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1.
2.
A.T. Clason, ed. Archaeozoological Studies. New York: American Elsevier (Amsterdam: North‐Holland), 1975. xvi + 477 pp. List of participants, index, figures, tables, and chapter references. English (29 articles), German (16 articles), and French (3 articles). $45.00 cloth.

B.D. Smith. “Middle Mississippi Exploitation of Animal Populations.” Ann Arbor: University of Michigan (Museum of Anthropology) Anthropological Paper no. 57, 1975. xii + 233 pp. List of figures and tables, appendices, bibliography. $4.00 paper.

R.W. Casteel. Fish Remains in Archaeology and Paleo‐environmental Studies. New York: Academic Press, 1976. x +180 pp. References, author and subject indices. $14.80 cloth.

L.R. Binford, ed. For Theory Building in Archaeology: Essays on Faunal Remains, Aquatic Resources, Spatial Analysis, and Systemic Modeling. New York: Academic Press, 1977. xviii + 419 pp. List of contributors, figures, and tables, chapter references, author and subject indices. $24.50 cloth.  相似文献   

3.
ABSTRACT

This article charts the development of physical education and sports in girls’ schools in Ireland during the late nineteenth and early twentieth centuries. It notes how early developments were undoubtedly influenced by traditions and practices in English public schools, with games such as hockey and cricket becoming popular in Irish girls’ schools. The “Swedish” gymnastics movement, which became popular the 1870s, led to the introduction of callisthenics and drill in many Irish schools. By the turn of the twentieth century, drill and dance displays had become a highlight in the convent school calendar of events. Official policy following the introduction of the Revised Programme for National Schools (1900) placed unprecedented emphasis on the importance of physical education. While many embraced these developments, others were critical of girls’ involvement in competitive games and sports, particularly those considered “foreign” and “un-Irish”. Drawing on convent school archives, official sources, and newspaper articles, this article provides new insights into the evolution of physical education and sports in Irish girls’ schools.  相似文献   

4.
Iranian modernity has chiefly been examined in the context of a dialectical antagonism between “traditionalists” and “modernists”—main categories comprised of related sub-headings such as “Islamist” versus “secular,” “reactionary” versus “revolutionary,” and “regressive” versus “progressive.” Following this approach, Iranian adaptations of modernity have often been (de)historicized as a theater of national “awakening” resulting from the toils of secular intellectuals in overcoming the obstinate resistance of traditional reactionaries, a confrontation between two purportedly well-defined and mutually exclusive camps. Such reductionist dialectics has generally overwritten the dialogic narrative of Iranian modernity, a conflicted dialogue misrepresented as a conflicting dialectic. It has also silenced an important feature of Iranian modernity: the universally acknowledged premise of the simultaneity and commensurability of tradition with modernity. The monazereh (disputation or debate) is the account of the interaction between rival discourses that engaged in opposing, informing, and appropriating each other in the process of adapting modernity. Narrativizing the history of Iranian modernity as the conflict between mutually exclusive binaries overlooks its hyphenated, liminal11 The notion of liminality has been theorized in different capacities. The anthropologist Victor Turner first used the idea of liminality in his study of tribal and religious rituals during which an initiate experiences a liminal stage when he belongs neither to the old order nor yet accepted into his new designation. Victor Turner, The Ritual Process: Structure and Anti-structure (Chicago, IL: Aldine, 1969). Turner’s insight has been expanded to investigate the general question of status in society. See, for example, Caroline Walker Bynam, Fragmentation and Redemption (New York: Zone Books, 1992), 27–51. Bynam applies Turner’s notion of liminality to the lives of Medieval female saints, arguing that Turner’s liminal passage applies more readily to the male initiate but does not in most cases reflect the experience of female initiates in Medieval times. Jungian psychology has shifted the focus from liminality as a stage in social movement to a step in an individual’s progress in the process of individuation. Jeffrey Miller, The Transcendent Function (New York: State University of New York Press, 2004), 104. See also: Peter Homans, Jung in Context: Modernity and the Making of a Psychology (Chicago, IL: University of Chicago Press, 1979). Others have used liminality to describe cultural and political change, have prescribed its application to historical analysis, or have made reference to “permanent liminality” to describe the condition in which a society is frozen in the final stage of a ritual passage. Respectively, Agnes Horvath, Bjorn Thomassen, and Harald Wydra, “Introduction: Liminality and Cultures of Change.” International Political Anthropology (2009); Agnes Horvath, Modernism and Charisma (Basingstoke: Palgrave, Macmillan, 2013); and Szakolczai, Reflexive Historical Sociology (New York: Routledge, 2000), 23. Finally, the notion of liminality has been applied to the analysis of mimetic behaviour and to the emergence of tricksters as charismatic leaders, given the association of the figure of the trickster with imitation. Respectively, Agnes Horvarth, Modernism and Charisma (Basingstoke: Palgrave, Macmillan, 2013), 55; and Arpad Szakolczai, Reflexive Historical Sociology (New York: Routledge, 2000), 155. This latter sense seems to apply to the history of Iranian modernity, for the anxiety of imitation was indeed one of its central concerns, and influential figures such as Mirza Malkum Khan (1833–1908) were sometimes perceived (though this was not universally the case) as saviours or tricksters alternatively by different people. On this issue, Fereydun Adamiyat notes how different people had different views of Malkum. The “despotic prince Zill al-Sultan” considered him to be of equal status to Plato and Aristotle. Aqa Ibrahim Badayi’ Nigar thought he was devoid of “the fineries of knowledge and literature (latīfah-i dānish va adab). Minister of Sciences and chief minister Mukhbirul Saltanah Hidayat thought “whatever Malkum wrote has been said in other ways in [Sa’di’s] Gulistan and Bustan.” Fekr-e Azadi (Tehran: Sukhan, 1340/1961), 99. Mehdi Quli Khan Hedayat’s view of Malkum Khan was summed up in these words: “This Malkum knew some things in magic and trickstery and finally did some dishonorable things and gave the dar al-fonun a bad reputation,” Khaterat va Khatarat (Tehran: Zavvar, 1389/2010), 58. Having said that, my use of the notion of liminality, though informed by the theoretical perspectives cited above, diverges from them in one important aspect: liminality as perceived by contemporary theory seems to be based on a pre-/post- understanding of non-liminal statuses accompanied by a desire on the part of the subject to emerge from the liminal state. This approach does not explain liminality as a site for the synthesis of coexisting identities. The munāzirah is precisely the account of such a process. In the context of Iranian modernity, the discourse of tradition was not perceived as prior to the discourse of modernity, as we shall amply see. In fact, European civilizational progress was deemed to have resulted from the successful implementation of Islamic principles. Therefore, while the history of Iranian modernity can still be analyzed as a liminal stage where a weakened old order meets the promise of a new order, it must be understood in terms of the encounter of simultaneous and parallel discourses. It is in this sense that liminality is employed in this study.View all notes identity—a narrative of adaptation rather than wholesale adoption, of heterogeneity rather than homogeneity, of dialogues rather than dialectics. The monazereh is the account of modern Iranian histories.  相似文献   

5.
Murray L. Wax and Robert W. Buchanan, eds. Solving “The Indian Problem “: The White Man's Burdensome Business. New York: New Viewpoints. Franklin Watts, Inc., 1975. 237 pp. Selected reading and index. $12.50.  相似文献   

6.
ABSTRACT

At the time of the Easter Rising of 1916 Britain had been engaged in the Great War against Germany for almost two years and on a scale and intensity previously unprecedented. This broader Great War backdrop is significant when analysing the 1916 Easter Rising, as it not only influenced the events which occurred in Dublin, but also the interpretation and presentation of the political violence. Despite the Easter Rising being well-documented in secondary literature, with a resurgence accounted for by its recent centenary, the British press and its portrayals of the events of 1916 has been one aspect which has not received as much scholarly attention. By analysing key stages in the uprising’s portrayal, it can be determined that the Manchester Guardian’s utilisation of the German connection had a two-fold implication. Utilising historical precedents of German-Irish “friendship”, such as the gun-running episodes of pre-War 1914, the newspaper justified its portrayal of Germany provoking violence in Ireland to disrupt British war efforts. Additionally, for the Manchester Guardian, the Irish rebels were depicted negatively in its articles as it attempted to halt the growth of republicanism, thereby ensuring the promotion of a more “moderate” form of nationalism.  相似文献   

7.
8.
The orientalist literature subjected the Middle East in an exotic way — mostly as an “Arabian Nights” society ruled by traditional sultans and/or tribal chiefs — rather than modern governance structure's “bureaucracy.” The presumption within postcolonial scholarship has been that this perception influenced the policy landscape in the United States and Europe, especially the media depictions of the oriental leaders and leadership. The paper empirically tests this hypothesis through content analysis using Weber's categorization of leadership of two newspapers of record — The New York Times in the United States and The London Times in the United Kingdom — during the period of state building in Saudi Arabia (1901–1932). I find that rather than depicting the Saudi leadership as “backward,” these newspapers in particular, tend to overstate the development of the Saudi state during this period. As Weber is best known for his three types of authority, it benefits the discipline to see how the interpretive communities of Western journalists operationalized “authority” in terms of politics and religion of Saudi Arabia as this monarchy emerged.  相似文献   

9.
“The moment our men get out of the trenches they begin to play baseball… .” 1 1. Coningsby Dawson, Living Bayonets: A Record of the Last Push (New York: John Lane Co., 1919), 129.

—Lieutenant Coningsby Dawson, an officer in the Canadian

Expeditionary Force during the First World War

The Great War is credited by some historians for giving direction to Canadian nationalism. Success on the battlefields provided many citizens with patriotic pride, as well as a sense of brotherhood as Canadian troops fought alongside the British in an imperial struggle. Despite an environment that favoured nationalism and imperialism, Canadian soldiers embraced America's national pastime. For many of the rank and file, baseball was an important part of their war experience. The commanding officers' support for sport, however, was essential to baseball's existence in the Canadian Expeditionary Forces. Despite the enjoyment baseball brought soldiers, a handful of officers in the military's high command were apprehensive about sport's rising status. By 1917, after years of uncertainty about how to incorporate baseball into the soldiers' training regimen, the military could no longer ignore the need and role for sport in military life. Perhaps spurred by American entry into the conflict, the CEF issued a report that officially authorized baseball and like games.  相似文献   

10.
Lee Benson was one of the first American political historians to suggest a “systematic” revision of traditional political history with its emphasis on narrow economic class analysis, narrative arguments, and over‐reliance on qualitative research methodologies. This essay presents Benson's contributions to the “new political history”—an attempt to apply social‐science methods, concepts, and theories to American political history—as a social, cultural, and political narrative of Cold War‐era American history. Benson belonged to a generation of ex‐Communist American historians and political scientists whose scholarship and intellectual projects flowed—in part—out of Marxist social and political debates, agendas, and paradigmatic frameworks, even as they rejected and revised them. The main focus of the essay is the genesis of Benson's pioneering study of nineteenth‐century New York state political culture, The Concept of Jacksonian Democracy, with its emphasis on intra‐class versus inter‐class conflict, sensitivity to ethnocultural determinants of political and social behavior, and reliance on explicit social‐science theory and methodology. In what follows, I argue that The Concept of Jacksonian Democracy has its roots in Benson's Popular Front Marxist beliefs, and his decade‐long engagement and subsequent disenchantment with American left‐wing politics. Benson's growing alienation from Progressive historical paradigms and traditional Marxist analysis, and his attempts to formulate a neo‐Marxism attentive to unique American class and political realities, are linked to his involvement with 1940s radical factional politics and his disturbing encounter with internal Communist party racial and ideological tensions in the late 1940s at Cornell University in Ithaca, New York.  相似文献   

11.
Abstract

Hopes were raised during the foundation excavations of the World Trade Center complex in downtown Manhattan (New York) that the major part of the burned 17th century Dutch ship, “Tiger,” would be recovered. These hopes were pinned on the fact that the forward part of the ship's remains had been accidentally exhumed in the adjacent subway cut in 1916. No remains were found, and we are left with the question of what became of her hulk.  相似文献   

12.
Ernestine Friedl. Women and Men: An Anthropologist's View. New York: Holt, Rinehart, and Winston, 1975. xi + 148 pp. Illustrations, map, references, and relevant case studies. $3.50 (paper).

M. Kay Martin and Barbara Voorhies. The Female of the Species. New York and London: Columbia University Press, 1975. x + 432 pp. Tables, figures, illustrations, references, and index. $15.00 (cloth), $6.50 (paper).

Evelyn Reed. Woman's Evolution: From Matriarchal Clan to Patriarchal Family. New York: Pathfinder Press, 1975. xviii + 491 pp. Glossary, Bibliography, and index. $15. (cloth), $4.95 (paper).  相似文献   

13.
ABSTRACT

This paper argues that “the urban” has emerged as the most significant ideological realm in contemporary China. In developing this argument, I suggest an alternative approach to how we theorize urbanization in China. Seeking to avoid the dichotomized analyses that often characterize scholarship on China’s urbanization, the paper suggests reading “the urban” as an ideological device. Such a reading calls for an analytical distinction between the city as a technology of socialist party-state planning and government and urbanization as a messy social process over which the state struggles for control. It also calls for a recognition of the ways that ideology itself has shifted dramatically in China, from the Mao-era centrality and coherence of class struggle and its overriding goal of proletarianization to a much less coherent post-reform message of “stability”. The paper begins with a brief discussion of ideology and Gramsci’s notion of “common sense” in a Chinese register. It then considers the film 24 City, directed by Jia Zhangke, as a template for understanding urban spaces as sites of conflict between the city as an ideological device and urbanization as a social process. New urban spaces are then explored in an effort to tease out their complex and contradictory ideological renderings. I conclude with an argument about the openness and contradictions of China’s urban spaces and how an ideological analysis can resist the kind of theoretical closure that much work on urbanization in China seems to aim for.  相似文献   

14.
C. F. Hockett. Man's Place in Nature. New York: McGraw‐Hill Book Company, 1973. 739pp. Illustrations, maps, tables, notes on sources, and index. $12.95.  相似文献   

15.
Following the 1975 revolution, the Laotian statesmen adopted a modernising discourse that targeted “backward” traditions as undesirable. But since the 1990s, authorities have mitigated this standpoint, distinguishing “good” from “bad” traditions according to their compatibility with the program of national development, and professing their will to (re)instate the former as suitable expressions of culture in a multi-ethnic nation. This is manifest everywhere from the National Constitution to TV shows and ethnic catalogues. This paper analyses the implementation of these principles through the case of the boun greh New Year festival, an invented ethnic tradition of the Khmou, the largest ethnic minority in Laos. The article demonstrates that this implementation has consequentially implied the adoption of a grammar of national ethnicity; that this official framework paradoxically allows the Khmou to articulate demands for better recognition of their group; and that this process does not mute expressions of “cultural intimacy” at variance with this matrix. The official frame of ethnicity has been eventually adopted by the Khmou, but this state effect has multiplied the layers of expressed ethnicity: it cannot be equated with a unilateral regimentation that would deprive the Khmou of their agency.  相似文献   

16.
Jean Renoir's film La Règle du jeu (The Rules of the Game) was first shown in Paris, in 1939, and is now generally regarded as one of his masterpieces. But there is a strange side to the film. What most critics and reference books say concerning it—and they tend to say much the same thing—does not, to put it bluntly, square with the facts. What they say is that La Règle du jeu is about an aristocratic house-party that is a microcosm of the corruptness and exhaustion of French society on the eve of World War II. Far from perceiving in La Règle du jeu evidence of the “corruption” and “exhaustion” in French society that led to the country's defeat and occupation by the Germans during World War II, however, the author of this essay attempts to see the film for what it is—not for what historicist critics want it to be.  相似文献   

17.
ABSTRACT

Shelley’s Swellfoot the Tyrant has recently begun to gain the concerted attention of critics, who have noted the play’s signature blend of low and high, of ephemeral, late Regency politics with the classic genres of Sophoclean tragedy, Aristophanic comedy, and mock epic. But Austin Warren’s famous and widely accepted definition of mock epic as “not mockery of the epic but elegantly affectionate homage, offered by a writer who finds [the serious epic] irrelevant to his age” does not describe Shelley’s earnest goal of immediate political reform in authoring Swellfoot. Instead, the play evinces Shelley’s unique, conscious reconfiguration of four conventions characteristic of the high, classical epic: the “prosperous breeze”; the epic simile; katabasis or descent into the underworld; and divine intervention. I argue that Shelley’s comic adaptation of these epic conventions reflects his serious aim of helping effect reform through Swellfoot and embodies his absorption of the concept of Shakespeare’s history plays as an experimental hybrid of dramatic forms with epic subjects, gained during his earlier reading of A. W. Schlegel’s Lectures on Dramatic Art and Literature. Though the immediate suppression of Swellfoot prevented its relevance in its own historical moment, it comprises a singular hybrid of Aristophanic satire and Sophoclean tragedy with high epic conventions, while ironically also identifying Shelley as a proponent of the French neoclassical theory of the epic’s consciously didactic purpose propounded by Le Bossu.  相似文献   

18.
In 2007, amateur on-line writer Kong Ergou’s triad novel series, Past Events of the Northeast: Twenty Years of the Triads, became a hit as a piece of network original literature. Five years later, the first volume of the book series was adapted into a network television drama of the same title. Focusing on the television drama, this paper examines three interrelated “dimensions” of the text. The first “dimension” relates to the correspondence between the inception and development of underworld gangs, and the vicissitudes experienced by the Chinese people during the harsh and unprecedented economic and cultural conditions that were introduced during the post-Mao era. A second “dimension” of this dramatic text finds that the nostalgia for and admiration of totalitarian times, together with a postmodern parody and deconstruction of Maoist society and its ideology, are juxtaposed in contemporary popular cultural products such as Past Events, thus demonstrating the complex and obscure emotions of ordinary Chinese people in relation to socialist revolutionary times. The final “dimension” compares the chivalrous spirit espoused by the gangsters with the ever-deteriorating morality and ethical values prevalent in present-day China.  相似文献   

19.
ABSTRACT

This article explores the evolving connotations of the concept of “superstition” up to the establishment of “superstition studies,” in an examination of the process of secularization experienced by early modern Chinese thought under the impact of Western science. In traditional texts, the Chinese term mixin (迷信, literally “delusional beliefs”), modernly translated as“superstition,” carries diverse and variable meanings: aside from referring to the proper or improper content of ideas and beliefs, mixin also has political connotations, broadly referring to beliefs or behaviors differing from the official rituals. On an ideological level, the traditional concept of mixin refers to a category of thought opposed to Confucian concepts such as the cosmology of Heaven, Earth, and Man, or the idea that “for a man to sacrifice to a spirit which does not belong to him is flattery.” In the late Qing Dynasty, as the idea of “superstition” as opposed to “science” was introduced via Japan, the traditional connotations of mixin evaporated, and it merged with other neologisms. From the late Qing to the early Republic, the parameters of “superstition” were expanded to encompass anything at odds with “reason.” This was also a reflection of China’s shift from the “Classical Age” to the “Age of Science,” as Confucian concepts and scientific ideas successively served as the criteria for judging “superstition.” As of the present, a consensus has yet to be reached on how to distinguish between “religion” and “superstition.” This paper shall seek to clarify the connotations of mixin or “superstition” in different contexts and their connection to the changing times, which may aid in understanding the complex facets of this issue.  相似文献   

20.
ABSTRACT

Guanhua (official language), Guoyu (national language), and Putonghua (common language) are generally regarded as different names for the same thing in different eras, but from the perspective of cultural history, there are many subtle semantic differences between these three concepts, symbolizing how different social classes and political groups defined their particular experiences, expectations, and efforts to take action. Guoyu, which replaced Guanhua in the late Qing Dynasty, is closely bound up with the construction of modern nationalism. In the 1930s, leftist intellectuals imbued Putonghua with strong proletariat attributes and overtones of indigenous and ethnic equality, wielding it as a tool for critiques against Guoyu. Although Putonghua returned to certain key positions of Guoyu after the mid-1950s, it putatively emphasized the legacy of the leftist language movement, and represented a new political identity. Through these “proper names” for the standard language, it was possible not only to launch a political and social “revolution,” but also to smooth over the historical rifts that this engendered, by repeatedly revising the concepts of “written” and “standard” to form a linear national narrative.  相似文献   

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