The Decline of the Shepherd Metaphor as Royal Self-Expression1

In the Old Testament, shepherd is a common metaphor of kingship, and this metaphor is sometimes also used to denote the Israelite god as a ruler (See for instance HALOT entry ??? ). In Assyrian, Babylonian, Egyptian and Greek works this metaphor is remarkably more common in pre-exilic literature than in the later Greek and Roman literature, where it is almost absent. In this article I argue that shepherding was central to Assyrian and Babylonian ruling class identity, while absent as royal self-expression in the Persian, Achaemenid Empire. The imageries of these empires were influential as models for court life throughout the Ancient Near East, and beyond.     

Persianisms: The Achaemenid Court in Greek Art, 380–330 BCE

The Persians held sway over the Greek imagination for more than 200 years. The image of Persia shifted in that time from xenophobic hostility, caused through fear of the encroaching presence of the Persian empire, through to curious acceptance of its dominance. Much study has been given to the formative decades of the construction of the Persian “Other” in Greek art, but the fourth-century image of Persia has remained relatively unexplored. This paper demonstrates how Greek artists of the period 380–330 BCE fixated on the life and accomplishments of the court of the Achaemenid Great Kings and argues that instead of offering an orientalist clichéd view of Persian life, it attempted to understand and disseminate bone fide Iranian images of court society.     

A Persianizing Cup from Lydia

The kantharoid-cup examined here may serve as an examplar of the various currents which are evident in the pottery producing traditions of archaic Lydia. Although our knowledge of Lydian pottery is still in great need of enrichment features derived from other regions are apparent in finds made in the Sardis area, and beyond. The kantharoid cup is clearly decorated in a manner firmly anchored in archaic Lydian practice, but ultimately derived from an East Greek source. Its shape, however, is borrowed from eastern traditions, specially – as realia and iconographic representations show – from the Achaemenid repertoire. It is in this context, as an item of emulation of élite practice, that the adoption of this particular shape in Lydia is best understood.     

Re-establishment of Achaemenid History and its Development in the Nineteenth and Twentieth Centuries

Iranians were aware of Sasanian history through traditional historical writings, but they knew nothing about Achaemenid history. Following European travelers to Persia from the fifteenth century, who were well prepared by reading the classical and biblical texts, Persepolis and Pasargadae were rediscovered and Achaemenid history re-established in the nineteenth century. The rise of Reza Khan to power and his grand emphasis on nationalism and ancient Iran that characterized his reign also left a deeper impact on Achaemenid studies in this period. In this paper the re-establishment of Achaemenid history and its development in nineteenth and twentieth centuries are discussed and reviewed.     

Forts or agricultural estates? Persian period settlement in the territories of the former kingdom of Judah

ABSTRACT

The territories of the former kingdom of Judah were only sparsely settled during the Persian period, as exemplified by the extreme rarity of domestic structures unearthed in excavations. Viewed against this background, the large number of excavated forts and isolated administrative buildings from this period is remarkable, and they apparently outnumber the period's excavated dwellings. Not only is this an extremely unlikely situation, but various lines of evidence, pertaining to specific sites as well as to the phenomenon as a whole, render the possibility that all these structures were forts or administrative buildings re-examines implausible. Consequently, this article reexamines the phenomenon within the social landscape of the region in particular, and of the Achaemenid empire in general, in an attempt to embed those unique buildings within the broader demographic and political reality of this time. Given the location of many of the sites and the finds unearthed in them, and in light of the demographic reality in the region and of the broader Achaemenid imperial policy, the article suggests that most of the so-called forts were estates, created in the process of the resettlement of this previously devastated region.     

The Study of Ancient Iran in the Twentieth Century

The following article discusses the development of ancient Iranian studies, namely the important philological, archaeological, religious, and historical discoveries in the twentieth century and how they have changed our views of ancient Iran and its impact on modern Iranian identity. The essay also previews the use and abuse of ancient Iranian studies by the state and their focus on the newly discovered Achaemenid Empire at the cost of Arsacid and Sasanian dynasties.     

Who Has the Biggest Bulls? Royal Power and the Persepolis Apadāna

Relationships between power and architecture are a feature of all great civilizations and the Achaemenid world was no exception to this. The architecture of Achaemenid buildings and their relief sculpture was designed to reflect and reinforce the power and status of the Great King. At the heart of this visual program lay the audience hall (apadāna) at Persepolis. In seeking to explain and understand the messages written into this building, we tend to approach the structure as a completed work and view it from the last point in its lifecycle. As a result, we focus on its tribute procession relief and allow ideas of empire to dominate our gaze. This limits our ability to understand how and why the building’s intended audience and message of power might have diverged at different stages in its construction. This article re-examines the art and architecture of the audience hall at Persepolis and redirects the viewer’s gaze to the images of bulls rather than the tribute procession. In focusing on the role of bulls in the scheme of decoration, the article presents a more nuanced reading of the building in its historical, social and architectural context. It shows how Darius I used the Persepolis apadāna to display his authority to rule and to assert the primacy of his status amongst his fellow elites.     

The book of joshua - origin and dating

ABSTACT

Responding to an article by Marvin Lloyd Miller, we welcome the recent change in the approach of Nehemiah 5, the corner-stone of social-scientific exegesis. We reassert that the chapter does not reflect the complaints of marginal farmers. We doubt the value of the notion of whimsical taxation by the Achaemenid administration. We warn against adducing the vituperations of eighth century BCE prophets as clues of socio-economic crises. They should rather be read in light of appeals by contempo-rary aid agencies.     

Investigating cross-Gulf trade in the Iron Age III period: chronological and compositional data on Burnished Maroon Slipped Ware (BMSW) in southeastern Arabia and Iran

Recently obtained ceramic compositional data from the late Iron Age sites of Tepe Yahya in Iran and Sharm in the United Arab Emirates is presented in this paper. Analysis of this data suggests that a distinctive ceramic, Burnished Maroon Slipped Ware (BMSW), was produced somewhere in southern Iran and exported across the Gulf to eastern Arabia. That this trade was not limited to any defined historical period, such as that represented by the Achaemenid Empire, is suggested by a series of new AMS C¹⁴ dates from Tepe Yahya. The paper concludes with speculative comments on the possible elite nature of BMSW in societies on either side of the Straits of Hormuz.     

Elamite Karintaš and Avestan Kvirinta: Notes on the Early History of Kerend

The toponym Kerend has a long history. This study explores the appearance of Kerend in pre-modern sources, beginning with the toponym Karinta? in the late second millennium BC. Kassite, Elamite and Assyrian rivalry for control over the central western Zagros mountains is discussed and the survival of the name in later antiquity is investigated. A derivative of the name appears in Claudius Ptolemy’s Geography and in the Parthian Stations of Isidore of Charax, as well as in the late Antique Cosmographia of the Anonymous Geographer of Ravenna. A homonymous name from the area east of the Caspian Sea is also discussed, as are several unrelated names occurring in other sources (Achaemenid Elamite, Armenian).     

Genesis 38: The Search for Progeny and Heir

The construction of a second temple of Yahweh in Jerusalem during the early Achaemenid period is usually attributed to the religious fervor of ethnic Yehudite immigrants from Babylon. The general shape of reconstructions of this period most often follows the general outline of the events given in Ezra 1-6. According to this model, there were two attempts to build the temple, a first attempt in the reign of Cyrus and a second attempt in the reign of Darius. This paper proposes an alternative reconstruction, placing the entire construction project in the reign of Darius and attributing the primary motivation for the project to the needs of the Persian imperial administration rather than Yehudite religious sentiments.     

The Finishing Technique of the Stone Monuments of Persepolis: Further Studies and New Findings Through the Use of Non‐Destructive Analytical Techniques

The studies on the finishing technique of the stone monuments in Persepolis (Iran) are part of the archaeological project jointly launched in 2008 by Iran and Italy, named ‘From Palace to Town’. The first experimental results, obtained on a very limited number of samples, revealed that the Achaemenid builders and sculptors used a white pigment, a kind of bone white, calcium fluorapatite, obtained by burning animal bones, to hide the dark grey colour of the stone. In order to verify these unexpected results, a new campaign was implemented to analyse a much larger number of samples. XRF spectrometry, a non‐destructive technique, was used and the experimental results were further elaborated by PCA. The presence of a white superficial layer was confirmed, and the use of fluorapatite was confirmed as well, but only on monuments attributed to the Xerxes period or later, while in the earlier monuments the white layer was obtained using gypsum.     

Tourist,local, or other?: Greek Canadian women and the heritage fling in Greece

This article examines the romantic and sexual encounters between Greek men and Greek Canadian women vacationing in Greece and addresses how constructions of Greek Canadian female sexuality are related to foreign and local Greek conceptions of femininity during these ‘holiday flings’. Because of their Greek ancestry, Mediterranean ‘looks’, and familiarity with language and culture, Greek Canadian women exhibit ambiguous identities that uphold and cross boundaries between outsiders and insiders. Drawing on long-term fieldwork, I explore the conceptualizations of ancestral and national identity underpinning Greek women's erotic desires for Greek man who embody ethnic authenticity to them. Yet, Greek men thwart these desires when they subvert Canadian women's economic power through challenging their cultural literacy (such as a lack in language skills, etiquette, or sexual knowledge). This article addresses the question of how diasporic women's heterosexuality subjectivities – bound up with hybrid ethnic and national affiliations – take on different meanings across locales and times where transnational sex and romance are everyday occurrences.     

阿波罗崇拜的起源与传播路线

阿波罗被认为是最具希腊性的神。然而,他最初并不是一个希腊本土的神。依据古代典籍的记载、结合语源学和考古学的成果来考察,可以得出的结论是:阿波罗是一个多种文化元素融合后塑造成的希腊本族神。阿波罗崇拜形成发展过程中所体现的文化交流和融合,正是希腊文明吸收周边文明的具体体现。对阿波罗崇拜起源和传播路线的考察,一方面是在文明交流的母题下进行的微观考证,另一方面又为文明交流史的研究提供了具体史料的佐证。     

Myths of ancestry

This article examines the national significance of fifth‐century BC Greek sculpture and especially the so‐called Elgin Marbles. It examines the significance of these archaeological remains not for the Greek nation but for the British, and specifically the English, nation during the nineteenth century. The national significance of fifth‐century BC Greek art lies in its incorporation into nineteenth‐century debates concerning the identity of the English nation. At a time when physical appearance or race was accepted as an important and, indeed, determining component of the ‘self’ and a measure of collective belonging, Greek sculpture, which was primarily figural in its subject‐matter, came to be seen as an image of the English ‘self’. The belief in the Greek identity of the English caused a Greek revival in English life and art. In life, this revival took the form of care for the body and the imitation of the athletic practices of Greek youth through the practice of sport in English school and university education. It was thus that nineteenth‐century English youth turned itself into a work of art.     

Greek women in Latin households of fourteenth-century Venetian Crete

Of all the inhabitants, both Latin and Greek, of the colony of Crete, Greek women of the elite and the poorest unfree Greek women were the most vulnerable to the process of colonization after the Venetian conquest of the island in 1211. An examination of wills and marriage contracts from the fourteenth century offers evidence of the change brought about by the entrance of Greek women as wives into Latin households. The presence there of Greek servant women and slaves, who bore the illegitimate children of Latin fathers, also modified the character of Latin households. The sanctioned and non-sanctioned unions between Greek women and Latin men gave rise, in large part, to a colonial society whose constituent communities displayed more characteristics in common than has previously been thought.     

Community Archaeology: A Threat or an Opportunity for Greek Archaeology?

The development of archaeology in Greece has been determined by the central role classical antiquity played in the European and Greek imagination. Classical archaeology, with its aesthetic view of the material culture, has dominated the discipline and its popular perception ever since. The state has been entrusted with the exclusive authority on archaeological heritage because of its national importance. This paper argues that the combination of the classical and state monopoly has led to the isolation of Greek archaeology from the world and from the Greek people. The aim is to critically assess Greek archaeology and introduce community archaeology as a means to make archaeology relevant to the Greek people.