“It's not like your home”: Homeless Encampments,Housing Projects,and the Struggle over Domestic Space

Based on an analysis of housing projects and homeless encampments in Fresno, California, this paper argues that both anti‐homeless policing and housing provision mutually constrain homeless people's expressions of home, such that struggles over domestic space have become integral to the contemporary politics of US homelessness. In particular, this article asserts that contemporary homelessness policy is marked by a clash between competing visions of home. While housing projects in Fresno are based on a model of privatized and surveilled apartments, people who lived in local encampments often asserted alternative notions of home grounded in community rather than family, mutual care rather than institutional care, and appropriation rather than consumption. Meanwhile, local officials viewed such alternative domestic spaces as non‐homes worthy of destruction. Rather than valorizing domestic struggles above public or institutional struggles, this article seeks to move beyond geographic binaries to more holistically approach the politics of US homelessness.     

From the ground up: cultural heritage practices as tools for empowerment in the Homeless Heritage project

Abstract

The Homeless Heritage project took place across two English cities (Bristol and York) between 2010 and 2014. The project sought to use a range of participatory heritage practices to engage contemporary homeless people in documenting their perspectives on each city. Drawing on data gathered over three and a half years this paper reflects on how collaborative cultural heritage practices can be useful in recording diverse stakeholder perspectives which can become catalysts for social change. It is further argued that two interactive exhibitions that resulted from the Homeless Heritage project contributed to the democratisation of knowledge, aiding negotiation of the complicated politics of contemporary homelessness in valuable ways.     

Police and Politics in Aesthetics-Based Urban Governance: Redevelopment and Grassroots Struggles in Enninglu,Guangzhou, China

Rancière's theorisation of police, politics, and aesthetics offers an illustrative framework to understand urban (re)developments. While extant works have examined separately the art of governing through aesthetics and the political subjectivities of those having no part in the frame of visibility and intelligibility, this study argues that hegemonic aesthetic regime and bottom-up aesthetic practices can be mutually constitutive and reside in relationships of co-existence and mutual negotiation. Drawing on over a decade's investigation in Enninglu, a neighbourhood district in Guangzhou that underwent several rounds of political struggles related to redevelopment and conservation, we reveal how local residents negotiated aesthetic norms enacted by the state. Particular attention is paid to the interactions between the aesthetic regime imposed by the state and grassroots people reclaiming their own aesthetic sensibilities, culminating in a contingent, inconclusive, and “impure” space of politics. Both political subjectivities and aesthetic norms are redefined ongoingly in this process.     

Technological art and Studio International’s eclectic vanguardism

ABSTRACT

This article takes the editorship by Peter Townsend of Studio International, to which the author contributed regularly between 1969 and 1972, as a starting-point to recall decisive personal encounters with Roy Lichtenstein’s paintings, Wen-Ying Tsai’s sculptures, Jasia Reichardt’s exhibition Cybernetic Serendipity and the British Society for Social Responsibility in Science. It goes on to re-endorse the earlier argument that a long historical time-scale was required for the aesthetic implications of photography to become clear, and that, like photography, the computer and holography are technological media whose immediate interactions with aesthetics and the culture at large will take many decades to pan out. Earlier claims about the relationship between art and ecology are then reviewed. Finally the article suggests that though world politics have changed considerably since the 1960s and 1970s, artists have undiminished opportunities to grapple with the challenges of new technologies directly, rather than retreating into a closed system.     

Communities of discourse: Ideology and social structure in the reformation,the enlightenment,and European socialism

In contrast to the conventional view of Ludwig Feuerbach as a left-wing Young Hegelian, this article argues that his primary contribution to philosophy is to be found in his later ethics, the basis of which may be discerned in his earlier writings. Over and above recent work on Feuerbach's aesthetics, his relation to Herder, and the relationship between aesthetics and ‘theological politics’ in his thought, Feuerbach's philosophy can re-evaluated, in relation to Epicurus and the French libertin tradition, as articulating an ethics of hedonism. In The Essence of Christianity (1841), the Nachlass fragment ‘Elementary Aesthetics’ (1843), and his Principles of the Philosophy of the Future (1843) Feuerbach moves towards the vitalist materialist position that culminates in his (proto-Nietzschean) insight in ‘Against the Dualism of Body and Soul, Flesh and Spirit’ (1846) into the world as an ‘aesthetic phenomenon’, thus laying the foundations for his recognition of the centrality of sensuous pleasure to the ethical life.     

Imagining Otherwise: Autism,Neuroaesthetics and Contemporary Performance

Abstract

Perspectives on the phenomenology of the autistic experience are presented with particular reference to the imagination in autism and what may be conceptualized as ‘neurodivergent aesthetics’. Drawing upon a research project that explored the potential of drama as an ‘intervention’ in autism, an attempt is made to de-mythologize the condition by challenging stereotypes and by suggesting that the multimodalities of performance offer an appropriate space for ‘encounters’ with autistic states of being while also questioning the dualisms which distinguish between the aesthetic and non-aesthetic.     

The Urban Sensorium: Space, Ideology and the Aestheticization of Politics

This essay outlines a theoretical framework for investigating the links between the production of urban space (Lefebvre) and the production of ideology (Althusser) and hegemony (Gramsci) by proposing the concept of “the urban sensorium”. With a view to the aesthetics of urban experience and everyday life, this concept aligns Fredric Jameson's “postmodern” adaptation of city planner Kevin Lynch's research on “cognitive mapping” with Walter Benjamin's insights on “aestheticizing politics” in order to ask: how does urban space mediate ideology and produce hegemony while aestheticizing politics? In so doing, the spotlight falls on a conceptual constellation including four key theoretical terms: “ideology”, “aesthetics”, “mediation” and “totality”. While working through them, the essay argues that Jameson's outstanding contribution to a spatialized understanding of “postmodernism” lies above all in his Marxist (Lukácsian, Althusserian and Sartrean) theorization of mediation and totality; whereas radical students of the city can find the richest dialectical elaboration of these two concepts with special attention to space and urbanism in the oeuvre of Henri Lefebvre, especially in the recently translated The Urban Revolution.     

Of Market Vendors and Waste Collectors: Labour,Informality, and Aesthetics in the Era of World-Class City Making

A growing literature demonstrates the significance of aesthetics within processes of world-class city making, as decisions about who gets to live and work in the city are increasingly made on the basis of codes of appearance. However, less attention has been paid to how such codes are (re)produced and (re)directed by informal workers and their organisations in everyday practice. Drawing upon a multisided ethnography in Kampala and Delhi, this paper explores the ways in which market vendors and waste collectors have responded to the proliferation of three aesthetic technologies: the identity card, the uniform, and the code of conduct. We show that workers have appropriated these technologies in creative ways in order to defend their livelihoods against the threat of displacement. However, this act of appropriation has come at the cost of the exclusion of the more vulnerable workers, who now find their activities policed not only by the state but also by a range of non-state organisations. These findings contribute to debates on labour organisation and world-class city making by demonstrating the ways in which aesthetic rationalities emerge through an encounter with the tactics of everyday life.     

Identity,place and culture: Patrick McCarthy's columns in the Bologna pages of La Repubblica

Abstract

For six years between 1994 and 2000, Patrick McCarthy contributed occasional articles to the Bologna section of La Repubblica. These writings were intensely personal interventions on various themes that reflected their author's lifelong interest in literature, culture, politics and sport. Many of them addressed issues of civic life in a city that had once enjoyed a reputation as a showcase of Communist local administration in Italy, but which in 1999 elected a right-wing mayor. In contrast to an impersonal urban modernization that he saw as destructive, McCarthy championed a humane ideal of community that was not ‘traditional’, but rather open and flexible.     

Social movements in an era of post-democracy: how the Israeli J14 tent protests of 2011 challenged neoliberal hegemony through the production of place

Abstract

Inspired by the Arab Spring, massive social movements have erupted since 2011 in many places around the world. Despite their differences, these movements have had at least two remarkable common features: all of them struggled for ‘real democracy’ and occupied prominent urban public spaces to erect temporary tent encampments. By focusing on the case study of the 2011 Israeli tent protests, this paper argues that the production of such places of resistance works as a crucial, albeit ambivalent, strategy to confront hegemonic power relations. On the basis of the literature on the spatialities of contentious politics, the article demonstrates that the establishment of more than 70 tent camps in public spaces all across Israel was of vital importance not only to challenging the post-democratic political system but also to overcoming an internal crisis of representation within the Israeli protest movement. However, the case of the Israeli J14 tent protests also underlines that while the production of place can be a powerful starting point for social movements, it is not a durable alternative to multi-scalar, networked forms of organisation, which are also able to confront state authorities in the long term.     

How ‘creative’ is remembering? Culture-led regeneration and the politics of memory in Bogota,Colombia

ABSTRACT

Recently, Colombia’s post-conflict transition has experienced strong international attention. In Bogota, commemorative politics of the conflict insert themselves in complex processes of place branding: employing culture to rescale the city image from unsafe and violent to culturally vibrant. However, how to reckon with the country’s violent past in the culture-led renaissance of Bogota? Based on the author’s four-month of in-depth qualitative fieldwork on the main street Avenida 26 – at the center of both branding strategies and politics of memory – this paper shows the failure of institutional efforts to promote a brand of Bogota as a ‘City of Memory’. Socio-political divisions over the interpretations of the country’s past result in multi-scalar conflictive negotiations between politics and practices on the street: they reveal the tight link between memory, social justice, and urban segregation while denouncing the exclusionary visions of citizenship bared in political efforts to display memory as a territorial mark.     

Displacement,memory and home(less) identities: Turkish Cypriot women’s narratives

Abstract

This study is an analysis of the narratives of Turkish Cypriot women in the north of Cyprus who were displaced during the ethnic conflict between the 1950s and 1974. We have conducted 21 interviews with Turkish Cypriot women who were living in different parts of Northern Cyprus. We used oral history, both as a method and as an epistemological stance to re-phrase the near past of Cyprus and the Cyprus issue from the perspective of gender/women’s studies. The study follows the traces of modernity, patriarchy, and nationalism in women’s narratives, about the place, home, belonging and homelessness. The narratives describe Turkish Cypriot women’s experiences of being a woman in conflict and displacement (‘göçmen olmak’ in daily talk in Turkish) making a home out of a house and undertaking daily routines for their families. The study also reveals that ethnic conflict and displacement have empowered women to a certain degree.     

Drifting Along or Dropping into Homelessness: A Class Analysis of Responses to Homelessness

Abstract: Prominent assumptions about street homelessness and how it should be addressed originate primarily from middle class domiciled worldviews. This article draws on interviews with 58 street homeless people to develop a typology for explaining different forms of homelessness resulting from differences in class of origin. The concepts of social distance and abjection are used to illustrate how class politics manifests in street homelessness and in responses to this issue. Many of our homeless participants referred to two broad groupings of homeless people who display distinct experiences and cultures in their daily lives on the streets. Drifters are people who do not experience homelessness as a sharp disjuncture from their previously housed life. Street homelessness is a continuation of the hardships of their lower class backgrounds. Droppers are people who have “fallen” on hard times and aspire to return to mainstream middle class lifeworlds. Differentiating between these two groups provides a space for defamiliarizing dominant understandings of, and current generic responses to, homelessness and foregrounds the need for reorienting services to better meet the needs of drifters.     

Bernard Faÿ, Antoine Compagnon: the modern/anti-modern,or the delicate balance of the ‘Entre-Deux’

This article examines Antoine Compagnon’s Le cas Bernard Faÿ: du Collège de France à l’indignité nationale in the light of Compagnon’s intellectual trajectory and in connection with his conception of modernity, in particular French modernity. A sum of contradictions, at once modern and anti-modern, modernity is for Compagnon essentially ambivalent. Its emblem is Baudelaire, whose aesthetic predilection for the modern beauty of the present was paradoxically entwined with his hatred for modernization. Compagnon sets Baudelaire’s intensely nostalgic and somehow already postmodern modernity against the effusive ideology of ‘modernism,’ identified with the cult of progress, the equation between aesthetics and politics, and the lyric militancy of the avant-garde. Through the Janus-like figure of Bernard Faÿ, a modernist aesthete who was Gertrude Stein’s best friend and who turned into a collaborator and a persecutor of Freemasons during the Second World War, Compagnon excavates, at the crossway between aesthetics and politics, at the intersection of modernism and fascism, the contradictions of modernity and the paradoxes of the history of twentieth-century France. In the meantime, going against the linear grain of the great modernist narrative, Compagnon defines the tasks of the new literary history of modernity.     

Aesthetic Dissent: Urban Redevelopment and Political Belonging in Luanda,Angola

Over the previous decade, African cities experienced a wave of frenzied construction driven by imaginations of world‐city status. While these projects provoked new discussions about African urbanism, the literature on them has focused more on the paperwork of planning than actual urban experiences. This article addresses this lacuna by investigating residents' reactions to the post‐conflict building boom in Luanda, Angola. I show that Luandans' held highly ambivalent orientations towards the emerging city. Their views were shaped by suspicions about pacts between Angolan elites and international capital that recapitulated longstanding tensions over national belonging. These concerns were voiced via discussions of the very aesthetics of the new city. Buildings became catalysts for expressions of dissent that put into question the very project of state‐driven worlding. The paper therefore argues that the politics of aesthetics are central to grasping the contested understandings of urbanism currently emerging in various African cities.     

Exploring the potential of the popular culture and world politics agenda: actors,artefacts and the everyday

ABSTRACT

The PCWP agenda has contributed a great deal to the discipline of world politics, empirically, methodologically and theoretically. However, there is scope to expand upon certain aspects of this body of scholarship. In particular, the agenda is developing some unfortunate hierarchies in its focus on high-budget ‘blockbusters’ at the expense of data from the everyday. It is displaying a lack of imagination in terms of its methodologies and forms of output, despite the aesthetic and creative nature of many of the artefacts. Finally, it is evincing a reluctance to explore representations beyond the textual or the visual, at the expense of other forms of representation, including sound, taste or, as I argue in this paper, artefactuality.     

‘Eadem,sed aliter’: Arthur Schopenhauer as a Critic of ‘Progress’

Summary

Scholars have tended to overlook the political import of the ideas of Arthur Schopenhauer (1788–1860). This is perhaps unsurprising, since Schopenhauer himself was not a political philosopher and wrote relatively little about political matters. But Schopenhauer's near-silence on political topics should warrant our attention: why would a systematic philosopher, who made lasting contributions in metaphysics, ethics, and aesthetics, devote so little attention to politics? Connecting his political thought with his philosophy of history, I argue that Schopenhauer can best be regarded as a critic of the idea of progress, especially ‘progress’ conceived of as national development or the growth of the state.     

NOTES ON CAMPS,OR, COUNTERFACTUAL FÜHRERS AND THE STRUCTURE OF THE JOKE

In this review essay I explore the dynamics of “normalization” in historical and fictional depictions of the National Socialist past, examining both the “organic” normalization of catastrophic events through the passage of time, and efforts to normalize the Nazi past through aesthetics. Focusing on Gavriel Rosenfeld's Hi, Hitler: How the Nazi Past is Being Normalized in Contemporary Culture, I argue against many dimensions of Rosenfeld's account of normalization, particularly his claim that aesthetic normalization can undermine our moral judgments regarding the Holocaust. Drawing on Sigmund Freud on jokes, and Susan Sontag on Camp aesthetics, I argue that every effort to normalize the Holocaust, especially ones that work through humor and jokes (a major topic of Rosenfeld's book), actually maintain the Holocaust's status as a series of historical events resistant to “normalization.” If “normalization” is a process through which extraordinary, or morally charged, historical events lose their moral charge, then aesthetic efforts to normalize the Holocaust actually reinscribe the special moral status that Rosenfeld believes they erase.     

Integrated Investigation,Assessment, Intervention Design,and Implementation as a Model for Conservation Practice

Abstract

The Bibi Jawandi Monument Complex is a site of 15th-century partially collapsed glazed masonry tomb structures located in the ancient city of Uch Sharif, in Pakistan. Conservation of the striking monuments has involved an integrated approach comprising investigations of building materials, structural stability, geotechnical characteristics, as well as management capacity and infrastructural considerations of the site and surrounding city. A primary assessment of the site’s aesthetic, artistic, historical, social, and scientific significance guided the development of interventions and conservation priorities. The holistic approach to the protection of the site, in relation to the surrounding historic town, is one of the first such integrated conservation projects to be undertaken in Pakistan and posed numerous conservation challenges. Work is ongoing and continues, relying on intermittent funding, but the project and site serve as a model in the region for thorough assessment informing conservation decision-making.     

Tradition and Reform: Aristotle’s Response to Modern Alternatives

Abstract

This essay is an attempt to articulate an Aristotelian alternative to two prominent contemporary ways of understanding human freedom and dependence on the past, and to the implications these understandings have for political life. While a liberal tendency, following Machiavelli’s emphasis on new modes and orders, understands political life to begin with breaking from the past, the more conservative camp in modern thought, following Burke in his emphasis on tradition, understands political life to begin with laws and customs inherited from the past. Aristotle’s teaching in his Nicomachean Ethics on the freedom and responsibility that make human beginnings possible points us, I propose, to a better understanding of political founding than either modern alternative. In the Politics, he connects the city to natural beginnings in the family but also calls the first who founded a city one “responsible for the greatest of goods” (Pol. 1253a31-32). And in the Ethics, he offers his own founding of a way of inquiring about politics, which engages with his predecessors, as a model for politics itself. In this way, Aristotle offers us a deeper understanding of political founding and change, even presenting his own philosophic inquiry in the Ethics as its ground and model.