish Treaty. This caused a rift with Mabel, who remained a republican. Although she chose not to separate from her husband, she retained her republican sympathies; there is evidence that she continued to offer aid to the anti-Treaty side. After the Civil War, Mabel and Desmond were reconciled, and she strongly revised her political views, eventually coming to regret the Irish separatist project. Mabel FitzGerald’s career offers insight into the nature of radicalisation among Irish nationalist activists, as well as providing an example of the competing loyalties of family and politics that frequently informed and constrained the actions of nationalist activists.     

The marriage plot and the plot against the Union: Irish Home Rule and endangered alliances in Henry James's “The Modern Warning”

By the period of the Irish Home Rule crisis – in which Catholics and liberal Anglicans lobbied for limited self-government while northern Presbyterians campaigned to keep Ulster wholly within the Union between Ireland and Great Britain of 1800 – certain of those of pre-Famine northern Irish Protestant origins (the “Scots-” or “Scotch-Irish”) identified with the position of their Presbyterian brethren in Ulster. This identifiably Ulster Protestant engagement with the Home Rule debate is detectable (and generally overlooked) in the Scots-Irish Henry James story “The Modern Warning”. Moreover, equally discounted is the fact that James's story deploys the Irish literary convention of the marriage plot as metaphor for political union in order to grapple with a moment in which that alliance is – in the unionists' view – in danger. This article concludes that the political-union-as-marriage trope still sporadically returns at moments of political crisis in the British Isles, as occurred during the 2014 Scottish independence referendum debate.     

Estranging Ireland: The underground self of the Irish free state in Joseph O’Neill’s Land Under England

Land Under England is an out of print, rarely-cited Irish science fiction novel by the author Joseph O’Neill. Written at a time of crisis in Irish society in the 1930s, the novel has been relatively ignored in studies of the literature of the period. Although critics of science fiction tend to situate the novel as a purely anti-fascist work, taking its cues from events happening in Europe, this article places the novel firmly within its postcolonial Irish context, opening up the text to alternative readings based on the writings of Irish historians, as well as Marxist, cultural materialist and postcolonial critics. The article also utilises documents such as work written by O’Neill in his capacity as a civil servant, letters to the author from the controversial author Francis Stuart, and reviews contemporary to the publication of the novel.     

Reproductive cancer: female autonomy and border crossing in medical discourse and fiction

Using three contemporary Irish novels: Down By the River and The Light of Evening by Edna O'Brien and My Dream of You by Nuala O'Faolain as well as Irish Medical Journal, I suggest that representations of female cancers are images of female pathology that reify and question disease as limitation of autonomy. Tracing the image of reproductive cancers through parts of the Irish cultural artifacts displays how both the fiction and Irish medical discourse attend disproportionately to female reproductive cancers. The texts construct female bodies as sites of pathology through textual representations of reproductive cancer and build upon Irish metaphors of landscape as female, which conceptualize women's (immobile, permeable) bodies as the site of invasion. Thus, fiction and health genres construct (and restrict) gender autonomy through two versions of border control: movement across body borders and movement across spatial, especially geopolitical, borders.     

Fitting into a New Place: Irish Immigrant Experiences in Shaping a Canadian Landscape

Escaping one heritage of British colonialism for another, Irish immigrants to Canada in the nineteenth and early twentieth century helped to shape the image of Canada and Canadian nationalism. In this paper, I compare the diversity of Irish immigrant experiences in Canadas urban and wilderness landscapes. The Irish immigrant experience in major urban centers is well documented. Community neighborhoods, Church activities and domestic and manual labor constitute just part of the stories of urban Irish Canadians in cities such as Toronto. The popular conception of the Irish as strictly city people is strengthened by the lack of discussion of the Irish immigrant role in taming (and ideologically shaping) the wilderness of Western Canada. It is argued that this has to do with the colonial image of the Irish from which British imperialist Canada sought to distinguish itself.     

The political significance of the coinage of the Irish Free State

This article examines the political context of the new Irish coinage that was introduced in 1928. It attempts to illustrate how the coins of the Irish Free State were products of the political circumstances of their time. The article also analyses the political negotiations concerning the future of the large quantity of British coins that remained in circulation in the Irish Free State. The conclusion will argue that the Irish coins issued in 1928 were of considerable political importance as symbols of national identity visible to the general public on a daily basis. Symbols of this nature were of particular significance to the Irish Free State because its status as a sovereign state was open to dispute in the 1920s and 1930s. The Anglo-Irish Treaty of 1921 made it clear that the Irish Free State was a Dominion of the British Empire. This article will argue that the political background to the introduction of the new Irish coins reflects wider controversies that dominated Irish politics and external relations in the years between the two world wars.     

The Irish Sandow school: physical culture competitions in fin-de-siècle Ireland

ABSTRACT

Beginning with an examination of Ireland’s turn of the century interest in physical culture, this article highlights the case of Eugen Sandow’s “Great Competition” and its Irish contestants. Seen as a precursor for today’s bodybuilding competitions, Sandow’s contest enjoyed submission photographs from hundreds of half-naked men – many of whom were Irish – posing in Greco-Roman pose. In studying this topic, the article addresses two pressing issues. In the first instance, the article examines how and why physical culture competitions became a competitive outlet for Irishmen in the first decade of the twentieth century. Secondly, it argues that these contests were often connected to broader societal ideals surrounding acceptable forms of masculinity. The article thus examines a previously unexplored but nevertheless important part of sporting and athletic behaviour in early twentieth-century Ireland.     

On national dress and the problem of authenticity in Ulysses

This article considers James Joyce’s representation of Irish dress, arguing that his ambivalent treatment of it accurately reflects his fractious relationship with the Irish Revival movement. The article begins with a discussion of the metaphor of performance and relates this to issues around “authenticity”. From here, it discusses Douglas Hyde’s thoughts on dress, as presented in “The Necessity for de-Anglicising Ireland”, contextualising these within a brief history of nineteenth and early-twentieth-century Irish dress history, and recognising the important work of women in this. Assessing Joyce’s depictions of Irish dress, especially in “Scylla and Charybdis”, “Cyclops” and “Circe”, this article argues that Joyce sees Irish dress as a contingent and fragile cultural performance.