Communication in a visual mode: papal apse mosaics

ABSTRACT

Apse mosaics are a form of visual communication employed by popes throughout the Middle Ages, from the sixth through to the thirteenth centuries. This essay examines the nature of this visual mode and the means by which viewers could understand it. A theory of viewing widely attributed to Pope Gregory I (590–604) is shown to be especially pertinent to early medieval apse mosaics and to the twelfth-century mosaic in the apse of S. Maria in Trastevere. The apses of thirteenth-century popes display a new, more explicit approach to visual messaging that required less interpretive effort by the viewer. Two mosaics made at the end of this century were signed by the artist who made them. The emergence of the artist as a competing author of the image diminished the utility of this form of papal visual communication, which immediately fell out of use.     

Framing papal communication in the central Middle Ages

ABSTRACT

This essay examines the production and consumption of papal communication in the central Middle Ages. It outlines the development of the papacy, which formed the historical and political framework for papal communication, and discusses the processes, themes and meanings behind various types of communication relating to the papacy in Latin Christendom principally between the years 1100 and 1300. Particular emphasis is placed upon the plurality of responses to papal communication and on the relationship between papal communication and authority, and papal self-identity and perceptions. The essay introduces seven diverse and interdisciplinary articles in a special issue of the Journal of Medieval History on the papacy and communication in the central Middle Ages.     

‘Uproot and destroy,build and plant’: legatine authority under Pope Gregory VII

Confronted with the need for scholarly criteria in properly defining the ad hoc papal institution existent under Pope Gregory VII (1073–85), this paper seeks to clarify the title, office, and jurisdiction of the eleventh-century reforming legate. Discussing the Roman origins of this office through to the twelfth century – taking into account the political, ecclesiastical and legal constraints of the period – questions are raised concerning the extent and nature of legatine authority (especially as the reformers understood it). Contemporary criteria are unclear, but modern scholars can infer some regularities from Gregory VII's Register and other contemporary sources as to how this office operated in the last quarter of the eleventh century, and ultimately, to understand more clearly how reform was being implemented in the provinces.     

Anchoring Pontifical Authority: A Reconsideration of the Papal Employment of the Title Pontifex Maximus

It is a common assumption that the title of supreme priesthood or pontifex maximus is included in the official papal titulature, and it has been supposed that the Roman bishop adopted it from the Roman emperor in late antiquity. In fact, however, it was probably not until the fifteenth century that the designation was first used by the papacy, and it has continued to be part of papal representation ever since. The title was deeply rooted in the Roman imperial past. At several stages in papal history the papal agency felt the need to draw back (again) on this ancient, traditional title and managed to successfully (re‐)introduce the title by anchoring it in the cultural biography of the papacy.     

Innocent III and the world of symbols of the papacy

ABSTRACT

This essay explores some of the papal symbols which assumed particular prominence during the pontificate of Pope Innocent III (1198–1216). These symbols belong to different modes of expression: metaphoric speech and writing (vicarius Christi, the pope’s body); clothing (pallium, tiara); objects (the Golden Rose); and visual art (the mosaic in Old St Peter’s). It is argued that the pope – and his curia – employed these symbols to represent the special position of authority which the pope held within the Church and society at large, and that several of them played a role in ritual enactments of papal authority. It is furthermore argued that they should be seen as part of a coherent system of symbols and that many of them serve to emphasise the relationship between the pope and Christ, and thus represent Pope Innocent III’s ecclesiological programme in which the pope as God’s representative on earth plays a pivotal role.     

Exile and return in John Mauropous,Poem 47

Abstract

The author reads an epigram by John Mauropous as an engagement with epic and biblical traditions. Critical studies of exile and return from different eras of the Greek literary tradition by Émile Benveniste, Gregory Nagy and Nancy Sultan are used to provide a theoretical approach to the tradition with which Mauropous engages. It is suggested that Mauropous' wanderings in the territory of the xenos and return to the familiar world of the philos, and especially his personification of his home as a trophos (nurse), allude to Homer, and that epic language and motifs strengthen the poet's assertion of selfhood and make ancient literary themes relevant to Mauropous' life as a scholar and churchman.     

Material memory: rebuilding the basilica of S. Cecilia in Trastevere,Rome

Examining Pope Paschal I's early ninth‐century architectural project of S. Cecilia in Trastevere, Rome, brings to light the diversity of functions of tituli in early medieval Rome. Not only was the church a papal basilica and site of the stational liturgy of Rome, but it was also a shrine to the saint Cecilia, a popular Roman martyr. The architectural arrangement makes clear that the papal project incorporated both the papal cult and the popular cult of the saint by manipulating the archaeology of the site and translating corporeal relics to the urban church.     

Ritual,what else? Papal letters,sermons and the making of crusaders

ABSTRACT

This article investigates the importance of papal letters and crusade sermons for the process of recruiting crusaders and analyses different communicative aspects which were at play during events recruiting for the crusade. It argues that both papal letters and sermons were vital elements for effective crusade propaganda but that they fulfilled distinct functions. While letters emanating from the papal curia set the strategic, organisational and legal goalposts for crusade propaganda, crusade sermons were central to the successful recruitment of crusaders. The article highlights the performative aspects of crusade preaching by Pope Urban II at Clermont in 1095 and Abbot Martin of Pairis at Basel in 1200 and shows that ritualised communication played an important role during recruitment events.     

‘Uproot and destroy,build and plant’: legatine authority under Pope Gregory VII

Confronted with the need for scholarly criteria in properly defining the ad hoc papal institution existent under Pope Gregory VII (1073–85), this paper seeks to clarify the title, office, and jurisdiction of the eleventh-century reforming legate. Discussing the Roman origins of this office through to the twelfth century – taking into account the political, ecclesiastical and legal constraints of the period – questions are raised concerning the extent and nature of legatine authority (especially as the reformers understood it). Contemporary criteria are unclear, but modern scholars can infer some regularities from Gregory VII's Register and other contemporary sources as to how this office operated in the last quarter of the eleventh century, and ultimately, to understand more clearly how reform was being implemented in the provinces.     

Clothing as communication? Vestments and views of the papacy c.1300

ABSTRACT

This essay argues that Pope Boniface VIII (1294–1303) used clothing in a highly intentional and performative manner to communicate his status and authority. His audience, however, was quite limited – essentially, the small community of those who aspired to hold or influence the power of the Holy See – and the messages conveyed were not particularly complex. Attempting a reception history of papal attire c.1300, the essay surveys remarks regarding clothing in late thirteenth- and early fourteenth-century chronicles and analyses in depth the evidence of two sources: ambassadorial reports to King James II of Aragon (1291–1327) and the De electione et coronatione sanctissimi patris domini Bonifatii pape octavi of Cardinal Jacopo Caetani Stefaneschi (c.1270–1343). A suggestive finding is that performativity, or the highly theatrical use of garments, appears to have been used by Boniface VIII to foster dissemination of simple communications across great distances.     

A Byzantine hagiographical parody: Life of Mary the Younger

Abstract

In this paper, it is argued that The Life of Mary the Younger, an anonymous Byzantine text of the eleventh century, has a conscious intertextual dialogue with the oldest Byzantine Life venerating a holy woman, the Life of Macrina written by her brother, Gregory of Nyssa, between 380 and 383. The intertextual relation between these two female Lives takes the form of parody. Following Linda Hutcheon's theory of parody, this article shows how the anonymous hagiographer of Mary reworks Gregory's authoritative text to create a new work, a parody in terms of postmodern literary criticism, whose aim was to criticise old and contemporary customs, conventions and ideologies. In other words, the present article approaches and decodes the literariness, the function and ideology of Mary's Life in the light of Macrina's Life.     

Roman soil and Roman sound in Irish hagiography

ABSTRACT

Irish hagiography displays considerable interest in communication between Ireland and Rome, particularly as this featured saints, popes and relics. While people and objects travel between the two places, there is also concern to circumvent the distance involved. This article discusses an episode of miraculous communication in the Irish Life of St Colmán Élo. Here messages and messengers travel from Rome, but time and space are also telescoped through aural and material means: the sound of the bell marking the death of Pope Gregory the Great and a gift from him of Roman soil to be spread on Colmán Élo’s cemetery. The article considers how the two elements function within their hagiographical context to connect Rome and Ireland, and how these places shaped the account. The roles of bell and soil both draw on their associations in Ireland and relate to papal communication as this was experienced and imagined more widely.     

Art as research: an interview with Liliane Lijn by Barry Miles

ABSTRACT

In conversation with the biographer and author Barry Miles, the artist and poet Liliane Lijn talks about her early influences as a young American artist living and working in Paris, Athens and New York and the development of her practice between 1959 and 1970. She recalls her encounters with prominent surrealists, poets and artists of the Beat generation: André Breton, William Burroughs, Gregory Corso, and her enduring friendship with Greek sculptor Takis. Inspired by the experimental nature of their works, Lijn explains how her own work focused on research and invention. She describes her Poem Machines as ‘seeing sound’ and explains her growing interest in science and, in particular, light. Lijn details the long and complex gestation of Liquid Reflections, her most well-known cosmic work of the late 1960s, and how working with industry and technology allowed her to increase both the scale and complexity of her oeuvre.     

Visitor experiences: art,architecture and space at the papal curia c.1200

ABSTRACT

The Lateran Palace in Rome was the main papal residence and the administrative centre of the papacy in the central Middle Ages. The physical setting that confronted visitors to the Roman curia at the Lateran Palace during the pontificate of Innocent III (1198–1216) can be explored by piecing together information from curial material and the few visitors’ accounts about the architecture, art and use of space within this no-longer existent building. The article examines how visitors perceived the palace and the use of space within it, placing particular emphasis on visitors’ admission to the different areas of the palace which determined their access to the pope and other members of the curia. The ways in which the layout and decoration of the palace reflected and reinforced notions of papal authority are also discussed.     

Dominican Dignitaries and Private Preaching at Papal Avignon Part I: The Sermon by Pierre de Palme (12 March 1340)

ABSTRACT

Private preaching at papal Avignon (or in general, for that matter) has yet to receive much scholarly attention, in part because the texts of private sermons are not always easy to come by. The survival of two private sermons, both by Dominican dignitaries and both delivered to the same audience (a cardinal and his familia) in the same venue during the same Lenten preaching cycle, provide an opportunity to explore the phenomenon of private preaching at the Avignonese curia. In the first article of a three-part series, I present the edited text of the sermon by Pierre de Palme, Prior of the Dominican Province of France; the second text will appear in part II, with analysis and observations in the third and final part.     

Contextualising the papal censure of the Disputationes de Indiarum Iure (1642). The consultores of the Congregation of the Index

This study discusses hitherto unknown aspects concerning the papal censure of the work by the Spanish jurist Juan de Solórzano Pereira, author of the two-volume treatise on Derecho indiano, known as the Disputationes de Indiarum Iure. Immediately after the publication of its second part in 1639, the Curia (under the government of Pope Urban VIII Barberini) prompted the Congregation of the Index in Rome to examine Solórzano's seminal treatise and, eventually, condemn its section about Spain's royal patronage of the Church. By looking at the circumstances of the censure (e.g. the early ‘leak’ orchestrated by the Congregation, the other reports about the censure), the present work aims at bringing to the attention of scholars the Solórzano file conserved in the Vatican archives. Considering both the reasons of the censure and the circumstances under which it developed, the present study sheds new light on the complex relationship between Spain and the Papacy in the first half of the seventeenth century and beyond.     

Between two kings: Pope Honorius III and the seizure of the kingdom of Jerusalem by Frederick II in 1225

The consensus on Pope Honorius III (1216–27) is that he was a conciliatory politician who lacked the harder edge possessed by Innocent III, his immediate predecessor, and Gregory IX, his successor. Yet, using overlooked evidence regarding the role of Honorius in Frederick II's seizure of the kingdom of Jerusalem from John of Brienne in 1225, this article reveals that he was capable of acting in a ruthlessly pragmatic manner. It provides a rare case study of the duplicitous uses that could be made of the papal chancery by an early thirteenth-century pope while navigating a difficult diplomatic path between two kings.     

Reconsidering reputation through patronage: Cardinal Napoleone Orsini and Angelo Clareno at the Avignonese papal court

The changeable politics of Cardinal Napoleone Orsini (c.1262/3–1342), negotiator and pope-maker, have been explained for over a century as the expression of his independent character and antagonistic relationships. Significant moments in his early career are interpreted as deliberate opposition to his own family's policies. This generalisation does his political acumen and familial loyalty a disservice. In particular, the rationale for his political decisions has previously been relied upon in explanations for his support of the Spiritual Franciscans, reformers and sometime separatists within the Franciscan Order. The cardinal's impact on the group has likewise been understated, as scholars have largely focused on their spokesmen's intellectual output, with limited investigation of the political support that enabled their survival. Orsini was connected to the group's spokesmen at the papal court at Avignon, including the prolific author Angelo Clareno (c.1250–c.1337). Close examination of Clareno's letters allows for a reinterpretation of the relationship. Orsini family documents reframe the relationship as part of an established familial tradition of Franciscan patronage. In this larger picture, the impetus for the cardinal's idiosyncratic patronage of the Spirituals becomes, instead, a small strand in the much larger network of familial obligations and patronage responsibilities. This also sheds further light on the fourteenth-century papal curia.     

Law,Principle, and the Theologico-Political History of Sovereignty

Abstract

This article takes it cue from the debate between Carl Schmitt and Erik Peterson regarding the possibility of political theology within Christianity, and in response, offers a conceptual-historical portrait of sovereignty and its juridical dimensions. Beginning with the introduction of Roman law into the medieval Church, the article traces the logic of “legal principle” as the basis of sovereign decision and how the form of legal distinctions adopted into canon law translate the Romanitas of law into the theory of papal sovereignty. By the Romanitas of law, that is to say the principle of sovereignty in law. The article then seeks to describe the conceptual translations of Roman politics and Stoic metaphysics into theological form and the logic of this translation into medieval natural law. The article concludes by evaluating how the civic theology of Rome is conceptually inherited by the politics and legal framework of sovereignty and returns to Peterson’s critique of Schmitt, arguing that political theology can be understood as a dynamic where politics is theologized, assuming that in the history of religion, theology and politics are never fully distinct to begin with.