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1.
A re-evaluation of the published reports on the Khufu I vessel suggests: first, Egyptian boatwrights used as much of a plank's original width and length as possible to minimize waste, resulting in unpredictable stealer and scarf placement; second, crafting tenons to be narrower than corresponding mortises may have been one of many standardized techniques of Egyptian boatbuilding; third, temporary and permanent edge-to-edge transverse lashing was an important structural feature. Finally, woven straps instead of ropes were probably used to lash this vessel, and seams were probably sealed with wadding and battens, while the frames appear to have been recycled.
© 2009 The Author  相似文献   

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Models of traditional boats stitched together with thread or cane from different parts of the world are commonly found in museum collections. They are often highly detailed and assembled in a way that is characteristic of a particular region. Through the presentation of a range of sewn‐boat models, particularly focusing on those from Sri Lanka, this paper considers how representative models are of full‐size boats, and if they can tell us about boat types and construction techniques. It provides guidance on using and interpreting models and aims to promote the use of these objects to further understand sewn boats.  相似文献   

3.
At the bottom of a well on a medieval farm on the Danish island of Amager, archaeologists found a planking clamp dated by dendrochronology to 1405 AD. 1 The clamp is of great importance: very few examples have been found or recognised in Northern Europe to date, and this is the best preserved, and thus provides data about its shape and use; and the size of boat it was used in the construction of. It is discussed whether the clamp was used exclusively for boatbuilding or whether it might also have been used in other crafts. It is suggested that copies of the Tårnby planking clamp might be used in future experimental boatbuilding projects.
© 2004 The Nautical Archaeology Society  相似文献   

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The study of traditional boats has enhanced our knowledge of the maritime past. Traditional boats are both river‐ and sea‐worthy. They have been used in rivers for transporting cargo to inland ports from ships anchored at sea, and have often been used in naval warfare. In this paper an attempt has been made to study the sewn‐plank boats of Goa, their building techniques and other features in order to understand their quality and how they were used in the past for an inland river‐transport system. © 2011 The Authors  相似文献   

6.
Definitions of the terms 'clench' and 'rivet' proposed by A. E. Christensen are evaluated using the etymology of those terms and recent usage. An alternative definition of 'clench', is proposed, and definitions of 'hooked nail' and 'turned nail' are introduced. It is suggested that the term 'rivet' should be restricted to ferrous fastenings used with metal plates.
© 2004 The Nautical Archaeology Society  相似文献   

7.
    
The Tune Viking ship has been a riddle for more than 150 years, since being found within a burial in the Oslo fjord area in 1867. It was long thought that the ship's freeboard was too low for it to have crossed the North Sea. Advances in documentation methods and a detailed study of the preserved parts of the ship have provided new data, and this article outlines a new proposal for how the ship looked when it was built in the early 10th century AD. The Tune ship is reinterpreted as a seagoing vessel, in no way inferior to the Oseberg or Gokstad Viking ships.  相似文献   

8.
A review of the Lipke collection raises new questions concerning Egyptian boatbuilding methods for the Khufu I vessel, including the shaping of planking, the purpose, fitting, and spacing of cross‐grain mortise‐and‐tenon joints and the crafting and securing of hook‐scarfs in girders. New data supports the author's contention that the construction of this vessel was abruptly terminated, but contradicts his suggestion that the central girder had no hook‐scarf—it does, but it is unique. Furthermore, detailed plans show how the hood‐ends, sleeves, and papyriform decorations were crafted and joined. A planking‐plan with scale does not always agree with published data. © 2010 The Author  相似文献   

9.
    
The archaeology of the post‐Emancipation Caribbean remains relatively understudied. The collapse of the industrial‐scale sugar plantation systems of the islands in the early 19th century saw a radical re‐organization of socio‐economic life. A new corpus of consumers was created, eking out a living on the margins of island society, but never quite liberated. This period sees the emergence of an Afro‐Caribbean maritime culture focused upon shipbuilding, fishing, turtling and whaling, the latter a particular feature of the eastern Caribbean (Windward Islands). The archaeology of whaling communities, is relatively well understood from the perspective of North America, Australasia and Europe, but less so in the Caribbean. Using two case studies based upon recent excavation and survey work, this paper sheds light on a distinctive maritime cultural response in the post‐emancipation Eastern Caribbean world.  相似文献   

10.
The Bronze-Age Dover boat, reconstructed and published by Owain Roberts in 2004, is discussed in regard to the general considerations of reconstructing ancient boat structures in the previous paper. The archaeological evidence shows that the boat had a bottom shape different from that shown in the 2004 reconstruction, and various other aspects, such as the general shape and strength of the hull and the calculation of potential speed when paddled, are questioned, partly drawing on the author's experience with the reconstruction of the Hjortspring boat. A re-assessment of the evidence is called for before any attempts to build a full-scale version of the Dover boat for sea-trials.
© 2006 The Author  相似文献   

11.
When establishing the new Amager Beach Park near Copenhagen, Denmark, a small clinker‐built ship dating to the 16th century (dendro‐dated to 1560–70) was discovered. The Viking Ship Museum in Roskilde excavated the wreck in 2004, and parts of the ship were later taken to the museum and recorded in 3D. This article describes the excavation and the documentation, and presents the preliminary interpretation of the ship‐find. The ship is interpreted as a small cargo vessel, probably carrying two masts. Its hull‐form indicates that the vessel was specially designed for navigating the waters of the Sound between Denmark and Sweden. © 2010 The Author  相似文献   

12.
    
In December 2013, a replica of ‘Mawson’s Hut’ (a historic structure in Antarctica) joined a growing list of polar tourist attractions in the Australian city of Hobart, Tasmania. Initially promoted as the city’s ‘latest tourist hotspot,’ the ‘replica museum’ quickly took its place in Hobart’s newly redeveloped waterfront, reinforcing the city’s identity as an ‘Antarctic Gateway’. The hut forms part of a heritage cluster, an urban assemblage that weaves together the local and national, the past and present, the familiar and remote. In this article, we examine the replica hut in relation to the complex temporal and spatial relations that give it meaning, and to which it gives meaning. Our focus is the hut as a point of convergence between memory, material culture and the histories – and possible futures – of nationalism and internationalism. We argue that the replica hut, as a key site of Hobart’s Antarctic heritage tourism industry, reproduces and prioritises domestic readings of exploration and colonisation over a reading of Antarctic engagement as a transnational endeavour. However, like other ‘gateway city’ heritage sites, it has the potential for aligning with a larger trend in international heritage conservation and heritage diplomacy, that of prioritising narratives of the past that weave together transnational connections and associations.  相似文献   

13.
The 14th-century Bremen Cog is the only near-complete representative of a type of large ship with a single square-sail which dominated North European waters for c. 200 years. The evaluation of sailing properties, seaworthiness, potential and characteristics of two replicas is made by professional seamen who have taken them to their limits. Their judgements need to be recorded now, or they will be forgotten especially as systematic tests and sea-trials have been limited and documentation lost. The replicas' captains' expert opinion on the Bremen Cog as a sea-going vessel is a rare case of long-term evaluation of a large-scale experimental-archaeology project.
© 2009 The Authors  相似文献   

14.
近年来,学术界对曾侯乙尊盘铸造法讨论颇多。本文通过埘范铸说的质疑和亲身经历的仿制实验进行分析,认为曾侯乙尊盘用范铸法铸造存存诸多技术障碍,尊盘主体及所有附饰皆应为失蜡法铸造。并且认为失蜡法是中国传统青铜铸造工艺,是非物质文化遗产。  相似文献   

15.
    
A sailing replica based on the archaeological remains and structural analysis of the 6th‐century archaic Greek sewn boat Jules‐Verne 9 was built in Marseille as part of the city's European Capital of Culture 2013 programme. Full‐scale reconstruction allowed investigation of specific aspects of the methods used to build a shell‐first, sewn‐plank, and lashed‐frame vessel, as well as learning the gestures and know‐how of the original shipbuilders. The first two seasons of sailing trials, including short journeys in the Bay of Marseille and longer, coast‐hopping expeditions, reflecting the uses of the original vessel have taken place and are reported here.  相似文献   

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静怡轩的建筑渊源及其复原设计   总被引:1,自引:0,他引:1  
静怡轩是紫禁城建福宫花园中一座建于乾隆七年(1742年)的建筑,1923年毁于火。作者通过对大量文献、实物资料的研究,结合对建筑基址的考察,阐述了静怡轩的渊源和发展,认为静怡轩仿建于圆明园西峰秀色的含韵斋,圆明园西峰秀色又仿自杭州西峰秀色,而故宫宁寿全宫现存的景福宫则仿自静怡轩。景福宫因此成为今日复原静怡轩的实物依据。综合对景福宫建筑和静怡轩基址中台基、踏跺、柱础的考察,作者认为静怡轩应是一座面阔五间,周围廊,三卷棚勾连搭歇山式屋顶,绿琉璃瓦黄剪边,斗升云交麻叶斗,苏式彩画的建筑。  相似文献   

18.
This article examines how the practice of learning geography, and the arenas in which knowledge-making takes place, can be usefully positioned within changing histories of the discipline. It contends that networks of action – understood through the intersection of social sites, subjects and sources – present a conceptual framework and narrative focus for the re-consideration of specific episodes from geography's past. The interventions made here are informed and illustrated by a 'small story' about the doing of geography. Based on different personal accounts, the story revives a series of events, encounters, dialogues and images dating back to the winter of 1951 at Glenmore Lodge, Scotland. This educational institution in the Cairngorm mountains offered children from urban areas the opportunity to learn field studies and the skills of 'outdoor citizenship'. Initially, the focus falls on Margaret Jack, a 14-year-old field-course participant. Her learning experiences are traced through personal letters, a diary and a field journal dating from that time, and her recent recollections of this event. Margaret's account dovetails with the story of her field studies instructor, Robin Murray. Robin's role is traced through his learning experiences as a geography undergraduate at Aberdeen University, and the recent recollections of Catriona Murray, his wife.  相似文献   

19.
Work initiated purely as a dating project in support of a craniometric and morphological investigation of domestic dogs from early Peru has proved to have much wider implications. The stable carbon isotoperatios (13C/12C) of hair samples from ten dogs show that maize formed a significant part of their diet. Radiocarbon dates for these remains have confirmed that they belong to the period well after the cultivation of maize was first established. Stable carbon isotope measurements can thus be used to test for the presence of maize as a dietary constituent at earlier sites even where there is otherwise only indirect evidence for its cultivation. Collagen from animal or human bone is a suitable alternative to hair for this purpose and the method has been successfully applied to collagen dating to c. 3000 BC from the Valdivia culture site of Real Alto, Ecuador, as well as to a series of early Peruvian dogs.  相似文献   

20.
    
Abstract

This paper is informed by Furse’s practice as a theatre maker in two fields of output that are connected by two factors: first, the presence of the woman patient — hysteric/subfertile respectively — within the clinical gaze; second, the significance of the womb to each pathology. In the treatment of each (explored in Furse’s theatre), lens based technologies play their part, whilst the cultural and medical can be seen to have overlapped to produce specific meaning with regard to Her body and its spectacularity. The article presents an overview of some of the key issues in precisely how the woman’s body becomes spectacular within this prosthetic medical gaze and how the medical — and theatrically designed spaces to represent these — become meaningful and potent proxemics that in turn inform medical/ theatrical spectatorship. Overarching nineteenth-century protocols at the Salpêtrière Hospital in Paris (where Furse’s Augustine (Big Hysteria) is set) to contemporary imaging technologies used in the treatment of subfertility with Assisted Reproduction Technologies (the topic of her Art of A.R.T. projects), it examines the way in which photography develops through cinema to X-Ray, ultrasound and then 3D/4D ultrasound to ‘capture’ the woman’s body in ways by which she becomes muted and exposed. These occular technologies that extend the gaze, first to an exterior subject and then, eventually, traversing the flesh without knife, lend specific performativity to the ‘patient’ women, within the context of hysterias and reproductive impairments respectively. Finally, issues of suspension of disbelief are addressed. The spectator’s faith in the screen-based image of Her spectacular body is interrupted in Furse’s work, which is also keenly interested in the effect of such imagery on the woman’s sense of Self. The historical and cultural leaps in this article argue that there is indeed a trajectory through the history of medical imaging since the first application of photography to anatomy to the more advanced scoping technologies of medical imaging today, and that in each era, the production of these images remain fraught with cultural implications.  相似文献   

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