FROM VAGUE SYMBOLS TO CONTESTED CONCEPTS: PEIRCE,W. B. GALLIE,AND HISTORY

This article explores Walter Bryce Gallie's notion of “essentially contested concepts” from a viewpoint that has hitherto been neglected, namely its relation to the philosophy of Charles S. Peirce. As a matter of fact, Gallie was an authoritative reader of the American philosopher. All areas of his work are influenced by his attempt to take up and further articulate a major insight of Peirce's semiotics, namely the idea that symbols are inherently vague, and that their meaning is in a state of perpetual growth. At the same time, Gallie rejected another crucial tenet of Peirce's philosophy, that is, the idea that the growth of signs is regulated by the possibility of a final agreement among sign‐users. Examining this ambivalent relation between the two authors will help us shed light on a question that was of crucial importance for Gallie: to what extent should we let our appreciation of concepts or beliefs depend on a historical examination of their meaning?     

The Limits of Science and Trans-Science

Abstract

Many different limits to science have been identified, the most common being those between science and religion, or more generally between fact and value; between science and art; as well as the sociological limits imposed on science because it is becoming too large and unwieldy to be encompassed by a single mind. Here another realm is explored, lying beyond science: we call trans-science those questions which epistemologically are matters of fact, yet are beyond the proficiency of science. Trans-scientific questions consist of very rare occurrences and 'catastrophes' in the Thomian sense. It has been pointed out that unanswerable, trans-scientific questions are usually asked of science by policy makers. Consequently the scientist must concede that his proficiency is limited by this trans-scientific limit to science.     

We are never alone: a conversation on bio art with Eduardo Kac

Brazilian-born artist Eduardo Kac’s (Rio de Janeiro, 1962) work has raised eyebrows especially for his ‘transgenic art’ projects, among others: Genesis, 1999; GFP Bunny, 2000; The Eight Day, 2001; Natural History of the Enigma, 2003/08. In all of these, Kac and his scientific collaborators realize genetic interventions into living organisms at the same time as they trigger audience reactions to these from playful kinds of interaction that is integrated into the works’ open and dynamic creative process. Yet whereas the ethical and political challenges Kac’s work poses have sparked lively debates within and beyond the realm of the arts – can and must art engage with the ‘creative’ potentials of biotechnology and genetics? Do these not in fact (as Vilém Flusser and others have suggested) hold the key to realizing the vanguardist dream of merging art and life? Or should the artist, from the vantage point of his own creative practice, not rather warn us against the ethical and political risks involved in genetic engineering? – much less attention has been paid to the way Kac’s art also continues and transforms a particular legacy of post-concretist, ambient and performance art in Latin America.

Kac himself has referred to Brazilian artists Flávio de Carvalho, Hélio Oiticica and Lygia Clark as informing his interest in open, participative forms, which characterize both his transgenic and his earlier ‘tele-presence’ art projects. Other Latin American artists of the late twentieth and early twenty-first century have been producing intriguing engagements with living materials, multispecies habitats and organic remains, including such diverse names as Luis Fernando Benedit, Nicola Constantino, Nuno Ramos, or Teresa Margolles. In a conversation with Jens Andermann and Gabriel Giorgi at the University of Zurich’s Center of Latin American Studies on March 12, 2015, Kac addressed the way in which his work might be seen as continuing or challenging long-standing representations of the New World as a repository of ‘nature’, from colonial chronicles of discovery to contemporary discourses of biodiversity and conservation. To what extent is bio art – and the questions it raises about the Anthropocene as a threshold of radical biopolitical convergence between ‘history’ and ‘nature’ – necessarily ‘transcultural’ and planetary in its extension?     

Concrete and non-concrete: exploring the contemporary authenticity of historic replicas through an ethnographic study of the St John’s Cross replica,Iona

ABSTRACT

What do we actually know about how replicas of historical objects and monuments ‘work’ in heritage contexts, in particular their authenticity, cultural significance and intangible qualities? In this article we examine this question drawing on ethnographic research surrounding the 1970 concrete replica of the eighth-century St John’s Cross on Iona, Scotland. Challenging traditional precepts that seek authenticity in qualities intrinsic to original historic objects, we show how replicas can acquire authenticity and ‘pastness’, linked to materiality, craft practices, creativity, and place. We argue that their authenticity is founded on the networks of relationships between people, places and things that they come to embody, as well as their dynamic material qualities. The cultural biographies of replicas, and the ‘felt relationships’ associated with them, play a key role in the generation and negotiation of authenticity, while at the same time informing the authenticity and value of their historic counterparts through the ‘composite biographies’ produced. As things in their own right, replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.     

Introduction: cultural policies for sustainable development

Abstract

Sustainable development has long conceptual roots, and international organisations have played a significant role in articulating the meaning of the term and the content of the dominant discourses. Within these frames, the concept of cultural sustainability tends to be diversely defined and operationalized. This article and special issue examine culture and sustainable development in ways that articulate and contemplate different roles for cultural policy.     

Sustainable cities—who put the civil into civilisation?

Abstract

How do we define civilisation? Who created the conditions for the quality of life we now enjoy? Who have been the greatest civilisers? What are our key life support systems and who provides the skills which create them? What do we want from our urban environment and who can give it to us? Are our cities in the prime of life, or are they geriatric? Are they sustainable? These and other challenges are considered and addressed in this review of the infrastructure of modern society and of the choices we face as we embrace the twenty-first century, with the emphasis on the urban environment.     

Topoiesis: Procesos de espacialización en la literatura (crítica y metodología)

ABSTRACT

Space in literary texts has been widely studied but poorly systematized. There is no valid method of analysis that gives space a critical meaning. For instance, critics have eluded the fact that time and space cannot be considered separately. On the other hand, they have used concepts or methods from disciplines aside literature such as anthropology, biology, psychology, or geography that do not help clarify the meaning or signification of a literary text. We begin this article by giving a review of the main theoretical and critical positions regarding space in literature from the second half of the twentieth century. We do this in order to evaluate the main results those studies have attained. Later on, we propose a methodology that may clarify the significance of space in a literary text. The concept topoiesis (as far as we know, it has not been used in the humanities) represents for us a key word. It helps us to distinguish one main process where space can turn from a signification practice to the production of meaning in a literary text.     

Giordano Bruno and Bonaventura Cavalieri's theories of indivisibles: a case of shared knowledge

ABSTRACT

At the turn of the seventeenth century, Bruno and Cavalieri independently developed two theories, central to which was the concept of the geometrical indivisible. The introduction of indivisibles had significant implications for geometry – especially in the case of Cavalieri, for whom indivisibles provided a forerunner of the calculus. But how did this event occur? What can we learn from the fact that two theories of indivisibles arose at about the same time? These are the questions addressed in this paper. Relying on the methodology of “historical epistemology”, this paper asserts that the similarities and differences between the theories of Bruno and Cavalieri can be explained in terms of “shared knowledge”. The paper shows that the idea – on which both Bruno and Cavalieri build – that geometrical objects are generated by motion was part of the mathematical culture of the time. Tracing this idea back to its Pythagorean origins thus sheds light on the relationship between motion and continuum in mathematics.     

Memory in warfare: history as a destituent narrative

Abstract

To what extent may we consider historical writing a field of political tension? Could we make a plausible conceptual distinction between a constituent and a destituent narrative? According to Carlo Ginzburg – one of the proponents of ‘microhistory’ – historical sources are ‘distorting mirrors’, which let the truth shine through in an indirect way. Consequently, the good historian is the one who manages to grasp the ‘Freudian slips’ of history and fixes them in a coherent framework. Michel Foucault’s ‘political historicism’ seems to adopt the same historiographical approach: the most reliable witnesses of the past are the victims of the dominant power and the forgotten subjects of the constituent historical narrative. It seems to the author that Walter Benjamin and Simone Weil’s warfare writings share this destituent attitude towards historical representations. As far as Benjamin is concerned, the author’s hypothesis is that between the two world wars he radically redefines his notion of memory. With the apotheosis of the Nazi regime, he starts to conceive memory of the catastrophic past as the only possible input of an authentic revolutionary action. With a similar attention to collective memory, Weil goes through European history in order to deconstruct its principal political mythologies, from Rome to the Third Reich. Her purpose is to let the stories of the defeated re-emerge in order to show the history of violence that lies beyond the official representation of the past. In both cases, the main political aim is eventually to produce a destituent narrative of Europe that could serve as a guideline in the post-war period.     

Carto-fiction: narrativising maps through creative writing

Abstract

This study reacts to the recent call for a narrativisation of maps’ life in post-representational cartography, proposing ‘cartographic fictional writing’ as a means to move geography’s ‘creative (re)turn’ from a place-centred to a ‘carto-centred’ perspective, and as an epistemological tool to go on rethinking maps from post-representational perspectives. First, ‘carto-fiction’ is defined as a self-reflexive (autoethnographic), ethnofictional, creative carto-centred product/practice of research. Second, by including the entire short story entitled ‘Unfolding Berlin’ and an autoethnographic account on how it emerged, this study strives to both theorise and perform carto-fictional writing as an embodied and trans-subjective mapping experience. My goal is to propose ‘carto-fiction’ as a prolific tool to let emotional, subjective cartographies emerge and to narrativise maps as mapping practices. The article further strives to focus on the mapping power of creative writing, and carto-fictional writing and reading will be interpreted as mapping performances, in which subjects are bodily and emotionally engaged. The inclusion of original illustrations aims to involve readers in a visual experience and to further stimulate their spatial imagination: each reader is asked to reflect on his/her own mapping experiences to interpret the fictional story and, thus, the paper itself attempts to unfold unpredicted creative cartographic practices.     

Aberdulais Falls

Abstract

Aberdulais Falls is a multi-period site, important because it participated in the early development of three of the major metals industries of Wales – copper smelting, ironworking and tinplate manufacture. For three centuries the River Dulais provided a natural head for water powered plant, the earliest of these being a copper works thought to have been established here in 1584. It was the site of a corn and grist mill c1765-1819, during which time it was a popular subject for travelling artists, Turner among them. This article is an interim report based on the archaeological work undertaken from 1982-5, and represents the author's term as Site Archaeologist at Aberdulais Falls. It argues that the extant remains belong, almost exclusively, to the two final periods of industrial activity – ironworking (c1819-40) and tinplate manufacture (c1840-90).     

FOUCAULT'S ‘HALL OF MIRRORS’: AN INVESTIGATION INTO GEO‐EPISTEMOLOGY

In this article we aim to single out a part of Foucault's trihedrals of spatialization – discourses and practices, that is, technologies of power that have their spatialized frames. In order to analyse them we use the concept of a trihedral, not a triangle, because we noticed that several lines can be drawn from any angle and can form new spaces. In such a manner we are able to see their multiplication, separation and parallelisms. Using the trihedrals of spatialization we detect in Foucault's work, besides the demands for a certain (spatialized) ontology, the existence of no less significant geo‐epistemology as knowledge and discourses that are formed in spaces and as the space formed through knowledge/power/discourses. We face a polyvalent character of the angles of the trihedrals and try to avoid the labyrinth into which their multiplication pulls us. The article pays special attention to Foucault's elementary trihedral, life–work–language, in which man came to life as a being who works, speaks and reproduces in a new shape – as population. In this trihedral the angles/concepts are only seemingly separated: they overlap, mix, collide and intertwine in a game that cannot end. That is why this is only a snapshot of the many trihedrals; a possible aggregate of combinations, yet in no case coherent and homogenous. In that sense this article is not an attempt to systematize Foucault's thought but to identify one of the many possible models/matrices for understanding the meaning of his spatial turn and his analysis of power.     

„Simulanten des Irrsinns auf dem Vortragspult“: Dada,Krieg und Psychiatrie,eine ‚Aktive Traumadynamik‘

“Simulanten des Irrsinns auf dem Vortragspult”: Dada, War and Psychiatry – ‘Active Dynamics of Trauma’. This paper relates stage performances of dada artists to war neurosis and shell shock as sociocultural phenomena. The leitmotif of this investigation is the notion of simulation, as dada artists were referred to as malingerers (simulators) of madness by the press at the time. I hypothesize that the performers imitate/simulate with drums, shouting and ‘bruitist’ sound poems, the noises of war, staging themselves as war neurotics in a kind of shocking clinical demonstration. Both discourses intersect in the fact that many dadaists try to dodge the draft by simulating madness. The scandalizing anti-art of dada will be understood as contagious anti-pedagogy, trying to vaccinate against the madness of the era.     

Food in the accounts of a travelling lady: Maria de Luna,queen of Aragon,in 1403

ABSTRACT

A household account book of Maria de Luna, queen of Aragon, dated 1403, serves as a guide to her everyday life and especially her diet. Its contents give us details that normally go unnoticed, about the court, the quantities and qualities of their foods, the means of preparing them, and the spectacle of the queen and her courtiers at table. The peripatetic nature of the queen’s household brought her to different towns in the interior of the kingdom of Valencia, and the document provides important – and rare – evidence of the impact of the court on these small markets, and the strategies for providing foods of the highest quality to meet the demands of the queen. The household is compared with others of similar rank in the Iberian Peninsula and nearby.     

Open borders as an act of solidarity among peoples,between states or with migrants: changing applications of solidarity within the Schengen process

Abstract

The article analyses the historical understanding of the term ‘solidarity’ in the context of the Schengen process, which started in the 1980s and remains relevant until today. During this time, the Schengen Area grew from encompassing five Western European countries to 26 member-states across the whole continent. In this context, the term ‘solidarity’ was referred to frequently in official documents, in speeches or in the media – despite the fact that the term was not at all central at the time of foundation. It is important to note, however, that during the process of enlargement, the meaning of the term ‘solidarity’ changed repeatedly. First meant to denote solidarity between all the European peoples, in the Western European Union it also referred to the reconciliation of European peoples after the Second World War. In the 1990s, the official understanding of solidarity concerning Schengen shifted to describe an effective inter-state cooperation among the EU member-states. In the last years, the term solidarity was most evoked in the call for an even burden-sharing within the European Union. All these different understandings have one aspect in common: they focus on the internal dimension of European solidarity. However, during the entire Schengen process, the term ‘solidarity’ was also applied in another, an external, global dimension, to call for humanitarian support towards refugees reaching the Schengen Area from anywhere in the world. The article argues that the term ‘solidarity’ must hence be looked at as a political concept and not a neutral, analytic term. Critical regard for the current political interests as well as the concrete historical framework are crucial for any academic discussion of European solidarity. The categories of inclusion and exclusion especially must be core aspects when analysing the term ‘solidarity’ historically.     

Carl J. Friedrich's Legacy: Understanding Constitutionalism as a Political System

Carl J. Friedrich (1901–1984) defined constitutionalism as something more than can be expressed by the dominant behavioralist paradigm of modern political science and the typical academic focus on law and courts. A leading but now neglected post-WWII authority on constitutionalism, Friedrich argued that it should be understood as an institutionally-based, interactive system for deliberating the meaning and legal application of the norms of a political community. His approach shares much with the contemporary “historical institutionalist” call to situate law and courts within a broader, more normative, and more interactive conception of constitutionalism. Accordingly, a reconsideration of Friedrich's work may help current efforts to better articulate the full richness and complexity of constitutionalism as a distinctive way of ordering political life.     

Oraculorum Sibyllinorum fragmentum Osloense 1

This article discusses some textual questions in Ajax leading to the following conclusions: I. 54 add ?τ?? after λε?α?. – II. 208 the emendation ?ρεμ?α? (“rest”, “quietude”) suggested by Thiersch. – III. 405a–b the proposal κρ?τη / μοι to fill the lacuna. – IV. 476 defence of the line as transmitted. – V. 546 τοσ?νδε to go with ??νον. – VI. 719 ?νδρε?, ??λον τι πρ?τον instead of ?νδρε? ??λοι, τ? πρ?τον. – VII. 869 instead of με write γε. – VIII. 951 ?σ?ν? ?χθο? as a reference to Tecmessa’s heavy burden of woe.     

Lacras urbanas: Juego,prostitución y mendicidad en el entremés barroco

Abstract

The image of a courtly and cosmopolitan Madrid that enjoyed an intense cultural life where millions were spent on luxurious festivals that attracted famous artists and travelers also contained a marginal space where poor people, the crippled, thieves, soldiers, gamblers, prostitutes, and black people lived and made a living. Where the long walks along the Prado at sunset lost their gallantry and became spaces of the night where ruffians challenged each other to duels and ended up, in most cases, in the overpopulated jails of the kingdom. Where the domestic space was transformed into house brothels and gambling dens, full of gamblers and onlookers. Where in the streets, one did not go only to shop but to beg for alms, to con and rob, or where the churches, a place of knowledge and shelter, became places for amorous and clandestine meetings, and where prostitutes, thieves, and murderers hid to escape the law. In this article, I will examine the social meaning of this underworld in seventeenth-century urban Madrid from the perspective of marginality. My interpretation of the urban centers explores baroque Madrid as a space of conflict. From this conflict, new ways of speaking, living, writing, and reinventing urban landscapes arise. Many of the short pieces written in that time articulate their plots through the relationships between marginal society and the established power structures and exhibit social changes in light of the economic processes associated with the development of Madrid as the imperial capital.     

Arendt in the refugee camp: The political agency of world-building

Refugee camps are frequently conceived as spaces in which social and political life is reduced to biological concerns of survival or ‘bare’ life. Yet, for researchers who focus on life in the camp as it is lived, through material adaption, social negotiation and resistance, this Agambenian perspective is unsatisfactory. Instead, a relation is made apparent between practises of everyday life and the manifestation of a politics. This paper argues for the importance of Hannah Arendt's writings for a new understanding of how refugee camp inhabitants can develop and sustain political agency. First, it will highlight the relation by observations and analysis of ‘the jungle’ in Calais, France. This unofficial camp, although short-lived, has influenced a broad spectrum of research including examination of spatial political practice. Second, applying a phenomenological reading of Arendt's work, I argue that political agency emerges through the concept of world-building. World-building results from the conjunction of human activities – from the quotidian, like labour and work, to the exceptional cases of action – and their orientation towards a specific type of visibility. World-building manifests as camp inhabitants erect spaces of meaning that engage a plurality of persons, transforming them into political agents.     

Tradition and the individual talent: remarks on the poetry of Michalis Ganas

Abstract

No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead. (T.S. Eliot)