From verifiable authenticity to verisimilar interventions: Xintiandi,Fuxing SOHO,and the alternatives to built heritage conservation in Shanghai

ABSTRACT

The introduction of contemporary architecture into historic urban environments creates an open heritage discussion that includes the underlying relationship between development and conservation. This discussion requires theoretical clarification, as heritage conservation is frequently mistaken for other architectural design approaches that, even though they may operate within the historic environment as their primary source, do not comply with the complex definition of heritage authenticity used today. This article aimed to contribute to this debate, offering a characterization of such architectural design strategies operating through principles of verisimilitude that target authentication for tourists and the creative classes in a global city like Shanghai. Comparative studies of Xintiandi (Ben Woods, 2001) and Fuxing SOHO (Von Gerkan, Marg und Partner, 2015) provided an insight into the concepts of historic re-creation and abstract inheritance, currently used as ways of interpreting the historic residential typology of the Shanghai lilong according to the economic and political aims of the entrepreneurial model of governance. This allowed a critical evaluation of the growing attention paid to heritage in Shanghai in the last 25 years, and whether the substitution of the principle of authenticity for authentication has solved the contradictions between urban conservation and development in contemporary China.     

‘Let’s find out’: the historian laureate and participatory heritage discovery

ABSTRACT

Developing modes of engagement in the construction of public heritage knowledge emphasize participatory media and active collaboration with citizens. The City of Edmonton created the first historian laureate position in Canada in 2010, and related programs are still rare. This article considers the interaction of narrative content with social and technological contexts of production, viewing the role of the historian laureate as amateur historian and professional storyteller. The historian laureate operates primarily in accessible contexts of leisure, mediated in part through digital technologies, and can respond relatively directly to community interests as a heritage coordinator rather than expert. Rather than representing oppositional or disruptive power to official heritage discourses, the project enables the production of ‘small heritages’ through a series of story episodes. These stories focus on events, people, places and artifacts that typically fall outside the meta-narratives and monuments of a city’s heritage landscape. The historian laureate, embodying or articulating local experience in ways amenable to leisure activity, demonstrates capacities to produce largely indeterminate, diverse and porous ideas of place and histories as part of a bottom-up social generation of knowledge.     

The Civilisation Cards: US Army Style.

Abstract

The term ‘heritage crime’ has been recently brought into the spotlight by English Heritage — the organization tasked with protecting England’s heritage assets — and is attracting an increasing amount of attention from individuals and organizations from a range of disciplines. Heritage crime includes recognized crime types (such as arson, criminal damage, theft, and graffiti) but arguably has a greater impact on the country’s legacy for future generations because of the types of sites affected. This paper presents an initial examination of our understanding of heritage crime, and limitations to that knowledge. The paper contributes an initial typology to facilitate future interdisciplinary discussions of the problems facing heritage assets, and presents a possible route for expanding our ability to tackle this problem. Whilst this is an initial foray into the world of heritage crime, it is hoped that this paper will act as a stimulus for further discussion and action.     

Towards a holistic approach to heritage values: a multidisciplinary and cosmopolitan approach

ABSTRACT

In this paper, we explore the ‘Preservation/Heritage Values/Management’ triptych, and we propose a new method for addressing the values attributed to cultural heritage sites. Combining multidisciplinary and cosmopolitan approaches, we propose a way of moving beyond the traditional lens of assessing significance within the imposed categorical framework of ‘aesthetic, historic, scientific, social or spiritual values’. We provide an example of our new approach through a worked case study in the Maloti-Drakensberg Park World Heritage Site (South African section). Our case study concerns the values associated with the world famous San (Bushman) rock art of this mountain area. Through a thematic analysis of data collected in this area from 2009 to 2017, six cross-cultural interest points are identified and are discussed. Building upon the history of values-based heritage management, we argue that our multidisciplinary and cosmopolitan method is transferable and can be applied to heritage sites around the world. It can facilitate the construction of heritage management plans that are more in tune with local actors and that will therefore prove to be more effective and sustainable.     

This is not a Monument: Rhetorical Destruction and the Social Context of Cultural Resource Management

Abstract

Cultural resource management is often seen as a matter of identifying and valuing historic buildings, monuments and landscapes, and protecting their special interest through a suite of suitable heritage legislation and policy. However, unexpected damage and loss of heritage assets occur with regularity despite clear identification of their importance and the existence of suitable heritage legislation. While this problem is frequently seen as exceptional, this paper argues that it is not helpful to see these cases as such. Instead, it is argued that such cases highlight the social context within which cultural resource management takes places and, in particular, the rhetoric that is employed within the context of competing discourses.     

Investigation Techniques for the Seismic Response Assessment of Buildings Located in Historical Centers

ABSTRACT

It is an acknowledged fact that historical centers, given its significance from the cultural and architectural viewpoint, bring further challenges in terms of maintenance planning, survey, and safety assessment. The preparation of an adequate investigation plan and the extent of data to be collected is highly reliant on many aspects, such as the category of the architectonic asset, the importance of the heritage site, or the resources available, for example. In what regards the seismic response assessment of urban cultural heritage assets located in historical centers, the amount and detail of data also depend on this article, scale of assessment, and current state of conservation and occupation. Within this framework, this article provides an overview of the state of the art of investigation techniques currently used in survey operations, which are currently available for improving the knowledge level of urban cultural heritage assets within historical centers, as a supporting tool for the seismic response assessment of such singular assets. Finally, acknowledging the lack of accuracy when evaluating the seismic response of an asset enclosed in aggregate as an isolated structure, this article also focuses on the identification of the main particularities inherent to buildings enclosed in aggregate.     

Conserving by aesthetics,conserving by development: the rescaling and worlding of global south heritage

ABSTRACT

This study investigates the genealogy of rescaling the cultural armature of heritage in the Global South rooted within the colonial culture and postcolonial aid programs. Taking the case of historic Cairo, it explores how policies have developed through experimental practices of conservation to scale up authority, control, and power over residents and neighborhoods from the 19^th century to the present. The paper theorizes two paradigmatic approaches of conservation practices – by aesthetics and development – which have expanded Cairo’s inventory of monuments. The infatuation of heritage experts (the Comité de Conservation des Monuments de l’Art Arabe and Aga Khan Trust for Culture) with old neighborhoods has fostered accumulation by dispossession, disrupting people’s environments to generate a worlding image of heritage. The paper concludes with the metaphor of conservation practices as re-construction sites, as they repurpose the relationships between heritage, people, and their means of governmentality.     

Funder and facilitator: Swedish development aid aimed at cultural heritage in Bosnia and Herzegovina 1995–2008

ABSTRACT

The paper investigates the relationship between the Swedish development agency Sida and Cultural Heritage without Borders (CHwB), a facilitating organisation in the field of cultural heritage in Bosnia and Herzegovina (BiH) following the Bosnia War. From 1995 to 2008 CHwB was the only NGO in BiH working to preserve cultural heritage, and was almost exclusively funded by Sida. From having been an organisation focusing on the restoration of historic monuments, CHwB transformed into becoming an NGO facilitating social and economic development. The paper suggests that CHwB gradually changed from having a very particular position of working with the preservation of an ethnically diverse cultural heritage with the aim of promoting reconciliation, to one where it needed to focus on reconstruction and its implications for economic development. By analysing a large number of key documents using Norman Fairclough’s critical discourse analysis this change is interpreted in relation to changes taking place within the landscape of international aid and post-conflict recovery.     

A cultural justice approach to popular music heritage in deindustrialising cities

ABSTRACT

Deindustrialisation contributes to significant transformations for local communities, including rising unemployment, poverty and urban decay. Following the ‘creative city’ phenomenon in cultural policy, deindustrialising cities across the globe have increasingly turned to arts, culture and heritage as strategies for economic diversification and urban renewal. This article considers the potential role that popular music heritage might play in revitalising cities grappling with industrial decline. Specifically, we outline how a ‘cultural justice approach’ can be used within critical heritage studies to assess the benefits and drawbacks of such heritage initiatives. Reflecting on examples from three deindustrialising cities – Wollongong, Australia; Detroit, USA; and Birmingham, UK – we analyse how popular music heritage can produce cultural justice outcomes in three key ways: practices of collection, preservation and archiving; curation, storytelling and heritage interpretation; and mobilising communities for collective action.     

The Sound of Silence: Valuing Acoustics in Heritage Conservation

This paper explores the reasons behind the omission of historic acoustic values from heritage assessments in Australia. Best practice dictates that all cultural heritage values associated with significant places should be assessed in order to make informed conservation and management decisions. However, the multi‐sensory nature of aesthetics has been reframed in guidance documentation in ways that run counter to the primary frame. Conventions that have developed around the way places are assessed also work against comprehensive identification of values. As a result, the consideration of aesthetics in cultural heritage is limited to contemporary visual qualities. Furthermore, because the assessment of historic value takes a diachronic rather than synchronic approach, we have little knowledge of the places past communities valued for the sounds they experienced there. Research into landscape preference and acoustic ecology highlights the importance of identifying the inherent acoustic dimension of places and the role sound plays in developing a sense of place. Two landscape areas in Western Australia's south‐west with historic acoustic values, the Boranup Sand Patch and the Lower Reaches of the Blackwood River, illustrate how historic soundscapes can provide insightful contrasts and resonances with contemporary values, and how vulnerable such places are when the sound of place is overlooked in land management policies.     

Community Engagement in Historical Site Protection: Lessons from the Elmina Castle Project in Ghana

Abstract

Engaging communities in the protection of heritage means that the communities living around the heritage sites are involved in the process of identifying issues that affect the conservation of these sites and can propose ways by which they can be addressed. In Ghana, the Elmina Castle project shows close collaboration between the communities living around these slave forts and castles, the legal custodians, and other stakeholders. This case study unpicks the process to show how the existing traditional systems were approached and involved. The result of this participatory collaboration is a strategic document which will be implemented to ensure proper protection of these sites in the wake of development and modernization.     

Intangible cultural heritage and the better angels of folklore’s nature

Abstract

Folklore research in the United States typically is completed either through academic departments or in organisations designed to create public presentations of traditional expressive culture. These two approaches are termed ‘academic folklore’ and ‘public folklore’. The intellectual history of both approaches has recently been critiqued. One result of this deconstruction is an ambivalence over the historical legacy of key concepts in the study of folklore. Assessing elements of the critical study of folklore’s history – in both academe and the public sector – suggests opportunities for reconstituting the study of traditional culture to establish a more socially responsive approach that is relevant to ways that heritage professionals assess folklore as intangible culture heritage.     

Critical heritage studies and the legacies of the late-twentieth century heritage canon

ABSTRACT

In recent years an interest in ‘critical heritage studies’ (CHS) has grown significantly – its differentiation from ‘heritage studies’ rests on its emphasis of cultural heritage as a political, cultural, and social phenomenon. But how original or radical are the concepts and aims of CHS, and why has it apparently become useful or meaningful to talk about critical heritage studies as opposed to simply ‘heritage studies’? Focusing on the canon of the 1980s and 1990s heritage scholarship – and in particular the work of the ‘father of heritage studies’, David Lowenthal – this article offers a historiographical analysis of traditional understandings and approaches to heritage, and the various explanations behind the post-WWII rise of heritage in western culture. By placing this analysing within the wider frames of post-war historical studies and the growth of scholarly interest in memory, the article seeks to highlight the limitations and bias of the much of the traditional heritage canon, and in turn frame the rationale for the critical turn in heritage studies.     

The DEEPSAL Project: Using the Past for Local Community Futures in Jordan

ABSTRACT

The Deep Past as a Social Asset in the Levant (DEEPSAL) project, conducted in 2015–16 by the Council for British Research in the Levant, examined two communities in southern Jordan, Beidha and Basta, who live near significant Neolithic archaeological sites. The project collected information on the communities’ current socioeconomic conditions, their relationship with local cultural heritage and how that cultural heritage currently benefits or hinders them. The information was used to inform nascent strategies to utilize the sites sustainably as development assets and suggest alternative strategies as necessary. The results showed that a tourism-based strategy is suitable for Beidha but there was a need to focus on basic business skills. For Basta a tourism-based strategy is currently unsuitable, and efforts should rather focus on supporting educational activities. The results of the project are presented here within the context of archaeology’s increasing interest to use archaeological resource to benefit local communities, and outlines lessons for that effort.     

Scaling heritage. The construction of scales in the submission process of alpinism to UNESCO’s intangible cultural heritage list

ABSTRACT

For the last two decades, the polysemous notion of ‘scale’ has drawn an increasing amount of attention among scholars studying heritage policies and practices, often with regard to UNESCO conventions. Significantly, in many of these works, terms such as ‘global’, ‘national’ and ‘local’ are connected to categories of ‘scale’ or ‘level’ that are taken for granted by the scholars who use them to guide their analysis. This paper, in contrast, promotes a different, constructivist understanding of the notion of scale. From our perspective, there is an added value to be found in focusing—without using any preconceived or external conception of scale—on the ways in which stakeholders conceive of and use scale throughout the processes of heritage making. Using the case of alpinism and the creation of its file for submission to the Intangible Cultural Heritage list, we show that the interest of this approach lies in its comprehensive ability to highlight how people define, elaborate and use scale in order to qualify their practices or to achieve specific goals.     

Sculptures in captivity and monkeys on megaliths: Observations in zoo archaeology

Abstract

This paper reconsiders some aspects of displays at archaeological open-air museums and heritage sites by looking in some detail at how wild animals are presented in zoological gardens. Topics discussed include the historic and current functions of collecting ancient artefacts, the various appeals of different artefacts and displays, trends in attracting visitors, the significance of systematics and typology, narratives reflected in the overall exhibition design, and the role of displaying artefacts in a specific ‘culral’ context. I argue that we should learn from zoos by placing a stronger emphasis on sensory experiences and visitor satisfaction in order to convey the ‘magic’ of the past.     

Book reviews

Abstract

This paper explores the decision-making process for heritage management at the monastic community of Mount Athos, a World Heritage Site in Northern Greece, in relation to the concept of living religious heritage and the pursuit to balance the heritage values of both the experts (heritage professionals) and the non-experts. The function and impact of a specific heritage agency — KEDAK (Centre for the Preservation of Athonite Heritage) — designed to establish the decision-making power of the Athonite monasteries will be critically discussed. A range of interesting compromising solutions and some challenges and problems raised by the function of this agency will serve as the background for examining the extent to which different perceptions on heritage management can coexist, particularly when heritage professionals find themselves on the bottom of a top-down decision-making process.     

Crossed gazes over an old city: photography and the ‘Experientiation’ of a heritage place

Abstract

The paper analyses a group of photographs of the old city of Porto, a UNESCO World Heritage Site. The photograph is used as a medium to elicit the ways different social agents experience and relate to Old Porto as a heritage place. The photographs were collected as part of a wider research project on the way sense of place of Porto’s old city was differentially constructed by local inhabitants, tourists and the City Council. Illustrated postcards were also analysed. The findings demonstrate the usefulness of this particular form of image-based ethnographic research in understanding the forms in relation to a heritage lived-in place.     

A Blaze in the Northern Sky: Black Metal and Crimes Against Culture

Abstract

This paper focuses on an act that can be seen to typify what heritage organizations might con?dently describe as a ‘crime against culture’: the deliberate destruction by ?re of a twelfth-century wooden stave church at Fantoft in Norway in 1992. This paper uses the case study of Fantoft to challenge the ways in which heritage organizations (in this case Norway’s Directorate of Cultural Heritage) establish and protect mono-cultural narratives and push interpretative agendas predicated on an uncritical concept of universal ‘value’ and its equation with material authenticity. It also examines how distinct minority communities construct new meanings, values, and traditions without reference to institutional narratives, a process that, whilst arguably initiating a more meaningful dialogue with the past, brings in train a new set of problems.     

Modelling the heritage world: Economic,legal and political considerations

Abstract

The economic literature on heritage has primarily analysed the impact of building preservation on real‐estate values and community redevelopment. Recently, economists have expanded their study on heritage to include everything from historic buildings and antiques to museums and monuments. However, this research ignores the political and legal characteristics of heritage and is used primarily to justify government expenditures on heritage. The economic study of heritage should include a conceptual framework to explain the process through which certain artefacts acquire historic significance and value. This framework would provide guidance to establish which economic agents form part of the heritage world and what incentives guide them to join it. With this framework in place., we can evaluate how the tools used by these agents to obtain their own goals affect the provision of historic resources.