Concepts of illness and disease: Two‐way communication

Helman, Cecil. Culture, Health and Illness: An Introduction for Health Professionals. Bristol, London, Boston: Wright‐PSG, 1984. xi + 242 pp. including figures, appendix, references, index. $33.00 cloth, $16.50 paper.

Hudson, Robert P. Disease and Its Control: The Shaping of Modern Thought. Westport, Connecticut: Greenwood Press, 1983. xvii + 259 pp. including abbreviations of journals, appendix, bibliographic notes, index. $29.95 cloth.     

Isaiah 1,4–9, Isaiah,and the events of 701 BCE in Judah

Abstract

The title of this paper points to the relationship between the Israelite cult as cultural performance and current trends in modern interpretation of the Psalms. The first part includes a review of the wellknown “spiritualisation” of cultic language which is compared to a new approach that describes this phenomenon as a “transformation” of cultic patterns. The second part intents to demonstrate how such transformations could have worked. The “liturgical” text of Ps 24 may serve as an eloquent example of this. Here, a fragment from the ancient temple cult is quoted in order to demonstrate the close connection between the secrets of the inner temple and everyday life. Ps 24 now appears to be an erudite text used for educational purposes.     

“The Painter in Two Frames”: An Archaeological Investigation of Kamal-ol Molk’s Agency in the Field of Art and Politics

An agent’s actions in different fields and its changes can leave material traces. Therefore, archaeology in its broadest methodological meaning surveys material culture and seeks to investigate an agent’s action in a process. Our archaeological excavation in Neshat Garden led to the discovery of material traces of lifestyle changes of a well-known agent from the late Qajar/early Pahlavi era. Mohammad-e Qafari, nicknamed Kamal-ol Molk, was a famous painter of the Qajar court. He left the court in middle age and entered politics as an agent of opposition. Kamal’s journey to Europe was a turning point that extended to the end of his life. At the same time, Iran’s sociopolitical context experienced significant evolution, including the Mashroute Movement and the rise of Pahlavi dynasty to power. Such mutations made Kamal-ol Molk abandon/change his activities in the field of art, sponsored by the power structure, to engage in political activity. His exile/compulsory migration to a faraway village in northeastern Iran is the outcome of his political activities. The present research is based on archaeological surveys and excavations in two sites: Kamal-ol Molk’s house and Neshat Garden. The archaeological investigation of Kamal’s life in context, his paintings, letters, and photos as a long-term process reveals an artist who was also political. His agency in politics was so effective that in order for the “holy honorable party” to survive, he sometimes ordered assassinations.     

Mundane Myths: Heritage and the Politics of the Photographic Cliché

This paper considers the impact of photographic clichés on the management, conceptualization, and experience of heritage. Working along the grain of pejorative readings of ‘snapshot’ photography, this account views the repetitiveness and redundancy of the cliché as a critical point of departure, rather than a cause for reproach. Taking the World Heritage Site of Angkor as a core case study, three intersecting axes of political concern are sketched out to elucidate the broad social, material, and affective implications of clichéd photography for heritage. First, processes of dehistoricization and depoliticization are interrogated in relation to the role certain images play in constructing a mythic sense of the past in the present. This leads directly in to the second strand of analysis, which examines the various ways in which individuals negotiate these myths through the production of their own highly personalized photographic clichés. Here I develop the concept of an embodied politics of heritage photography to grasp the multivalent resonances of tourist clichés in particular. Finally, the implicit and explicit forms of spatial control that permeate sites such as Angkor are examined in relation to the photographic clichés they respond to and help shape.     

Incompatibility,Incommensurability, and Rationality in Value Pluralism: Isaiah Berlin’s Case

Isaiah Berlin’s idea of value pluralism has been extensively discussed in recent decades. However, there is still much controversy about the actual meaning and implication of the terms “incompatibility” and “incommensurability” when applied to values. This article analyses the Berlinian concept of value pluralism from a theoretical point of view and argues that, following Berlin’s work, incompatibility should be defined as the impossibility of two ends being combined at a maximum level―though it is possible to find compromises between them when not pursued to their maximum―whereas incommensurability refers to the existence of more than one valid, rational solution to a conflict of ends. After commenting on the arguments advanced by other scholars, the presence of a certain idea of rationality in Berlin’s notion of value pluralism is advanced. Finally, it is demonstrated that incompatibility and incommensurability provide Berlin’s pluralism with its characteristic tragic feature which differentiates it from monism.     

“Bawdy Songs and Virtuous Politics”: Ambivalence and Controversy in the Discourse of the Greek Left on rebetiko

This paper explores the interrelations between politics and music as they appear in the ongoing debate about the rebetiko genre, within the intellectual circles of the left‐wing movement in the post‐war era. Through the analysis of the rebetika texts and biographical material, the ambivalent attitude of the Greek Left movement about the political context and the class affiliation of rebetiko are exposed. The Left saw popular music as a pedagogic means for inculcating class‐consciousness among the masses and promoting optimistic utopian images of a possible communist future. In the framework of this politically motivated consideration, the attempt of left‐wing intellectuals to interpret and evaluate the rebetiko genre led to various ambivalences and controversies within the Left movement.