Prehistoric Bird Watching in Southern Iberia? The Rock Art of Tajo de las Figuras Reconsidered

ABSTRACT

This paper studies the relationship between humans and birds in the recent prehistory of the Southern Iberian Peninsula. With its high number of bird, mammal, and anthropomorphic paintings, a small rock shelter –Tajo de las Figuras– provides an excellent case study to address this topic. The cave is situated in an ecosystem that, as we will argue, favoured human-bird interactions and enabled prehistoric groups to engage with a diverse and rich bird community at particular times of the year. Even though the recorded depictions can generally be integrated into the wider ‘Schematic’ style regime characterising the recent prehistory of the region, they exhibit some outstanding features including a highly distinct naturalism. This naturalism enables us to identify the represented birds, not only at the family but also at the species level. Our contribution describes these pictorial data and contextualises them with the ecology, archaeology, and archaeozoology of the area. We intend to show that the singularity of the image-corpus registered at Tajo de las Figuras mirrors the unique conditions of human-bird interactions at the time. We suggest that the significance of the images derives from the special location of the cave in the wider landscape encouraging early practices of bird watching.     

Humans,Birds and Burial Practices at Ipiutak,Alaska: Perspectivism in the Western Arctic

ABSTRACT

Archaeological and ethnohistoric evidence from the coast of western Alaska and St. Lawrence Island indicate that human inhabitants over the past 1500–2000 years incorporated birds into their diets, cosmologies, material culture, and daily activities. Following a brief discussion of the archaeological and ethnohistoric evidence for human–bird relations, this article explores the evidence for birds as both an economic and cosmological resource at the Ipiutak site on the northwest coast of Alaska. Several lines of evidence indicate that hunters and shamans have consistently attempted to mimic or acquire the abilities and physical attributes of select bird taxa, reflecting a sophisticated knowledge of bird behaviours and life histories. A specific concern with vision – shamanic, predatory, and post-mortem – is inferred from an unusual Ipiutak burial assemblage that contained a loon skull with ivory eyes. Considered in light of the broader cemetery assemblage, which includes artefacts with bird imagery, the Ipiutak material is interpreted as evidence of perspectivism in western arctic prehistory.     

Māori Textiles from Puketoi Station,Otago, New Zealand

Abstract

A group of Māori textile artefacts were discovered in a rock shelter in the southern South Island of New Zealand in 1895. The assemblage comprised a significant number of textile and textile-related artefacts including large and small bags, footwear and prepared leaf and fibre for textile production. The artefacts were privately owned until the 1920s when they were acquired by the Otago Museum, remaining there until new techniques made further investigation possible. This paper presents information from an interdisciplinary investigation of the Puketoi Station assemblage of textile artefacts, which examined artefact structure, form and function, and materials of construction. Interpretation of these artefacts using contemporary textile analysis methods, traditional weaving knowledge, and recent archaeological research, turns them from static objects into dynamic components of culture. The Puketoi Station artefacts embody and illustrate a unique material culture associated with the late prehistoric southern New Zealand Māori lifestyle.     

Artefacts,archaeologists and American Indians

Abstract

Archaeologists traditionally have observed the style and technology of artefacts and used this to classify archaeological assemblages, describing the repeated association of artefact groups as a ‘Culture’. We continue to place overwhelming reliance on our ability to derive meaningful information about past culture from artefacts, yet the importance these objects had for the members of the cultural group (past and present) is not adequately considered. The typological approach sidelines the creative role of the artisans, we find out a little about their economy, gain momentary glimpses of their religion, but learn almost nothing about their humanity. Archaeologists tend to focus on the physical, technological or esoteric attributes of an artefact, while indigenous populations tend to focus on the object's ritual or social importance. This is most apparent in the treatment of funerary artefacts. Until recently, many American Indian tribal groups have seen no distinction between ‘grave robbing’ and ‘archaeological excavation’ it made no difference to them whether the dead were disturbed by looters or by qualified archaeologists. By involving indigenous populations in the design, practice and dissemination of archaeological research, we can add humanity to our study of the human past, and take a step toward a truly worldwide archaeology.     

The Chiming of Crack’d Bells: Recent Approaches to the Study of Artefacts in Archaeology

Abstract

CROSS PENDANTS, decorated with a ring-and-dot motif and made out of Whitby jet, have been found as far away as Norway and Greenland. This paper catalogues this unique group of artefacts and discusses their context. Their distribution is centred in Yorkshire, suggesting that they were made at Whitby Abbey in the late 12th century. Combining the power of the Christian cross with the magical properties of jet, they were likely worn as protective amulets.     

Complexity and diversity: domestic material culture and French immigrant identity in early modern London

Abstract

The French immigrants of early modern London are recorded as having been a clearly recognizable community with similarities in language, religion, occupation and material culture. However, analysis of the excavated and documentary evidence of their domestic artefacts reveals few differences when compared with their English counterparts. Although isolated artefacts may reasonably be linked to an immigrant identity, the majority of refugees do not appear to have commonly expressed their group identity through their domestic material culture in historically identifiable ways. This may indicate that the nature of French immigrant identity was more complex and varied than contemporary accounts imply.     

A Note on the Results of Recent Excavations at Camber Castle,Sussex

Abstract

A significant number of clay tobacco pipes in the style of the Ottoman ‘chibouk’ can be found in museums and private collections on the islands of Malta and Gozo. Indeed the smoking of these pipes remains a folk memory with the majority of senior citizens. It became obvious that very few of these artefacts were made locally and that the Maltese, being at the geographical centre of Mediterranean culture, might have received their imports from anywhere.

In 19th-century Tunisia (Malta’s nearest North African neighbour) three-quarters of the European population were Maltese migrants. Therefore, this study set out to discover whether Tunisia was a source of supply.

In Tunis it became obvious that although clay tobacco pipes had turned up in local excavations, little attention had been paid to them and a fuller examination was welcomed. A by-product of this examination was to establish a locally made Tunis pipe, although little evidence was found for trade to Malta in that particular commodity.     

A STUDY OF GLASS BEADS FROM THE HALLSTATT C–D FROM SOUTHWESTERN POLAND: IMPLICATIONS FOR GLASS TECHNOLOGY AND PROVENANCE*

Eighty‐one samples taken from 68 glass beads found in southwestern Poland on sites of the Lusatian culture from the Hallstatt C and Hallstatt D subphases were analysed by EPMA. A subsample of 18 of these were additionally subjected to analysis by means of LA–ICP–MS in order to validate the results obtained by EPMA. Some glass was made using mineral soda and some using plant ash rich in sodium. Both high‐magnesium soda–lime glass (HMG) and low‐magnesium soda–lime glass (LMG) were identified. A large number of samples are characterized by low MgO content and medium K₂O content (LMMK glass), combined with low concentrations of CaO and high Fe₂O₃ and Al₂O₃. All the LMMK glass contains numerous silica crystals and inclusions composed of a number of elements (most frequently Cu, Co, Sb, As, Ag, Ni and Fe). The LMMK glass was presumably made in Europe during the Hallstatt C.     

‘Your work is of no use to us…’: Administrative interests in ethnographic research (West New Guinea, 1950–1962)

Abstract

The extent of customary land in Samoa and the laws pertaining to its protection create a presumption of state dependence on the regulation of custom in effecting state policies within local contexts. The principal means of regulating custom in Samoa has been and continues to be through state court adjudication of conflicts over customary land and chiefly titles. The transitive nature of ‘custom’ and conceptions of ‘custom’ in Samoa created an opening for court influence in the construction of custom, if not custom's partial reinvention through the agency of the courts. This occurred principally through the courts’ privileging principles of English common law in confirming asserted land rights generally considered unenforceable at the time of Samoa's political partition. The courts re‐interpreted as customary, conceptions of land rights the colonial state's influence attempted to effect within Samoan society. But the source of the changes, and the courts’ role in promoting them, tended not to be equally reflected upon. To the extent such influence is ignored in analyses of Samoan land tenure and customary law, and reproduced within state policies and court adjudication of conflict, custom's social construction is left unexamined, assumed to be more general than it is, and likely to exacerbate tensions and conflict within Samoan society rather than reduce them.     

Spirit Birds at Neolithic Çatalhöyük

ABSTRACT

As they soar into the air and dive below the water's surface, birds inspire awe for their superhuman capacity to pass among earth, air, and water. People often see birds as spirits, or as messengers to and from the spirit world. Whereas at earlier sites in the region birds made a significant contribution to human diet, at Neolithic Çatalhöyük in Central Anatolia their nutritional significance is small. Body part distributions suggest that for the most part feathers were more important than meat. Bird remains, mainly the feathery parts of wings, appear in a number of special deposits at Çatalhöyük. Together with artistic representations, these deposits suggest that cranes and vultures played key roles in life cycle transitions and were invoked mimetically through dance. Additionally, waterbirds, particularly in association with newborn human infants, may have mediated between human and spirit worlds. Although there is little indication that Çatalhöyük residents made much use of brightly coloured feathers, bird wing deposits do attest to the importance of colour symbolism at the site. Thus bird remains offer material evidence of aspects of Neolithic cosmology and ontology, as well as social structure.     

Trench art between memory and oblivion: a report from Poland (and Syria)

ABSTRACT

This paper summarises some of the results of archaeological research on twentieth century military heritage in the Polish woodlands, namely the discovery of artefacts made, remade, and personalised by soldiers, prisoners of war, and civilians during military conflicts. Such objects are examples of so-called ‘trench art’. I draw attention to the universality of trench art, a phenomenon that is usually associated with the past conflicts such as the Napoleonic Wars and the First and Second World Wars. Nonetheless, trench art is, in its complexity, diversity and affectivity, an integral part of modern warfare, including the recent tragic conflict in Syria. After presenting the project and some examples of trench art documented during the research, I discuss a unique artistic intervention entitled Painting on Death to illustrate the affective, aesthetic, and political value of modern trench art.     

Strandloping as a Resource-Gathering Strategy in the Cape,South African Holocene Later Stone Age: The Verloren Vlei Record

ABSTRACT

Elands Bay and adjacent coastline near the mouth of the Verloren vlei on the South African Atlantic coast offered Later Stone Age foragers a variety of marine, estuarine, and terrestrial food resources. We suggest that strandloping (beachwalking or beachcombing) by latest Holocene foragers as a regular practice constituted an important component in their repertoire of subsistence activities. Washed-up mussels, seals, birds, whales, and other recently dead animals would have been available to such strandlopers. We distinguish strandloping as a subsistence practice from the procurement of living prey, including shellfish, mammals, birds, and other animals. The Holocene archaeological record of the Elands Bay area suggests changes through time in resource use, and these changes appear to be recognizable in patterns of shellfish gathering. During the latest part of the Holocene, between about 1,500 and 300 years ago, subsistence practices display a distinctive character that perhaps conforms more strongly than previously to what we conceive of as strandloping.     

Nuts in the Netherlands: Attalea and other nuts from archaeological contexts,dating from the 16th to 19th century AD

Abstract

This paper describes the use of palm nuts for the manufacture of artefacts in the Netherlands. From the 17th to 19th century buttons were made of nuts of the Brazilian palm tree Attalea cf. funifera. Finds from 17th century shipwrecks suggest that the palm nuts of this species were directly imported from Middle or South America. Coconuts were used for carving, for example for the manufacture of coconut beakers. In the 19th century buttons were also made of 'vegetable ivory' or tagua nut.     

The selection of bird bones for artefact production at Dutch neolithic sites

The bird bones used for artefacts at the Dutch neolithic site of Aartswoud were from birds that were not represented among the food remains. Studies at other contemporary sites show that this was also the case at some other sites. The bones seem to have been selected from birds of particularly large size. © 1997 John Wiley & Sons, Ltd.     

Wild Birds of the Italian Middle Ages: Diet,Environment and Society

ABSTRACT

Wild birds are intrinsically associated with our perception of the Middle Ages. They often feature in heraldic designs, paintings, and books of hours; few human activities typify the medieval period better than falconry. Prominent in medieval iconography, wild birds feature less frequently in written sources (as they were rarely the subject of trade transactions or legal documents) but they can be abundant in archaeological sites. In this paper we highlight the nature of wild bird exploitation in Italian medieval societies, ranging from their role as food items to their status and symbolic importance. A survey of 13 Italian medieval sites corresponding to 19 ‘period sites’, dated from the fifth to the fifteenth centuries, reveals the occurrence of more than 100 species (certainly an under-estimate of the actual number). Anseriformes and Columbiformes played a prominent role in the mid- and late medieval Italian diet, though Passeriformes and wild Galliformes were also important. In the late Middle Ages, there is an increase in species diversity and in the role of hunting as an important marker of social status.     

NATUFIAN INTERACTIONS ALONG THE JORDAN VALLEY

Abstract

Building on recent observations made by Belfer-Cohen and Goring-Morris, this study proposes that a zone of intensive interaction existed between communities in the Jordan Valley during much of the Early Natufian period (c. 12,500–11,000 cal bc). Recently published data demonstrate distinctive and even unique links between open-air Jordan Valley sites. Whereas some models have utilised specific types of material culture (e.g. bone artefacts or art items) to identify cultural provinces in the Natufian, this enquiry uses multiple categories of evidence (site types, shared artefact types, artefacts with close stylistic similarities, embodied behavioural practices, and raw material movements) to propose a Natufian sub-region in the Jordan Valley. The likely existence of a post-Lisan “Damya Lake” is suggested as a rationale for extensive north–south contexts south along the Rift Valley, especially for the transport of heavy materials such as basaltic rock. In the future, scientific techniques such as the isotopic analysis of human skeletal remains, elemental characterisation of raw material source, and reliable dating of excavated sites will prove to be decisive in evaluating the model.     

Sculptures in captivity and monkeys on megaliths: Observations in zoo archaeology

Abstract

This paper reconsiders some aspects of displays at archaeological open-air museums and heritage sites by looking in some detail at how wild animals are presented in zoological gardens. Topics discussed include the historic and current functions of collecting ancient artefacts, the various appeals of different artefacts and displays, trends in attracting visitors, the significance of systematics and typology, narratives reflected in the overall exhibition design, and the role of displaying artefacts in a specific ‘culral’ context. I argue that we should learn from zoos by placing a stronger emphasis on sensory experiences and visitor satisfaction in order to convey the ‘magic’ of the past.     

Istanbul’s intangible cultural heritage as embodied by street animals

ABSTRACT

Green, marginal, and sacred spaces in Istanbul host dogs, cats, and wild birds. In this essay, I argue that citizens enact embodied memories from the Ottoman era by caring for these animals. While birds are iconic representatives of the modern city, and street cats have become media denizens, the lives of street dogs are sadder. Animal rights activists are mobilized by the history of Ottoman administration efforts at eradicating them. Unlike actions inspired by this history, enactments of embodied memory are less conscious, such as residents cooking and distributing food to street cats. However, I argue that these are enacted social memories of compassion and charity and are an embodied form of intangible cultural heritage. Ottoman-era social practices of caring for street animals create an historical and legal foundation for justifying the right of street animals to live in the city.     

Selling archaeology and anthropology: early medieval artefacts at the Expositions universelles and the Wiener Weltausstellung, 1867–1900

The archaeological and anthropological exhibits included in the four Expositions universelles held in Paris between 1867 and 1900 and the Wiener Weltausstellung in the Austro‐Hungarian capital in 1873, contributed to the commercialization of antiquarianism and granted international attention to the amateur practitioners of these emerging disciplines. Displays of archaeological artefacts and human remains from the migration period and the early Middle Ages, juxtaposed with more exotic ‘primitive’ art, permitted organizers to broaden the aesthetic sensibilities of fairgoers and promote the acquisition of native antiquities. Exhibiting private collections of early medieval objects likewise justified nineteenth‐century concepts of French and ‘pan‐Germanic’ identity by linking them to iconic artefacts and romanticizing the barbarity of this distant epoch.