The Mazandarani Dialect of Kalijān Rostāq

Located in the Caspian forest south of the capital city of Sāri in Mazandaran, the rural district of Kalijān Rostāq is home to a number of close-knit villages which share a local Mazandarani dialect. The vernacular offers some authentic features in phonology, morphology, and lexis that are otherwise lost in the urban variety spoken in Sāri due to contact with Persian. In an attempt to elucidate on the loosely-known aspects of the Mazandarani language, this study offers a sketch grammar of the dialect of Kalijān Rostāq with a view to typological features. The glossary that follows includes many Caspian cultural items that are already moribund in the language.     

The Lives and Afterlives of Vis and Rāmin

This article is a review of the afterlife, or Nachleben, of the romance Vis and Rāmin, one of the first representatives of its genre in New Persian literature. In addition to providing readers with an extensive bibliography of sources and research concerning the poem, it also analyzes these materials to put forward two basic arguments: one, that moral or religious antipathy to the poem’s contents may not have played as great a role in its fortunes as did aesthetic taste; and two, that V&R proved to be a more widely circulated and durable work than is commonly supposed, but on the level of fragments, not the entire text. In light of these arguments, it is proposed that studies structured around the comparison of fragments—themes, ideas, ethics, and motifs, rather than whole texts—may offer more purchase in constructing models of analysis that situate V&R, and Persian literature more broadly, within a literary oikumene in which it connects and interacts with neighboring traditions.     

The Social and Literary Context of German Translations of Saʿdi’s Golestān

Sa?di’s Golestān has been translated into German numerous times since the seventeenth century. The purpose of this article is to examine the social and literary context of three German translations and translators: Karl Heinrich Graf, a theologian and researcher of the Old Testament, published his translation of the Golestān in 1846 during German Romanticism; Dieter Bellmann, a professor of Oriental studies, published a revision of Graf’s Rosengarten in 1982 in the German Democratic Republic, where literature was strictly regulated; Kathleen Göpel published her indirect translation from English, prepared by the Afghan translator Omar Ali-Shah, in 1997, at a time of intercultural literature, also called “bridge literature.” Through examples the article shows how the context may have influenced their translations and how the text has changed when traveling across linguistic and cultural borders.     

Pākehā Women and Māori Protocol: The Politics of Criticising Other Cultures

Feminists have fiercely debated whether it is wrong for outsiders to criticise gendered customs and practices identified with cultural minorities. This article explores the ethics of criticising other cultures by analysing the reaction to public criticism of Māori ceremonial protocol by two Pākehā women. It argues that the response to outsiders' criticism does not depend in a simple and direct way on whether insiders have resisted the criticised practice. There is a history of Māori women formulating critiques of the gender roles in Māori ceremonies, but the public response from Māori women to the Pākehā women's criticism was overwhelmingly negative. The outsiders' criticism was understood as an attack on the incorporation of Māori cultural expression into the public sector, rather than as a gesture of support or solidarity.     

The Oxus Temple: Localization of the Avestan Vahvi Dāityā

The article describes an attempt to determine the localization of the Avestan river Vahvi Dāityā using archaeological materials from the Oxus Temple (southern Tajikistan). A comparative analysis of archaeological materials and written sources makes it possible to identify the Amu Darya River with the Avestan Vahvi Dāityā.     

The Place of the Mālavikāgnimitra within Kālidāsa's oeuvre

Indo-Iranian Journal -