墨西哥革命:从官方史学到修正派史学

墨西哥革命史学思潮的发展趋势与革命后墨西哥经济、政治、思想和学术潮流的变化密不可分。革命期间到20世纪30年代,各革命派系皆站在自身的立场上评价墨西哥革命;30年代后,为了促进国家的统一,在墨西哥政府和执政党的直接倡导和参与下,创立了墨西哥革命的官方史学;四五十年代后,特别是1968年特拉特洛尔科事件后,随着墨西哥经济增长和政治稳定奇迹的终结,以及国内历史学科的发展和国际学术交流的影响,产生了修正派史学。然而,80年代以后,修正派史学在某些方面也受到一定的质疑。     

Jean Renoir,The Rules of the Game,Reputation, and Revisionism

Jean Renoir's film La Règle du jeu (The Rules of the Game) was first shown in Paris, in 1939, and is now generally regarded as one of his masterpieces. But there is a strange side to the film. What most critics and reference books say concerning it—and they tend to say much the same thing—does not, to put it bluntly, square with the facts. What they say is that La Règle du jeu is about an aristocratic house-party that is a microcosm of the corruptness and exhaustion of French society on the eve of World War II. Far from perceiving in La Règle du jeu evidence of the “corruption” and “exhaustion” in French society that led to the country's defeat and occupation by the Germans during World War II, however, the author of this essay attempts to see the film for what it is—not for what historicist critics want it to be.     

Revisionism Reconsidered: 'Property-owning Democracy' and Egalitarian Strategy in Post-War Britain

Revisionist socialists of the 1950s and 1960s are typicallydepicted as advocates of the ‘Keynesian welfare state’route to economic equality. This article argues that this isan oversimplification: while the revisionists supported thewelfare state, they also aimed to promote equality by redistributingprivate property and expanding social ownership, endorsing anegalitarian version of a ‘property-owning democracy’.The article first discusses the political ideals and calculationsthat motivated the revisionists’ interest in this modelof egalitarian strategy and then examines in turn the threemutually reinforcing strands of policy that this goal generated:greater progressive taxation of wealth; measures to diffuseprivate property ownership and access to marketable skills;and the expansion of novel forms of social ownership.